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Modulation with 2 electric guitars and amplifiers
This is Otomo Yoshihide's second guitar solo release on doubtmusic. The concept of this work, however, is complely different from that of the first. Here, feedback sound issues from two amplifiers, each connected to one of two guitars placed on a tabletop. Due to this stereo effect, the feedback mutually interferes, producing beatlike fluctuations, creating black holes into which the sound suddenly disappears, sounding completely different depending on the position of the ears, creating the illu…
Phantom Note
Trumpeter Itaru Oki's third album from 1975 reissued, a flamed out free jazz masterpiece. Itaru Oki (trumpet), Yoshiaki Fujikawa (alto sax), Keiki Midorikawa (cello, bass, piano), Gozo Yoshimasu (poetry reading on 5). We are very glad to inform that a long time out of printed OffBeat label LP is reprinted on CD. Itaru Oki visited Paris, France in the 70s and when he came back to Japan temporarily in 75, he organized a elite free jazz troop and recorded in studio. 'Phantom Note' is his 3rd album,…
Ten-Shi With Hirose Junji & Otomo Yoshihide
A live album featuring the unit Ten-Shi, consisting of Takayuki Kato and Masataka Fujikake, with two improvising giants, Junji Hirose and Yoshihide Otomo. From the beginning of the album, which begins with a guitar duo, the two groups respond to each other and express themselves in diverse ways one after another, developing a sound that is full of originality throughout.
明日 アルファベットが、消えてしまいますように
2023 Stock. The second live recording of the duo by Keiji Haino and Masataka Fujikake released just five years after the previous work "Tomorrow, the alphabet will disappear." While retaining the steel-like strength of the previous album, this is a rock album that pursues his core expression only with guitar, vocals and drums . Keiji Haino – guitar, vocals Masataka Fujikake – drums. If HARD is raised to the power of several tens, will the grains of light pour down? Recorded at Stormy Monday Yoko…
Hardを何十乗させたら光の粒が降り注ぐのか？
2023 Stock. The second live recording of the duo by Keiji Haino and Masataka Fujikake released just five years after the previous work "Tomorrow, the alphabet will disappear." While retaining the steel-like strength of the previous album, this is a rock album that pursues his core expression only with guitar, vocals and drums . Keiji Haino – guitar, vocals Masataka Fujikake – drums. If HARD is raised to the power of several tens, will the grains of light pour down? Recorded at Stormy Monday Yoko…
Sakata Akira x Triple Edge
A live recording by Akira Sakata (alto sax, clarinet, voice), Masayasu Tsuboguchi (piano, synthesizer), Takeharu Hayakawa (bass), and Masataka Fujikake (drums). An improvisational giant, Akira Sakata, is a direct hit to the brain.
Akira Sakata x Triple Edge "Live At Pit Inn"
“A large tree thousands of years old, like Akira Sakata, seems to sway a variety of creatures as if they were being drawn to it. Is it a festival with Ming as a Shinto priest? Takeharu Hayakawa, who has a strong thud, changes his behavior like a ninja, and Masataka Fujikake wraps everything up and makes a deep rumbling of the earth. As for me, I'm on the same level as the piano and electronic sounds. Let's just say that it organically connects the past and the present. A rare improvised world th…
Heavenly Arms with Otomo Yoshihide
Heavenly Arms – featuring Otomo Yoshihide – is a bold new sonic journey that bridges experimental sound, improvisation, and emotional resonance. The record, released in collaboration with the visionary Japanese composer and guitarist Otomo Yoshihide, showcases a meeting of worlds where free improvisation collides with delicate melodic structures.
Across its tracks, Heavenly Arms captures the raw immediacy of live interaction while preserving an intimate, cinematic atmosphere. The album moves f…
Godzilla Legend: Box Set
*2024 stock* "Released in 2014, this is the first box set to include all four entries in the Godzilla Legend series. Created by Makoto Inoue, the Godzilla Legend series is a synthesized reworking of many of the themes from the Godzilla and other Toho science fiction productions. There have been four releases in the series, with the first in 1983 and the latest in 2011.
For this set, King Records has remastered the music and, aside from some dialogue only tracks in Godzilla Legend III, they all s…
live at SuperDeluxe
English living legend percussionist, Roger Turner plays in Japan last year and this is one of the live performance in Tokyo. Roger's feathery and dynamic percussion playing and Otomo Yoshihide's noisy electric guitar playing.
