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** 4xCD edition, housed in a rigid outer slipcase Box with a 16 page booklet, with 16 tracks and features all 4 interpretations of Long Gradus, spread across 4 discs** A new longform commissioned work for any ensemble of four similar instruments. The definitive string quartet version of 'Long Gradus' is available as a 2LP and CD, and the collection of all four arrangements (strings, woodwinds, brass & organ, choir & electronics) is presented as the 'Long Gradus: Arrangements' 4CD set. 'Long Grad…

*200 copies limited edition* Two beautiful pieces merging piano, electronics and field recordings. "you had that uncertain landscape / in your mouth / a slightly opaque breath / chewing distances / into the ear of a land still without a name / the morning had settled askew / on the slow stones / and the motionless grasses / everything seemed to be waiting / for something very ancient / that never quite arrived / on my side / i had filled my pocket with silence / and repeated several times / what…

Tip! The compositions on this album, written between 2022 and 2024, form a conceptual suite and an observance of the mental dances that we construct to understand acts of passage; the ways that we commune, memorialize, and carry symbols back into the world beyond representation. To this end, The Head as Form’d in the Crier’s Choir engages two references to the ancient Greek myth of Orpheus: Rilke’s Sonnets to Orpheus, a collection of poems from 1922, and Monteverdi’s L’Orfeo, an early baroque op…

Canadian-in-LA electroacoustic composer Sarah Davachi has rediscovered her muse since releasing work on her own label, Late Music. Having explored hitherto unheard realms of enchanting melodic organ and electronics drones on her 2020 album Cactus, Descant, Antiphonals further explores these ideas using a sound palette of Mellotron, electric organ, piano, and synthesizer.  Referring to church music sung or recited alternately by two groups in its title — Antiphonal is a studied solo affair in whi…

Hardback book style packaging, 24 page booklet + 140 minutes of music - The most ambitious work of Sarah Davachi's career to date. Spanning more than two hours of music across three LPs, The Will of Tongues arrives on the composer's own Late Music imprint as a vast, deeply considered statement - a meditation on the act of listening itself, and on the mental spaces that sound, given duration and reduction, continually opens. Over the last decade, Davachi has emerged as one of the most singular vo…

Have you heard of the Nurse With Wound List? If you are a fan of creative-experimental-unlikely music, certainly. You would therefore be aware that amongst the recommendations that Steven Stapleton slipped into the first album of his group Nurse With Wound, were to be found a few restless frogs: Jef Gilson, Luc Ferrari, Jacques Thollot, Urban Sax, Horde Catalytique and last… but not least Jean-Jacques Birgé and Francis Gorgé. Stapleton admired their album Défense de. The two Frenchmen just had t…

CD digipack "Why would I sing in French? I have Breton culture, I speak Breton, I live in Brittany, and the Breton language is the language of this country..." So explained Kristen Noguès, of whom this is the first of the (rare) albums that she recorded Marc'h Gouez, is a fabulous voyage in space on each listening. Noguès learned the Breton language as a child, at the same time as the Celtic harp, -- taking lessons with Denise Mégevand, who would go on to teach others, notably Alan Stivell. At t…

First ever reissue of impossible to find French soundtrack. Mixing elements of spiritual jazz, free funk and dirty grooves, the album was mixed by Jef Gilson.

Souffle Continu Records present a reissue Le Théâtre du Chêne Noir's Aurora, originally released in 1971. In 1972, Steve Lacy recorded Solo, one of the gems in his discography, in the Théâtre du Chêne Noir in Avignon. The previous year (which was also the year in which Aurora appeared), the eponymous group of actors led by Gérard Gelas, took up residence in what was a 12th century chapel. The Théâtre du Chêne Noir is therefore not just the name of a space open to all kinds of artistic audacity, …

Souffle Continu Records present a reissue of Baroque Jazz Trio's self-titled album, original released on Saravah in 1970. This CD also includes tracks from the 7" Orientasie/Largo originally released in 1970, and reissued by Souffle Continue Records. Mixing Baroque, free-jazz, and world music, the unique album of the Baroque Jazz Trio (which is in fact 3/5 of the Bach Modern Quintet) is a difficult-to-label sound object which is far from being typical of the psychedelic sounds associated with th…

It was some line up, even for the most open-minded: Emmanuelle Parrenin and her musicians, in 1981, opening for the Clash in Paris, at the Zénith! Unsurprisingly, the crowd roared the name of the English band as soon as the French musicians appeared on stage. Didier Malherbe responded with a saxophone improvisation with all the others joining in behind. If we believe the musician improvising, rather than following the cult playlist of Maison Rose, was what saved them. Created from previously unp…

2008. Paris and Glasgow. Eric La Casa recording sounds for Luke Fowler's 16mm triptych. Not compositions but investigations into the infra-ordinary - that space-time at low intensity where background noise meets the inaudible. How to create a meaningful dialogue between looking and listening? This question drove Fowler's film cycle. La Casa's answer: find a listening point in relation to everything taking place. The microphones amplify all living substances in motion - from the interior of the b…

