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Predominately working as a film director and visual artist, since the late 2000s Carlos Casas has occupied a remarkable double life with his work in sound, producing a handful of full lengths and EPs over the last ten years that span the worlds of musique concrète, electronic, electroacoustic, and ambient musical composition.Casas’s contribution to the MMXX series, 1883 - Sound Model I - his second release with Matière Mémoire - is an uncanny electroacoustic composition that incorporates field r…
Limited to 500 copies on ultra clear vinyl. French electroacoustic composer Bérangère Maximin has built a remarkable body of work over the past two decades, music that draws equally on the French musique concrète tradition and more contemporary approaches to electronic sound. Komora - the title refers to a chamber or enclosed space - finds Maximin working at the height of her powers, crafting sonic environments of extraordinary detail and emotional resonance. Her approach to composition is archi…
A deft hand with a long history within the brooding realms of ambient, electronic, and electroacoustic music, since emerging on the Swedish scene during the 1990s, Joachim Nordwall has cut a wide path, not only with a stunning body of solo work and collaborative efforts with Mika Vainio, John Duncan, Mats Gustafsson, and numerous others, but also through his highly regarded label iDEAL Recordings.Nordwall's background encompasses noise, industrial music, and the more abrasive end of electronic e…
In our small corner of the world, Oren Ambarchi needs little introduction. He is among the most important and prolific figures within the contemporary landscape of experimental music. First appearing as a drummer on the free jazz scene in Sydney, Australia, during the mid-1980s, by the 1990s Ambarchi had followed the gravity of an intense creative curiosity, subsequently reemerging as visionary electroacoustic pioneer focussed largely on the guitar.With a small group of peers, he helped spawn a …
With touchstones in electronic dance music, and forward-thinking, synthesizer based abstraction, the Paris based organist, composer, and experimental musician Hampus Lindwall’s contribution to Matière Mémoire’s stunning MMXX Series, MMXX-15, weaves a singularly striking world of pulsing, organized sound. Issued in a limited edition of 500 copies, on a single sided crystal clear vinyl LP with a laser engraved artwork on the other, housed in a transparent sleeve printed with the MMXX logo, and con…
Italian composer Mauro Lanza delivers a masterful work of electroacoustic artistry with Fully Automated Luxury Communism (MMXX-14), his contribution to Matière Mémoire’s stunning MMXX Series. Careful interwoven detail and buzzing electronics join to render glimpses of a visionary universe of sound. Issued in a limited edition of 500 copies, on a single sided crystal clear vinyl LP with a laser engraved artwork on the other, housed in a transparent sleeve printed with the MMXX logo, and containin…
New York based minimalist legend, Phill Niblock, delivers a towering work of drone with Browner (MMXX-12), the composer and interdisciplinary artist’s contribution to Matière Mémoire’s stunning MMXX Series. Long tones and intimate harmonics dance in masterfully controlled interplay across this incredible single sided LP. Issued in a limited edition of 500 copies, on crystal-clear vinyl LP with a laser engraved artwork on the second side, housed in a transparent sleeve printed with the MMXX logo…
The name Karbé Dinel may not be immediately familiar to even dedicated followers of experimental music, but this mysterious artist delivers a contribution to the MMXX series that stands proudly alongside the more celebrated names in the roster. Indeed, part of the pleasure of a curated series like this lies in the discoveries, the artists whose work might otherwise have escaped attention but who reveal themselves, given the platform, as fully formed creative voices with something essential to of…
Matière Mémoire presents the MMXX Series. In anticipation of the year 2020, Matière Mémoire asked 20 great artists to create an original 20 minutes piece and an artwork. Throughout this year, each quarter will see the release of 5 new vinyls, available individually or as a bundle. Each record is limited at 500 copies and comes as a crystal clear vinyl featuring an original track of 20 minutes on one side, and a laser engraved artwork on the other. Each contained in a transparent sleeve printed w…
What is there left to say about Jim O'Rourke that hasn't already been said? The American composer, producer, and multi-instrumentalist has been a defining figure in experimental music since the late 1980s, his fingerprints visible across so many crucial releases and movements that any attempt at a comprehensive summary would inevitably fall short. From his early work in the Chicago improvised music scene to his production of landmark albums by Wilco and Joanna Newsom, from his membership in Soni…
