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Confusional Quartet was one of the most original and unique bands to ever come out of Italy, and one of the few bands able to switch from the prog rock era to dislocated art forms, painting their music with traces of early electronica and a post-punk twist (read: no wave). A bridge linked the band from Bologna (rock) to the musical past and present of the nation, with senses of urgency and creativity on top and a revolutionary aesthetic revealed between the lines. No lyrics -- the music was trul…
25th anniversary deluxe reissue of To Live and Shave in L.A.'s "The Wigmaker in Eighteenth- Century Williamsburg." in an expanded 4LP box set. The four LPs contain all 27 tracks from the original “Wigmaker” double CD remastered for vinyl, including complete lyrics, original liner notes & production credits, plus an entire LP side of unreleased songs from the original 1996 version of the album. The set also includes a 36-page perfect-bound book with never- before-seen photos, a critical appreciat…
** Lucky restock, few copies available. Limited Collector Edition of 200 copies. Box with vinyl LP in polylined inner sleeve, a 60-page LP-sized book in English and a large poster. ** In the world of theatrical archives, there are the known, the unknown, the forgotten, and the lost. Demetrio Stratos' stage compositions for Teatro dell'Elfo's groundbreaking 1979 production Satyricon - directed by future Oscar winner Gabriele Salvatores - represents one such lost artifact now wondrously returned t…
*200 copies limited edition* blickwinkel warmly welcomes Brussels-based composer Roxane Métayer to the label with her new album Vies Sylvestres, out on November 21 on vinyl and digital formats. The album was conceived and developed during performances and travels in Japan in 2023, where its sounds and ideas gradually came together.
Vies Sylvestres continues the direction of her previous release on Kraak, where Métayer built imagined narratives unfolding in forests or urban spaces inhabited by an…
On Vonski Speaks, Von Freeman stretches out with his New Apartment Lounge Quartet at Jazzfest Berlin 2002, turning four long pieces into a swaggering, late‑career testimony to Chicago grit, club intimacy and unforced authority.
On Serenade & Blues, Von Freeman eases his Chicago tenor into an after‑hours glow, trading the swagger of Have No Fear for late‑night ballads and slow blues that stretch time without ever losing their bite.
On Have No Fear, Von Freeman turns a 1975 marathon session into a fiercely personal manifesto, his elastic Chicago tenor pouring blues, bravado and vulnerability into performances that sound both off‑the‑cuff and obsessively shaped.
On Ride The Wind, Roscoe Mitchell scales up the chamber‑like intensity of his Conversations work, setting it inside a 20‑piece Montreal–Toronto ensemble that treats his textures as weather systems to move through, reshape and suddenly ignite.
On Signaling, Nick Mazzarella and Tomeka Reid compress a wide slice of Chicago’s creative music history into intimate alto–cello dialogues, tracing a clear line from Hemphill/Wadud’s 1970s duets to a present tense that feels urgent and newly carved.
On Silver Cornet, Bobby Bradford and Frode Gjerstad turn a one‑night Baltimore stop into a fiercely conversational blowout, their quartet with Ingebrigt Håker Flaten and Frank Rosaly mapping free jazz as living, mobile history.
On 6 Duos (Wesleyan) 2006, Anthony Braxton and John McDonough turn a teacher–student bond into a finely wired brass–reeds colloquy, shuttling between Braxton systems, McDonough themes, open improvisation and Sousa with disarming clarity and wit.
On Indian Summer, Eddie Johnson lets his late‑era Chicago tenor glow with undimmed warmth, spinning swing‑era lyricism and speech‑like nuance over a veteran quartet that treats time as something to lean into, not chase.
Recorded in Chicago in 1976, All Music catches Warne Marsh in lucid, late-middle form: a cool-toned tenor moving with dry wit and quiet daring through Tristano-school material, buoyed by Lou Levy, Fred Atwood and Jake Hanna’s alert swing.
On Snurdy McGur dy and Her Dancin’ Shoes, Roscoe Mitchell launches the Sound Ensemble with a volatile mix of abstraction and groove, folding AACM rigor into slyly funky frameworks that keep tilting from tight forms into open risk.
On their 1981 debut, NRG Ensemble, Hal Russell and his much younger bandmates detonate a joyous, combustible mix of free jazz, skewed swing and dada humour, turning multi-instrumental chaos into a sharply etched group identity.
On Generation, Hal Russell’s NRG Ensemble collides with Charles Tyler to turbo‑charge its already volatile chemistry, turning multi‑author charts into a raucous, shape‑shifting suite of free‑jazz blowouts, sly grooves and side‑eyed melody.
On Procession of the Great Ancestry, Wadada Leo Smith threads trumpet history and civil rights struggle into a lean, glowing suite where dedications to Davis, Gillespie, Little and Eldridge sit alongside blues testifying and a closing hymn for Martin Luther King Jr.
On Circumstantial, Ira Sullivan returns to Chicago after fourteen years away, sounding both relaxed and razor‑sharp as he trades easy, hard‑won wisdom with a seasoned hometown rhythm section and a fiery young guitarist at his side.
Opening with the 18+ minute track of the same name, Archie Shepp’s ‘The Magic of Ju-Ju’ takes on a fevered pace as the centrepiece of this date from 1968. Shepp lets loose from the beginning as he’s joined by Beaver Harris, Norman Connor, Ed Blackwell, Frank Charles and Dennis Charles, all on percussion. The initial pace never dissipates throughout the title-track’s run. The additional tracks on Magic of Ju-Ju are a departure from the first, sitting more in a traditional realm. The album is a va…
3-CD Set. Recorded between 1960 and 1973, the original eighteen LPs that comprise Earle Brown's legendary Contemporary Sound Series have been highly sought after in the secondary market since 1978 when they were discontinued. These rare and historically important recordings of international avant-garde music have been carefully digitized and remastered by the Earle Brown Music Foundation. Volume two includes music by Nono (Polifonica-Monodia-Ritmica), Bruno Maderna (Serenata No. 2), Luciano Ber…