"Though modern, “avant-garde” jazz is an ensemble music often based on collective improvisation, solo performance is its own extraordinarily fruitful sub-area of investigation for the creative improviser. Without a reactive, interpretive partner (or several), the solo recital blurs the lines between composition and improvisation as the performer enters a world of unfettered development. Greene has been performing and recording solo since the 1970s, and these settings have yielded some of the mos…

Masterful free improvisation from the quartet of bassist Joelle Leandre, violinist Carlos Zingaro, trombonist Sebi Tramontana and drummer Paul Lovens, referencing jazz tradition while taking it well beyond. Joëlle Léandre (born 12 September 1951 in Aix-en-Provence, France) is a double bassist, vocalist, and composer active in new music and free improvisation. In the field of contemporary music, she has performed with Pierre Boulez's Ensemble InterContemporain, and worked with Merce Cunningham …

Zenith by the Sam Rivers Quartert was recorded 6th November, 1977 in Berlin, Germany, and re-mastered for this release by Arūnas Zujus at MAMAstudios. Personnel includes: Sam Rivers - tenor and soprano saxophones, flute, piano, Joe Daley - tuba, euphonium, Dave Holland - bass, cello, Barry Altschul - drums, Charlie Persip - drums.

Ricochet by the Sam Rivers Trio was recorded January 12, 1978, at Keystone Korner, San Francisco, CA, and re-mastered for this release by Arūnas Zujus at MAMAstudios. Personnel includes: Sam Rivers - tenor and soprano saxophones, flute, piano; Dave Holland - bass and cello; Barry Altschul - drums.

300 copies. NoBusiness presents Irvin's Comet, a new set of solo bass recordings by Barry Guy, recorded 29th October, 2019 during Improdimensija (Improdimension) concert series dedicated to improvised music, located at MAMAstudios, Vilnius, Lithuania. Sound Engineer - Arūnas Zujus. Mixed and mastered by Arūnas Zujus at MAMAstudios. Original artwork - Albert Irvin, Comet, 1988 / Screenprint with woodblock, edition of 75, Advanced Graphics, London. Design by Oskaras Anosovas.

* 300 copies only * NoBusiness presents Live at Jazz inn Lovely 1990, a new set of recordings by Masayuki JoJo Takayanagi, Nobuyoshi Ino and Masabumi PUU Kikuchi Recorded live by Sony TC-DM at jazz inn Lovely, Nagoya, Japan, October 9th, 1990. Track 1,4 & 5 improvised and composed by Masayuki JoJo Takayanagi, Nobuyoshi Ino and Masabumi PUU Kikuchi. Track 2 & 3 improvised and composed by Masayuki JoJo Takayanagi and Nobuyoshi Ino. Gigs produced by Katsuhiko Kawai 河合勝彦. Tapes provided by Koujiro T…

* Edition of 300 copies * This latest instalment from NoBusiness Records collaboration with the Japanese Chap Chap label under the name of Yuji Takahashi with Sabu Toyozumi constitutes a real find. A wonderfully mystic vernal episode of free improv music recorded in Tokyo, 1998. Piano and percussion album of the highest beauty, interactive on a telepathic level and execution. Yuji Takahashi is a Japanese avant-garde composer and pianist. In Japan he was by then already well established as leadin…

Japanese free/jazz sax legend, Kaoru Abe, dies at the age of only 29 in 1978, living a fast and crazy life and dieing of a drug overdose. His entire music career was only 10 years, from 1968 to 1978. In that short period, he was well recorded with around 30 releases, ten of which are solo sax efforts, duos with guitarist Masayuki Takayanagi, bassist Motoharu Yoshizawa and drummer Sabu Toyozumi. Mr. Abe also toured and recorded with Milford Graves, Derek Bailey and Toshinori Konda in 1977 & 1978.…

*Deluxe packaging.* There have been other recordings of "Für Alina" and "Spiegel im Spiegel" but none like those on this disc, realized with the participation of the composer. Here Pärt, aided by exceptional interpreters, revisits those seminally important compositions which marked the birth of a new, "prismatic" period in his work, establishing a link between compositions embodying the fundamental traits of the "tintinnabuli style." Three interpretations of the duet ‘Spiegel im Spiegel’ (Mirror…

The 1984 ECM album Tabula Rasa was the vehicle that introduced the revolutionary music of Arvo Pärt to audiences outside Eastern Europe and initiated what was to become one of the most extraordinary musical careers of the late 20th century. Like many of the first generation American minimalists, he limited himself to diatonic harmonies and generated pieces by setting processes in motion, but the radical simplicity he achieved was the result of religious contemplation that was at least as, if not…

String quartets by Kaija Saariaho (Nymphéa, with live electronics), John Cage and Bruno Maderna played by the Cikada String Quartet, recorded in August 2001 at Sofienberg Church, Oslo, and released by ECM New Series in 2005.

