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Cellist and composer Aliya Ultan announces Looks Far Woman, a new solo album out June 26 on Kou Records, recorded, mixed, and produced by Randall Dunn (Sunn O))), Jóhann Jóhannsson). The album takes its name from a guiding figure in Aliya's personal mythology — a seer who moves between worlds carrying the medicine of patience, prophecy, and transmutation — drawn in part from Jamie Sams' The Thirteen Original Clan Mothers. Structured as a six-part song cycle — Wind Song, Road Song, Mountain Song,…
*200 copies limited edition* For more than three decades, Germany’s drone ambient pioneers Troum have explored the liminal zones between sound and sensation, shaping immersive sonic environments that dissolve boundaries between ritual, memory, and matter. Emerging from the industrial-ambient underground of the 1990s, Troum have remained devoted to a singular artistic intent: to create transformative listening experiences, dense with atmosphere and charged with inner movement, where sound becomes…
"The piano was the favourite instrument of Morton Feldman (1926 – 1987). “What is the difference between an orchestra and a piano? A piano has pedals”, he once said. The three works on the CD – Triadic Memories (1981), For Bunita Marcus (1985) and Palais de Mari (1986) – are iconic of Feldman’s compositional trajectory. Firstly, because of their length. The first two pieces each last almost an hour and a half, Palais de Mari 25 minutes. Furthermore, the limitation of the musical material is stri…
Temporary Super Offer! Cacophonic present a first time vinyl reissue of a pioneering album of French free jazz, François Tusques's Free Jazz, originally released in 1965. Comprising some of the earliest, uninhibited performances from musicians behind groundbreaking European records and films, Free Jazz captures the birth of an exciting movement that would soon earn its Parisian birthplace as the go-to European spiritual home of improvised and avant-garde music. Spearheaded by pianist and compose…
If Eternal Rhythm was Don Cherry's world fusion masterpiece of the '60s, then Brown Rice is its equivalent for the '70s. But where Eternal Rhythm set global influences in a free jazz framework, Brown Rice's core sound is substantially different, wedding Indian, African, and Arabic music to Miles Davis' electrified jazz-rock innovations. And although purists will likely react here the same way they did to post-Bitches Brew Davis, Brown Rice is a stunning success by any other standard. By turns hy…
Whether you know it or not, you've heard Nick Drake before. Maybe
it's from his other albums, maybe it's from that VW commercial, maybe
it's just the sound of that quiet bleakness we all feel when sadness
comes to the door and doesn't want to leave. This music lives with all
of us. It exists in quiet lonely nights, chilly autumn evenings, and the
muted grey of the world when it's been raining all day.During his too-short musical career, Nick used music to look at those
little feelings we a…
*Edition of 300 copies. High thickness cardboard with opaque laminated cover. Comes with a printed insert.* John Tchicai was extraordinarily prolific during the late 1960s and early 1970s, and this second archival release from Formalibera captures two essential, previously undocumented chapters of his story. Side one takes us to Danish Radio House, Copenhagen, October 1969, where Tchicai leads a remarkable hybrid quintet fresh from a European tour: Danish collaborators Hugh Steinmetz and Pierre …
*Edition of 300 copies. High thickness cardboard with opaque laminated cover. Comes with a printed insert.* John Tchicai (1936-2012) was one of the most visionary free jazz saxophonists of the 20th century - a rare artist whose voice stood apart even among giants. Born in Copenhagen to a Danish mother and a Congolese father, his path to New York came through a chance encounter at a socialist youth festival in Helsinki, where Bill Dixon and Archie Shepp heard him play and urged him to make the mo…
* Edition of 300 copies. High thickness cardboard with opaque laminated cover. Comes with a four-page printed insert. The Contemporaray Jazz Quartet together with Gary Peacock and Sunny Murray! This is THE sunken treasure. This is music I have only heard about. And yet, here it is. Unbelievable. Intact. Preserved. Beaming of energy and JOY! This is a sensational find. My favorite Danes exploding together with my favorite double bass player all time. Gary Peacock. The engine. The power engine. I …
Two sunken treasures from the same Copenhagen underground, gathered here as a pair. On one LP, Predetermination: The Contemporary Jazz Quartet caught in 1964 alongside Sunny Murray and Gary Peacock - the rhythm section of Albert Ayler's Spiritual Unity - on music that stayed hidden for sixty years. Free jazz before the norm was set, exploding out of Denmark years ahead of the rest of Scandinavia.
