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Keith Rowe and Michael Pisaro: 13 Thirteen | On this two-and-a-half hour, semi-improvised opus, the two guitarists and composers approach finely wrought detail and vast empty space in ways that can warp one’s perception of time itself. On this two-and-a-half hour, semi-improvised opus, the two guitarists and composers approach finely wrought detail and vast empty space in ways that can warp one’s perception of time itself."On this two-and-a-half hour, semi-improvised opus, the two guitarists and…
Graham Lambkin and Jason Lescalleet are editors of the best variety, so recording sound was only half the story. Through tape manipulation and various editing techniques, The Breadwinner falls even closer in line with The Anti-Naturals theory by appropriating the mundane (for aesthetic reasons, of course). The result sounds like an inadvertent exploration of dislocation and displacement, much differently than musique conrète and minimalist compositions or the real-time experiments of, say, nmper…
An evocation of “Nacht,” Graham Lambkin and Michael Pisaro’s chilling, malefic collaboration directly references Giraud’s collection of poems, Pierrot Lunaire, and Arnold Schoenberg’s melodrama of the same name. Despite the continental subject matter, Schwarze Riesenfalter isn’t an academic act of re-rendering a historical text. Their use of verse comes across as the result of warped poetic fascination and fixation, where a text crawls underneath skin, finding ways to subtly influence the mundan…
Erstwhile is proud to announce the first release on the new ErstClass imprint, an epic collection of Michael Pisaro's work for piano from 1994-2016, 11 pieces totalling 223 minutes. The pieces are performed by the brilliant Dutch pianist Reinier van Houdt (Current 93, Walter Marchetti, Robert Ashley, etc.) with close oversight by Pisaro as well as his own musical input at times. The gorgeous 8-panel digipak was designed by Yuko Zama (also the lead producer), and the 8 page booklet features liner…
"I first noticed the tremor in Keith Rowe's right hand on a visit to his home in Vallet in the summer of 2014. Presumably it had existed for some time although while I was in Paris (from February 2013) we saw Keith several times a year and I hadn't picked up anything before. When I returned to Vallet in November for two concerts in honor of Christian Wolff's 80th birthday, Wolff at one point asked him directly about the shaking and Keith replied that they were having examinations but it might we…
*2022 stock* Performed by Julia Breuer (flutes), Matthias Engler (vibraphone, marimba, glockenspiel, tubular bells), Elmar Schrammel (piano, celesta). Recorded 2007. One of Feldman's classic long-term late works, written in 1984. Wergo is proud to present Morton Feldman's four-hour-long trio For Philip Guston, performed by the ensemble Breuer-Engler-Schrammel. Feldman disagreed with those who regarded his works since the 1970s as being too long. 'In music, it's very difficult to distinguish betw…
*2024 stock* Produced in 1974 by Joachim-Ernst Berendt, this synthesis of Hermann Hesse’s writing with Peter Michael Hamel’s music, of spirituality and art, of sitar and church organ, of meditative sounds and jazz rhythms, of silence and passion remains unique today and in the meanwhile it has obtained a legendary reputation. Further releases of the formation Between from the 1970s are re-released as cds on the Intuition label: "Einstieg - Re-Entry", "And the Waters Opened", "Silence Beyond Time…
2025 stock Jakob Ullmann's career can be measured by the obstacles placed in his path. It was in the teeth of these obstacles that he learnt his craft: they have left their mark on his artistic stance, and the fact that he ultimately overcame them proved the rightness of his approach. For a number of reasons, Ullmann's works failed to blend into the musical landscape of the former state of East Germany. Avoiding peremptory gestures and unalterable laws, his restrained scores seemed strange and a…
With the legendary “Studio Reihe Neuer Musik” series, Wergo created a trademark of advanced contemporary music in the Sixties of the past century already. On the occasion of its 50th anniversary, the label now releases these highlights of 20th-century music history in an excellent sound quality on CD for the first time.In "Und so weiter pour piano électrique et bande magnétique", the piano and tape sounds become interwoven in a complex dialogue. "Music Promenade. Mixage originale“ – created in t…
*2022 stock* 'Etudes Australes was composed specifically for Grete Sultan, so this album is among the definitive recordings. As an indeterminate piece for solo piano (okay, well, a "duet for two hands"), this sounds very similar to Music of Changes, Winter Music, etc. Here, though, Cage generates indeterminacy by turning once again to using star charts as tools of composition, as he did previously in the wonderful Atlas Eclipticalis.
