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'Slow Roads' is an album of eight pieces written by Hague-based Serbian composer Ivan Vukosavljević between 2019 and 2022, for solo 1/4 comma meantone organ. All eight pieces were recorded in 2022 on five different historic organs, dating from the early 16th to mid-17th centuries, located in medieval churches scattered throughout the countryside of the northern Netherlands. Each piece was adapted for a specific organ, as they vary considerably in their disposition. All eight pieces are written i…
Dutch composer/clarinetist Germaine Sijstermans is one of the emerging artists of the new generation of the contemporary classical music scene, regularly and closely working with artists associated with Edition Wandelweiser. This is her debut album as a composer, a double CD containing seven of her recent pieces, all composed between 2017-2019 and performed by the ensemble of six musicians who had worked closely together from the very start of the project: Antoine Beuger (concert flute), Germain…
restocked: The four gentlemen of the guitar are: Keith Rowe guitar, electronics. Oren Ambarchi guitar, electronics. Christian Fennesz guitar, computer. Toshimaru Nakamura no-input mixing board. 'Keith Rowe, Oren Ambarchi, Christian Fennesz and Toshimaru Nakamura are four of the most prominent and influential musicians in experimental music today, each with extensive discographies and distinctive styles. In mid-2004, they formed the Four Gentlemen of the Guitar (4g), and played a series of shows …
Peter Rehberg (Pita) and Marcus Schmickler have been two of the leaders in the electronic revolution of the last fifteen years, both on their own and in collaboration with others. One (Snow Mud Rain) is the first duo CD from these two long-time friends and associates.Rehberg co-founded the massively influential Mego label in 1994, and soon after began recording under the name Pita. His first solo release, Seven Tons For Free, came out in 1996 and was a kick in the teeth to all those who heard it…
Michael Pisaro and Taku Sugimoto are not generally closely associated, but have quite a bit in common. Both are composers whose primary instrument is the guitar, both have close ties to the Wandelweiser collective (Pisaro is a longtime member), and both have pursued their unique paths without much concern as to how the rest of the world will perceive them. 2 seconds/b minor/wave marks their first collaboration, but these aesthetic overlaps allow their independently conceived recorded parts to fi…
Two great korean artists working with feedback, turntables, opened hard drives... What they call infernal objects. A stream of noise accidents. A molten, scalding stream of sound. Looking back, I see it's only been about seven years since, via the recordings issued on Manual, I first became aware of the improvising scene in Seoul; seems like longer, maybe I'm forgetting something. But the musicians involved were clearly up to something new and exciting, carving out a distinct area that often inv…
The label doesn't want to do notes anymore about his new releases. So we have to write some with our very good English. With these two names you can imagine that for sure the music will be closer to silence than to wall of noise. First we must say that no credit is written on the CD, like it was not important to know who is playing what and first what is played. CD1 is an instrumental piece signed by Radu Malfatti. CD2 by Jürg Frey where instruments are mixed with field recordings. It was r…
An evocation of “Nacht,” Graham Lambkin and Michael Pisaro’s chilling, malefic collaboration directly references Giraud’s collection of poems, Pierrot Lunaire, and Arnold Schoenberg’s melodrama of the same name. Despite the continental subject matter, Schwarze Riesenfalter isn’t an academic act of re-rendering a historical text. Their use of verse comes across as the result of warped poetic fascination and fixation, where a text crawls underneath skin, finding ways to subtly influence the mundan…
A year ago, Graham Lambkin continued the ErstSolo series with "Community" (in conjunction with Keith Rowe's quadruple "testament"), while the even more prolific Taku Unami appeared in duo with Devin DiSanto on the live performance recorded at the Fridman Gallery in New York in 2015. The material reworked for "The Whistler" comes from two days of field recordings in gardens, streets and parks adjacent to St. Peter's Cemetery in Poughkeepsie, New York, as well as some recordings made by Lambkin at…
Green Ways documents a collection of live recordings, drawn from in situ performances given in Doon, Dungarvan, Plaistow, Shoreditch, Singö and Stratford across 2018 by Graham Lambkin and Áine O'Dwyer. It celebrates the filíocht of rural and urban acoustic environments with a playful economy of means, and offers a special salute to the rich heritage of Carnahalla.Áine O’Dwyer and Graham Lambkin are multi-disciplinary artists whose work explores the nexus between music, text, illustration, theate…
This album is a meditation on the inner mental environments that one encounters and endures during times of work-related travel. The music contained herein should be well suited for headphone distraction in airports, bus stations, train stations, subway terminals, and in the confines of the seats related to these methods of mass transportation.Recorded, edited and mixed by Kevin Drumm and Jason Lescalleet in 2015.
