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*200 copies limited edition* "Archimboldos have clawed their way out of the starcaves of their primordial past and into the tranquil light of a coral garden on their third full length album, Crusta Arcana, a gumbo stewpot of transcendent electronica suffused with tribal rhythms and liquid ambience. Across a stereo field smeared with tolling bells, post-industrial folk percussion, and tinkling keys, Archimboldos soundtrack a science fictional journey, not into the depths of space, but deep beneat…
*2026 stock* Dendermonde represents an ambitious encounter between acoustic and electronic elements, mixed together in a unique and hybrid sound territory, oriented towards psychedelia and post- rock. This album is the result of an experimentation that aims at creating a bridge between electroacoustic music and blues. It is crossed in its entirety by analog hiss and crackles, noises, and field recordings. All of this finds a centre in the sound of guitars, sometimes acid, sometimes ethereal, yet…
*2026 stock* This album presents the project Stahlstuhl in its typical line-up: a chair performer plus a laptop musician. This was the first concert held by the duo, in December 2012. Guitar player, singer and computer science enthusiast, Olavo Vianna acts here as a chairs’ guru. His performance is the result of a long study on the timbrical possibilities of school chairs. As shown in this recording, such an ordinary object has all the potential for becoming a full scale musical instrument. The …
*2026 stock* The pieces that make up this collection were composed with the Gendyn algorithm – GENerative DYNamics. The Gendyn algorithm is an example of nonstandard sound synthesis techniques, relying on random walks guided by probability distribution functions to define the character of complex timbres as well as musical form. Sound is generated ex-nihilo – from nothing – through mathematical expressions that are characterized by initial conditions defined by the composer, setting in motion th…
*2026 stock* This album was recorded in Paris, late 2013, by four members of the Unmapped collective. Since the foundation of Unmapped in 2007, the collective was dedicated mostly to interaction between traditional instruments and computers. They always privileged the concept of “dual-units” (binômes, in French) to establish a tight and equal relationship between these two universes, thus allowing the emergence of hybrid instruments.
In Fulgurite, the live computer side of Unmapped is represente…
The tracks that make up Fragments of Soaring Vessels are conceived as “sensitive vehicles.” Although they seem quite different at first listen, closer listening reveals multiple points of intersection—often overlapping, sometimes paradoxical. The Inexpressible Feeling of Dereliction approaches an attempt at a sonic transposition of a feeling of emptiness and rupture that may arise in an extreme situation, in which a pious person is confronted with a moment of absolute disillusionment regarding t…
*2026 stock* "The latest out on from Australian Tom Hall, an a/v artist living in Los Angeles. Spectra took two years to record (2015-17) and is released (CD, Cassette, Digital) on June 5th. If you like the Stranger Things theme song, this is in that sci-fi synth soundtrack universe with a twist of late 70’s b-movie. The high tones on Vail 1123581321 are thematic, like a rover has been sent from the central ship to capture images of signs of life. Hall also shot the cover image which could be a …
Jonah Parzen-Johnson & Lau Nau return with a double CD edition on We Jazz Records bringing together their 2025 debut duo release A Few We Remember first time on CD, plus a live recording from the album release tour recorded in Bolzano, Italy, in April 2026. In April of 2026, Lau Nau (Laura Naukkarinen) and Jonah Parzen-Johnson crossed into Italy separately and made their way by train to meet in Bolzano for their first tour together. There was a bit of the energy of the first day of school. Nervo…
The Finnish-Norwegian trio of Olavi Louhivuori, Eivind Lønning and Kim Myhr make their debut with Nubes, released by We Jazz Records on September 25. Recorded at We Jazz Festival in Helsinki in 2021, the album’s organic flow moves beyond genre, building a sound world that gains intensity slowly and surely as the piece progresses. The music of the trio, documented when joining forces here for the first time, sounds unified, confident and searching, taking the listener to places far from the obvio…
Pierre Mariétan (1935–2025) was a prolific Swiss composer, sound artist, and pioneer in acoustic ecology who spent most of his life working in France. Over his long career, he composed more than 300 instrumental, orchestral, vocal, and electronic pieces. Mariétan studied under avant-garde legends like Pierre Boulez, Karlheinz Stockhausen, and Bernd Alois Zimmermann. In 1966, he founded GERM (Groupe d’Étude et de Réalisation Musicales), a music collective that blurred the lines between strict com…
Saxophonist Patrick Shiroishi and drummer Jason Nazary present their new album, here i am no i, on September 18th. The release marks their duo debut for We Jazz Records, adding to an expanding release catalog also including Nazary’s solo album Spring Collection (2021). here i am no i is a free-flowing body of work with continuous forward-motion, building on the acoustic duo setting and expands with electronics and voice landing somewhere beyond genre. Dedicated to jaimie branch, the album is a s…
Doug Aitken in collaboration with Grant Gershon. Produced by Austin Meredith and Rodaidh McDonald. Performances by the Los Angeles Master Chorale and the Los Angeles Philharmonic. 180g blue vinyl in an embossed, gloss-UV outer sleeve
Ten tones for ten bodies in orbit. Nothing else. The Solar System is one of Ryoji Ikeda's most reduced objects, a 12" containing ten locked grooves, each cut with a single sine wave at a frequency assigned to a different planet. Where Code Name: A-Z took language as its source, this record takes celestial mechanics, and pares it down to the purest signal available.
