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Pisaro’s “Hearing Metal” series is a multipart lecture of the above, now on its third rendition. Each is in dedication to the sculptor Constantin Brâncuşi, with track names and piece subtitles littered with Brâncuşi references (Sleeping Muse, The Endless Column, Prometheus, 1911). Although the orchestration differs across each entry, each piece is primarily composed of electronic (sine tones, field recordings, a guitar, etc.) and percussive (cymbals, tam-tams, ‘surfaces,’ almglocken, etc.) eleme…
A collaborative CD between Devin DiSanto and Taku Unami, a recording of a live performances that took place inside AMPLIFY 2015: exploratory at Fridman Gallery in Nyc. "Devin DiSanto lives in Brooklyn and develops performances, actions, and audio recordings that revolve primarily around the material attributes of a sound, particularly the plurality of its signification. His projects start from the premise that space is listened for as much as seen and heard before it comes into view. It doesn't …
Using his no-input mixing board Toshimaru Nakamura, perhaps the ultimate Onkyo artist, spent two years creating this work, which is also the second release in the Erstsolo series. Nakamura constructs this 46 minute piece from recordings of his mixer, which generates a combination of hum, glitch, buzz and subliminally disruptive sound. He develops the results into gentle and non-violent textural and impressionistic music that unfolds in a meditative and absorbing manner. That Nakamura c…
Unusual sound work from the Japanese duo of Takahiro Kawaguchi and Utah Kawasaki (Astro Twin), using self-made instruments and electronics to create unexpected sonic emissions that follow curious paths that are separated by periods of quiet or textural sound.
Takahiro Kawaguchi was born in Osaka, Japan, in 1980. He works in Osaka and Tokyo in various electroacoustic genres, using field recordings or creating sound installations, or presenting sound live. The common concept of all his works is: "…
A minimal theater in sound from Taku Unami and Takahiro Kawaguchi and starring Yoko Chosakabe and Kumio Kurachi, recording at the Ueno Okura Theater Older Building. "Teatro Assente is endearing and provoking, but most of all, endlessly pleasing." Tinymixtapes
"After several years of not doing anything since Erstwhile first asked me to do a solo album, I suddenly had the idea to record it last week and it was released within a week or so. I know some of you are thinking "Anyone can do this...", but in the DIY spirit of doing what anyone can do with what anyone can get, and without any special skills or funds, I tackled improvisation head on, using mostly newspapers and cardboard boxes, which turned out to be this triple CD set." - Taku Unami
"For the…
After a solo on Kye, the Australian writer Matthew Revert comes back with the American sound artist Vanessa Rossetto. Together they mostly work with field recordings, editing and mixing them in a narrative form, adding some texts and voices. Whereby two of the cutest cabbages in the cot create a soup unlike any other.
Erstwhile presents Pictures Of The Warm South, Vanessa Rossetto's the seventh Erstwhile release, her second ErstSolo. Mastered by Giuseppe Ielasi, designed by Matthew Revert. Double CD, six-panel digipak. Primarily focused on composing works that draw on a diverse pallet of chamber instrumentation, field recordings, electronics and a wide array of different objects, with a practice that explores each through a combination of extended and traditional techniques, Vanessa Rossetto has been working …
Keith Rowe and Michael Pisaro: 13 Thirteen | On this two-and-a-half hour, semi-improvised opus, the two guitarists and composers approach finely wrought detail and vast empty space in ways that can warp one’s perception of time itself. On this two-and-a-half hour, semi-improvised opus, the two guitarists and composers approach finely wrought detail and vast empty space in ways that can warp one’s perception of time itself."On this two-and-a-half hour, semi-improvised opus, the two guitarists and…
Graham Lambkin and Jason Lescalleet are editors of the best variety, so recording sound was only half the story. Through tape manipulation and various editing techniques, The Breadwinner falls even closer in line with The Anti-Naturals theory by appropriating the mundane (for aesthetic reasons, of course). The result sounds like an inadvertent exploration of dislocation and displacement, much differently than musique conrète and minimalist compositions or the real-time experiments of, say, nmper…
An evocation of “Nacht,” Graham Lambkin and Michael Pisaro’s chilling, malefic collaboration directly references Giraud’s collection of poems, Pierrot Lunaire, and Arnold Schoenberg’s melodrama of the same name. Despite the continental subject matter, Schwarze Riesenfalter isn’t an academic act of re-rendering a historical text. Their use of verse comes across as the result of warped poetic fascination and fixation, where a text crawls underneath skin, finding ways to subtly influence the mundan…
Erstwhile is proud to announce the first release on the new ErstClass imprint, an epic collection of Michael Pisaro's work for piano from 1994-2016, 11 pieces totalling 223 minutes. The pieces are performed by the brilliant Dutch pianist Reinier van Houdt (Current 93, Walter Marchetti, Robert Ashley, etc.) with close oversight by Pisaro as well as his own musical input at times. The gorgeous 8-panel digipak was designed by Yuko Zama (also the lead producer), and the 8 page booklet features liner…
"I first noticed the tremor in Keith Rowe's right hand on a visit to his home in Vallet in the summer of 2014. Presumably it had existed for some time although while I was in Paris (from February 2013) we saw Keith several times a year and I hadn't picked up anything before. When I returned to Vallet in November for two concerts in honor of Christian Wolff's 80th birthday, Wolff at one point asked him directly about the shaking and Keith replied that they were having examinations but it might we…
*2022 stock* Performed by Julia Breuer (flutes), Matthias Engler (vibraphone, marimba, glockenspiel, tubular bells), Elmar Schrammel (piano, celesta). Recorded 2007. One of Feldman's classic long-term late works, written in 1984. Wergo is proud to present Morton Feldman's four-hour-long trio For Philip Guston, performed by the ensemble Breuer-Engler-Schrammel. Feldman disagreed with those who regarded his works since the 1970s as being too long. 'In music, it's very difficult to distinguish betw…
*2024 stock* Produced in 1974 by Joachim-Ernst Berendt, this synthesis of Hermann Hesse’s writing with Peter Michael Hamel’s music, of spirituality and art, of sitar and church organ, of meditative sounds and jazz rhythms, of silence and passion remains unique today and in the meanwhile it has obtained a legendary reputation. Further releases of the formation Between from the 1970s are re-released as cds on the Intuition label: "Einstieg - Re-Entry", "And the Waters Opened", "Silence Beyond Time…
2025 stock Jakob Ullmann's career can be measured by the obstacles placed in his path. It was in the teeth of these obstacles that he learnt his craft: they have left their mark on his artistic stance, and the fact that he ultimately overcame them proved the rightness of his approach. For a number of reasons, Ullmann's works failed to blend into the musical landscape of the former state of East Germany. Avoiding peremptory gestures and unalterable laws, his restrained scores seemed strange and a…
With the legendary “Studio Reihe Neuer Musik” series, Wergo created a trademark of advanced contemporary music in the Sixties of the past century already. On the occasion of its 50th anniversary, the label now releases these highlights of 20th-century music history in an excellent sound quality on CD for the first time.In "Und so weiter pour piano électrique et bande magnétique", the piano and tape sounds become interwoven in a complex dialogue. "Music Promenade. Mixage originale“ – created in t…
*2022 stock* 'Etudes Australes was composed specifically for Grete Sultan, so this album is among the definitive recordings. As an indeterminate piece for solo piano (okay, well, a "duet for two hands"), this sounds very similar to Music of Changes, Winter Music, etc. Here, though, Cage generates indeterminacy by turning once again to using star charts as tools of composition, as he did previously in the wonderful Atlas Eclipticalis.
In a way, I find the piano to be more suited to star charts th…