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* Red 180 gram vinyl. Edition of 500 * This is the first officially reissue of the 3rd album of legendary German Krautrockband Nine Days Wonder. Originally released in 1974 Nine Days Wonder with their 3rd album took the opportunity to do a recording session at Londons Chipping Norton Studios in September 1974. With guest musicians Dave Jackson on flute and saxes (of Van der Graaf Generator-fame) and keyboarder Steve Robinson (2066 and Then and early-AERA) the album show the band on its musical p…
Red vinyl. An early release from the often imitated but never duplicated Melvins. Lice-all, from 1992, previously known as self-titled, and also previously known as something else we're all not gonna talk about, thank you very much. This was the Melvins' last release before signing their Atlantic label deal, and features the introduction of new bass player Joe Preston (previously of Earth, currently of Thrones). It's one long, slow, loud blob of drones, moans and fuzztones. The opening endless p…
Available again with updated artwork and a new gatefold sleeve! Melvins' follow-up to 1989’s Ozma was 1991’s groundbreaking Bullhead. The songs are longer, the mood is calmer, yet more menacing. “Boris” (which gave the Japanese group their name) is a long, slow, low death march of addiction and self-abuse. “Zodiac” is a frantic punk rock machine gun blasting away at Buzz’s demons (both inner and outer). “Cow” is a happy baboon bashing away at the best drum solo of his life. “It’s Shoved” is a gr…
Ozma was recorded soon after Melvins made the move from Washington to San Francisco, and was their first release to include the diminutive yet mighty Lorax (Lori Temple Black) on bass. In fact, the first sound one hears at the album’s opening is Lori standing on her tiptoes to switch on her amp, thereby warning the listener of the onslaught to come. Distorted, down-tuned doom riffs start, stop, lurch sideways with no warning, and seem to end before they start. Buzz Osborne adds extraneous guitar…
Tip! London based Valentina Magaletti, is a composer, producer and percussionist experimenting with new materials and sounds. She is one of the most prominent musicians of the wide experimental world. The prolific drummer collaborates with many musicians and releases albums in all musical directions (from noise to jazz by way of dub…). She was part of the acclaimed duo Tomaga. Lately Valentina Magaletti collaborates with Joao Pais Filipe, Lafawndah, Marlene Ribeiro among many others and she is p…
Ennio Morricone is known throughout the world for the Italian Western genre, but most of all for his famous soundtracks for Sergio Leone’s masterpieces which have entered into popular culture on an international level, and here represented by iconic themes such as A Fistful Of Dollars (1964), For A Few Dollars More (1965), Once Upon A Time In The West (1968), A Fistful Of Dynamite (1971) with extraordinary soloists such as the Coro Dei Cantori Moderni Di Alessandroni, the whistle of Alessandro A…
Edmondo Giuliani - "Il Mare: Musica Con Strumenti Elettronici", originally released in 1972 on the micro-label Dischi Egede. A Mega-Rare Italian Electronic Underwater music Library production conceived in Amedeo Tommasi' own studio and part of this impossible Library series titled "Brani Per Sonorizzazione". Insane vintage synthesizers vibes and electronic atmospheric trips, seminal Underwater music originally recorded for a obscure documentary on sea in early '70s by mysterious composer and orc…
*Limited edition of 500 copies.* Sonor Music Editions is bringing out a previously unknown Italian Library session from the golden era: Rhythm And Sound by Mandrassi & Zollinger with the I Beati studio band. Mandrassi - alias for Anna Maria Assunta Andreassi - is one of the first female composers of Library Music in Italy while Zollinger is assumed to be Sergio Pagano, brother of the famed Italian author, composer and singer Mario Pagano. Originally released in 1974 for the private studio label …
Nigerian classic Black Children Sledge Funk Group 1976’s debut album full of positive vibrations and feel-good grooves! A sunny blend of Reggae and Afro-Funk with a lot of percussions, psychedelic and rhythmic guitar and organ. In the mid-seventies in Nigeria everybody loved them; they were a symbol and pride of Africa.Michael Hammedatha Moore sang and played congas and percussion. Daniel Carlos Yakubu played guitar. Jerry Freeman Nwokolo was on keyboards. Ricky Hardnar on bass and And Benson Te…
Cinedelic Records present a reissue of Fred Bongusto's soundtrack for Conviene Far Bene L'Amore, originally released by Fonit Cetra International in 1975. In the future, the world's oil supply has finally been exhausted, causing a massive energy crisis. In a search for alternative sources of energy, a scientist invents a machine that can harness the energy expended during sexual intercourse and transfer it into electrical power. Conviene Far Bene L'Amore is a 1975 film written and directed by Pa…
Langlais is a composer and trained piano tuner, and this is reflected in the close attention to acoustics and tone has fed into the creation of these exquisite pieces for two prepared and alternately tuned pianos, with the results then treated to further edits and digital processing.Beautiful spectrums of sound, presented in silk-screened art sleeve by artist Damien Tran.
