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Over the course of five decades, the legendary Austrian free jazz collective Reform Art Unit (and their offshoot groups) have collaborated with countless musicians, including Don Cherry, Carla Bley, Evan Parker, and Jim Pepper. Documented collaborations with free jazz notables include Impressions (Kovarik's Musikothek, 1978) with Anthony Braxton and Clifford Thornton; Subway Performances (Granit, 1994) and Illumination (InRespect, 1995) with Sunny Murray; and With Milo Fine (Granit, 1999). Milo …
*2024 stock* Live recording of the piano recital for the eightieth birthday of composer Hans Otte that Philipp Vandré and Elmar Schrammel presented at the Akademie Schloss Solitude in Stuttgart. A selection of John Cage's "Sonatas and Interludes" for prepared piano was interwoven with selections from Hans Otte's piano cycles "Das Buch der Klänge" (The book of sounds) and "Stundenbuch" (Book of hours). This concert experiment, conceived by Ingo Ahmels, paid quiet homage to the "beautiful piano so…
*2022 stock* Sonatas and Interludes for Prepared Piano, a cycle of 20 short pieces for prepared piano (a piano modified by inserting nuts and bolts and other objects between the piano strings in order to produce percussive and otherworldly sound effects) by American composer John Cage. Created in 1946–48 after the composer had been introduced to Indian visual and performing arts, the cycle was intended to represent the so-called permanent emotions—the heroic, the erotic, the wondrous, the comic,…
Silver Apples of the Moon' is without a doubt the best known work from influential composer and electronic music pioneer Morton Subotnick. It was originally commissioned by Nonesuch records back in 1967, when electronic music was more of a series of ideas than a recognised art form, and since then it has achieved well deserved classic status, influencing so much that would come after it is impossible to conceive. Subotnick's instrument of choice was the Buchla modular synthesizer, a gigantic pat…
*2022 stock* Morton Subotnick achieved fame in the field of electronic music with Silver Apples of the Moon and The Wild Bull, his best-known tape works of the late 1960s. Since then, he has been active combining electronics with other media, notably employing gestural sketches on tape to alter sounds produced by voices and instrumentalists. The two works on this 2015 Wergo release are representative of Subotnick's methods, using a trumpet with a chamber ensemble in After the Butterfly, to reali…
'I believe Jacob's Room is one of the most extraordinary examples of extended vocal techniques that I have ever heard. Touch is the child of the original Buchla electronic music triumvirate that included Silver Apples and Wild Bull. Its exploration of the sound and texture possibilities of electronic music is a variation on the two previous compositions. Jacob's Room is a vehicle for Subotnick's wife, Joan LaBarbara to demonstrate why she is universally considered the master of extended vocal te…
**sold out at source, few copies left**At age 78, Joe McPhee shows no sign of slowing down. Plan B is the master improviser's new trio, with James Keepnews on guitar and laptop and David Berger on drums. A soundtrack to a science fiction movie existing only in their heads, From Outer Space finds McPhee and company envisioning the first encounter between alien life and a delegation of earthlings (while giving a nod to jazz's original man from another planet, Sun Ra, with a side-long suite dedic…
Last copies, reduced price. Killer a collection of rehearsals taped in the fall of 1969 at Ra's home studio in Philadelphia. The studio was also his home and the home of most of his Arkestra, here called the Astro- Ihnfinity Arkestra. The music here is meditative, soul nurturing medicine. Just about every musician from the Arkestra, even the renowned saxophonists John Gilmore and Marshall Allen, doubles on percussion. One might think, with a discography as extensive as the one Sun Ra boasts, t…
Essential listening for Sun Ra devotees and cosmic explorers! Roaratorio's incredible survey of the unheard Sun Ra continues with Sun Embassy, featuring recordings from Sun Studios - aka Ra's house in Philadelphia - captured between 1968 and 1969. This is prime period Arkestra music, deep in the cosmic zone, with nine tracks that include six compositions never heard before in any form! Add to that fresh arrangements of 1950s classics like "Sunology" and "Ancient Aiethiopia", plus an early rendit…
Raskovich (Giuliano Sorgini) refines a single idea to a razor’s edge: lean jazz‑funk frameworks animated by flute, Rhodes, electronics and blaxploitation‑style orchestration, finally back in circulation after decades as a cult library secret.