An improv meeting of two masters with very different but equally impressive histories. Across two long tracks they give an object lesson in the art of duo improvisation, a format in which both players are constantly exposed with no easy place to hide, although that clear…
Book from Hell
Zai Kuning (g., vo., perc., misc.), Otomo Yoshihide (g., turntables, perc., misc.). 'The Asian improvisation of the present, a connection between Singapore, Tokyo and Hong Kong. A vivid 71-minute performance moving back and forth between turbulence and stillness. 'Book from hell' is the denomination of the concert, Zai Kuning organized on September 2008 in Singapore. CD title is used as it is and also CD cover is the poster of 'Book from hell' concert, Zai designed. This is Asian improvi…
Axis another revolvable thing
restocked! Originally released in 1975 as an LP on Offbeat Records (ORLP-1005). 'Fragment II: Gradually Projection'. 'Fragment III: Percussion Solo'. 'Fragment VI: Mass Projection'. All compositions by Masayuki takayanagi. Masayuki takayanagi New Direction Unit: Masayuki takayanagi: guitar. Kenji Mori: reeds. Nobuyoshi Ino: bass, cello. Hiroshi Yamazaki: percussion. Recorded live at Yasuda Seimei Hall, Tokyo, September 5, 1975. Remastered by Tsutomu Suto. 'One begins to see--and hear--each sound…
Mail from Fushitsusha
Mail from Fushitsusha, which Keiji Haino himself calls 21st-century blues, draws out exquisite dynamics and 'space' - like a nerve being passed through the eye of a needle. Carrying out their sonic explorations while adhering to the Fushitsusha method, these three tough artists create a muscular sound - a sound that turns the rock - blues concept on its head! Keijo Haino sent Seijaku out into the world as his permanent band. At the time of recording, this was to be a single album, but the combin…
Guitar solo 2015 Right
Otomo Yoshihide's Guitar Solo "LEFT" was released last summer but "RIGHT" is completely different from "LEFT". the 123 short fragments of Otomo's guitar sounds are run by computer programming at random so no one know how the sound played. This CD is one infinity."-Doubtmusic
"What is most remarkable about the single, 62-minute track on Otomo Yoshihide's Guitar Solos 2015 RIGHT is how consistent, top to bottom, it sounds. Or, viewed through a different lens, how much coherence (real or imagined)…
After Seijaku
The Seijaku Trio of Keiji Haino (electronics, guitar, voice), Mitsuru Nasuno (bass, electronics) and Yoshimitsu Ichiraku (electronics), recording 2 years after the "Last Live" album, in an epic voyage of meditative and intricate electronics performed live in Tokyo in 2014 at Club Goodman. As "Last Live" explains, Yoshimitsu Ichiraku can no longer play drums due to physical issues, necessitating this transformation from a heavy abstract blues band into this ritualistic trio. It's a fitting and ea…
Speed, Glue & Shinki
Speed, Glue & Shinki's second release, originally released in 1972 on Atlantic and often referred to as Tiger, brought together a number of tracks not included on Eve, as well as some new recordings that took a very different musical slant. Joey Smith decided that since he could he handle himself admirably on drums, it was time to challenge a new instrument, so he bought a synthesizer. Drafting in friend Mike Hanopol to take over the bass-playing duties from the departed Masayoshi "Glue" Kabe, S…
Eve
Speed, Glue & Shinki's 1971 debut album, Eve. Ex-Food Brain guitarist Shinki Chen, bass player Masayoshi Kabe (also known as M Glue) and Filipino Vietnam war veteran Joey "Pepe" Smith, who doubled as both the trio's drummer and vocalist, released two legendary albums in the early '70s. Eve, the earlier of the band's two efforts, was probably the band's only "real" recording, as the self-titled second release in 1972 was put together by Smith from studio outtakes of Chen's guitar playing and trac…
Duo / Timing
** 2021 Stock ** Meeting at GOK Sound studio in Kichijoji, Japan in front of a small audience, Swedish baritone saxophonist Mats Gustafsson (The Thing, Fire!) also performing on flutephone and live electronics, and Otomo Yoshihide (Ground-Zero, Regenorchester) performing on guitar, turntable and banjo, recorded these eight amazing improvisations of unusual and unique attitudes and timing. After 2 years it materialized on CD work at all. Mats Gustafsson's strongest baritone saxophone, self-made i…
Holography
**2006 release, long out of print, very few copies available** One of the rarest albums ever from the mighty Masahiko Satoh, a composer and arranger,as well as a key figure in the avantgarde music from Japan. Originally issued on Japan Columbia in 1970, the two sides of very free piano show a sensitivity that's really amazing – still moments of freedom that reflect Satoh's connection to the avant garde of the time, interwoven with his own sense of cosmic creation, in ways that are similar to his…
Mooko
**2009 release, long out of print, very few copies available** Mooko was the first installment of a short-lived "power trio" comprised of Japanese free saxophonist Akira Sakata, bassist Bill Laswell, and drummer Ronald Shannon Jackson. At the time of this recording, the latter two were deeply into their Last Exit project, a band with whom Sakata sat in during their tour of Japan. This trio is a bit like a pared-down version of Last Exit, without the incendiary guitar work of Sonny Sharrock…