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Barons Court
A landmark debut reissued: Barons Court finds Sarah Davachi crafting mesmerizing electroacoustic landscapes that invite deep listening and contemplation. Blending vintage synths and acoustic timbres with patient, immersive composition, Davachi’s singular vision reshapes the boundaries of minimalism and ambient music
His Greatest Misses
The track selection seems to have been designed as an ideal introduction to the former Soft Machine drummer's solo work, collecting key album recordings and even one or two bonafide hits (regardless of what the album title says). Wyatt's debut single, a cover of the Neil Diamond/Monkees song 'I'm A Believer' is included in its extended form (although, as ever it sounds jarringly out of place when set among his own compositions), as is the 1998 remaster of 'Shipbuilding', Wyatt's memorable 1982 r…
The Marble Index
Nico's second solo album, 1968's 'The Marble Index', has long been out of print. This reissue includes audio mastered from the original tapes and previously unreleased photos of Nico by Guy Webster. Nico's haunting vocals predicted the Gothic movement and co-producer and Velvet Underground's band mate John Cale's startingly modern classical production ensured 'The Marble Index's timeless appeal. The iconic music journalist Lester Bangs wrote, “The Marble Index is the greatest piece of 'avant-gar…
Desertshore
CD digipack, 12-page booklet, Includes two bonus tracks. Desertshore was co-produced by John Cale and Joe Boyd. Unlike its predecessor The Marble Index it incorporates elements from Western traditional pop."Janitor of Lunacy" was composed as a tribute to her friend Brian Jones who died the previous year. The back and front covers feature stills from the film The Inner Scar by Philippe Garrel which starred Nico, Garrel and her son Ari Boulogne. A few of the songs from the album were included on t…
Loveless
* Deluxe Edition Black vinyl in gatefold sleeve, inners + printed inner sleeve * my bloody valentine, the quartet of Bilinda Butcher, Kevin Shields, Deb Googe and Colm Ó Cíosóig, are widely revered as one of the most ground-breaking and influential groups of the past forty years. During an era in which guitar bands denoted, at best, a retro-classicism, not only did my bloody valentine sound unlike any of their contemporaries, the band achieved the rare feat of sounding like the future.  The seco…
Isn’t Anything
* Black vinyl in gatefold sleeve, inners + printed inner sleeve *Isn’t Anything and Loveless have been mastered fully from analog for deluxe LPs and also mastered from new hi-res uncompressed digital sources for standard LPs, with each being made available widely for the first time ever. Fully analog cuts of m b v will also be available on deluxe and standard LPs globally for the first time.  My bloody valentine, the quartet of Bilinda Butcher, Kevin Shields, Deb Googe and Colm Ó Cíosóig, are wi…
Sun Piano
Spiritual keyboard improvisations performed by Laraaji and recorded in a Brooklyn Church by Jeff Zeigler (Kurt Vile, The War On Drugs, Mary Lattimore). Sun Piano finds Laraaji fulfilling a lifelong ambition to return to his first instrument, learnt whilst growing up in 1950s New Jersey. A departure from his FX-soaked cosmic zither jams, these elegant miniatures nevertheless reveal enough personality and inner light to be clearly identifiable as ‘Laraaji Music’. This release is the latest step in…
Smoke Ring For My Halo
2025 stock ** "Philly’s Kurt Vile can sound like Bob Dylan, John Mellencamp or Lou Reed — if those standard-bearers were murmuring through a speakerphone after a few salvia bongs. On Vile’s fourth LP, the stoner haze lifts a bit, and he settles on a mood: chilled-out but guarded, and wrapped in gorgeous folk-blues guitar-picking. The vibe is warmly psychedelic, but reality is banging at the door. “When it’s looking dark, punch the future in the face,” he slurs in “Runner Ups,” a Dylanesque rambl…
No Home Record
With a career spanning nearly four decades, Kim Gordon is one of the most prolific and visionary artists working today. A co-founder of the legendary Sonic Youth, Gordon has performed all over the world, collaborating with many of music’s most exciting figures including Tony Conrad, Ikue Mori, Julie Cafritz and Stephen Malkmus.Most recently, Gordon has been hitting the road with Body/Head, her spellbinding partnership with artist and musician Bill Nace. Despite the exhaustive nature of her résum…
Vernal Equinox
2024 Stock. Housed in reverse board outer sleeve with printed inner. Includes download code. Fully remastered from the original tapes and available on vinyl for the first time in 42 years, and CD for the first time in 30 years. Sleevenotes by Jon Hassell and Brian Eno. Back in record shops on the day of the 2020 vernal equinox, the second release on Hassell’s own Ndeya label.   "Hailed as one of the 50 best ambient albums of all time by Pitchfork, Vernal Equinox was the first commercially releas…
Seeing Through Sound - Pentimento Volume Two
** 2021 Stock. Single 140g vinyl LP in a full colour printed sleeve with printed inner. Includes download card **  Ndeya presents Seeing Through Sound - Pentimento Volume Two by Jon Hassell. A companion piece to 2018’s Listening To Pictures, this second volume in the pentimento series presents eight new tracks by the music visionary, continuing his lifelong exploration of the possibilities of recombination and musical gene-splicing. Pentimento is defined as the “reappearance in a painting of ear…
Dead Can Dance
The uncompromising eponymous debut, Dead Can Dance, harnessed a bewitching barrage of sounds (including the distinct sound of the yangqin) with the then five-piece interchanging instruments to leave the vocals of Lisa Gerrard and Brendan Perry as the only constant. The album’s cover was important as an introduction too, a Papua New Guinean mask that some believe when worn, a life force can be put into the inanimate wood - the dead can dance.
