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In the late 1980s, Ilona Staller aka Cicciolina’s popularity was skyrocketing. It was at that time that she recorded her most representative and iconic song: ‘Muscolo Rosso’. It is finally reissued in 12″ 45rpm from original master tapes accompanied by 3 other dance hits such as ‘San Francisco Dance’, ‘Inno Alla Trasgressione’ and ‘Sexy Porno Shop’.

In 1961 John Coltrane joined the newly founded Impulse! label. The great saxophonist was coming off several impactful albums (Giant Steps) and a very notable — even commercial — success: that My Favorite Things which had made his soprano sax one of the “new sounds” that marked a turning year for jazz, the fateful 1959. Some people — despite obvious clues to the contrary — speculated a turn, if not toward commerciality, at least toward more palatable music: a Coltrane in some ways comparable to P…

For Nausicaä of the Valley of the Wind, Joe Hisaishi builds a full mythos in sound: from early synth‑heavy image pieces to orchestral suites, his themes move between apocalyptic dread, ecological mystery and childlike hope with uncanny inevitability.

Limited Edition Vinyl LP Newly Arranged & Composed By Joe Hisaishi! From The Iconic Japanese Anime Film Catalog Of Studio Ghibli! First Time On Vinyl! This is the first LP release of "My Neighbor Totoro", newly arranged and composed by Joe Hisaishi for children and adults who are exposed to an orchestra for the first time. It consists of two parts: an introductory version with an easy-to-understand explanation of the names and tones of the instruments, narrated by Shigesato Itoi as the father, a…

On Castle in the Sky, Joe Hisaishi wraps Miyazaki’s floating‑island adventure in luminous themes, bounding chase cues and choral climaxes, fusing folk‑coloured melody and orchestral sweep into one of the most iconic soundworlds in the Ghibli universe.

2026 Stock. Kiki's Delivery Service (1989), drawn from Eiko Kadono's children's novel, follows a thirteen-year-old witch who leaves home on the night of a full moon, settles in a European-looking seaside town with her cat Jiji, and turns the one thing she can do, fly, into a delivery business. It was the first Studio Ghibli film given an official release in the United States, carrying Hayao Miyazaki's unforced storytelling to an audience that had seen little like it. The score is by Joe Hisaishi…

The Porco Rosso scores show Joe Hisaishi at his most lyrical and playful, weaving 1920s Italian nostalgia, aerial derring‑do and bittersweet romance into lush orchestral themes and chanson‑tinged songs that make Miyazaki’s Adriatic daydream feel utterly lived‑in.

*400 copies limited edition* A fantastic live recorded in Bremen on 8th November 1975 set from reedman Gary Bartz – captured here with his ultra-hip NTU group – who you might know from their classic albums on Milestone in the 70s! 1 hour and 46 minutes of free and spiritual jazz.

Daniel Bacalov is a composer of music for theater, cinema, and dance who has studied classical guitar and percussion. He composed the music of numerous theatrical performances represented in many international theatre festivals. His first two publications on Lp were Il Ladro Di Anime, presented at the Venice Biennial of 1984, and Diario Segreto. The label Soave proposes these two fundamental documents of the period reprinting them for the first time in a limited edition on double Lp.The composit…

Nigerian classic Black Children Sledge Funk Group 1976’s debut album full of positive vibrations and feel-good grooves! A sunny blend of Reggae and Afro-Funk with a lot of percussions, psychedelic and rhythmic guitar and organ. In the mid-seventies in Nigeria everybody loved them; they were a symbol and pride of Africa.Michael Hammedatha Moore sang and played congas and percussion. Daniel Carlos Yakubu played guitar. Jerry Freeman Nwokolo was on keyboards. Ricky Hardnar on bass and And Benson Te…

On Vida, Chico Buarque folds everyday scenes, political undercurrents and bruised intimacy into a suite of songs where conversational melodies and sly, shifting harmonies turn ordinary lives into quietly explosive dramas.

Blue Note Records proudly unveils a stunning all-analog reissue of Donald Byrd's seminal 1961 hard bop masterpiece, The Cat Walk, as part of its acclaimed Classic Vinyl Series. Scheduled for release on May 15th, 2026, this limited-edition pressing on 180-gram vinyl has been meticulously mastered by Kevin Gray from the original master tapes at Optimal Media studios, delivering unparalleled warmth, depth, and clarity for audiophiles and jazz enthusiasts alike.  Originally recorded on May 2, 1961, …