*2024 stock* Elliott Schwartz plays four of his compositions for solo piano and pre-recorded tape, a project that remains "a continuing attempt to enhance, expand, obscure, develop or otherwise modify the piano sonority and the act of piano performance, through electronics." In his improvisatory piece "Grand Concerto" he uses fragments from the Grieg, Tchaikovsky No. 1 and Liszt No. 1 piano concertos; it is as epic in scope as the classical favorites.
“La Camera Astratta” is the result of the amazing collaboration between
Piero Milesi e Daniel Bacalov with the experimental theatre-performance
of the Studio Azzurro and Giorgio Barberio Corsetti. An idea of
immersion in a dimension devoid of gravity, the desire concerning a
soft, ethereal, articulated and perfectly interpenetrated reality. It's
an evocative ambient sound, with rhythmic cadence, soft and repetitive,
full of airiness; the music expresses the scenic aims and investigates
an…
Lucky restock! After studying with composers John Cage and Earle Brown, Joe Jones became a prominent figure in Fluxus, contributing to the movement’s first “yearbox” alongside La Monte Young, György Ligeti and Nam June Paik. Beginning in late 1961, Jones began constructing his own music machines – drawing inspiration from the calliopes, automata and orchestrions of the 19th and early 20th century to create self-playing ensembles of stringed instruments, percussion and woodwinds – “played” throug…
**2020 stock** Ann McMillan did not record prolifically, but she was at the vanguard of electronic composition in New York in the 1970s. A student of groundbreaking composer Edgard Varèse, McMillan’s primary medium was magnetic tape, which she manipulated to create surreal soundscapes. On Gateway Summer Sounds, her debut album released on Folkways in 1979 and recorded at the legendary Princeton-Columbia Electronic Music Center, she sources sounds from the natural world – frogs, insects, field re…
**2020 stock** This 1979 album, by the husband and wife composing-performing electronic music duo of Priscilla and Barton McLean, showcases two pieces, “Invisible Chariots” by Priscilla and “Song of the Nahuatl” by Barton. Begun in 1975 and completed in 1977, “Invisible Chariots” is a three-movement piece, named after a Carl Sandburg poem, about the “intuitive creative force” that shapes composition. Composed in 1976, “Song of the Nahuatl” was underwritten by a grant from the National Endowment …
**2020 stock** This album is a compilation of avant-garde art music performed by Son of Lion, an American Gamelan Orchestra that uses traditional Indonesian instruments as well as found objects (hubcaps, foodcans) in its music. The liner notes feature diagrams and/or descriptions of each piece that explain the nature of its unique composition. For example, Elena Carey describes the four nitrogen bases of D.N.A. and an analysis of the relationship between this raw genetic material her Gamelan mus…
*2024 stock* What did the future sound like in 1980? Futurible is brought to you by Italian composer Gianni Safred and will take you both back in time and into the future. Safred uses Moog and Arp synthesizers that have now become commonplace in popular music. These sounds are "suitable for space travels, space explorers, experiments, fantastic adventures, future enterprises, interplanetary stories, important achievements, industrial accomplishments of broad implication… modern scientific discov…
One of the most unexpected yet fruitful partnerships of recent years: in the mid-1990s, Pauline Oliveros, electronic music pioneer and sage of the environmental drone, began working with Reynols, the prolific and resolutely undefinable Argentinian group. Their first joint effort sent Oliveros' music through the rigours of Reynols' heavily processed studio treatments.
The Minexcio Connection: Live! At The Rosendale Cafe finds them collaborating on-stage in real time. Recorded in August 2000 duri…
**2020 stock** Israeli Electroacoustic Music collects the works of six musicians from varied backgrounds, all recognized for their musical activity in electronic music and in Israel at the time of the album’s recording in 1981. These composers exemplify atonal 20th century music and musique concrete in a mixture of acoustic and electronic instrumentation, ranging from album producer Robin Julian Heifetz’s dark and frantic A Clear and Present Danger (which “attempts to symbolize the fear of a mot…