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My Life In The Bush Of Ghosts
Stranded gave Roxy Music their first UK No’1 album and brought with it an undeniable presence that would eventually see Roxy Music’s American audience take note! It was becoming all too clear that Roxy Music were indeed a band ahead of their time.
Stranded
Stranded gave Roxy Music their first UK No’1 album and brought with it an undeniable presence that would eventually see Roxy Music’s American audience take note! It was becoming all too clear that Roxy Music were indeed a band ahead of their time.
Roxy Music
Falling halfway between musical primitivism and art rock ambition, Roxy Music's eponymous debut remains a startling redefinition of rock's boundaries. Simultaneously embracing kitschy glamour and avant-pop, Roxy Music shimmers with seductive style and pulsates with disturbing synthetic textures. Although no musician demonstrates much technical skill at this point, they are driven by boundless imagination -- Brian Eno's synthesized "treatments" exploit electronic instruments as electronics, inste…
For Your Pleasure
On Roxy Music's debut, the tensions between Brian Eno and Bryan Ferry propelled their music to great, unexpected heights, and for most of the group's second album, For Your Pleasure, the band equals, if not surpasses, those expectations. However, there are a handful of moments where those tensions become unbearable, as when Eno wants to move toward texture and Ferry wants to stay in more conventional rock territory; the nine-minute "The Bogus Man" captures such creative tensions perfectly, and i…
Unhalfbricking
Unhalfbricking is the third album by the British folk rock band Fairport Convention and their second album released in 1969. It is seen as a transitional album in their history and marked a further musical move away from American influences towards more traditional English folk songs that had begun on their previous album, What We Did on Our Holidays and reached its peak on the follow-up, Liege & Lief, released later the same year.
The album features several Bob Dylan songs, which he had not yet…
Little Red Record
2CD Expnaded Edition. This Esoteric Recordings edition has been newly remastered from the original master tapes and is expanded to include four previously unreleased studio session alternate takes and Matching Mole’s appearance on BBC Radio One “In Concert” in July 1972. The booklet restores all original artwork and includes an essay by Sid Smith. Matching Mole's Little Red Record (1972) is the second album of the British Canterbury Scene band Matching Mole. Compared to their first album, Little…
Dedicated to You ...
Famed Jazz pianist Keith Tippett is one of the greatest and most innovative figures in modern jazz. His work has also seen him cross into the world of Progressive Rock, working with King Crimson and his own outfit Centipede.
‘Dedicated to You, But You Weren’t Listening’ took its name from the Soft Machine track of the same name and was the group’s second album. Recorded for the legendary Vertigo label, the album featured such celebrated alumni as Elton Dean on Alto Saxophone, Marc Charig on Corn…
The Story Of Moondog
Dating back to 1957, The Story Of Moondog followed up the previous year's More Moondog LP, setting its course for adventurous new sounds and homemade percussion meditations.The music is never a slave to any one fixed agenda and much of the material here sounds as if its gathered from some undiscovered culture - it's all-but impossible to compare this with anything else from the era, but when the longer-form pieces arrive they augment the more primal, outsider aesthetics with visceral, jazzy arra…
Moanin'
Moanin’ is the sound of Art Blakey turning a band into a congregation, with Lee Morgan’s trumpet, Benny Golson’s tenor saxophone, Bobby Timmons’s piano, and Jymie Merritt’s bass all testifying over Blakey’s unmistakable cymbal crashes and press rolls. From the call‑and‑response of the title track to the burning hard‑bop vehicles that follow, the record distils church‑infused, blues‑drenched celebration into a small‑group format. Each soloist brings a distinct voice – Morgan’s bright fire, Golson…
Out To Lunch!
