Back in stock
A Little Death
Claire Rousay completes her trilogy with A Little Death, where field recordings intertwine with strings and piano like voices in a chamber ensemble. A return to her core practice after sentiment's pop forms, the album transforms tactile samples into emotional archaeology—fragile, honest, vital.
White Light/White Heat
2018 repress; 2008 release. While 1967's Velvet Underground & Nico was a part of Andy Warhol's global artistic vision, 1968's White Light/White Heat
was free of all Warholian influence, so in a way it could be thought of
as another debut album. Here the music was left to fester on its own,
with no artistic visionary interfering or trying to create a soundtrack
for his pop art, and the Velvets filled that void with an album that is
an aural subway car full of drunkards, junkies and whores ru…
Underwater Electronic Orchestra
Ojo de Mujer presents a rare gem from the twilight zone of 1970s electronic experimentation: Labat's Transition, an album that exists in its own peculiar dimension where psychedelic disco meets aquatic reverie, and synthetic soundscapes dissolve into moments of unexpected grace. Surfacing from the depths of obscurity, this Canadian pressing has long been whispered about among collectors and connoisseurs of the era's most adventurous electronic music. The album's striking cover — featuring a figu…
Out Now
We are excited to announce a highly anticipated reissue of Faust’O’s pivotal fourth album, strictly limited and individually numbered to just 500 units in a collector’s digipack version.
Monitor
Monitor, the 1981 solo album by Gianni Leone (Leonero), stands at the crossroads of Italian New Wave and progressive rock, offering a singular listening experience that both anticipates and transcends its era. Conceived in California following Leone’s transformative years with Balletto di Bronzo and his ventures in New York, this release embodies a synthesis of transatlantic influences and personal artistic exploration.
1975 Mekeel Sessions
For years, Jackson C. Frank was as ghostly a legend as they come. Even the relatively few record collectors who revered his work were only aware of the lone LP released during his lifetime. For all most listeners knew, Frank made an incredible album in 1965 and then vanished, despite that record having been produced by Paul Simon.
1975 Mekeel Sessions features six tracks recorded in the mid-'70s at a studio in Lake Hill, New York about five miles from Woodstock where Frank was living at the time…
Bar Maldoror
* Metallic Gatefold sleeve. 200g 2LP. Black Vinyl, edition of 700 copies * The long-running and infamous project known as Nurse With Wound, essentially Steven Stapleton joined by a rotating cast of characters as Annie Anxiety, Chris Wallis, David Tibet, Diana Rogerson, John Balance (of Coil fame) — mixes the overly serious chin-scratching of the contemporary avant-garde with a healthy dose of absurdist humour and wit. Often unfortunately branded with the industrial’s tag, Stapleton’s music actua…
1982
Dark Entries flashes back to the grimy streets of New York City circa 1982 to bring us an unreleased album from cult outfit Ike Yard. Comprised of Stuart Argabright, Michael Diekmann, Kenneth Compton, and Fred Szymanski, Ike Yard sits between the sinewy proto-body music of the Neue Deutsche Welle and the shattered grooves of their No Wave peers in New York.
