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100.000 Dollari Per Ringo
The soundtrack of “100,000 Dollars for Ringo”, composed by the talented Bruno Nicolai, stands as a cornerstone of the Italian Western music scene. This 1965 film, directed by Alberto De Martino, tells the story of Lee Barton (played by Richard Harrison), a gunslinger returning to his hometown in search of vengeance and redemption. While it adheres to the classic narrative tropes of the Western genre, the film distinguishes itself through its emotional intensity and some creative directorial touc…
Non si sevizia un paperino
Transparent red vinyl format / 180 grams, limited edition numbered to 500 copies. The soundtrack for “Non si Sevizia un Paperino” (1972), composed by Riz Ortolani for Lucio Fulci’s giallo masterpiece, is a work of extraordinary intensity and contrast. Ortolani, a master at balancing melodic beauty with unsettling atmospheres, perfectly captures the essence of a film that blends mystery and violence with the innocence of a small Southern Italian village. The film, one of Lucio Fulci’s most acclai…
Vedo Nudo / Dove Vai Tutta Nuda? (Original Motion Picture Soundtrack)
“Vedo Nudo” is a comedy in episodes that explores the many facets of desire and Italian society in the 1960s. Starring the brilliant Nino Manfredi, the film ranges from irony to social critique, addressing themes of sexuality, taboos, and cultural changes with a light touch. The soundtrack adapts seamlessly to each episode, modulating its tone to suit the narrative and the characters. Armando Trovajoli demonstrates an extraordinary ability to create music that complements and enhances the mood o…
Sonny's Time Now
** Rare original copies. Early 80s LP reissue. Unplayed copies from a dead-stock, minor wear due to ageing on covers ** A seismic moment in the history of free jazz, Sonny’s Time Now stands as a raw, uncompromising manifesto of musical liberation. Recorded in New York City in November 1965 and released on the visionary Jihad label founded by LeRoi Jones (Amiri Baraka), this is the first album led by the revolutionary drummer Sonny Murray-and it’s nothing short of essential.
With a lineup that re…
Future Percussion
Tip! A lost bit of 70s Italian modal jazz, with spiritual overtones and global percussion from drummer extraordinaire Tullio De Piscopo – an incredible set of heavily rhythmic grooves recorded in Milan in 1978 – originally a tiny edition effort on Carosello Records, and the most impressive rediscovery yet from New Platform! For the occasion, the Tullio De Piscopo Quintet meets Argentine percussionist Luis Agudo, who played for years alongside Brazilian guitarist Baden Powell and later with the…
Sotto E 'Ncoppa
Tip! Despite the title of the album, it is the Tullio De Piscopo's third work, recorded in 1976. Comprising nine tracks in total across its two sides, “Vol. 2” falls somewhere between fusion and prog, straddling darker, brooding temperaments with joyous, funky lines. Predictably, as is nearly the case with music of this sort, the playing and artistry is top-notch, the band locked together with remarkable precision, but the journey that “Vol. 2” takes is far from expected. Interspersed throughout…
Troubadour
Just Restocked - Drag City presents the first official reissue of Dorothy Carter’s 1976 debut album, her folk-music exegesis: Troubadour. It’s been 20 years since Dorothy’s passing — but thanks to last year’s reissue of her second album, Waillee Waillee (1978), and this edition of Troubadour, her music is surging forward ever more powerfully. Today’s announcement comes with a visualizer for the first single, “The King of Glory”, a hypnotic hymn hammered by Dorothy evoking western medieval music.…
Automaginary
2025 repress. "Natural Information Society, like their partners in time Bitchin Bajas, live their days in flow motion. Rhythms come and go, instruments sound as a means to a greater end. Music is the way of their life. Their debut convergence, Automaginary, feels as natural as it does inevitable. Both groups were first heard in 2010, both emerging from solo endeavors that accessed a vastness, more room than a single player might ultimately fill -- a place then for fellow travelers! Joshua Abrams…
Bad Timing
