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Five years after their radiant debut Ufo Bar, Italian cinematic funksters Banda Maje are back with Costa Sud to take us deeper into their land of ‘Salifornia’—a Southern province of sun-drenched coastlines and decaying buildings where dreams of exotic escapism sprout and bloom.
Once again, behind the eight tracks in the album—and behind the wheel of the fiery red Alfasud on the cover—is composer and keyboardist Peppe Maiellano. He has meticulously tailored each piece to his virtuoso partners in …
One of the most iconic Italian library music albums ever, Woman’s Colours by the Giancarlo Barigozzi Group (with Sergio Farina and Oscar Rocchi) emerged from Milan’s vibrant studio scene. Originally released in 1974 under the supervision of Fabio Fabor, it’s a refined concept work blending jazz-funk, jazz-rock, bossa nova and exotica, featuring Wurlitzer, Fender Rhodes, fuzz guitars and expressive flutes, balancing groove and elegance. Over time it has attained cult status, now regarded as a cor…
Solar Wind, the singular album from OM led by guitarist Seiji Hano, is widely regarded as a milestone in Japanese ethnic jazz. Recently reissued, this masterwork summons a refined blend of acoustic purity, melancholic resonance, and wabi-sabi beauty, drawing subtle influence from ECM contemporaries like Oregon and Codona while breathing unmistakable Japanese spirit. With each track, from the mesmerizing “Windmill” to the final notes, Solar Wind achieves a seamless, moving elegance - a flawless e…
**Natural vinyl with exclusive RISO reproductions of Pamela Z posters from the 1980s / 1990s. Print set includes four 8.5x11" prints in a stamped envelope, hand-assembled in Brooklyn** "Echolocation is the debut album by Pamela Z, the pioneering Bay Area intermedia composer and performance artist. Written and recorded over three years, and self-released and distributed on cassette in 1988, Echolocation is a genre-defying document of Z’s earliest experiments with live voice and delay, and the imp…
Sven-Ake Johansson has referred to the book of compositions used for his Stumps project as the magnum opus of his small group writing. The top-notch quintet he assembled for the project includes some of his most trusted collaborators in trumpeter Axel Dörner and double bassist Joel Grip, complemented by the involvement of two younger but equally compelling French improvisers, pianist Simon Sieger and alto saxophonist Pierre Borel. A set of recordings made at the Berlin club Au Topsi Pohl were re…
Despite a 40-year age gap and the vast distance between Japan and Greece, pianist Masahiko Sato and guitarist Giotis Damianidis reveal themselves as kindred spirits on Thousand Leaves. Capturing their very first meeting—recorded live on February 2, 2024, at Jazz Spot Candy in Chiba, Japan—this album is a testament to the power of improvised music to dissolve boundaries of geography and generation. The rapport between Sato and Damianidis is so immediate and intuitive that one might imagine a much…
2025 stock Mats Gustafsson plays slide, tenor, baritone, bass saxophones. Christof Kurzmann uses special ppooll software and voice, live processing. Recorded, mixed & mastered at Garnison 7, Vienna by Martin Siewert. Artwork by Jimmy Draht. Liner notes by Ken Vandermark. Limited vinyl edition of 300 with screen-printed covers. Ken Vandermark, from the liner notes: "On the surface, its fundamental components seem to come from the 20th century: the saxophone (invented in 1846, but not coming to th…
“Radiance” is the first album of solo piano improvisations from Keith Jarrett in a decade. The last such was “La Scala”, recorded 1995, released 1997. (In between, in 1999, Jarrett issued the home recording “The Melody At Night With You”, a solo album of standards and folk songs). Four years ago, Jarrett told interviewers it was unlikely he would return to solo piano performance. Having been sidelined for several seasons by illness, he had attempted two solo concerts in Japan in the autumn of 19…
*150 copies limited edition* Like all concerts by Conrad Schnitzler, this one is unpredictable and always captivatingly beautiful. A masterfully crafted mix of four solo works, all located in close proximity to the RR album itself. There are few such works in the entire discography, and most of them are included in our top 100.
