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We Are Busy Bodies presents Drive Unlimited. A gem by South African group The Drive, founded in 1971 by Adolphus "Bunny" Luthuli and Henry Sithole.
Remastered reissue by We Are Busy Bodies. Art restoration by Steve Lewin.
There's a bridge in Monterrey called El Puente del papa, and beneath it, on the dried-up Santa Catarina riverbed, something happened in the 1990s that nobody planned. Gabriel Dueñez was playing cumbia one night when his turntable's motor overheated and slowed everything down - voices became ghosts, accordion drones stretched into infinity, drums turned to liquid. The crowd kept dancing. Cumbia rebajada was born from a technical failure that revealed something true about memory, about displacemen…
What if the blue that I see is different from the blue that you see? This question is an infrastructure for my Afro-Surrealist Anti-Opera, Colla Voce. Often, when we think of Surrealism, we think of subconscious mental states, dreams, nightmares-those unexplored corners of our psyche. But Afro-Surrealism protests: what if that which one calls a ‘dream' is a nightmare to another? What if that which one calls ‘rational' is completely baseless to another? And surely, we must have varying ideas of w…
"Christopher Dammann Sextet is a debut record, but it’s by no means a first effort. Bassist, composer, and improviser Christopher Dammann has been making records for about fifteen years, first as a member of 3.5.7 Ensemble and more recently as the leader of Restroy. Throughout that time, he’s also gigged persistently in Chicago, notably as a regular substitute for Brian Sandstrom in the long-lived free improv collective Extraordinary Popular Delusions, and from Charlottesville, VA (between 2010-…
*2024 stock* The Wind (music by Scott Clark, lyrics by Laura Ann Singh/Scott Clark)Dawn & Dusk (music by Scott Clark, lyrics by Laura Ann Singh)Silent Singing (music and lyrics by Scott Clark)Above The Gray (music by Scott Clark)
Tracks 1-4 recorded August 16, 2021 and mixed at Minimum Wage Recording by Lance Koehler.Tracks 5-8 recorded live March 28, 2022 and mixed at Spacebomb Studio by Curtis Fye.Tracks 1-8 mastered at Minimum Wage Recording by Lance Koehler.Album art + design by TJ Huff (huf…
Mount Maxwell returns with another full-length journey into memory, melody, and geography - this time roaming beyond the BC environs of his previous records into a stranger, less knowable country. While still woozily nostalgic in the vein of Only Children and The People’s Forest, this outing feels more exploratory and wide ranging in scope, with a denser mixture of influences at play.
The somnambulistic drift of Sea of Milk sets the stage with a series of wavering synth pulses that push us langu…
Lucciole is Silvia Tarozzi’s luminous follow-up to the intimate reflections of Mi specchio e rifletto and the deeply rooted folk dialogues of Canti di guerra, di lavoro e d’amore with Deborah Walker. Here, Tarozzi draws together voices, memories, and musical lineages to create an album where avant-garde composition, personal narrative, and collective resonance exchange freely. The album opens with a radiant brass ensemble - chosen for its popular, celebratory, spiritual sound—and closes with the…
Tip! *300 copies limited edition* An’archives is proud to present [sensitive], a new album, and the first solo vinyl release, by Japanese keyboardist and synth player, Mitsuhisa Sakaguchi. A deftly assembled suite of glistening electronic tonalities, [sensitive] is the latest in a lengthy run of excellent, idiosyncratic albums by Sakaguchi. A low-key yet productive artist, Sakaguchi has released banks of solo titles via his own Bandcamp page, and is also an in-demand improvisor for electronics: …
Deluxe reissue edition. Restoration and digital transfer from original analogue tapes. Reissue of a 1976 duo recording. The Quest is a live album by Sam Rivers on which he is accompanied by double bassist Dave Holland and drummer Barry Altschul. It was recorded on March 12 and 13, 1976, during the Rassegna Internazionale Jazz at the Palazzo dello Sport in Milan, Italy, and was initially released later that year by Red Records. The trio was active from 1972 until 1978,[and was influential in the…
Last Night I Heard the Dog Star Bark, the third full-length from Gwenifer Raymond, finds the Welsh guitarist deepening her American primitive explorations with a turbulent, spectral intensity. Across ten instrumental tracks for solo guitar and banjo, Raymond braids the darkness of Appalachian nights with the cosmic anxieties of science fiction, displaying fierce dexterity and meditative nuance.