2024 Repress. LP version, originally released 1997, the first Jim O'Rourke album for Drag City. "Make no mistake, Bad Timing is not a pop album by any standards. But it is a musing on popular standards and uses much of the same instrumentation that many of our country's most popular records have. Yes, Bad Timing is a theme record, Jim O'Rourke's pop opera, just waiting for someone to come along and play with it. Based on John Fahey-esque 6-string acoustic guitar foundations, each of the three pi…
Antigone
Big tip! Antigone is Eiko Ishibashi’s latest musical masterwork, one rife with chilling speculations for the future calling from inside her own head. Out March 28th, it marks Eiko’s first “traditional” songcraft album — that is, with lyrics and singing — since 2018’s acclaimed The Dream My Bones Dream, arriving on the heels of her celebrated soundtracks for Ryusuke Hamaguchi’s films. Within Antigone, Eiko teases out images from a dystopia not unlike the one we’ve already got. Hers is suffused wi…
Invocation
1995 release ** Tuu were an ambient group that specialized in incorporating Tibetan instrumentation, among other regional elements, into their music. They tended to also use tribal or ritual ambient bits as well. From the mitical "Invocation" tape we offer a totally remastered music with some new tracks. As usual, Tuu's music has a unique touch: ghatam, tablas, flutes and pipes, harmonium and synthesiser meet togheter in a magic language."
Sounds For An Awesome Suspension
2008 release ** "Iron Molar, roots in the glorious HC of the 90s and present immersed in a noise that the CD artwork denounces as blatantly bastardnoisian. Luckily appearances can be deceiving and, I don't know if intentionally or not, their path takes roads far enough from the noisy rallies and rarefied panoramas of the Bastard Noise project, to face a middle way that is certainly not innovative but at least detached from too easy comparisons. In the tracks of Sounds For An Awesome Suspension …
Le luxe de la réflexion
2001 release ** "For his first CD, Laurent Grappe has created a fascinating electro-acoustic tale. Le Luxe de la Réflexion! (The Luxury of Reflection!) blurs distinctions between field recording and acousmatics, urban and rural, French and Arab. At the center of the work is Isabelle Bassil, a Lebanese woman splitting her time between France and Lebanon. Her life experience, bridging two cultures, provides the main thread. Her interventions are spoken in Arab and other protagonists speak French, …
Perfect fit
2003 release ** "Justin Bennet, Anne Wellmer and Stephie Buttrich fuse minimal electronica and free improvisation in a set of 16 warped and lovely songs."
Edifier
2001 release ** "Gravitar were an American band who appear to be influenced by K.K. Null’s work in Zeni Geva, with similar dense walls of oppresive guitar but more expansive in it's approach. Self-proclaimed as the "world's loudest Jazz band" and described by WM. Rage as "Too noise for rock, too rock for noise...". Extreme music inspired by everything from Charlie Parker to John Zorn to the sound of breaking glass. Heavy and harsh walls of psychedelic noise!!!"
50⁶
2004 release ** "Hemophiliac is an experimental musical act. This group is billed as improvisational music from the outer reaches of madness. Mike Patton does voice effects along with John Zorn on saxophone and Ikue Mori on laptop electronics. Volume 6 of John Zorn's 50th birthday party series of concert CD's (ten volumes in total) is the first fully commercially available showcase for the trio's mad improv collision."
Regal Daylight
2004 release ** "First edition of Nick Grey's debut album: an unexpected, elegant cross between avantrock and classical music, not far from the Tindersticks' poignant laments, David Bowie's "Outside" LP and Current 93's haunted ballads. "Regal Daylight", which features the participation of Nick's father, Romanian tenor Vasile Moldoveanu, is a hypnotic, lyrical and intimate experience."
Deathdisco2000
1998 release ** "This big band, led by T.S. Heg (alto sax & keyboards) is nominally a 'jazz outfit', but since in addition to lots of reeds, brass, bass and drums, they work with guitars, synths, sampling, etc., it's a fairly safe bet that this isn't 'just' a jazz album. Mostly structured with some very crazed, free parts, I guess you could compare them to Doctor Nerve in that regard, even though they sound nothing like Nerve."