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EKA Varna
Nearly 20 years after the release of their landmark collaboration Multiplication, and nearly 25 years since their first live partnership, Merzbow and John Wiese reunite for a deep immersion into chaotic, raging electronics. Recorded on stage at Koiwa Bush Bash, Tokyo, Japan, December 2023. Digipak CD presented by Helicopter and Troniks. Art and design by John Wiese.
Dawn Of The Bloody Tapes
The Cherry Point returns with the long gestating follow-up to Night of the Bloody Tapes, a speaker-shredding demolition across two tracks of unforgiving hell. Recorded in Los Angeles, 2020–2024, Dawn of the Bloody Tapes is an unrelenting underground audio annihilation fueled by xeroxed zines, shot-on-tape traumas, and scrambled late-night broadcasts. All electronics by Phil Blankenship. Mixed by John Wiese.
It's exactly what you think it is.
Porch Music
Porch Music is a double album uniting Mitchell Brown (Gasp), Paul McCarthy, Joe Potts (Airway), Alex Stevens, and John Wiese (Sissy Spacek) from the Los Angeles Free Music Society, documenting the group's studio session at McCarthy’s studio and their inaugural live set from The Box gallery. Crafted from melting cinematic sounds, this release captures the ensemble's exploratory spirit with artwork by Ace Farren Ford.
Los Angeles, Not the Totimorphous
Los Angeles, Not the Totimorphous surveys The Haters’ uncompromising presence in Los Angeles, led by GX Jupitter-Larsen since 1979. This documentation compiles both contemporary and archival performances: the 2024 45th Anniversary Show at Coaxial Arts Center with GX, AMK, John Wiese, and Elden M weaponizing transistor radios, turntables, tape, and rust; a 2011 suitcase-smashing set at LACE; and a 1991 event devoted to tearing paper. Each iteration presents entropy and action as its own aesthetic…
New York About the Polywave
New York About the Polywave chronicles both recent and archival New York performances by The Haters, the iconic noise and conceptual art collective led by GX Jupitter-Larsen since 1979. The collection includes the ferocious 2025 “Digging Through Time” show at TV Eye, where shovels and a large wooden clock met their entropy-fueled fate, as well as earlier interventions involving calculators against fans and amplified hole-punch devices. These actions expose The Haters’ unique sonic and conceptual…
Violent Semi-Abstract
Debut duo recording of LAFMS-founder and Airway maestro Joe Potts and John Wiese. Recorded during the Joe & Joe/John Wiese mid-west tour of 2018. Melting/sweating tape music/chopped optigan.
Community Center Cyber Crash / Live In Pittsburgh
A searing document of C.C.C.C.’s indelible live performance at Wilkins School Community Center on October 11, 1992, Community Center Cyber Crash/Live In Pittsburgh voyages into an abyss of scorching sound featuring the lineup of Mayuko Hino (electronics, voice), Hiroshi Hasegawa (synthesizer, voice), and Fumio Kosakai (electronics, tapes). Originally released as a vinyl LP in 1993 that helped cement the ensemble’s legacy and influence, the album has been meticulously remastered in 2023 by John W…
XCIII
More than 25 years after their first partnership, international collaborators Smegma and Merzbow reunite for an all-new album that pushes the conceptual springboard of random composition generation even further. Consisting of two movements spread over 93 tracks, XCIII presents a collage of abstract electronics, unconventional instruments, reel to reel tape manipulation, loops and effects, best experienced in unique combinations on shuffled play.The first movement, Climactic Gruesome Costumes (wh…
Past Present Future
Second album of minimal musique concrète from this Ohio duo. Robert Turman is a sound artist from the United States who is most recognized for his pioneering and experimental work in the fields of contemporary minimalism and ambient music. John Wiese is a sound artist and composer who is well-known for his singular and forward-thinking approach to sound as well as his ability to produce intricate, layered works that blur all boundaries. Both experimental and post-improvisational approaches are u…
Opus 17
* Double CD edition. Metallic silver ink printed on high gloss paper * Eliane Radigue's complete Opus 17, her finest and final work created using feedback, is contained on this double CD. With Opus 17 Radigue perfected her slow mixing technique with sublime results. Imperceptible transformations envelop the attentive listener who is confronted with an immensely physical experience. Time is suspended in powerfully poetic and artful ways as Radigue masterfully sculpts the physical matter of sound …
11 Dec 80
11 Dec 1980 is a two CD set containing Eliane Radigue's live performance of Chry-Ptus (1971), her first work for modular synthesizer, and the world premier of parts one and three of Triptych (1978). Triptych part 2 is also performed. Upon hearing these performances for the first time in many years Radigue declared them to be the best versions she'd ever heard. Radigue's sublime renderings of these major pieces are full of illusory stasis, slow change and dense, slow motion drone that has charact…
Triptych
2024 small repress. "Back to music after three years of silence... On the suggestion of Robert Ashley, Douglas Dunn commissioned this piece from Éliane Radigue for choreography. Only the first part of Triptych was staged at the premiere at the Dancehall/Theatre of Nancy on February 27 1978. Recorded in the composer's studio in Paris. After the premiere of Adnos I (IMPREC 028CD) in San Francisco in 1974, a group of French students introduced Éliane Radigue to Tibetan Buddhism. When she returned t…
Vice Versa, Etc.