Out to Lunch! remains one of the most strikingly original statements on Blue Note. Eric Dolphy marshals Freddie Hubbard on trumpet, Bobby Hutcherson on vibraphone, Richard Davis on bass, and Tony Williams on drums into a unit that treats his knotty compositions as springboards rather than straitjackets. Themes like “Hat and Beard” arrive full of angular intervals and odd accents, while the rhythm team tilts and lurches under them, propelled by Williams’ restless cymbal work and Davis’ flexible g…
Chelsea Girl
She is beautiful. And in a world where so much can easily be possessed on a whim or for a promise, she is not comparable. She has a clear, pure ring, a trueness, like an arrow that has hit an inner mark and can’t be wedged loose. Her voice and her manner, that stretch farther into the past than perhaps she realizes, may set the new style: an existential pop style that is as earthy as Mary Travers (Peter, Paul & Mary) yet more elegant, more isolated. Her name is Nico. I don’t know where she was b…
Empyrean Isles
Herbie Hancock debuted on Blue Note in 1962 and quickly established himself as both a remarkable pianist and a brilliant composer with three excellent albums—Takin’ Off, My Point Of View, and Inventions & Dimensions—before making what is widely considered to be his first masterpiece: Empyrean Isles. Recorded in 1964, the album seemed to distill the full breadth of Hancock’s artistry into a sweeping 35-minute musical journey. Joining Hancock on the voyage were three of his closest collaborators: …
Maiden Voyage
On Maiden Voyage, Herbie Hancock turns the small jazz group into an ocean vessel, steering a dream team of Freddie Hubbard (trumpet), George Coleman (tenor sax), Ron Carter (bass), and Tony Williams (drums) through a suite of sea‑evoking pieces. Modal harmonies, open forms, and long, swelling melodies create a sense of expanse; Carter and Williams suggest tides and undertows, while Hubbard and Coleman trace arcs that feel both exploratory and inevitable. Hancock’s piano balances delicacy with fo…
The Jewel In The Lotus
A spiritual jazz masterpiece, Bennie Maupin’s The Jewel In The Lotus returns on vinyl. Featuring Herbie Hancock and a stellar ensemble, this ECM classic blends meditative soundscapes and collective improvisation, inviting listeners on a timeless journey of musical discovery
Flowers of Evil, Short Circuits, 7 Trumps from the Tarot & Pinions (3CD Bundle)
3CD Bundle. Official editions, remastered CD reissues of the Ruth White’s seminal albums Short Circuits, 7 Trumps from the Tarot & Pinions, and Flowers of Evil. White’s world would grow bolder in 1964, when she built her very own studio. In the current age of the affordability of technology, the likelihood of building your own recording space borders on something for the everyman/woman/they/them. Needless to say, that was resolutely not the case in the early 60s’, especially for a female artist…
Säkeitä Esoteerisesta Euroopasta
On their third album, Finnish Dieux Des Cimetières continue to explore the territory of the martial post-industrial underground. Achingly melancholic melodies, sweeping strings, atmospheric orchestrations, martial percussion and pulsating synths combine to create an intricate album of esoteric neoclassical and martial industrial. Influenced by authors such as Giuliano Kremmerz, Oswald Spengler, H.P. Blavatsky and Mircea Eliade, Säkeitä esoteerisesta Euroopasta (Verses on Esoteric Europa) looks a…
Ossido Di Cromo (Anamnesi Mediatica Ricostruttiva)
You can’t speak of industrial music without mentioning the cassette tape. The tape was an essential format in the formative years of the experimental, industrial underground, and has remained a significant factor within the post-industrial scenes ever since. Where right now the cassette tape is going through some kind of fetishized hipster-revival in other scenes, in industrial, experimental and noise music it never died. The tape was a revolutionary format for Paolo Bandera as well, who capture…
Eco Solemnis
More than 30 years since their first release, French Regard Extrême are back with a new album, their third on Steinklang. Stylistically, Eco Solemnis builds upon the foundation established on previous albums: medieval music and orchestral neoclassical with elements of martial industrial. In comparison to the previous album of new music, 2021's Ars Veterum, Eco Solemnis incorporates more prominently the neoclassical elements of earlier Regard Extrême, but without abandoning the medieval, even mon…
Tsugaru Jongara Bushi - Drum & Tsugaru Jamisen
A unique Japanese funk masterpiece from 1973, in which Rinsyoe Kida, Tsugaru's shamisen Maestro, and Akira Ishikawa, one of Japan's most loved and celebrated leading drummers, as well as experimenter and brilliant composer, performed together. The ancient sound of the shamisen ride on the finest funk and the intense groove of Ishikawa. An extraordinary audiophile-quality recordings.
Bakishinba: Memories Of Africa
“An ambitious, brand new album has reached the Japanese jazz scene. It is ‘Bakimba – Memories of Africa.’” This is how Akira Ishikawa Count Buffalo Jazz And Rock Band’s album was advertised by the Japanese press in 1970.
The Japanese jazz artists were bravely approaching the rock scene, and their choice became an inspiration to jazz-rock groups like Takeshi Inomata & Sound Limited, Jiro Inagaki and Soul Media, and more. The blending between jazz and rock was born in the United States, thanks to …