*150 copies limited edition* 'Memory' is a saturated, multifaceted poem, a work of sound art set against a backdrop of shimmering cosmic space. It is a sonic excursion into memory, reflecting both the light and the darkness of our consciousness. Moving forward and transcending many boundaries, Conrad Schnitzler remains true to the mood established at the very beginning of this 60-minute cinematic work.
With DronosWalze / Dron, Conrad Schnitzler revisits and redefines the drone form, crafting a dual album that foregrounds his singular approach to electronic minimalism. These expansive pieces radiate immersion and mechanical elegance - each a testament to Schnitzler’s restless exploration and uncompromising sonic vision.
*100 copies limited edition* This album came together across different moments and shifting moods, moving in opposite directions and never fully settling much like the sudden, restless bursts of a bora wind. Each track belongs to a different time and a different inner weather, carrying its own distance and temperature. Within these shifting winds were the quiet weights of regret, the faint traces of shame, and the strange urge to believe without question in certain things, even when nothing felt…
Digipack CD. In the late 1980s, Klaus Wiese (Popol Vuh) deepened his connection with Tibetan culture. The result is a series of works solely dedicated to the universal purity of the Singing Bowls. Uranus, perhaps the most rigorous of these, is an intense meditation on the trans-personal sphere of the VI chackra. The music becomes like a single harmonic chant, the reflection of a constant flow of divine light, which transforms the psyche and dilates the secret passages of the heart. In the galaxy…
* Edition of 300. Spectacular four-panel gatefold cover * Since the early 1980s, the Nexus creature has represented one of the most interesting realities of the Italian jazz scene. Daniele Cavallanti (Aktuala) and Tiziano Tononi (Moon On The Water and D.O.M Alia Orchestra) realize a sensational mix of orchestral praxis and impro-free jazz. The strength lies in the ensemble's variety of timbres, in that precise hybrid of styles reminiscent of the cross-sectional experiences of the 1970s of Zappa,…
** Much needed reissue ** Don't let the name mislead you! The enigmatic M. Zalla is one of the numerous aliases of the italian maestro Piero Umiliani who, during his period of fascination for psychedelic and electronic atmospheres, started to compose a good number of musical portraits dedicated, as the title reveals, to the problems of his time. In the early '70s, Italians were worried about the mafia, terrorism, and social conflicts; and one can sense that the music represents these anxieties i…
Huge Tip! 300 copies. Originally issued in 1978 by Cetra, Follie Del Divino Spirito Santo emerges from a singular moment in Antonio Infantino's artistic practice - a moment when his early immersion in international Beat circles and avant-garde gestural music had crystallized into something entirely his own: a ritualistic and shamanic engagement with the musical traditions of Southern Italy.
From 1964 onward, Infantino had moved through collaborative circles with Vittorio Gelmetti, Sylvano Bussot…
A trance-inducing journey into Morocco’s Ait Bouguemez valley: multi-instrumentalist J.H. Burch joins the all-female Troupe Asnimer to revive Amazigh oral traditions. Their hypnotic choral songs, enriched with global instrumentation, bridge ancestral ritual and contemporary sound.
Visionary Walter Maioli and electronic innovator John Zandijik’s 1980s late-night sessions fuse ancient flutes and cutting-edge technology, creating a cosmic soundscape that bridges ethnomusicology, psychedelia, and electronic experimentation.
Hardcover, 468 pages, 21×27 cm! In the wake of his Cause And Effect cassette label and distribution service, Hal McGee launched Electronic Cottage International Magazine. From 1989 to 1991, its six issues focused on the independent home recording community – artists who had developed their craft in the post-punk DIY era. The contributors were nearly all members of the hometaper community. The magazine featured articles providing helpful tips and highlighted the challenges hometapers faced. It in…
Massive edition, 580 pages, hardcover. Frans de Waard published Vital, a fanzine for electronic and electroacoustic music, from 1987 to 1995. It was a low-budget, Xeroxed publication, bearing the revolutionary instruction: ‘No Copyright Publication. Reprint Now!’ It featured interviews with Asmus Tietchens, O Yuki Conjugate, Merzbow, P16.D4, Pierre Henry, Jim O’Rourke, Brume, Döc Wor Mirran and many others, hosted discussions on copyright, plagiarism and plunderphonics, house music, ambient musi…