Much-Needed repress * Limited edition. Gatefold Cover, quality vinyl pressed at RTI. Includes a four-page insert with liner notes by La Monte Young, Charles Curtis, Anthony Burr, and Tashi Wada * Saltern's latest offering marks the first-ever release of "lost minimalist" Terry Jennings' visionary 1960 composition, Piece for Cello and Saxophone, as arranged in just intonation by legendary composer La Monte Young for renowned cellist Charles Curtis. Born in Los Angeles in 1940, Jennings was a clos…
New double-LP edition of a selection from Saltern's acclaimed collection of recordings surveying the career of renowned, American cellist, Charles Curtis. Features the music of Guillaume de Machaut, Tobias Hume, Silvestro di Ganassi, Terry Jennings, Morton Feldman, Anton Webern, Olivier Messiaen, Richard Maxfield, and Curtis himself. Includes liner notes by La Monte Young and Tashi Wada, as well as a new text by Curtis, and a download of the full original album. Mastered by Stephan Mathieu, and …
Two Daughters marks a turning point. After several notable releases, Méryll has clearly taken a step forward with an album that finally captures the hypnotic madness of his live performances. His earth-shattering concerts, during which the artist physically engages with the sound material in an instinctive and radical way, finally have their counterpart in the artist's recording career.
Armed with a production that does justice to his fine and expert mastery of the Hertzian spectrum, this dou…
** Deluxe 3LP set, housed in heavy tip-on box with pigment ink foil stamping, mounted film laminated cover painting by Jeff Schlanger, three printed inner sleeves with original notes by William Parker and Alan Licht, original concert flyer re-print and a five photograph portfolio in black envelope ** A legendary concert by one of the great unrecorded bands in free jazz history is here at last. WEBO, the third installment in the Black Editions Archive series of previously unreleased recordings fr…
Black Editions Archive is ecstatic to announce the next chapter in the Milford Graves Archive series, the double LP Children of the Forest, previously unreleased 1976 sessions with Hugh Glover and Arthur Doyle that re-write the book on Milford Graves' ensemble music of the 1970s. Graves recorded these sessions himself in his legendary Queens basement laboratory and workshop in the months immediately leading up to the March 1976 session that produced what many consider his most iconic album, Bäbi…
Masayuki Takayanagi was one of the truly iconoclastic musicians to emerge from Japan, or anywhere else, in the 20th Century. Though he won acclaim in the 1950s and '60s as a master of the electric guitar and jazz improvisation, Takayanagi was a restless spirit, deeply engaged with the era's new movements in contemporary art, music, literature, and philosophy. His work, beginning in the late 1960s placed him on the leading edge of these developments; he began expanding on the most radical element…
Huge Tip! *Remastered and cut to double 45RPM 12” vinyl. Housed in a heavy tip-on gatefold jacket with Pantone spot colors, spot ink pigment foil on gloss film laminate finish and printed inner sleeves. Pressed to high quality vinyl at RTI.* “Without producing a single phrase, the two distorted guitars became simple “electric sound” generators, and like fish swimming freely in water, they each tear through time in their own fashion. And yet there is a remarkable sense of unity to how they fill t…
On Jazz In Libertà, Antonio Riccardo Luciani turns a nameless studio quartet into a lean, cinematic engine: two duelling keyboards, supple bass and drums, and a single Benson‑tinged guitar cameo conjure an entire universe of 70s Italian jazz‑funk and cop‑film tension.
On Flowers, Zuni (Benito Simoncini) moves from lean, guitar‑driven funk‑rock into more exploratory terrain, trading bluesy riffs for bass‑and‑synth experiments and spacey percussion pieces that gently unravel the classic Italian library mood.