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"Busman's Holiday opens with audio taken from an iconic scene in John Boorman's…
We have all been there at some point or another, maybe even last night. There are those moments when you are drifting into or out of sleep when it is hard to identify exactly what is real and what is imaginary. Time spent working through the hazy gauze separating waking and dreaming blurs the edges of perception and leaves us sorting through myriad versions of hyper-reality. The music of Body/Head has always existed for me within this liminal space. Whether it is Kim Gordon’s spectral, invocatio…
"What you have here, pouring out of your listening devices, is Parisian Dreams. A genre-busting, generation-spanning, cross-pollination of 21st century beatmaking and 1970’s psychedelic composition. The styles are myriad. Running the gamut, between acoustic folky guitar riffs, through fuzzy movie-soundtrack textures, hitting grooves that land somewhere between dub and funky breakbeat jazz. MPC producer Yeti recently found himself in a session with one of his musical heroes, Janko Nivolic. A vete…
**280 copies, 2026 stock** A publication for the exhibition Schleifen – November 10-24, 2016 – at «Kassette.für projekte» in Zurich, Switzerland. Book has 52 pages, 30 drawings, size A5 (148 x 210 mm), includes Audio CD. Cover: digital printing on black paper (Outside: white, Inside: varnish). Content: offset printing (silver mixed with black).
Three-track 7" of The National Anthem of Elgaland-Vargaland #6. This 7” is the fourth in a series of vinyl acoustic versions of the National Anthems of Elgaland-Vargaland. See also the Mariachi version [Ash 7.2], the Klezmer and Afrobeat versions [Ash 7.4], and the Norwegian School Marching Band and Underwater versions [Ash 7.6] issued between 2007 – 2008 by Ash International. These recordings were regally made during the unofficial inauguration of the KREV Ministry of Bankrupt Shopping Malls in…
*Limited Edition CD in Digipack with Liner Notes.* “Well, it was just as I thought,the pathall but obliterated-We had moved thenfrom the first to the second stage,from the dream to the proportion.And look-here is the line between,resemblingthis line from which our words emerge;moonlight breaks through.Shadows on the snowcast by pine trees”[...]“Every hour or so, my friend turned to wave at me,or I believed she did, though the dark obscured her.Still her presence sustained me:some of you will kno…
Spore Spawn "Nuts is 5000yen” is a hand-crafted, ultra-limited edition record cut one by one on high-quality blanks. Each copy preserves the raw, off-kilter energy of Spore Spawn in a uniquely physical form, with slight variations that make every disc subtly different.
“Nuts is 5000yen” captures the project’s twisted sense of humor and experimental edge, blending noisy textures, warped melodies, and unpredictable structures into a brief but intense listening experience. The lo-fi, direct-to-disc…
When Ballister hit the stage at the Catalytic Sound Festival in Chicago in December 2022, no one in the band was quite sure what to expect. Although they’d done a two-week tour of the US in April of that year, their first reunion following an almost three-year break due to the pandemic, you never know what might happen after several months apart. Sometimes that first gig is magic. And sometimes it swims around searching for a center. That’s just a danger of the art form.
But drummer Paal Nilssen…
There are super groups, and then there are Supergroups. This trio, comprised of three prolific journeymen improvisers whose work has been recognized across the globe, is neither. This is a band of down-to-earth, hard-working musicians, whose focus and dedication to the music is exceptional. That’s not to say that these three don’t have a combined CV that straddles a who’s who list of contemporary music across multiple scenes. But their ethos is one that emanates from their midwestern locale …