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The Radio - Airria (Hanging Garden) - Vein Stem is Calm
* Limited LP edition * Sonoris is pleased to announce the release both on vinyl and cd, with a new mastering by Giuseppe Ielasi, of some important works from the influential and respected artist Steve Roden. These tracks, which mix conceptual composition and musicality, transcend the ambient or lowercase categories too quickly applied to his music, due to its ghostly beauty. In the tradition of John Cage’s Cartridge Music amplified objects, Steve Roden extracts a fine and delicate music through …
Distruct
“On this, their second LP, P16.D4 solicited tapes from several artists from Europe, England, the U.S., Canada, and Japan, and mixed that with their own material. Though in the current digital age collaborations from artists thousands of miles apart is quite normal, this was a quite radical approach back in 1982, when work on this LP began – an interesting concept that actually works quite well, since these artists, which include Bladder Flask, DDAA, the Haters, Merzbow, Nocturnal Emissions, Nurs…
Kühe In 1/2 Trauer
“Though this German group started out as a the new wave band P.D., by the time of Kuhe in 1/2 Trauer, their first LP under the P16.D4 name from 1984, they had developed far beyond into extremely experimental music similar to other post-industrial artists working with abstract avant-garde soundscapes. There’s a bleak industrial feel to the gritty, lo-fi electronics and tape loops, while the group throws in enough curve balls to keep it interesting. On some pieces, strange, looped choirs bubble ou…
L'Art De La Fuite
L'art de la fuite is a selection of first recordings originally released on selftitled homemade tape in 1995 by eRikm. Mainly composed with turntables and prepared records (with various other sources), these recordings have laid the foundation for his future work as turntabilist / improviser / composer. 20 years later, this unique blend of musique concrète and post-industrial still sounds fresh today. Mastered by Giuseppe Ielasi. 300 copies.
Bidule 2.0
On Bidule 2.0, eRikm tunnels into a cache of unheard Pierre Henry tapes, feeding analog “sound objects” from 1950–1974 through his custom digital apparatus to forge a dense, flickering work where early musique concrète and present‑tense signal processing fold into one another.
Between Concrete And Abstract. Gaku-No-Michi (Book)
For those who loves the piece, this is a nice way to learn more about it. For those who don't know it yet, it will be a good introduction to listen to it. Gaku-no-Michi is an electro-acoustic work of wide proportions realised in 1977-78 at the Denshi Ongaku Studio (electronic music studio) of NHK radio (Nippon Hoso Kyokai), Tokyo. This work has been programed in numerous countries by various modern music festivals, as a full evening concert, from 1978 to 2006. This publication is made of a group…
Gaku-No-Michi (1977-78)
A work of genuinely monumental proportions. Jean-Claude Eloy's Gaku-No-Michi - subtitled "Tao of Music" or "Ways of Music" - stands among the towering achievements of 20th Century electroacoustic practice. Produced at the electronic music studio of NHK Radio in Tokyo between 1977 and 1978, its four hours of concrete and electronic sound unfold as what the composer called "a film without images" - an immense, spiraling architecture of sonic transformation that remains, nearly five decades on, as …
Réminiscences
With Réminiscences (2017–2019), Jean-Claude Éloy embarks on an ambitious journey through memory, transformation, and pure listening. This vast electroacoustic cycle—comprising Incantation, Confrontation, Contemplation, and Oppression-Libération—draws deeply from the sound world of his seminal work Yo-In. Éloy recycles and reworks electroacoustic materials originally created at the Institute of Sonology (Utrecht, 1979/1980) and incorporates an extraordinary archive of percussion samples recorded …
Tunnel
Rlw (aka Ralf Wehowsky ) whose work deals in the transformation of prerecorded sound material, the permutation of the senses and the metamorphosis of the sensitive, has been a proponent of long distance collaborations for decades, long before lockdown made this manner of working popular. This goes way back to his beginnings with Permutative Distortion or P16.D4 and the Selektion label. He is a strict and disciplined composer, a formal organizer of discernible objects.Tunnel presents five pieces …
One Day I Was So Sad That The Corners Of My Mouth Met & Everybody Thought I Was Whistling
"A puzzlingly great album. Ah, the halcyon days of bungled Kurt Weill renditions, overactive splicing hands and tape-loops lasting only a few seconds before being smudged by hyper fast-forwarding, like a random, operatic battle of thermopylae as re-created by members of NWW. Faced with omnipresent latter-day refined-aesthetic cognescenti, whose duty it is to remind one of the gravity of modern music, I find myself defending such gut-level joyous stupidity and its gung-ho determination to vertigi…
