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*200 copies limited edition* "This record is the crystallization of a friendship and musical partnership that started when Sonelius and I first met in 2012, when I was making my documentary on Rahsaan Roland Kirk – The Case of the Three Sided Dream. Sonelius appears only briefly in the film, and that’s mainly because of his ethereal approach to conversation, answering questions, and life, really. He doesn’t so much answer a question, rather, his responses usually generate more questions and are …
Debut by My Face Is Dancing, the family collective led by drummer and producer Federico Ughi with his young sons: avant-soul and abstract hip hop built from recordings made across the children's early years. Black vinyl, 100 copies.
Joe Colley as Crawl Unit: sound events composed and constructed in Sacramento between January and July 1997, with one track recorded live at Sound Culture 96 in San Francisco. Original Povertech Industries CD in digipak.
One of the most singular and quietly devastating works in The Caretaker's long catalogue. Out of print for over a decade, Patience (After Sebald) returns in a 2026 pressing on History Always Favours The Winners, limited to 500 copies.
Conceived by James Leyland Kirby as the score to Grant Gee's feature-length documentary of the same name, originally released in 2012, the album traces a path through the work and shadow of the German writer W.G. Sebald (1944-2001), following the long coastal walk …
*2026 repress* 'Persistent Repetition Of Phrases' success comes from the attention it pays to the function of 'the loop', not only as a narrative ordering system in modern music, but as a means by which the brain itself recalls and interprets information; it's as old as recorded sound itself, but in this context the repetition of small shards of auditory information becomes an elegy to fading memory and the worn-out synapses of old age. The track titles offer signposts through Kirby's labyrinth …
"Recorded at the same time as I and Then C93 were channelling Swastikas For Noddy, Imperium was the BackSide GrimStory to the Bright 'n' Breezy (Locust) SummerTime Whistkes of Swastikas For Noddy. I was very ill whilst making both records, and my main memories (along with Speed And Vodka, ThankYou, ThankYou) were lying sick on a grimy couch at the long-gone IPS Studios in Shepherd's Bush. There was a heavy leak in the kitchen and the water was running over the studio floor and up my distressed, …
Blck vinyl. Current 93's first and last album, Nature Unveiled dragged together my obsessions, as I had decided to make a pop album that dealt with my primary fascinations: Christian apocalyptic and eschatological Christian texts. In my speed-ridden soul and mind, I thought I was reinventing The Ronettes, and that the two long sides of Nature Unveiled were A- and B-sides of a wall of soundhogs HIT! But the reality is that I was sharing a squat in Vauxhall with little annie anxiety, and hanging o…
Black vinyl. Reeling in the weeks -- which felt like years -- after my first Current 93 album, I had started on the difficult second C93 album, Dogs Blood Rising. Having been asked to appear on both Top Of The Pops and The Old Grey Whistle Test 93 times in the same week after the release of Nature Unveiled, I realized that God was telling me that I had hit on a winning formula of Christian eschatology and Apocalyptic Christian texts over a Soundscape as cool as flies, but that I was missing the …
A cornerstone of the acousmatic tradition, finally on vinyl. François Bayle's Jeîta ou Murmure des Eaux arrives as a limited LP via Recollection GRM and Shelter Press - one of the composer's most singular and spatially ambitious works, composed in the wake of a concert given at the Jeita Grotto in Lebanon in 1969, where Bayle had traveled to mark the opening of the cave's newly discovered upper gallery. Bayle joined the Groupe de Recherches Musicales in 1960, studying under Pierre Schaeffer and …
Brazilian guitar music has a way of folding the whole century into a single instrument, and few players carried more of it in their hands than Luiz Bonfá. Most listeners know him through the songs he wrote for Orfeu Negro, the ones that helped carry bossa nova out of Rio and across the world. Introspection, cut for RCA in 1972, is the quieter counterweight to that fame: eight original pieces for solo guitar, recorded at a moment when Bonfá had stopped chasing the hit and turned inward.
Anichy & Lyemn reduce electronic sound to patient, glowing essentials: slow harmonic rhythm, canons, repetitive phrases and gently shifting layers, across two unreleased remix pieces that treat minimalism less as a genre tag than a way of feeling time stretch and fold.
In September 1968, Amon Düül played the "International Essener Songtage", Germany's first rock festival of five days duration, which was initiated by the later Ohr label boss Rolf-Ulrich Kaiser. The Berlin hit producer Peter Meisel heard and saw the band there and spontaneously signed them, along with Tangerine Dream and Birth Control. Amon Düül was close to the Berlin "Kommune 1" and came together at a time when everyone was an artist who wanted to be one. Anyone who wanted to could also be a m…
The first record on Moving Shadow, cut in 1991 by Neil Sanford and Simon Carter: three tracks of British rave psychedelia, with 'No Idea' still the perfect way into that catalogue. Reissued and remastered by Blank Mind.
Silence Records announces highly anticipated reissue of Träd, Gräs Och Stenar's Legendary Self-Titled debut album - Swedish Psychedelic Pioneers' Groundbreaking 1970 Masterpiece Returns with Exclusive Poster
Since the turn of this century, perhaps no other modern composition has had a more resonant healing effect than The Disintegration Loops. Composer William Basinski’s deteriorating analog tape loops evolved from melodic symphonies to melancholic silence over a span of time that uncannily turned passing minutes into pensive lifetimes. In her foreword for the new box set reissue of The Disintegration Loops, the pioneering multimedia storyteller, Laurie Anderson, describes the impact of this transfo…
Tip! ** Edition of 150 White Vinyl ** Xing presents the new LP Cosmic Silence 5, fluorescence 4 by Margherita Morgantin with Ilaria Lemmo and Beatrice Goldoni, sixth release of XONG collection – artist’s records
The release is on clear/white marble vinyl, in a limited and numbered edition of 150 copies. The collector's edition consists of 15 copies, each accompanied by a limited edition artwork by Margherita Morgantin: an eV (electronvolt) steel scalimeter with an intervention by the artist.
Cos…
Big Tip! Known for her contributions to the Black Arts Movement of the 1970s, Sarah Webster Fabio published a plethora of poetry collections and works of cultural criticism. Together to the Tune of John Coltrane’s “Equinox” is her fourth and final record for Folkways, and sees her vivid language and distinctive voice becoming enmeshed with a dynamic backdrop of exploratory jazz. Fabio pays homage to Black jazz and blues musicians Duke Ellington, Bessie Smith, Billie Holiday, and John Coltrane. F…
The first recording by these pioneers of electro-acoustic improvisation, AMMMusic stands the test of time both as a remarkably prescient session and as an utterly powerful and deep piece of 20th century music
The new issue of Electronic Sound dives into the world of tape music – from Pierre Schaeffer and Delia Derbyshire to today's sharpest loopers – and comes bundled with an exclusive Steve Reich CD, Tape Pieces, pairing his mid-'60s phasing landmarks Come Out and It's Gonna Rain across some 30 minutes.
On In Filth Your Mystery Is Kingdom / Far Smile Peasant in Yellow Music, Dagmar Zuniga threads five years of Tascam‑4‑track recordings into a porous, tape‑hazed songbook: fragile transmissions where harmony, hiss and fingertip detail make lo‑fi feel widescreen.