On LDS, Henrik Raabe steps away from Wareika’s cool deep house and into a slow‑burn world of dub‑soaked guitars, pastel synths and feather‑light percussion, folding jazz, Afro pulses and 1980s UK dream‑pop into something quietly hypnotic.
Tip! *350 copies limited edition* The Tomeka Reid Quartet - dance! skip! hop! (OOYH 041) releases February 13 2026 (LP/CD/limited streaming) on Out Of Your Head Records, featuring the steady quartet of Tomeka Reid (cello) with Mary Halvorson (guitar), Jason Roebke (bass), and Tomas Fujiwara (drums). Soon after finishing these compositions in June 2025, Reid realized that much of the music made her want to dance. Inspired by the title of Josh Berman’s stellar A Dance and a Hop, as well as her ten…
Everything Is Possible, the third album from Peace Flag Ensemble, pushes the boundaries of jazz improvisation and ambient experimentation. Led by Jon Neher’s lyrical piano and complemented by subtle electronic flourishes from Michael Scott Dawson, the group’s ensemble dialogue traverses gentle melodic passages and unexpected textural turns, resulting in a collection that is both introspective and quietly assertive.
Berto Pisano's lost 1971 masterpiece finally surfaces. His Kill! soundtrack blends gritty funk, sophisticated lounge, and psychedelic experimentation into magnetic perfection. Wah-wah guitars, hypnotic grooves, and exotic instruments create a seductive world of espionage and eroticism. Holy grail for collectors, now on transparent yellow vinyl edition of 500.
The soundtrack for "Cadaveri eccellenti", composed by Piero Piccioni in 1976 for Francesco Rosi's film, is one of the most fascinating and unsettling works in Italian film music. Like the film itself, the music evokes a constant sense of tension, a dark atmosphere, and a profound unease that perfectly matches the narrative of this political thriller. “Cadaveri Eccellenti”, based on Leonardo Sciascia's novel “Il contesto”, is a masterpiece of Italian cinema that delves into themes of corruption, …
Much-needed repress. Black vinyl comes with 24" x 36" poster, and download card. Superior Viaduct and our new artist label, W.25TH, are proud to continue to be the home for Cindy Lee with the physical release of the celebrated album Diamond Jubilee. Universally praised, shortlisted for the 2024 Polaris Music Prize, and already hailed by Pitchfork as the 3rd best album of the 2020s, anticipation and conversation around the record has been high.
Cindy Lee is the performance and songwriting vehicle…
Lou Reed's infamous Metal Machine Music returns for its 50th Anniversary. The most notorious album in rock history returns – Remastered, Revisited, and Still as Radical as Ever
Exploring the water engineering relationship between Japan and the Netherlands across a trilogy of experimental releases, the third and final part of Field Records' Waterworks series is courtesy of Yui Onodera. Pairing delicate synthesis and instrumentation with field recordings and negative space, the accomplished artist and sound architect examines the impact of water engineering on Japan's Kiso Three Rivers.
The location refers to the confluence of the Kiso, Nagara and Ibi rivers on the Nōbi …
** 300 copies, red vinyl, 180g ** Nearly five decades after its original release, Pepe Maina’s enchanting debut album, Il Canto dell’Arpa e del Flauto, emerges from the archives as a limited-edition transparent red vinyl (180g), strictly limited to 300 hand-numbered copies, each signed by the artist himself. Originally released in 1977 on the Ascolto label—the only non-self-produced work in Maina’s discography—this album remains a singular blend of ambient, world music, folk, and psychedelia, we…