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Ten years after Marcos Valle’s debut long player (Samba Demais) introduced Brazilian music lovers to the immense talents of the Valle brothers, a new direction and backing band helped the singer expand his musical palette. Showcasing a groovy funk and jazz-fusion influence with help from then current backing band Azimuth (later known as Azymuth), synthesizers, Fender Rhodes, and electronic sounds took Valle’s samba, bossa nova, baião (a rhythmic beat from the rural northeast of Brazil), along wi…
Cortizona proudly unveils Cortizona Heritage, a new sublabel created in partnership with the Study Centre for Flemish Music (SVM) to revive and showcase hidden chapters of Flemish music history.The debut release sets the tone: blending the exuberance of a marching band with the unpredictability of free improvisation, WIM Fanfare brought raw, joyful musical anarchy to city squares, parades, and unsuspecting audiences.
Who is Kymatik? Kymatik first appeared on Paradigm Discs back in 1995 with a spontaneous composition created alone in the control room, with all the sounds being derived from a simultaneous improvisation being played in the studio by Morphogenesis. Three years later Paradigm released the full-length Kymatik CD Dar-As-Sulh Vol.1 (PD 015CD), a selection of pieces, some based on purely mathematical ideas, others are more hypnotic pulse based psychedelic soundscapes, some works being performed live …
This New York based duo released their one and only LP in 1968 on Columbia Masterworks, just months after Zappa released Lumpy Gravy in California. Although the 2 projects have some superficial similarity in structure, it would seem that this later LP must have been made (at least largely), without any knowledge of the Zappa masterpiece. Another reference point might be The United States Of America who also released their LP in1968.Originally released simultaneously with Terry Riley's In C and …
In 1969 both Anthony Moore and David Larcher were at the start of their respective careers and both were inspired by the ideas of the avant garde and the new technologies becoming available to them. David experimented with the various techniques being explored in the medium of film making and Anthony tested the limits of what could be done with tape recorders. It was an open and co-operative exploration. The results of their first collaboration was the film Mare’s Tail - an unusually long 2:30 h…
Reissue of Hiroshi Suzuki’s glorious jazz-fusion-funk Holy Grail Cat. Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown. The result, …
"If Surround can be listened to as music that’s as close to air itself, allowing us to enter each listener’s sound scenery, or as something that exists within a new perspective, expanding the middle ground between sound and music, and transforming it into a comfortable space, it would be much appreciated."- Hiroshi Yoshimura
Originally released as an album in January 1986, Surround was recorded by Yoshimura as a commission from home builder Misawa Homes, intended to function as an “amenity” desi…
First vinyl reissue since 1978 of Masabumi Kikuchi's percussion-laden New York session for Flying Disk. Gary Peacock, Al Foster, Badal Roy, and Brazilian and North African percussion surround the pianist's spare modal phrasing. Limited edition with obi and insert
Paradigm Discs present a reissue of Amnon Raviv's Mirror, originally released in Israel in 1983 and only available in a handmade edition of just 50 copies. As such, this edition is the first widely available issue of this LP, giving it a chance to reach an audience beyond the 50 hardened collectors who got to hear this strange experimental record back in the '80s. There's nothing else quite like it from that era, let alone from Israel, although it does have some parallels with earlier avant-gard…
The piece consists, as the title suggests, of three parts. Each of these parts contains a so-called large form. These consist of 39 tracks each and are played on deadwood, a drum, and on 39 pine cones, respectively. The note values, the corresponding rests, as well as the tempi are rolled. In part, the durations of the individual sequences are also determined with the dice according to a strict concept. Besides the mentioned sound sources, stones, water, footsteps, church bells, etc. also appear…
"The creative process, a means by which creative work finds its way into realization, has consistently reconfigured its basic principles as the content of art has evolved. The choices we make, the decisions that make sense to us, reveal our nature and our passion to assemble the things we wish to share with others as an experience. We are offered a number, as a title for this recording, which we have seen before and we'll see once more, as Christian Wolfarth releases this second of three chapter…
Trost Records proudly announces the latest release in its ongoing cooperation with Berlin’s legendary FMP label, with the long overdue reissue of two classic live albums by the singular alto saxophonist Noah Howard, a key figure in New York’s free jazz revolution during the 1960s. Berlin Concert was recorded live in the titular city in January of 1975 with a quartet featuring pianist Takashi Kako, bassist Kent Carter, drummer Oliver Johnson, and percussionist Lamont Hampton, while Schizophrenic …
WRWTFWW Records announces the return of Louisiana-based composer and producer Jammin’ Sam Miller with A Link To The Past Tribute, his homage to the music of Zelda (A Link To The Past). His remake of the classic video game score is available as a limited edition green vinyl LP with artwork and sticker sheet by French illustrator Pierre Thyss, as well as an obi strip.
Originally composed by the legendary Koji Kondo, the epic 1991 Zelda soundtrack for the Super Nintendo Entertainment System is one …
Tip! Hot on the heals of their spectacular self-titled debut album, The Handover is back with their second long form composition, New Old Medicine. Aly Eissa (oud), Ayman Asfour (violin), and Jonas Cambien (vintage organ/synth) have been cutting their teeth on the international touring circuit for the past two years, landing from town to town in their seductive spaceship to blow people's minds and then dematerialize into the void. An outline for a new piece began to emerge along the route and la…
Keyboardist in some of the most talented french progressive bands Heldon, Magma & Weidorje, Patrick Gauthier recorded his debut album « Bebe Godzilla » with an impressive cast of guest musicians including Richard Pinhas (guitar, moog, mix), Christian Vander (drums), Bernard Paganotti (electric bass), François Auger (drums) & Didier Batard (electric bass) just to name a few. The result is an outstanding mixture of electronics, powerful zeuhl, and jazz-rock dominated by synthesizers. First time vi…
The concert version of Einstein on the Beach by Ictus, Suzanne Vega, and Collegium Vocale Gent distills Philip Glass’s pioneering minimalism into a mesmerizing sound ritual. Stripped of Robert Wilson’s grand staging, Vega’s measured narration weaves through the ensemble’s crystalline precision, revealing the raw musical architecture of this modernist epic.
** Gatefold 2 folders with booklet 24 pp. and Cd with black sleeve ** From Gleam Records, one of Italy's most engaging imprints dedicated to the outer reaches of jazz - comes a true marvel: the first ever vinyl reissue of Modern Art Trio's lone self-titled LP, originally released by Vedette in 1971. A rare and thrilling artifact that utilizes serialism and 12 tone technique within the idiom of freely improvised jazz and hard bop, its absolute singularity and distinct sound has placed it as one …
On Die Dritte Ebene, Emilio Gordoa and Sven‑Åke Johansson let vibraphone, drums and accordion run in seemingly parallel lines until a mysterious “third layer” appears - a ghost‑music of overtones, pulse and texture that neither player could summon alone.
NYC Bassist Brandon Lopez Teams Up with Gayageum Master DoYeon Kim in New Album, Redefining What We Thought Was Possible with Improvisation. Prepare to have your wig blown back by the improvisational force of nature that is adored bassist Brandon Lopez. He has returned to 577 Records once again – this time with gayageum master DoYeon Kim! Syzygy, Vol. 1 delivers a cosmic blast of experimental fascination that will open the door for you to leave our reality. Based in NYC, Brandon Lopez has been…