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2024 Stock. Housed in reverse board outer sleeve with printed inner. Includes download code. Fully remastered from the original tapes and available on vinyl for the first time in 42 years, and CD for the first time in 30 years. Sleevenotes by Jon Hassell and Brian Eno. Back in record shops on the day of the 2020 vernal equinox, the second release on Hassell’s own Ndeya label. "Hailed as one of the 50 best ambient albums of all time by Pitchfork, Vernal Equinox was the first commercially releas…
** Remastered from the Original Tapes. Deluxe Edition Reissue Sanctioned by John Cale Himself. Includes Previously Unreleased Outtakes & a Brand-New Recording** John Cale was never very kind to his solo debut, Vintage Violence. When it was released in early 1970, Cale had been out of The Velvet Underground for less than two years. He wanted to prove he could be the songwriter, the person penning the words and melodies behind which a band could work. “I was masked on Vintage Violence,” he wrote m…
The subject of many poor quality bootlegs, this concert - one of only a handful undertaken by Fripp & Eno - is routinely described as legendary. Hearing the tapes in fully restored audio quality, it's easy to understand why it attracts such reverence now and perhaps, why the shows attracted such hostility then. No Roxy Music hits, No King Crimson riffs, just a duo sitting in near darkness with a reel to reel tape recorder, improvising over the pre-recorded loops with a filmed background projecti…
**200g super-heavyweight vinyl and presented in a re-print of the original sleeve** In 1975 with King Crimson on hiatus (as it would remain until 1980), Robert Fripp's appearances on album or on stage were rare. When he did appear, it was with Brian Eno. Circumstances following an accident in January 1975 led to Eno formulating the idea of ambient music as detailed in the notes to Discreet Music - released in December 1975. The title track of Discreet Music was initially conceived as a backing l…
Cocteau Twins' third album from 1984, the first with Simon Raymonde alongside Elizabeth Fraser and Robin Guthrie, reissued by 4AD on 180g vinyl with new masters from high definition transfers of the original analogue tapes.
2022 Re-press on limited edition Curacao colour vinyl * Stone cold classic Cabaret Voltaire from 1983, resplendent in a new master, and framing the band getting electro-funky after the departure of Chris Watson - a huge influence on everyone from Ministry and NIN to Mark Fell and even early Goa types ‘The Crackdown’ marks the point, after Chris Watson’s departure, when the Sheffield legends bridged earlier experimental urges with a funkier steez owing heavily to Afro-American dance music. As th…
The second part of Matador’s reissues of the essential early records by Texas’s Butthole Surfers continues with three of their most insane slabs -- 1985’s ‘Cream Corn from the Socket of Davis,’ 1987’s ‘Locust Abortion Technician’ and 1988’s ‘Hairway to Steven.’ The period during which these records were first issued parallels the Buttholes’ transition from being weirdo Texas outcasts to becoming internationally recognized smut-kings of the American underground. In 1985 they were still the sole p…
*150 copies limited edition* Written, recorded, mixed, and produced by zakè. Featuring various instrumentation and improvisations by the following brethren: anthéne, Benoît Pioulard, Marc Ertel, and Purl. Piano accompaniments by hoax.
Jessica Roch is a London based, award winning composer, multi instrumentalist, sound designer, and improviser. Her solo work moves fluidly across genres, weaving ambient and electronic textures with elements of minimalism, jazz, folk, and experimental music. A classically trained violinist and pianist, Jessica creates music for film, games, and contemporary media, while also collaborating as a session musician with artists including Super Furry Animals. In 2025, she received a Composer Spotlight…
Perennials is the latest full-length from Toronto-based anthéne (aka Brad Deschamps), who builds transportive, beautifully detailed sonic worlds using only a guitar, sampler, and modest cache of pedals. Here, his refined treatments, manipulations, and experimentations blend seamlessly with an innate sense of harmonic layering to create an impression of seasonal cycles and their relationship to the human experience at scale. “winter chords” opens with slow serenity and a faint suggestion of hiber…
Lamasz and Grandbruit return to Past Inside the Present for the first time in more than five years with Fictions, the first collaborative recording from brothers Pier-Luc and Francis Tremblay. Following four acclaimed solo releases across the label, Fictions brings together the defining elements of both artists into a single body of work.
Drawing from the tape loop driven structures of Nature Morte (PITP-C016, 2020) and Broderie (PITP-C021, 2021), alongside the layered guitar compositions and en…
"In the fall of 2016, after many years away from making music, I started Tyresta as a creative outlet to help process everything I was going through at the time. It took me a few years to find my voice as an artist, but I feel like the project truly came into its own around 2019–2020 with the recording and release of All We Have on PITP. After releasing All We Have and its follow-up, Small Hours (2023)—albums centered on grief, loss, and healing—I found myself wanting to write music that reflect…
UK-based Inhmost (aka Simon Huxtable) makes his Past Inside the Present début with Future Research Journal Entries (Part I), a document of cosmic proportions that offers a journey through weightlessness or, according to the artist, “a time capsule from a forgotten generation of space travelers”. Many of Huxtable’s works, including the collaboration with ASC, The Moons of Saturn (2021), have touched on similar otherworldly themes, but Future Research offers a particular richness of vision that br…
*200 copies limited edition* Hild is the first full-length collaboration between zakè (Zach Frizzell) and UK-based rhubiqs (Tom Squires), whose transcontinental dialogue yields an avalanche of deep drone, spacious piano, and immersive texture, alternately colossal and weightless. Both artists have released solo works with Germany’s Affin label (headed by Joachim Spieth and Markus Guentner), where their kinship found its footing in naturally-inspired environments full of rich harmony and understa…
The life and work of Maryanne Amacher are as vast as they are as yet unknown. A heterodox and idiosyncratic selection of largely unpublished documents spanning the bandwidth of the still unprocessed contents of the Amacher archive.
*500 copies limited edition* After more than four years in the works, I am beyond elated to announce the release of ballastnvp067: The Hafler Trio: If Take, Then Take: Tricks, Half-Tricks & Real Phenomena (2 x CD, DVD, cards, and enamel pin in custom fabricated box). I originally released If Take, Then Take: Tricks, Half-Tricks & Real Phenomena in 2005 as a vinyl record, and it didn’t go off without a hitch or two. (In the end, I played almost every copy prior to sending it to a customer or dist…
On Muuntaja / Murtaja, Pan Sonic in their Vainio–Väisänen–Salo phase deliver two 1994 shockwaves of beat science: brutally reduced, system‑stressing tracks that turn the dance floor into a pressure chamber of pure voltage and rhythm.
John Coltrane died at age 40, and in retrospect it seems as if the intensity of activity in his last years, the sheer torrent of notes, was an attempt at purging the music from his soul before it was too late. The guitarist Jack Rose died at 38, in 2009, and listening back to his catalog one has a similar notion. Like Coltrane, Jack Rose’s last years were marked by a shimmering intensity, an outpouring of his spirit, onto audiences and records. I believe Jack Rose felt the duty of preservation b…