The band’s initial run was short but blinding. They released an EP for Les Disques du Crépuscule in 1981, which was followed by their legend…
A Mineral Compound Fountain Of Youth
A Mineral Compound: Fountain Of Youth is an expansive compilation released on Light Sounds Dark, renowned for unearthing the obscure corners of experimental music. This 3LP set ventures deep into a shadowy sonic world, fusing DIY electronics, avant-noise, post-punk, ambient, industrial, and classical influences. Listeners are enveloped in nearly two hours of dense, faceless murk curated from Light Sounds Dark’s mysterious vaults—a journey through dank, musty soundscapes shaped by private-press o…
Linkage
First-time vinyl reissue is limited to 750 numbered copies. Comes with booklet. Terry Fox was a first generation Bay Area conceptual artist. Beginning in the 1970s, he worked extensively with sound, especially the use of piano wires detached from their native instrument and anchored between opposing walls of the performance space. Linkage, Fox's first album, was originally released in 1982 to accompany an installation at Kunstmuseum Luzern in Switzerland. The record would mark Fox's first attemp…
Blueprints For A Blackout
Emerging out of Amsterdam's vibrant squat scene in 1979, The Ex – a name chosen for the ease and speed with which it could be spray-painted onto a wall – have for four decades been an entirely self-sustaining musical entity, charting a course through the global underground with a spirit of freedom and radical exploration. Blueprints For A Blackout, The Ex's fifth album and first double LP, combines caustic studio experimentations and loose songs from their gripping live-set at the time. The band…
Pokkeherrie
Emerging out of Amsterdam's vibrant squat scene in 1979, The Ex – a name chosen for the ease and speed with which it could be spray-painted onto a wall – have for four decades been an entirely self-sustaining musical entity, charting a course through the global underground with a spirit of freedom and radical exploration. On 1985's Pokkeherrie (Dutch for "terrible noise"), The Ex return to the more stripped-down instrumentation on their early LPs. A key lineup change would also see the arrival o…
The Tail of the Tiger
In 1977 an obscure Italian private label issued a record that sounded like it came from outer space. A long and dense trance-inducing drone of sustained notes, rich with overtones and harmonic embellishments, coming from a space so vast and unexplored that seemed almost of non-human, even electronic nature
Fluence
Fluence is the brainchild and first release of sound artist / provocateur Pascal Comelade. Recorded in Montpellier, France in 1974-1975, the project consists of exploratory electronic pieces in the Fripp & Eno vernacular with a Kosmische tinge. 'A Few Reasons To Stay / A Few Reasons To Split,' a title inspired by Swiss conceptual artist Urs Lüthi, features Comelade's kaleidoscopic arpeggios and Richard Pinhas' howling guitar, which variously resembles a dreamlike cello and ghostly human moans. '…
Ike Yard
Ike Yard remain a legendary band of early '80s New York City – at once immensely influential, yet obscured by a far-too-brief initial phase. Their debut EP, the dark and absorbing Night After Night, sounds almost like a different group, so rapidly would Ike Yard evolve towards the calmly menacing electro throb of their self-titled LP. Originally released on Factory in 1982, the album put Ike Yard's indelible mark on the synth-driven experimental rock scene then emerging all over the planet. Whi…
Reflex
Francesco Messina is perhaps best known for his collaboration with fellow composer Raul Lovisoni on the album Prati Bagnati Del Monte Analogo, originally released on seminal Italian label Cramps in 1979. Along with contemporaries Franco Battiato, Juri Camisasca and Giusto Pio, Messina would help reshape the world of modern composition with an organic rawness and haunting beauty.In 1979, Messina was asked to perform at the Teatro Quartiere in Milan. As the composer writes in the liner notes, "Due…
Grey Scale
David Cunningham was born in Ireland in 1954. His work ranges from pop music to gallery installations including several collaborations with visual artists. His first significant commercial success came with The Flying Lizards' single "Money," an international hit in 1979.
Originally released in 1976, Cunningham's first solo album Grey Scale has become a landmark statement of DIY minimalist composition – continuing in the vein of the wild explosion of arthouse experimentation from the early '70s.…
Peace
“Killer spiritual jazz album from Denmark, superb repress” - Gilles Peterson, BBC Radio 6
Lite Hits
In the early 90s there were a few like minded friends making a unique style of lo-fi pop music. At the core of this non-scene were Sukpatch, Land of the Loops and The Ah Club, who all tended to play on each other's recordings. As the decade went on each of them learned how to use their instruments better, smoothing over the edges, but in typical fashion, the early home recordings had a special feeling that couldn’t be replicated with cleaner fidelity and nicer equipment. Sukpatch especially were…
Mare's Tail
In 1969 both Anthony Moore and David Larcher were at the start of their respective careers and both were inspired by the ideas of the avant garde and the new technologies becoming available to them. David experimented with the various techniques being explored in the medium of film making and Anthony tested the limits of what could be done with tape recorders. It was an open and co-operative exploration. The results of their first collaboration was the film Mare’s Tail - an unusually long 2:30 h…