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Jürg Frey, the Swiss composer, clarinetist, and central figure in the Wandelweiser collective, presents three recent chamber works—all written for and performed by the Prague Quiet Music Collective, with one piece featuring the Norwegian new music group asamisimasa. These compositions mark a significant evolution in Frey's aesthetic. As Ian Mikyska of the Prague collective explains, "Jürg is neither writing the music he used to write nor writing the music that anyone expects of him"—moving beyon…
"Maybe I'm like a still life painter," Linda Catlin Smith says, "looking at the same objects again and again over the years." Yet this survey of chamber works—spanning 1986 to 2024—shows a composer whose perspectives continually shift, finding something fresh in each iteration. Hers is "a compositional voice that never shouts, never draws undue attention to itself, yet creates music of compelling beauty." The Guardian awarded five stars, placing it #3 in their Top Classical Releases of 2024.
Apa…
Catherine Lamb works at the boundary between perception and illusion. In Curva Triangulus (2018/21), the American composer takes Bridget Riley's geometric forms as starting point for "warping" Renaissance materials through geometric musical figures. The result is a 41-minute composition for eight instruments where the distinction between melody and harmony dissolves: one generates the other, rather than existing as separate entities.
The score demands an exceptional ensemble. Bern's Ensemble Pro…
Ian Antonio discovered Jürg Frey via algorithm. About 15 years ago, SoundCloud kept leading him to the same piece, maybe Circular Music No. 2. "I wouldn't notice the piece starting but then realize I was in fact listening to it closely," he recalls. "The stillness and closeness and warmth were somewhat new to me." At the time, Antonio played "a lot of very loud and often very fast music" with groups like Wet Ink, Talujon, Zs, and Yarn/Wire. Frey's music was "very much the opposite."
This double …
American composer Paul Paccione makes a welcome return to recording with this portrait album featuring five chamber works originally composed between 1980 and 1990, all performed by the acclaimed Apartment House ensemble. Born in New York in 1952, Paccione studied with legendary minimalist pioneer Harley Gaber and later at the University of Iowa, developing a distinctive voice deeply influenced by Morton Feldman, John Cage, and Anton Webern.
The album includes Exit Music for string trio, Gridwor…
With yet another striking and forward-thinking work of contemporary composition, Another Timbre returns with “Maniera”, their second outing with the Italian composer, Marco Baldini, following on from last year's brilliant “Vesperi” which sold out within weeks. Comprising seven works for various configurations of string ensemble, masterfully executed by Apartment House, that nod across time toward Italian polyphonic compositions of the 16th and early 17th centuries, the diverse history of Minimal…
British composer Frank Denyer (born London, 1943) presents an extraordinary collection of five works spanning nearly fifty years of creative activity, performed by the Octandre Ensemble conducted by Jon Hargreaves. This release, recorded at the Menuhin School in Surrey in September 2022, serves as a landmark document of one of the most original voices in contemporary music.
The album includes Broken Music (1990) featuring a bewildering array of instruments including flute, piccolo, crow call, me…
Things that Happen Again offers a panoramic entry point into the lucid, evolving world of Paul Newland. Recorded by Apartment House at Goldsmiths in 2023, the album presents compositions written across a fourteen-year span. The title alludes to Newland’s fascination with recurrence and reworking - tracks such as “Difference is Everywhere (altered again)” or “Things That Happen Again (again)” are not only marked by repetition but by acts of subtle reinvention, echoing Newland's habit of dismantli…
A 51-minute journey through sound that Swiss composer Jürg Frey describes as "a (maybe even perfect) balance between anonymity and personality." Originally commissioned by Concertgebouw Brugge and premiered at the 2019 SLOW Festival, this String Trio underwent extensive revision before Apartment House brought it to its "final destination" in this first recording. Frey's compositional process defies system – everything emerges slowly through what he calls "a slow but natural process which I can't…
Three vocal works recorded between 2014 and 2020 reveal the Berlin-based American composer's singular approach to voice as spectral instrument. Lotte Betts-Dean, Explore Ensemble, and Exaudi navigate Lamb's radiant harmonic language where phonemes replace text, vowel sounds emphasize overtone clusters, and the human voice blends seamlessly with bowed strings shifting between pure tone and noise.
color residua opens with four sections where composite melodies emerge through slow hocket between si…
Sound Pieces is a collection from Pauline Oliveros performed by Apartment House. The album spans seven works from 1975 to 1998, comprising both open text scores and a structured seven-movement composition, "Tree/Peace." The ensemble channels Oliveros’ philosophy of deep listening and interpretive openness, delivering performances full of nuance, attentive silence, and subtle interplay.