In the cosmic year of 1972, when consciousness was expanding and barriers dissolving, The Awakening emerged from Chicago's fertile musical soil as messengers of a new frequency. Now, through 400 sacred black vinyl pressings, their essential vibrations return to move through contemporary seekers. This collection draws from the deepest wells of The Awakening's two transcendent albums—those twin testaments recorded for Black Jazz Records when the label itself was channeling the future. Here was the…

Harmograph is a project by and with Matteo Scaioli. He summarized his latest research on sound by building various electromechanical instruments, one of which he called the "Harmograph", which gives the name to his whole project. Harmograph is basically a gong remodeled with a unique sound. Scaioli blends the sound of the Harmograph with other self-made instruments including Melodon's Voice, Phonograph Tape, Dhin "Tan" Pathè, and finally his favorite synth: the Prophet 5. Matteo Scaioli - being …

On Smog, Piero Umiliani weaves Italian cinematic cool, West Coast jazz and vocal chiaroscuro into a quietly devastating portrait of early‑60s Los Angeles, with Chet Baker and Helen Merrill tracing the city’s alienated glamour in smoke.

Thirty-four minutes of original demos by Tati au Miel, textured and distorted, in the SINK [50] series of mixes issued on 50 CDs.

Sixty minutes of new one-take drone recordings by London artist Flora Yin-Wong, for the SINK [50] series of mixes on 50 one of a kind CDs.

The idea for this album began taking shape in 2021 and has slowly evolved into a seven-track snapshot of Juli Deák’s musical world and artistic thinking. Coming from the challenging, refined, and often seemingly flawless sound of classical music, the flutist began redirecting her musical voice toward a much more personal space through experimentation and improvisation. What eventually grew into this project originally began as a handful of unfinished ideas—which only revealed their true meaning …

Compressed Happiness pairs Eiko Ishibashi with the Japanese noise project K2 across two pieces, Cold Pastoral and Sweet Paranoia's Heaven Version 3. Limited edition CD on Phage Tapes, 2014.

Thirteen pieces from Eric Lunde's first decade, 1983-1991, from cassettes, 7-inches and live tapes, assembled by Joe Colley for his Povertech Industries in 1997. Original CD in digipak with booklet.

Nick Drake's second album, 1970, with members of Fairport Convention, John Cale and arrangements by Robert Kirby. CD edition.

Nick Drake's 1969 debut on Island, the quiet autumnal songs that became a lasting reference for English folk.

Six pieces by Crawl Unit, the experimental noise project of Joe Colley, composed and constructed in Sacramento in 1998 and 1999. Crippled Intellect Productions, 1999.

Six pieces by Kiyoshi Mizutani from 1989 to 1991, made with environmental sound, synthesizer, wire, guitars and backward tape. Povertech Industries, 1999.

Ever unpredictable, Kevin Drumm this time takes the fellow time-traveller through what sounds like an electronic field recording, a journey through an electronic soundscape of luminescent textures that invites immersive listening.

"From the Host of Late-Comers represents the latest challenge manifested by Plastic Palace People, the duo of Jim O'Rourke and Christoph Heemann, who have been collaborating continuously (even though in a largely unnoticed fashion) since 1989. Previous Streamline releases from Mimir contain some of their earlier work; Plastic Palace People first saw release in 2011. After two releases in quick succession, it has been a long wait for more, and finally here is a recent piece of work from the…

This is based on the soundtrack of an audio video installation and basically has been constructed from field recordings of various locations around the city of Cologne. The theme is an exploration of space and acoustics with sounds of background noise mixed with new electronic sounds. It's fairly sparse and minimal and at various points I can hear the sound of my typing drowning out the record. There are certainly some interesting sounds though once things get going, particularly on side …

*2022 stock* Andrew Chalk's Over the Edges was recorded in one day at Colin Potter's studio, using only two strings of an acoustic guitar played with an E-Bow. The results belie the simple sources, and the album is a rich drone texture which draws the listener into its sound world. All four tracks share a common language, a slightly buzzing, gently undulating drone in a lower register, often layered until the pitches grow together. But each track also has noticeable differences from the others. …

2007 release ** "A completely remixed/reworked version of the first Mimir album which was originally recorded between 1989/'90 and released in 1991: Edward Ka-spel, Andreas Martin, Silverman and Christoph Heemann concentrate on a variety of analog synths and Krautrock guitars: '...immediately after he caught sight of the lights marking the town, he pressed the ejection button and felt himself flung upward with a greater violence than he had expected. For a moment he was enveloped in darkness; th…

Sun Araw released Rock Sutra, via Sun Ark, his Drag City sub-label. Cameron Stallones' latest LP consists of four long tracks. "The music is offered in a spirit of generosity and adventure," he says, "It doesn't stay put, and it keeps zooming in to reveal more and more. This is so you can zoom in and experience 'feeling-without-articulating' for yourself, which is better than reading about it here." Rock Sutra is the first album Stallones recorded live-to-MIDI with his band, which consists of Jo…