Noise Graphics (Book)
"Noise Graphics (1980-1990)", is a comprehensive archive documenting the visual culture of noise music through vinyl and cassette cover art from the genre's formative decade. The 244-page hardcover book presents an extensive collection of graphics produced between 1980 and 1990, capturing the raw aesthetic of underground music before the internet transformed how music was distributed and promoted. This archive serves multiple audiences: noise music enthusiasts discovering rare and forgotten rele…
Danzindan-Pojidon
Wrwtfww Records present the much-anticipated official reissue of Japanese duo Inoyamaland's quintessential ambient/environmental/electronic album Danzindan-Pojidon, produced by Haruomi Hosono and originally released in 1983 on his Yen Records label. Available outside of Japan for the first time, the new age classic comes as a limited LP with liner notes by band member Makoto Inoue. With Danzindan-Pojidon, Yasushi Yamashita and Makoto Inoue created what they describe as "a special place where the…
In this forever unfolding moment
Vilhelm Bromander centers himself in sound, where listening is no less crucial than playing. His relationship to both the notes produced around him and the musicians making them is at the heart of his work. Whether building harmonic structures where he and his colleagues tune in together, constructing a sonic edifice in which sustained tones facilitate deep bonds, or serving as the musical anchor in more rhythmically active settings, playing music with others is about connection, where sound is …
Descendants
Composed especially for the main hall of the Orgelpark in Amsterdam, with its historical organs, Descendants was realized in the just-intonation “Dreyblatt” tuning system, derived from the first eleven harmonic overtones and their extensions based on the fundamental C (A = 415 Hz). The following intervals, identified on the four organs and corresponding to my tuning system, were used in the composition: 1/1, 9/4, 3/2, 7/4, 11/16, 21/16, 25/16, 35/32, 63/32, 77/64, and 81/64. These pitches and th…
Jards Macale
Discover the essence of Brazilian music with the LP "Jards Macalé" by the renowned artist Jards Macalé. Released by Polysom, this vinyl record is a true treasure for music lovers. Recorded in Brazil, the album captures the innovation and creativity that Jards Macalé brings to his compositions, offering a unique listening experience. Perfect for collectors and vinyl enthusiasts, this LP is an indispensable piece for those who wish to explore the rich musical diversity of Brazil.
1001 Centigrades
Back to Black series. Recorded at Michel Magne studios in Herouville, 5-10 of April, 1971. After losing guitarist Claude Engel and reinforcing the brass section with Jeff Seffer on saxophones and Louis Toesca on trumpet, Magma went back into the studio in 1971 to record a second album. All the originality and greatness of Kobaia are there, in even greater measure because everything is magnified. The two tracks composed respectively by Teddy Lasry and François Cahen occasionally introduce a jazzi…
Kobaia
CD Digipack. In early 1967, John Coltrane died. Christian Vander was twenty years old, living in something close to poverty in Paris, and Coltrane's death pulled the ground from under him. He went to Italy, to Milan and Turin, and spent nearly two years in a state of deliberate self-destruction. One morning in Turin he woke up and decided to stop. He returned to Paris, met bassist Laurent Thibault, and began working on something that had no name yet.
By 1969 Magma existed as a group. By 1970 the…
Live In Poland
Lucky restock! We present you a very special and limited edition 5-LP box - a piece of Otomo Yoshihide’s New Jazz Quintet European tour in January-February 2024. In this box you will find recordings from the band's only concerts in Poland at Pardon, To Tu in Warsaw and at NOSPR in Katowice. The recordings have been meticulously mixed and mastered for the best sound quality for you to enjoy. Otomo Yoshihide’s New Jazz Quintet visited Poland for the very first time and it felt really important to …
Spiritual Noise_Vol.2
Premiered at 20th Annual San Francisco Electronic Music Festival (SFEMF) as a multichannel piece, spatialized through the exclusive 32-channel system of Envelop SF, alongside a piece by Jim O’Rourke
Spiritual Noise_Vol.1
*2023 Black Audiophile Vinyl LP repress* Full-color jacket with 20-page Art Book mounted on cover. Includes QR codes for access to music DL & extra multimedia contents. Art by Roberto Opalio. Design by MCIAA. Debut release by the new Antigravitational imprint, the record label & multimedia platform created and curated by My Cat Is An Alien (MCIAA), set up with gallerist and publisher Marco Contini. "MCIAA PHASE THREE — WE BAPTIZE THE SPIRITUAL NOISE" reads Roberto Opalio’s aesthetics Manifesto: …