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Fire! tracking new paths and reaching new levels of excellence, still honoring their 12-year-old vow of presenting a fresh approach to improvised music. Their debut album, You Liked Me Five Minutes Ago, was released in 2009 to wide international acclaim. "The basic strategy of pairing the expressive energy of free jazz with a sturdy sense of groove has yielded something potent and self-contained" --New York Times. Between this and Defeat there´s been five albums, including collaborations with Ji…
that includes bonus CD, edition of 500. Fire! is a Swedish trio comprising Mats Gustafsson (The Thing), Johan Berthling (Tape), and Andreas Werliin (Wildbirds & Peacedrums), which came together with the idea of a fresh approach to improvised music drawing upon a number of influences from free jazz, psychedelic rock, and noise. Fire! is also these musicians' vehicle for rekindling their instrumental skills, playing outside their comfort zones, and collaborating with such prestigious guests s…
Their previous album Arrival of The New Elders presented a more varied and reflective trio, still as groovy as ever, but more structured and less jam oriented, earning them a 9/10 review in Uncut and a spot in their albums of the year list, noting their telepathic communion and concluding with “this is an Elephant9 you´ll never forget”. Reviews in Jazzwise, Shindig, Prog, Electronic Sound, The Quietus and several others followed in the same fashion. We´re delighted to confirm that Mythical River…
LP version. After a solid run of five studio albums and 2019's two double live albums, Psychedelic Backfire I and II, Elephant9 had taken their groovy mix of high energy rock and power jazz as far as they could. In this respect, Arrival Of The New Elders comes as a welcome and most timely addition to their recorded output. More varied, mature and reflective, don't let the self-ironic (?) title mislead you, they are as groovy as ever, but more structured and less jam oriented, with the longest tr…
LP reissue in triple gatefold sleeve as the original album, with sound taken the master tapes. Some records survive because someone searched long enough for them. The debut album by Alphataurus is one of those: recorded in Milan in 1973 on Magma Records, a label just founded by Vittorio De Scalzi of New Trolls and his brother Aldo, it passed almost unnoticed on release, in a pressing the collectors' market now values between three and three and a half thousand euros for an intact original copy. …
2024 Stock. On their fourth album, counting the limited vinyl-only Live At The BBC (RLP 2118LP), Elephant9 join forces with Reine Fiske, the quite excellent Swedish guitarist from Dungen, The Amazing and Träd, Gräs och Stenar, for yet another heavy slice of mindblowing modern rock'n'jazz psychedelia. Writers have called upon names like Tony Williams´ Lifetime, Deep Purple, Brian Auger and early '70s Miles Davis to describe Elephant9's music, pointing to the fact that they are comfortable in both…
Black vinyl reissue limited to 300 copies. Gatefold sleeve. Already a firm live favorite on the Norwegian scene for a couple of years due to a handful of highly energetic and very enthusiastically received concerts, the trio of Ståle Storløkken (Supersilent, Humcrush), Nikolai Eilertsen (The National Bank) and Torstein Lofthus (Shining) on drums finally deliver their debut album. Ståle Storløkken is widely considered to be the most inventive and musically creative keyboard player to spring out o…
Jimmy Giuffre, a versatile musician known for his innovative jazz compositions and arrangements, took a break from recording after a prolific career spanning from the 1950s. Following a decade focused on live performances, he returned to the studio with "Music for People, Birds, Butterflies and Mosquitoes." Giuffre's unique approach to jazz, fostering free interplay among musicians, emerged during his tenure as an arranger for Woody Herman in the late 1940s. Transitioning to the West Coast cool …
On Like an Old Fashioned Waltz, Sandy Denny leans into cinema-lit nostalgia, braiding English folk melancholy with 30s-inflected strings and jazz standards. Time, memory and solitude waltz together, her voice hovering between confessional intimacy and silver-screen reverie, poised at the fragile brink of reinvention.