An incantation rendered typographically - announces that we are in the presence of Charlemagne Palestine at his most uninhibited and ecstatic. Throughout his long career, Palestine has never been an artist to do things by halves; his performances are legendary for their intensity and duration, his persona inseparable from the stuffed animals and cognac that accompany him, his approach to sound rooted in a conviction that music can and should transport both performer and listener to altered state…
Rounding out the batch of Matière Mémoire Éditions’ first five releases in the MMXX series comes Daniel Menche, a musician and composer based in Portland, Oregon, who has been actively on the scene since the late '80s.His catalog of recordings - solo and in collaboration with notable figures like William Fowler Collins, Alan Courtis, and Kevin Drumm, among others - is sprawling, covering a vast range of discrete fields, from electro-acoustic, noise, and dark ambient musics, to field recording an…
Carl Michael Von Hausswolff is yet another artist in Matière Mémoire Éditions’ MMXX series with decades of remarkable work behind him. Stockholm based, since the 1970s he has worked as a composer using the tape recorder as his main instrument, while making often controversial interventions into the world of visual art. For the MMXX series he created a work entitled For Marietta, a vast reverent expanse of ambience, filled with shadowy images of the natural world, presumably collected as field re…
The second instalment of Matière Mémoire Éditions’ MMXX series - Panic@11000 Feet - comes from John Duncan, a near legend who, since his emergence during the 1970s, has straddled the complex territories of performance art, installation, avant-garde music, video art, and experimental film.Many will remember the widely heralded reissue of his debut LP from 1979, Organic, released in 2018 as part of Superior Viaduct’s États-Unis series, but Duncan’s practice began years before, carving a furious pa…
Franck Vigroux is a French musician, composer, and media artist, with a considerable body of work - integrating sound, new media, and performance - that stretches across the last 20 years. Primarily known as a guitar player, his musical gestures equally extend into electronics, modular synthesis, and compositions for contemporary classical ensembles. Unquestionably an artist who refuses to be nailed down, his sprawling output - both solo and in collaboration with figures like Mika Vainio, Elliot…
To avoid the “Quésaco?” on the sleeve of Piano Dazibao, François Tusques explains everything: A wall mural on which the Red Guard expressed their opinions during the Chinese proletarian cultural revolution. So much for the “Dazibao”, very good; but the piano in all that? The piano, François Tusques was self-taught and his work was influenced by Jelly Roll Morton and Earl Hines before discovering Thelonious Monk, Bud Powell and then… free jazz. In Paris in 1965, Tusques mixed with Michel Portal, …
Reissue of François Tusques's Dazibao n°2, originally released in 1971. This was of course not the first time that François Tusques was a "headline act". In 1965, he recorded, with other like-minded Frenchmen (François Jeanneau, Michel Portal, Bernard Vitet, Beb Guérin, and Charles Saudrais), the first album of free jazz in France, named... Free Jazz. In 1967, Tusques again served up Le Nouveau Jazz, in the company of Barney Wilen (and Beb Guérin, Jean-François Jenny-Clark, and Aldo Romano). Thr…
‘Learning’ - Sophie Agnel’s first solo LP, feels like the dark, physical inversion of her excellent ‘Song’ which came out on Relative Pitch earlier this year. Sinking her unique sound into vinyl for the first time, the LP arrives as Agnel recovers from a brain tumour - a shocking discovery that will require Agnel to start again with the piano. It’s a terrifying prospect, but Agnel has been here before, having reorientated herself almost entirely away from her early classical training over the la…
“Deep Time” is a tape composition commissioned in 1991 by the Deep Listening Institute for Deep Listening Band. Fritz Hauser’s tape features recordings of sounding stones (manufactured by Arthur Schneiter) and various watches and clocks (thanks to the Bucher family in Switzerland for permission to record that family clock!). The performers improvise with the tape. On October 26, 1994 Pauline Oliveros, David Gamper, Urs Leimgruber and Fritz Hauser recorded 2 versions of Deep Time. Both of these 3…
The works on this recording are: Viaggio Interiore [Awakening of Alice] (2009) for soprano, percussion, harp, 2 recorders and electronic tape; Equanimity of Old (2008) for mechanical organ and two players; Different Equations of Hesitation (2008) for prepared piano, harpsichord, percussion, 2 harps, trumpet, oboe, 2 recorders and 8-channel electronic tape; The Garden of Earthly Delights (2011) for solo accordion; ...in the stillness between two waves of the sea... (2010) electronic tape composit…