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Lost 1977 electronic score by Soft Machine's Mike Ratledge, crafted with enigmatic Denys Irving on modified Moog/ARP synthesizers delivering ten hypnotic sequences of minimalist repetition. Transferred from BFI archives after master tapes vanished, this new 300-copy reissue follows the long out-of-print 2016 edition. Essential Riddles Of The Sphinx finally unearthed.
The fourth and final in the "saints series" by Eric Schmid and Sean McCann and friends, following St. Francis, St. Paul, and Joan Of Arc (R 037CD, 2017). Eight artists -- Burns-Coady, Friel, Gean, Grossinger, McCann, Pollard, Schmid, Walton, Weidmann -- responding closely or distantly or lazily to a proposed score by Jonathan Gean. Holds the following writings: Messianism by Eric Schmid, Gospel of Truth by Tim Weidmann, along with photography by Jonathan Gean and Sean McCann. 56-page pamphlet; E…
Industrial music is not about what is right with society… and there is still work to be done. At 7:57 the fountain is still pumping… industrialization of religion. The songs from torture chambers are passed down through the generations. Packaged in silk screen and velcro heavy canvas bag, with individual disco sleeves, vellum insert and text by Takahiko Yokoyama.
**300 copies** Masahiko Satoh is a Japanese jazz pianist, composer and arranger. Yoshisaburo 'Sabu' Toyozumi is one of the small group of musical pioneers who comprised the first generation playing free improvisation music in Japan. As an improvising drummer he played and recorded with many of the key figures in Japanese free music including the two principal figures in the first generation, Masayuki Takayanagi and Kaoru Abe from the late 1960s onwards. The Aiki was recorded live on the 26th Mar…
Blending analog synths, bit-reduced samples, piano, bass, sax, and field recordings, Keith Freund crafts evocative, shape-shifting pieces where DIY electronic textures meet wistful acoustic melodies, capturing a unique, homespun atmosphere between experimentation and warmth
Delivering a career-defining statement from the Italian electroacoustic composer and saxophone player, Laura Agnusdei, Maple Death returns with “Flowers are Blooming in Antarctica” - a startling, multifaceted journey through imagistic sonorous worlds resting at the juncture of spiritual jazz, fourth-world minimalism, tropical electronics, tribal futurism, and rigorous electroacoustic experimentalism - rooted in thrilling ecological ideas, that marks the launch of Opale, a new suite of releases c…
After four EPs of skeletal kraut-punk and slimmed down post-motorik alienage Milan’s Tv Dust are back with an entirely different beast, their proper debut ‘Transition’, an incredible collection of no-jazz, breakneck rhythms, mutant-wave, trance-funk, shredded sax jags and furious, yet mysterious assaults.
Tv Dust run a tight ship, they jam econo, with the album strongly based around the incredible interplay of drums (Sergio Tringali), bass (Filippo Aloisi) and sax/synth (newest member Gaetano Pa…
When you’re immersed into something you never actually realize if the essence will project as bright as the efforts, as deep as the process and as loud as the intentions. WOW, the Roma Est duo of China and Leo Non, have never had to create magic or delve into mystique along their meandering path, it’s just been a long solemn wait for what life throws at them and actually sticks. Cause and reaction, because the essence is quietly there when the clamour fades away. Their new album ‘Rosa di Luce’ i…
At long last, after remaining out of print for decades, the Milan based imprint, Dialogo, dives into the legendary catalog of Cramps, bringing forth the first ever vinyl reissue of Steve Lacy’s LP, "Straws", issued as the sixth instalment of the label’s DIVerso series in 1977. Truly singular in the legendary American saxophonist’s discography - featuring stunning solo excursions and dialogs with himself - it remains one of the great documents of 1970s improvisation, and is as engrossing, creativ…
Opening with the 18+ minute track of the same name, Archie Shepp’s ‘The Magic of Ju-Ju’ takes on a fevered pace as the centrepiece of this date from 1968. Shepp lets loose from the beginning as he’s joined by Beaver Harris, Norman Connor, Ed Blackwell, Frank Charles and Dennis Charles, all on percussion. The initial pace never dissipates throughout the title-track’s run. The additional tracks on Magic of Ju-Ju are a departure from the first, sitting more in a traditional realm. The album is a va…
McCoy Tyner looked towards Africa on his stunning 1970 album Extensions, a far-reaching exploration of Black identity that marked the masterful pianist’s fifth recording for Blue Note Records. After leaving John Coltrane’s band Tyner had moved from Impulse to Blue Note and made his enduring post-bop classic The Real McCoy in 1967. In the following years Tyner steadily expanded his musical scope: writing for a 9-piece ensemble on Tender Moments, exploring the textures of a piano-vibes led quartet…
The concert version of Einstein on the Beach by Ictus, Suzanne Vega, and Collegium Vocale Gent distills Philip Glass’s pioneering minimalism into a mesmerizing sound ritual. Stripped of Robert Wilson’s grand staging, Vega’s measured narration weaves through the ensemble’s crystalline precision, revealing the raw musical architecture of this modernist epic.
