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*Edition with 20 pages booklet* One of the earliest German private pressings, from 1969, and one of the most sought-after collectors’ items. Three masters on their instruments. Trikolon is a very gifted trio from Osnabrück. As precursor of Tetragon, they played a very varied and strongly influenced progressive rock. They were influenced by classic and sometimes by blues. Their only LP "Cluster" was already released in 1969. It was edited by themselves in a number of 150 copies. Thus, it had been…
German progressive with symphonic touch featuring Mellotron and flute, good keyboard playing and a fine guitar. Three of the six tracks are instrumentals. Dag Erik Asbjornsen lists the Troya LP in his book "Cosmic Dreams at Play" among the ten best Krautrock LPs of all time. The original album sells for 1000 € in mint condition. With 8-page booklet in LP size.
An impressive psychedelic LP, highly recommended. Comparable to the early Pink Floyd. Unfortunately the only Vinegar release. One of the most wanted German LPs. "An unknown gem from an obscure and innovative band", as the Freeman brothers write. Drawn from the master tapes. With 40-page booklet in LP size. The original album sells for 1000€ in mint condition.
"An unknown gem", with that the Freeman brothers labelled this really impressive work. Psychedelic and mostly instrumental. Like early Pi…
Virus, from the Bielefeld area in Westphalia, were the best and most famous local progressive group there in the early seventies. In 1970, they won the well-known competition in the Recklinghausen Vestlandhalle – still under their old name of Man’s World. The first prize: Recordings for their first own LP, under the direction of sound magician Conny Plank. That LP, “Revelation”, was released in 1971 and is partly reminiscent of the early Pink Floyd, e. g. in the final part of “Endless game”. The…
The name is the first clue. Clark Ashton Smith - poet, sculptor, and author of cosmic horror fiction, a peer of Lovecraft and one of the strangest imaginations ever committed to the pages of Weird Tales - populated his stories with invented worlds full of unpronounceable proper nouns. Ejwuusl Wessahqqan is one of them. So are the titles of every track on this record: "Die geborstenen Kuppeln von Yethlyreom," "Die orangefarbene Wüste südwestlich von Ignarh," "Hobbl-di-wobbl." A band that names it…
Missus Beastly had formed in Herford in 1968 under the name Psychotic Reaction - lifted from the Count Five song - before settling on a name borrowed from a doll on a German children's television programme. Lutz Oldemeier on drums, Reinhard "Atzen" Wehmeyer on guitar and vocals, Wolfgang Nickel on keyboards, and Petja Hofman on bass had been playing the southern German circuit - Mainz, Munich - to crowds that responded to their unstructured, hour-long improvisations with something approaching de…
Missus Beastly regroups and blasts into some very dynamic fusion territory with this exceptional album. The usual apparitions of the house-hold names of the mid-seventies jazz apologists can be traced here, but the eventual output will always sound only as original as Missus Beastly. One of the biggest strengths these guys possesed was their vibrant rhytm section, from the opening track i can make a parallel to Passport's or Embryo's more dynamic tracks, wherein Curt Cress/ Christian Burc…
The artist name and album title are swapped. The back cover states: "produced by Dr. Aftershave And The Mixed-Pickles" and "this record is dedicated to Missus Beastly." A label contractual dispute with Telefunken required that Missus Beastly not release music under their own name - so they released it under a pseudonym and dedicated it to themselves. The bureaucratic manoeuvre doubles as a small act of absurdist comedy, entirely in keeping with a record whose title track is named "Miles Along th…
This album contains three instrumental jazz rock jams recorded by Radio Bremen in September 1974 shortly after the band had produced the second LP. Keyboarder Dieter Miekautsch had left the band towards Embryo and Eddy Maron, also known from contributions for Vita Nova and Dzyan, brings new aspects to the music - it's quite a new impression of the band. The sound quality leaves nothing to be desired by the way. A very good show documenting a new facet of the Missus Beastly band and a highlight f…
What you hold is half a record. Three tracks, twenty minutes, one side of an intended LP that never found its other half. Gäa recorded these sessions at Leico Studio in 1975, then ran out of money before the album could be finished. By 1978, the band had dissolved. The title, Alraunes Alptraum - Alraune's Nightmare - reaches into German earth mythology: the Alraune, or mandrake root, is an earth spirit pulled unwillingly from the ground. The name mirrors that of the band itself, named after Gaia…
Dee Brown's Bury My Heart at Wounded Knee, published in 1970, was the first major history of the American West written from the perspective of its Native peoples. Its impact across Europe was considerable - a generation reading it not as distant history but as a mirror turned on the mechanisms of power still very much in operation. In Germany, where the mythology of the American frontier had deep and complicated roots, it landed with particular force. Wolf Conrad "Conny" Veit read it, and made a…
Edition with 20 pages booklet* Sophisticated rock with polyphonic vocals, multi-layered structure and frequent rhythm and tempo changes, in the vein of Gentle Giant and King Crimson. The LP was released on the Kerston label in 1977. The vinyl re-release comes with the original gatefold cover artwork and includes a 20-page booklet. Limited to 1000 numbered copies.