In a way, I find the piano to be more suited to star charts th…
Originally formed in 1968 under the name The Silencer, Nagoya, Japan progressive rock band Cosmos Factory didn't change their name until their 1983 debut on Nippon Columbia with "An Old Castle Of Transylvania". Loaded with heavy psychedelia and prog rock guitar moments, experimentally blended with the use of Hammond and Mellotron, the band lead by keyboardist / vocalist Tsutomu Izumi takes you on an adventure throughout the dark forests of Transylvania. Throughout the years, the album has become…
In 1981/1982 the French composer Luc Ferrari produced the radio play “Jetzt – oder wahrscheinlich ist dies mein Alltag, in der Verwirrung der Orte und der Augenblicke” [“NOW – or Probably This Is My Everyday Life in the Confusion of Places and Moments”] with the Hessischer Rundfunk. Like other earlier radio plays of Ferrari, “JETZT” as “radio play on the radio play” is a special case between music, radiophonic art and narrative radio play. The dialogues between Luc Ferrari and his wife Brunhi…
2025 stock Three rather meditative pieces from the repertoire of "Ars Acustica", but nevertheless: Fluxus! The New York-born artists whose radio plays are collected on this CD, Philip Corner, Alison Knowles, and George Brecht, have appeared together in performances, and they are also connected by their relationship to John Cage's aesthetic, by work with chance operations, and by Zen. Explaining Fluxus is like wanting to hold a river in your hand.
'I believe Jacob's Room is one of the most extraordinary examples of extended vocal techniques that I have ever heard. Touch is the child of the original Buchla electronic music triumvirate that included Silver Apples and Wild Bull. Its exploration of the sound and texture possibilities of electronic music is a variation on the two previous compositions. Jacob's Room is a vehicle for Subotnick's wife, Joan LaBarbara to demonstrate why she is universally considered the master of extended vocal te…
György Ligeti's "Requiem" for soprano, mezzo-soprano, two mixed choirs and orchestra is one of his most impressive compositions - especially, when directed by Michael Gielen - and at the same time "the" requiem of the 20th century: Sound which is chromatically layered moves gradually from the lower registers to the higher, thus changing from mourning sounds into the promise of the eternal light. In the Kyrie the polyphonic net which was previously static begins to move gently. It was a part of t…
The Apryl Fool’s self-titled album Apryl Fool (1969) is a singular psychedelic rock record born from the collaboration between Japanese musicians Hiro Yanagida and Takashi Matsumoto and American producer Gary Walker. The album fuses West Coast psychedelia with baroque pop, orchestral arrangements, and subtle Eastern melodic sensibilities, creating a richly textured and cosmopolitan sound that stood apart from both mainstream American psych and contemporary Japanese rock. Though commercially over…
We're back digging through Flipper's legendary catalog, more precisely in the Octopus Records section, and after bringing back Alessandroni's "Storie Di Guerra" here is the return of Amedeo Tommasi's Telegiornale", released under his Atmo alias. The album opens with a cinematic and suspenseful overture that immediately draws the listener into its world. Tommasi's virtuosic piano playing takes center stage throughout the album, with his nimble fingers crafting intricate melodies that are both ev…
"nature dreams, sings, of the moments of absolute clarity – alignments in the universe coinciding with the individual experience of living creatures. the subconscious web between all things, briefly brought to the fore. made luminous in a flash of benevolent light." Known as Singapore’s “ambient boy,” Kin Leonn is ready to captivate his audience anew with his upcoming release, mirror in the gleam. Following his previous albums, Commune (2018) and Faraway Vicinity with Hiroshi Ebina (2020), Kin L…
** CD housed in a die-cut customised debossed outer case (14.5x14.5cm) with rounded obi, 32pp booklet with words in Japanese and English from Meitei. Offset printed, full colour on premium matt paper. ** Hailing from Hiroshima, Meitei, unveils the final chapter of his transformative Kofū trilogy. “Kofū III” marks the apex of a musical journey that began in 2020, unraveling an introspective exploration of the artist's psyche while delving deep into the essence of Japanese culture. This latest rel…