Arvo Pärt's Kanon Pokajanen, a complete a cappella setting of the Orthodox Canon of Repentance in Church Slavonic, sung by the Estonian Philharmonic Chamber Choir under Tõnu Kaljuste. Recorded June 1997, Niguliste Church, Tallinn. Two CDs.

3-CD box: Terje Rypdal's complete double album Odyssey (Oslo, August 1975) with Brynjulf Blix, Torbjørn Sunde, Sveinung Hovensjø and Svein Christiansen, plus Unfinished Highballs, recorded live by Swedish Radio with the Radiojazzgruppen in Södertälje, June 1976.

Keith Jarrett's improvised solo piano concert recorded live at the Cologne Opera House on 24 January 1975, produced by Manfred Eicher and first released by ECM in November 1975. CD edition with the complete concert.

Paul Bley's 1971 ECM album of three Annette Peacock compositions, recorded by two piano trios in New York in March and July 1967, with Barry Altschul on drums and Gary Peacock or Mark Levinson on bass.

Six-CD box of five complete solo piano concerts by Keith Jarrett, recorded in Kyoto, Osaka, Nagoya, Tokyo and Sapporo in November 1976, plus a disc of encores. Produced by Manfred Eicher; first issued on ten LPs in 1978.

3-CD box collecting Eberhard Weber's Colours albums Yellow Fields (1975), Silent Feet (1977) and Little Movements (1980), with Charlie Mariano, Rainer Brüninghaus, Jon Christensen and John Marshall, recorded at Tonstudio Bauer, Ludwigsburg.

Jan Garbarek (soprano and tenor saxophones) improvising with the Hilliard Ensemble on sacred vocal music from Gregorian chant to Morales, Dufay and Pérotin, recorded in September 1993 at the Propstei St. Gerold, Austria.

Free improvisation trio of Jan Garbarek (saxophones, flute), Arild Andersen (bass) and Edward Vesala (percussion), recorded 8 November 1972 at Arne Bendiksen Studio, Oslo, produced by Manfred Eicher. Released April 1973. CD edition.

Audio edition of Heiner Goebbels' music-theatre installation for five mechanised pianos, archival voices and texts after Adalbert Stifter, recorded 20-21 October 2007 at the Grand Théâtre de la Ville de Luxembourg.

Six-CD box of Paul Motian's first six ECM albums as leader, recorded 1972-1984 in New York and Ludwigsburg, with Keith Jarrett, Charlie Haden, Charles Brackeen, Bill Frisell, Joe Lovano and others. Old & New Masters series, 2013, notes by Ethan Iverson.

Morton Feldman's Rothko Chapel with music by Satie and Cage, played by Kim Kashkashian (viola), Sarah Rothenberg (piano, celesta), Steven Schick (percussion) and the Houston Chamber Choir under Robert Simpson, recorded in Houston in May 2012 and February 2013.

Galina Ustvolskaya's Trio (1949), Violin Sonata (1952) and Duet (1964), played by violinist Patricia Kopatchinskaja, pianist Markus Hinterhäuser and clarinettist Reto Bieri, recorded in March 2013 at the RSI Auditorio in Lugano.

Heiner Goebbels's Surrogate Cities for orchestra, sampler and voices, with Jocelyn B. Smith, David Moss and the Junge Deutsche Philharmonie under Peter Rundel; orchestra recorded 1996 at Bayerischer Rundfunk, Munich, vocals 1999 in Frankfurt.

Eight-part suite composed and conducted by Evan Parker for the 14-piece Transatlantic Art Ensemble, co-founded with Roscoe Mitchell, with Craig Taborn, Barry Guy, Paul Lytton and others. Recorded live September 2004 at the Muffathalle, Munich.

Double album by Roscoe Mitchell with his four trios (Craig Taborn, Tyshawn Sorey, Hugh Ragin, William Winant and others), recorded live in September 2015 at the Museum of Contemporary Art Chicago during the AACM's 50th anniversary.

3-CD box collecting Codona's three ECM albums (Codona, Codona 2, Codona 3) by Collin Walcott, Don Cherry and Naná Vasconcelos, recorded at Tonstudio Bauer, Ludwigsburg, in 1978, 1980 and 1982, produced by Manfred Eicher.

Tip! *199 copies limited edition* Step into the enigmatic world of Morthond, a captivating music project that took shape during the winter of 1990 under the creative guidance of the singular talent, BJ Nilsen. Morthond isn't confined by genre labels; instead, it's a canvas where experimental soundscapes, dark atmospheres, and ambient textures converge to create an immersive auditory experience. Unlike traditional projects, Morthond thrives on pushing sonic boundaries and challenging the norm. Ro…