Epidermis were founded in Idstein, Hesse, in 1971, but they soon moved to the regional capital, Wiesbaden. They played some complex s…
*Edition with 44 pages booklet. In process of stocking* This album is a bit difficult to pigeonhole, as most of the early Embryo work is. The opening number sounds if anything, like an outtake from Miles Davis' Jack Johnson soundtrack, but with lead guitar sound more prominant. Then, gears are switched, and you are listening to acoustic folk guitar and sitar, which melts into a cool ostenato riff flanging around, that just builds and builds, with countermelody on Violin (or Veena?) and guitar we…
Limited edition, numbered. 1000 copies. 20-page booklet in LP size. Few records carry this kind of weight. Two hundred copies pressed in the summer of 1978, quietly distributed from a small Nuremberg label, and then - silence. It took decades for the world to catch up.
Carol of Harvest were five teenagers from the Middle Franconian town of Fürth, Bavaria. Axel Schmierer composed everything - all the songs, all the English lyrics - and the band coalesced around him with the precision of people wh…
Limited and hand numbered edition of 1000 copies. With 20-page deluxe insert in LP size - Cologne, October 18, 1972. WDR is broadcasting live. The set lasts just under forty-seven minutes. Within a year, the band will be finished. Eiliff were formed in the late 1960s around pianist Rainer Brüninghaus - the same Brüninghaus who would spend the following three decades as one of ECM's most indispensable musicians, appearing on records by Jan Garbarek, Eberhard Weber (Colours), and Volker Kriegel. O…
*20 pages booklet edition. In proces of stocking* 'The band began in 1974 in Hagen but unfortunately this excelent album was emerged only in 1978, when progressive rock was not more in "fashion". Then this first work is sadly also the last. A similar problem that happened with Locanda delle Fate and his masterpiece "Forse Le Lucciole Non Si Amano Più". Since then Albatros is almost completely forgotten until Garden of Delights reintroduce this gem to prog fans in general and kraurock fans in par…
The first release of a 1995 studio session, produced by Evan Parker. The Kenny Wheeler Sextet includes Ray Warleigh, Stan Sulzmann, John Parricelli, Chris Laurence and Tony Levin.
Corbett vs. Dempsey is delighted to announce the release of the self-titled debut CD by the international quartet The Sleep of Reason Produces Monsters.
The highly democratic foursome works in the productive netherworld between genres, where genres go to die. Integrating noise, jazz, electronic music, and pure mania, The Sleep of Reason Produces Monsters does not sit passively waiting for something to happen; in highly focused free improvisations, they take the proverbial bull by the horns with …
Dave Rempis, alto, tenor, baritone saxophone. Ingebrigt Hoeker Flaten, bass. Frank Rosaly, drums. Tim Daisy, drums. The Rempis Percussion Quartet is a free - improvising whirlwind that draws inspiration from a shared interest in West African and Latin American rhythms, coupled with American funk and free jazz. Using these influences, the band creates spontaneous music which nevertheless maintains a focus on ensemble motion and compositional structures. Led by saxophonist Dave Rempis (The Engines…