It was produced by The Vinyl Factory in 2015 for the UK premiere of supersymmetry, Ikeda's large-scale installation shown at the Bre…
L'Oriole is the meeting point between violinist and composer Clara Lévy and sound artist Stéphane Clor. Combining violin, violoncello piccolo and a unique orchestra of resonators and transducers, the duo explores birdsong, resonance and the transformative power of sound. Acoustic instruments are projected into cymbals, drum skins, aluminium cans and other resonant objects, creating rich layers of colour, texture and spatial depth. Inspired by the work of Olivier Messiaen and his fascination with…
*200 copies limited edition* Two beautiful pieces merging piano, electronics and field recordings.
"you had that uncertain landscape / in your mouth / a slightly opaque breath / chewing distances / into the ear of a land still without a name / the morning had settled askew / on the slow stones / and the motionless grasses / everything seemed to be waiting / for something very ancient / that never quite arrived / on my side / i had filled my pocket with silence / and repeated several times / what…
*150 copies limited edition* “Of Grey Grounds” explores an intermediate state, neither alive nor dead, neither fully real nor entirely abstract. The “grey grounds” are conditions of existence shaped by erosion, repetition, and absence. The album moves through inner and cosmic landscapes stripped of identity, where everything is reduced to trace, echo, or residue. Matter loses definition; forms dissolve into a suspended continuum where memory and perception can no longer preserve clear contours. …
*150 copies limited edition* Overlook is a music compilation inspired by The Shining, the 1980 film directed by Stanley Kubrick, widely regarded as one of the most influential works in the history of cinema. Adapted from Stephen King’s novel and reshaped through Kubrick’s distinctive vision, The Shining stands as a key reference within modern cinematic language. Its impact emerges through atmosphere, spatial tension, psychological fragmentation, and a precise use of sound, architecture, and rhyt…
*150 copies limited edition* Apologizing To Ghosts is a hauntological meditation on the haunted house: its lingering detritus of memories, its cobwebs of remorse, its loops replaying in darkened corners, ghosts quietly apologizing to the ghosts of ghosts. For Varian, ghosts aren't made of ectoplasm so much as of injustice, longing and regret, the unfinished business that keeps them, and us, tethered to some moment we wish we could undo.
As on many previous 400 Lonely Things albums, every sound h…
*150 copies limited edition* The ambient lineage, from Brian Eno’s Music for Airports forward, has been characterized as sounds that can recede into the background, creating an absence that exists laterally to the listener’s attention. The Kinetic Void originated from a different premise. The compositions assembled here retain a commitment to atmosphere, putting texture over melody and suspending conventional notions of meter. But they embody an inverted relationship to density from that of the …
*200 copies limited edition* This release combines two live performances recorded during a live video streaming event during the early covid-19 pandemic. Now in remastered version they come together as one release.
As with most of his music, with these live recordings Orphax explores the themes of time and spatially through minimalism. In this exploration, the listener is submerged in the sound in such a way that the essence of time and space are forgotten. Both performances were improvised live…