With only a few trips made on Sean McCann’s Music For Public Ensemble and alongside Laraaji on Professional Sunflower and the S. Araw “Trio” XIII to quench our thirst in the meantime, this loosely strung and sprawling set renders Cameron Stallones and the gang at their most ir/reverent and dare we say, North American; delivering a subtly funny and playful suite that’s more Billy Crystal on magic beans than Alejandro Jodorowsky on mescaline, as far as desert trips go.  Incorporating a phalan…

Sun Araw yields his most cryptic glyph to date with 'Belomancie' for Drag City. Replete with a recommendation "to give 'Belomancie' your full attention, and to listen at the highest volume that is comfortable on high quality speakers with a pronounced stereo field or on an excellent pair of headphones", it's the most cerebral and focussed effort we've yet heard from Cameron Stallones', acutely contrasting with his looser, noisier psychedelic dub excursions. Its predominantly electronic palette a…

**CD edition** With the wake of his blessed collab with The Congos and his 'Ancient Romans' side still shimmering in our memory, Cameron Stallones returns from his mystic regressions to present a sixth solo LP as Sun Araw. With his return comes a startlingly fresh-faced clarity to his sound, as though millenia of metaphysical sonic travel have dislodged the overbuild of dusty amp wax and really let some cosmic sunshine thru. It's perhaps also down to some assistance in the final process from Pet…

Delicious album of stoned psyche from Camerone Stallones, his first solo full length since last year's massive 'On Patrol'. In the meantime he's released some well received and diverse collaborations with Matthewdavid and Eternal Tapestry, but really, he's at his very best when left to own devices and free to wander bleary eyed and dopey through the sun baked dub soundscapes of his mind. It's so hard to escape any imagery of bacchanalian dream sequences given the sleeve and track titles, …

On Patrol, originally released in 2010, is a double album in two parts, and the fourth full length album from Sun Araw. An album for heavy-steamin' late nights in the city, inter-dimensional back alleys, ghost cabs; it creeps and tunes in on a much darker, sparser, and more classically minded channel than its predecessors: dark and deep steam-vent ruminations on Phil Cohran, lenticular objects, and fried Hot 92.3 R&B slow-jams. A cold bug makes a real 'live wire.

"Orton Socket is mainly comprised of main-man and mouthpiece Rob Mazurek, known for blowing horns (as well as eardrums and minds etcetera) on a variety of efforts by Stereolab, Isotope 217, his own Chicago Underground Duo, and some other folks you probably have’nt heard of. Plus Rob's done a series of records under his own name. See, he's been a spotlight kid for years now. But for 99 Explosions, Rob has reemerged incognito, armed with synthesizer and powerbook, wearing the shimmering cloak of O…

Huge Tip! In the Merry Month of May is the final studio recording of the late, great Tony Conrad, and the first duo release with Jennifer Walshe, one of Conrad’s most important collaborators in the final decade of his life. Befitting these two absurdly gifted hell-raisers, this is a wild, improvisatory flaying of song, with Walshe’s clarion voice at the heart of the enterprise. The sheer sonic force of opener “In the Merry Month of May” recalls the ecstatic charge of Conrad’s Slapping Pythagoras…

The first duo performance between David Grubbs and Manuel Mota, the mysterious Portguese guitar legend; a real-time, documentary feel in which athematic, non-repeating musical gestures are rendered with an extreme sensitivity to microscopic soundworlds brought about by fingertips, strings, and tube amplifiers."Smoky seance of barely there strums and possible psychokinesis, ideal for fans of Loren Connors..." Boomkat

Dust & Mirrors’ is the second full-length album by the trio of Andrea Belfi (drums, percussion, electronics), David Grubbs (electric guitar, piano, voice), and Stefano Pilia (electric guitar). It follows 2010’s ‘Onrushing Cloud’ LP and finds the trio confidently taking stabs in a number of opposed directions. It dramatically widens the terrain in which the group operates. Between albums, the three musicians worked together on David Grubbs’s 2013 album ‘The Plain Where The Palace Stood’, and took…

David's debut on vinyl as a solo guitar improviser. Unhurried probing through spare themes for electric guitar and nylon-string acoustic. "Strange to say, but Borough of Broken Umbrellas is David Grubbs's first record of solo guitar improvisations, a profoundly unhurried probing (sometimes worrying, like a tongue and a tooth) of a handful of gorgeously spare themes. It divides its sides between two long (c. 12') tracks for electric guitar and nylon-string guitar. Comparisons are unnecessary…