Live In Pori 1984
In July 1984, the otherworldly entourage of over fifty musicians of Urban Sax swarmed across the coastal town of Pori, Finland, to perform a historic concert at the Pori Jazz Festival. The masked musicians, veiled in space suits and fencing masks, arrived at the scene of the concert in the Central Pori Church by fire engines, forklifts and water buses from all over the town, followed by an ecstatic and bewildered crowd of festival-goers and amazed locals alike. For those present, the explosively…
Live In Paris
* 2LP - Black Vinyl. Includes audio download code. Large format 4 page booklet with exclusive sleeve notes by journalist Wyndham Wallace *  Mute and Spoon Records present the next instalment of the curated Can live concert series, Live in Paris 1973—the first in the series to feature Damo Suzuki's vocals. The series was overseen by founding member Irmin Schmidt and producer/engineer René Tinner, who delicately worked on restoring the archival recordings to the best quality for current modern tec…
Delay 1968
Reduced Price * Limited Edition Pink Coloured Vinyl. Embossed sleeve. ncludes high definition audio download code * Although recorded in the late '60s, the material included on Can's Delay...1968 did not appear commercially until 1981. A collection of cuts featuring early vocalist Malcolm Mooney, these seven songs are among the very first Can tunes ever recorded; while nowhere near as intricate or assured as the group's later work, the visceral energy of tracks like the deranged "Uphill" and "Bu…
Live in Aston 1977
"Live in Aston 1977" is a completely new lens through which we can see a unique band with a seemingly inexhaustible energy for live performance. It comes at a difficult time for Can; their recently released eighth studio album, 'Saw Delight', was was poorly received and although posterity has been kinder, the reviews at the time of release have been savage. One might expect the live performances of this period to reflect some of the criticism levelled at the album, that they were slowing down, p…
Live in Keele 1977
The long-awaited release of a fan favourite, Live in Keele 1977, is the latest in Can’s series of live albums, released on Mute and Future Days. Live in Keele 1977 is the newest release in a series of live albums that have been unearthed from the Spoon Records vaults and from fan recordings, then painstakingly assembled by founding member Irmin Schmidt and producer and engineer René Tinner. This album is a dynamic document of late-period CAN. Recorded in March 1977, the core line up of Irmin Sch…
Live In Cuxhaven 1976
Limited edition first pressing on Curacao blue vinyl. Includes booklet and sleeve notes. This carefully restored live album comprises the 1976 show in the format of a story with a beginning, middle and end, bringing Can’s performance to life.  The album consists of four instrumental pieces – Eins, Zwei, Drei and Vier. These compositions reveal an improvisatory approach of Can. Each instrument contributes to the shamanistic nature of the music The series was overseen by founding member Irmin Schm…
Rite Time
'Rite Time’ was originally released in 1986 and has been evaluated as one of the classic Can albums. "An unexpected reunion from Can (made even more unexpected by the presence of original singer Malcolm Mooney, who left the band in 1969), 1989's Rite Time is in large part a return to form for the group, especially when one considers how weak Can's last few '70s albums were. Wisely, the quintet doesn't try to replicate the sound they created over two decades before on albums like Monster Movie. I…
Live Stuttgart 1975
Limited Edition Live Album On 3LP! Pressed On Orange Vinyl!  Mute are delighted to announce the release of Can Live in Stuttgart 1975, the first in a series of Can live concerts available in full for the first time on vinyl. Originally recorded on tape, these carefully restored live albums will comprise the entirety of each show in the format of a story with a beginning, middle and end, with Can's performances taking on a life of their own.  Can Live in Stuttgart 1975 will be available on limite…