On the other, Beautiful United Harmony Happening / The Education of an Amphibian: John Tchicai at hi…
The first ever reissue of one of the great hidden artifacts of early prog and fusion: 'Power On!', the second and final full-length by the little-known Frankfurt ensemble From, originally issued by the German arm of CBS in 1972 and now returned to print by Free Flow Archive. Building upon and radically expanding creative ground pioneered by Miles Davis on 'In a Silent Way' and Herbie Hancock on 'Mwandishi', alongside roughly contemporaneous efforts by Soft Machine and The Nice, the sounds of Fro…
Future Present Past is the second Impulse! Records album by the free jazz collective Irreversible Entanglements. The album was largely recorded at the historic Van Gelder Studio and showcases how the quintet fuses atmospheric jazz, world music traditions, and spoken word with the story of our collective existence: a future full of possibilities, a present with all its uncertainties, and a past as a source of ancestral wisdom.
Irreversible Entanglements, formed in Brooklyn in 2015, consists of p…
Two Rooms Records is excited to announce its tenth and most significant release yet, "Live on WUOM 1979" by Griot Galaxy. Nearly lost to history, this double-length release captures an extended radio performance by the seminal Afro-futurist jazz group, aka “The Sci-Fi Band,” featuring stunning versions of their classic repertoire circa 1979, in a compact, quartet setting.
Known for mixing complex polyrhythms, polytonality and non-western scales with grooves and minimalist elements from popular m…
LED and Love Sounds (2015) is Forsberg’s first sound-and-light piece. The piece is made of frozen and processed violin sounds. The drones are slowly changing, providing minimal repetitions that never stay the same. ”A slow transition from playing on my instrument, to play only my electronics. Letting the violin hang there with me on stage, listening to itself. Following how the drones slowly change, minimal repetitions that never stay the same. And you can hear the gallery clearly, it moves some…
Alice Kemp is a British artist working with noise, performance, fetish objects, installation and many other forms of media. Throughout her work, she articulates a broken and illogical syntax of the subconscious through trance states, dreams, and disturbances. She has performed extensively, occasionally as an associate to the Schimpfluch-Gruppe of Swiss extreme aktionists.
It is a rarified violence that the Kemp invokes on her 9 Dreams In Erotic Mourning. Something disfigured. Something fucked. S…
Erik Klinga presents "Elusive Shimmer," the first installment in a trilogy of albums released by the Thanatosis label. On his debut, the Swedish electroacoustic composer offers a euphoric, celestial body of work, with the Buchla 200 synthesizer as the primary source of sound. Combined with delicate field recordings and pipe organ performances, the eight tracks here burst with melodic poignance and glow with incandescent brilliance.
The opening track awakens like the first rays of dawn, with wind…
**Picture Disc edition with an insert of 8 pages and is also limited to 1000 hand-numbered copies.** Against its remarkable, sprawling, and lasting influence, it is hard to image the 1960’s and 70’s German sonic counterculture as it was - a truly underground music, almost entirely unknown beyond the borders of the country from which it sprang. Across the ensuing decades, this scene - among the most ambitious, rebellious, and experimental of its day, has offered an unparalleled wealth of inspirat…
On their self‑titled debut, Kenako deliver a tightly wound set of organic funk and Afro‑soul instrumentals, where heavy drums, hot horns and deep, unhurried grooves feel cut for both dusty dancefloors.
Already sold out, few copis available. Gorgeous double vinyl reissue of what still stands as one of Christina Carter’s finest moments, originally issued in an edition of 300 copies on her own Many Breaths Press. Six love songs comprised of elliptical bell like guitar phrases, barely there, sometimes even coaxing silence, set behind the extended vowel sounds of voice. Soft gentle performances here, like this whole record was cut very very late at night or in the early hours of the morning. An unh…