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*2026 repress!!!* Sought-after compilation exploring the Group Sound movement that swept Japan in the mid 1960s. Under the influence of the Beatles dozens of Japanese bands devoted themselves to exporting a wide genre that ranged from surf-rock, garage fuzz, psych and wild R&B. Featuring the influential The Mops, the Filipino band (relocated to Hong Kong) D’Swooners and The Golden Cups.
Lovely 1971 library re-release, a survey for a reading of Malaysian stories (describing in an exciting way the charm, mystery and exoticism of Malaysia, Singapore, Indonesia and China), with an overall elegant background of oriental music that blends with decidedly Western sounds, often experimental, giving life to a fascinating and unforgettable jazzy musical texture. The characteristic of the topics, which are sometimes sweet and melancholy, or descriptive, is to contain slow sounds that a…
*2025 stock* The strength of the Akira soundtrack lies in its unique blend of traditional Japanese instruments and futuristic electronic sounds. Yamashiro weaves together an eclectic mix of influences, creating a sonic landscape that mirrors the dystopian and cyberpunk themes of the movie. The use of traditional chants, taiko drums, and shakuhachi flutes alongside electronic synthesizers and orchestral elements generates a hauntingly mesmerizing atmosphere that perfectly complements the visuals …
Peel Sessions 1973-74 is a unique collection showcasing the legendary German experimental rock band’s dynamic live performances captured for BBC Radio 1’s John Peel sessions. This album brings together raw, electrifying recordings from 1973 and 1974, highlighting Can’s groundbreaking sound that blended psychedelic rock, avant-garde, and improvisational music. Fans and newcomers alike will experience the band’s creative energy and innovative spirit in an intimate setting outside the studio.
Featu…
Experience the legendary sound of Kraftwerk in one of their most iconic live performances. Recorded on March 22, 1975, at the Satory Saal in Koeln, this concert captures the band at the height of their creative power. Featuring two tracks from the previous year's groundbreaking album Autobahn, including an epic sidelong rendition of the title track, this set is widely regarded as one of the finest live recordings in Kraftwerk’s storied career.
The performance is rounded out with the classic “Ruc…
2014 release ** "Dunrobin Sonic Gems, a concert recording featuring Deep Listening Band founding members Stuart Dempster (trombone/didjeridu) and Pauline Oliveros (accordion/conch) with guest artists Ione (spoken word and sonic vocals), Jonas Braasch (soprano sax) Jesse Stewart (percussion), Johannes Welsch (gongs), and Jeff Pratt (live sound and 'Cistern Simulation' blend). Both recordings feature the 'Cistern Simulation', a technology developed by Jonas Braasch in 2012, which recreates the aco…
The Harp of New Albion is a transfixing solo piano recording, conceived and performed by world-renowned minimalist composer, the ever-innovative Terry Riley. His inspiration for this work came from a legendary harp, left behind in the New World in 1579, on the shores of Nova Albion, which is now called San Francisco Bay. A Native American medicine man is said to have found the harp and placed it on a cliff where the westerly winds played upon it and temperature and humidity changes created an ev…
"These three artists don’t need volume or soloing to get their message across. Their message is inscribed in elegant lower-case and rarely used aural fonts. You will find yourself leaning forward because not a note or whisper should be missed..." - Brian Morton
2026 stock The telepathy and intuition that flows between these three musicians is one that has developed over many years of playing together in different combinations, and on a permanent regular basis at NYC's Nublu, searching and creating together in the moment. What they have come up with has evolved steadily over that time and its current form can be heard to brilliant effect on their new EP "Your Head You. Know". The exploratory instrumental space-jazz these gentlemen purvey has many antece…
The legendary 1981 LP is back!! "The moral of this work is: the past punishment is the inevitable blindness of the present. Death camps were established through the process of dehumanized engineering, to destroy the will of the individual, and to create industrialisation of death. The modern parallel is to override the individual human choice through mass-media that established the city of death, in which marketing has become synonymous with mass destruction. A pathetic symphony for both i…