Borderland Melodies, composed by Jürg Frey and interpreted by Apartment House, features three chamber works that exemplify Frey's subtle balance of melody, structure, and quiet innovation. The music explores gradual transformation, intertwining voices, and the shading of tone and silence, creating a meditative sound world where every phrase and rest feels considered and essential.
Hymnkus Thoreau Drawings Two features three rarely encountered works by John Cage, interpreted by Apartment House. The album brings together the sparse, spatial interplay of “Two”, the poised transformations of “Thoreau Drawings”, and the hypnotic, layered repetitions of “Hymnkus” in performances marked by clarity, restraint, and ensemble sensitivity.
Tehran Dust reveals Klaus Lang at his most understated and evocative, presenting a pair of pieces that meditate on the porous boundaries between sound, space, and memory. Eschewing overt drama or visual spectacle, the album envelops the listener in a slow-form exploration of timbre and atmosphere, shaped by microtonal harmony and subtle shifts in instrumental color. What emerges is not simply a display of compositional technique, but an invitation to enter a suspended sonic landscape where each …
One of Brazilian music's most overlooked treasures returns to vinyl with the reissue of Osmar Milito's Nem Paletó, Nem Gravata, originally released in 1973 on the ATCO/Continental label. The album stands as a definitive document of Brazil's golden era of samba-jazz, capturing the effortless sophistication that defined Rio's musical landscape in the early 1970s.
Pianist and arranger Osmar Milito crafted an album that seamlessly blends breezy Bossa Nova with soulful samba grooves and the lush, orc…
Point/Wave represents a rare confluence of precision and open inquiry, as Catherine Lamb’s composition for Cristián Alvear translates the enigmatic condition of sound into tactile experience. Commissioned by Alvear and realized on Another Timbre, Lamb’s score meditates on her signature just intonation, deploying the Secondary Rainbow Synthesizer to generate four environmental chords that breathe around the guitar’s modally tuned strings. The electronics hum and fade - reflecting timbral shifts f…
Morton Feldman's Intermission 6 (1953) is a sparse piano piece that typically lasts between 3 and 12 minutes in standard performances. Finnish experimental musician Antti Tolvi has created a radical 72-minute realization that extends the work's meditation on silence and resonance to an unprecedented duration. Tolvi discovered the piece through Philip Thomas's five-CD Feldman Piano box set on Another Timbre, becoming fascinated by Intermission 6 as "the piece which has the most silence in it, and…
Julia Eckhardt is a musician and organiser in the field of the sonic arts, a founding member and artistic co-director of Q-O2 workspace in Brussels—a laboratory for experimental music and sound art—and co-director of the Oscillation festival. She received training as a classical viola player and worked in various ensembles and orchestras, including the National Orchestra of Belgium, before founding Q-O2 in 1995 with a few friends to play contemporary music and practice improvisation. Brussels ar…
Apartment House presents seven works from John Cage's early period, before he began his systematic exploration of chance procedures. This repertoire captures a transitional moment when Cage had moved beyond traditional methods but before he devised new formal systems—a period when, as pianist Kerry Yong notes, he was "forced to be guided by their instincts and intuition" producing "extraordinary music."
The program balances what Yong calls "simply gorgeous / gorgeously simple pieces like 'Dream'…
Big tip! *2025 repress* An early ‘80s ambient jazz gem from the archive of Manchester’s Kevin McCormick & David Horridge. In 1970, Kevin and David met whilst they were working in the Labour Exchange Office on Aytoun St, Manchester. Both played guitar and had been searching for other musicians who played atmospheric music. Kevin had been playing in small clubs in Manchester and David performed in a few local bands. One evening, they jammed together at Kevin’s family home, and quickly realized tha…