When Andrey Tarkovsky's Solaris premiered at Cannes in 1972, winning the Grand Prix Spécial du Jury, it announced a new cinematic language where sound was as essential as image. The collaboration between Tarkovsky and composer Edward Artemiev created what film critic Phillip Lopate would later call a work that belongs to that handful of filmmakers who created a universe. Roger Ebert described it as a thoughtful, deep, sensitive movie that uses the freedom of science fiction to examine human natu…
Perception is the 1973 second album by Catalyst, the Philadelphia jazz-funk quartet whose blend of soul jazz, fusion, and avant-garde set them apart as a cult phenomenon. Featuring Zuri Tyrone Brown (bass), Onaje Sherman Ferguson (drums, percussion), Nwalinu Odean Pope (tenor saxophone, flute), and Sanifu Eddie Green (electric piano), the album stretches from spacious, electric fusion to driving, groove-forward funk and episodes of free improvisation. Recently reissued to renewed acclaim, Percep…
*2023 stock* "Motorpsycho's Salad Days vol. 2 includes the following titles, with all artwork recreated by from the very best available original sources and the music remastered from the original tapes where these were available: Mountain EP; Another Ugly EP; Live at Blitz '93 (LP); Demon Box (2LP)."
**Orange Coloured Vinyl 180gr HQ, Gatefold, 45rpm audiophile. Edition of 500** In autumn/winter of 1969 Edgar Froese, founder of Tangerine Dream, met Klaus Schulze and Conrad Schnitzler. This trio formed the line-up of Tangerine Dream to record the debut album Electronic Meditation. The band was supported by two other musicians: Jimmy Jackson (organ) and Thomas Keyserling (flute), but both were mysteriously left out of the credits of the original album. Edgar Froese: "In 1969, I met Klaus in Ber…
"An album that puts jazz at the center. Emanuele Cisi records his first release for Mono Jazz (Right Tempo) returning to those elements from which everything begins and in which everything is fulfilled. With melody and swing, a deep sense of blues—not just as a style but as a fundamental state of music—and spirituality, the improvisation here becomes a space where the pieces reveal themselves as springboards for self-expression.
Rushin’ is not merely a collection of references and tributes, alth…
Something of a sequel to Eternal Rhythm, his classic meeting of free jazz and world music from five years prior, Eternal Now found Don Cherry entering the studio for the tiny Sonet label, once again with members of the European avant-garde scene (this time from Sweden).
This time around, though, the focus swings decidedly to the world-folk end of things: The only standard Western instrument is the piano, featured on only two of the five pieces (one of which is a non-traditional, African-styled r…
Released in December 1970, King Crimson's third studio album, Lizard, is often viewed as an outlier in the pioneering British prog outfit's nearly half-century discography. It's not easily grouped with 1969's stunning In the Court of the Crimson King debut and 1970 follow-up In the Wake of Poseidon, and along with 1971's Islands it's considered a transitional release on the band's path toward the relative stability of the Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), and Red (…
"Starless and Bible Black is the eighth in a series of audiophile King Crimson vinyl reissues and completes the availability of the band's studio output from 1969/74 on 200g vinyl editions. Newly cut from masters approved by Robert Fripp, this super-heavyweight vinyl re-issue is housed in a reprint of the original gatefold sleeve. Starless and Bible Black is even more powerful and daring than its predecessor, Larks' Tongues in Aspic, with jarring tempo shifts, explosive guitar riffs, and soaring…
The first ever collection of Jill Kroesen's wildly inventive and often dystopian compositions from '72 through '84. Includes her art rock masterpiece Stop Vicious Cycles, her coveted '80 single, an equal amount of unissued treasures, and copious liner notes. Jill Kroesen is probably best known for her 'no wave' compositions throughout the 1970s and early '80s. It's a fascinating and theatrical sound that sort of defies categorization. This compilation should help this music of real historical si…
Red is the fourth in a series of audiophile King Crimson vinyl reissues. Newly cut from masters approved by Robert Fripp, this super-heavyweight 200gm vinyl re-issue is housed in a reprint of the original sleeve. One of the most powerful and influential albums in the band's remarkable career. King Crimson fell apart once more, seemingly for the last time, as David Cross walked away during the making of this album. It became Robert Fripp's last thoughts on this version of the band, a bit noiser o…
The Cheerful Insanity of Giles, Giles and Fripp reveals King Crimson's gentle 1968 genesis - a landmark British psychedelia album featuring the Giles brothers and young Robert Fripp. This breezy, Beatles-esque collection showcases burning Frippian guitar work and the original "I Talk To The Wind." The 2025 Panegyric reissue removes spoken interludes for improved flow. Essential prehistory.