Limited and numbered edition of 1000 copies on black vinyl. Probably one of Nurse With Wounds most deep and mysterious recordings, with 4 indexed tracks containing 20 listed sequences. Such is Steven Stapleton's Nurse With Wound. The music contained here in, still having it's surreal edge, is more ambient and user friendly than on many other Nurse With Wound outings. Stapleton and guests, Robert Haigh and David Jackman mix prepared piano, percussion, loops and various bric a brac together int…
'Homotopy To Marie' is the fifth album by Nurse With Wound, originally released on United Dairies in 1982. The album is a step on from the Dadaist rock of 'Merzbild Schwet', with much use of tape manipulation and classical avant-garde techniques, using keywords including unsettling, volatile, eerie and nocturnal to describe the feel of the album which combined tape edits with resonating gong tones and disembodied children's voices to create a sonic collage far removed from the harsh improvisatio…
At the beginning of 1981 Maurizio Bianchi sent some demo tapes to the Come Organisation in England; after that, they extracted and blended together the sounds to get the final work. The title « Under The Victory Banner », an anachronistic and detrimental track for the rest of the album has been replaced by the title of the same set « Plutoniumetrio » edited in 1982 by the Come Organisation for the compilation « Für Ilse Koch », which fits much better with the other tracks. The Come Organisation…
LAST COPIES - LP album, numbered and stamped vinyl limited edition of 250 copies. 'I've taken inspiration for this medicative work from the sordid persecution of the early Christians, but in other ways we receive objectivistic persecution every day from this standardized system, from our wretched condition and from the modern persecutors which are hidden behind their threatening countenances. The appropriate soundtrack of such perturbed sufferings is this justifiable work, 'Persecutionem', in wh…
Quality reissue of a private LP, issued in edition of 300 copies in 1982; a skeletal extremist project that will then transform into the \'soundtrack\' of a movie with the same title, edited and directed by Paul Hurst. It\'s the setting of the griable pre-apocalyptic fossilization, the supreme lapidation of the meanness which creates the myth. There are actual melodies present -- dense and dark that mutate into harsh electronic outbursts.
\"In order to create this sound system, I used the conduc…
LImited to 150 copies on clear vinyl. The complete original double album on vinyl includes the 4 tracks from the original master tapes. The original tape from 1981 only included 2 tracks. Scientific principles that outline the mechanical and industrial sounds, while techno-steel artifices create impenetrable barriers of destructive notes that freeze ubiquity experimental mechanisms. The development of computerized progress finally undergoes its final productive annihilation. Maurizio Bianchi at …
* Deluxe Edition limited and numbered to 99 copies in 200g vinyl and metallic sleeve * First album of Berrocal, recorded in 1973 with excessives reverberations of the crypt of the church Saint-Savinien in Sens, is a real notebook of sound travels, of instruments reported by jac Berrocal and Roger Ferlet during their numerous journeys : Pakistan, Afghanistan, Nepal, India, Jordan, Iraq, Syria, various instruments: bells, muezzins, conches, shenaïs, cymbals, gongs … embellished with urban and inc…
Cover of a track by Sand, whose work has had a profound affect on Tibet’s work, first appeared on Current 93’s influential album Thunder Perfect Mind. Also appearing on this 12'' is an alternate version of the same track from a CD single which accompanied the first 1,000 copies of Tibet and Stapleton’s release of material by Sand, Ultrasonic Seraphim. This 12'' is part of a series of releases from rotorelief comprised of new albums from Sand, a reissue of their album Golem and albums by Nurse wi…
Extruder is the second unreleased album from the 1987 collaboration between Conrad Schnitzler and Siegmar Fricke who composed and made several tapes of session-material during their musical meetings in Berlin. All recordings produced, arranged and mastered by Siegmar Fricke at Pharmakustik studio. The album contains high doses of hydraulically driven energy generated by the complex analogue equipment. Microformed soundpools of cold extrusion collide with voltage-controlled pulsations, tape-echoe…
The album “Kontraktion” is the result of two long sessions that have been recorded on tapes by Conrad Schnitzler and Siegmar Fricke in Con’s former studio Leberstrasse in Berlin. The five soundscapes (produced in November 1986 and July 1987 with EMS-Synthi A, KORG MS 10+20, delays) contain all the machinistic energy and infernal industrial sound-eruptions similar to Conrad’s first three albums “Schwarz”, “Rot” and “Blau” and to the rumbling train-wheel-rhythms of “Zug” (from the CON-album 1978).…