2021 restock. "Includes liner notes & archival photographs. 1970 was an important year in Eliane Radigue's musical life since it was the year just before she acquired her ARP 2500 synthesizer. Since 1967, she had been using the feedback as a material; feedback from two tape recorders reworked through intensive studio techniques: slowing down, alteration, superimposition, montage. In 1970, the last year she dedicated to feedback, several milestone pieces saw the light of day: Omnht, a wonderful s…
Central Palace Music
Central Palace Music, performed by Catherine Christer Hennix's just-intonation ensemble The Deontic Miracle, is the first in a series of archival Hennix releases to be issued via Imprec. This previously unheard piece was taken from an eight day festival organized in the Spring of 1976 at the Museum of Modern Art in Stockholm. The group features Catherine Christer Hennix on Renaissance oboe and custom sinewave generators, Peter Hennix on Renaissance oboe and Hans Isgren on sheng.Central Palace Mu…
Live At Issue Project Room
BLUES ALIF LAM MIM IN THE MODE OF RAG INFINITY/RAG COSMOSIS is a new composition from Catherine Christer Hennix's expanded just-intonation ensemble, the Chora(s)san Time-Court Mirage. This expanded ensemble includes vocalists Imam Ahmet Muhsin Tüzer, Amir Elsaffan and Amirtha Kidambi, an expanded brass section with the addition of Paul Schwingesnschlögl and Elena Kakaliagou as well as the additon of Marcus Pal and Stefan Tiedje on electronics.Packaged in a lavish, oversized letterpressed jacket …
Live
Magnificent reissue of this tape obscurity from 1980, Cluster's eighth album (the first of three live LPs) originally released on the YHR label (which was curated by Pump's David Elliott), also including archival material never before issued on CD. With so much stuff from this era coming to the surface recently it's sometimes easy to get blasé about it all, but this is one you really ought to give your fullest attention to. As the title says, this was recorded live in Vienna in 1980 at th…
Invisible-Inaudible. Five electrical walks
These Christina Kubisch five compositions on the CD are based on numerous live recordings of electromagnetic fields, made between 2003 and 2007 in the cities of Birmingham, Chicago, Taipei, Paris, Bremen, Riga, Tokyo, Madrid, London, New York, Berlin and others. The sounds have not been altered electronically or by other means. Electrical Walks is a public walk with custom-made sensitive wireless headphones by which aboveground and underground electromagnetic fields are detected, amplified and m…
Requiem
On Requiem, Vancouver-based composer and musician Anju Singh combines funerary violin and harsh noise, as illustrated in an excerpt from liner notes by Gordon Ashworth (Oscillating Innards, Knelt Rote): "Requiem is an album of the violin engaged in a multi-dimensional way. Merging forms of music and anti-music; burning a violin as a means of achieving the instrument's ultimate dramatic and sonic potential, and guiding the ritual object into a symbolic death."
Singh is recognized in the noise w…
Skull Dream
*2025 stock. 100 copies limited edition* Most dreams are forgotten. They eventually become the cosmic dust of the subconscious, burning brightly for a few minutes before fading back into a buried chamber of mind. But occasionally nocturnal reveries assume a life of their own. They disappear and return, haunt and tantalize, offering unconscious symbols and twisted shapes that help us navigate the labyrinth of our own existence. Dave Harrington’s latest album, Skull Dream, falls into the realm of …
The Boyé Multi-National Crusade for Harmony
In response to the arguably self-righteous pronouncements made in the 1990s as to what jazz is and isn’t, Julius Hemphill (1938–1995) spoke up as he had done throughout his career. “Well, you often hear people nowadays talking about the tradition, tradition, tradition. But they have tunnel vision in this tradition. Because tradition in African-American music is wide as all outdoors.” This collection of music, this celebration of artistic collaborations that engaged Julius Hemphill throughout his…