November 1978. Henry Cow disbands after a decade of music that redefined the boundaries of experimental rock. November 2022. Four founding members return to the stage. Not to look back - but to improvise the present.
Fred Frith (guitar, violin, electronics), Tim Hodgkinson (keyboards, saxophone, lap steel, electronics), Chris Cutler (drums, percussion), John Greaves (bass, vocals): reunited under the name Henry Now.
No scores. No prepared material. Only the instinct honed over fifty years of son…
"I discovered Alireza through Markus Stockhausen, then I eventually published an album of the duo, Hamdelaneh, plus one in trio with Lino Capra Vaccina. I was struck by Alireza’s absolute virtuosity, never an end in itself, his impressive musicality, his ability to listen to sounds and silences. His music, like his approach to santoor, is truly revolutionary, personal, spiritual, innovative and yet... for those who, like me, love the immense heritage of traditional Persian music, perceive its ro…
Dark Companion come up roses again with dazzling, never-before-heard haunting compositions and songs by Jeanette Sollén, compiled from her archive specifically for this album. 300 individually handnumbered transparent emerald green audiophile vinyl. "My first recordings were on an old tape recorder in my childhood bedroom. I spent a lot of time with that machine. Listening to the radio and pressing the green and red buttons when something I liked came on. And I seemed to have liked a lot. One ta…
The history of music is never concrete. It’s forever changing and rewriting itself. The past becomes the present and the present reforms the past. What was lost is found, and what was known is lost. Our era, defined by the reissue and archival release, will likely be regarded as a definitive period of historical reparisal and reevaluation. Monumental figures have fallen. The obscure and unheralded have finally received their rightful due. Dark Companion’s latest LP - Ron Geesin’s ExpoZoom 1969, …
CD edition. Another greeat release from Dark Companion Records. "Chance doesn’t exist. I met Markus Stockhausen after inviting him and his wife to “Musiche Nuove In Piacenza” festival in autumn 2018. Immediately I felt a strong empathy towards him. That doesn’t happen very often. I knew his work and had always admired it, especially the spontaneous compositions he performs and the way his unique talent blossoms in these situations.We talked at lunch and I dared propose to him to record an album …
'When I first had the chance to listen at Markus Stockhausen performing live at Conservatorio Nicolini in Piacenza, some years ago, I immediately had the intuition of this musical meeting. I was sure that the poetry of Lino Capra Vaccina will melt with Markus’ one in a completely intuitive, spontaneous way, creating something really unusual, really new. When, some months later, I had the chance to produce then meet the great Santoor player Alireza Mortazavi for the album Hamdelaneh (with Markus,…
CD version. Like many of my generation, grew up in an age where the Internet did not exist and there were few sources of information, especially those inherent to the new music, I discovered Lino through his participation in one of the most daring musical pro- jects, the magnificents Aktuala, new band that released three great albums in the early ‘70s, full of innate grace, where Walter Maioli, Lino Vaccina and their cronies tended mystical and astral plots about warps of music and sounds extrac…
*300 copies limited edition* Once again Lino surprises us. Always a poet of silences and strictly acoustic sounds, now he offers an album where synthetic sounds are the protagonists. On the other hand, since the time of the collaborations with Franco Battiato, the VCS3 has been in the poetics of Lino and Franco. Thus, as often happens, even the new and the old are in sympathetic symbiosis. And this album is the definitive proof of this. What makes it truly incredible is that it doesn't matter wh…