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Hear and Now's cover depicts a smiling Cherry posing like Buddha, and holding a trumpet with a bent mouthpiece -- an indication of some meditative sounds, but it's really a mishmash of styles with a leaning toward African rhythms. An underlying social message runs through the album of Cherry compositions (except one) produced by Narada Michael Walden. Cherry plays very little trumpet on "Universal Mother"; the African-based excursion is carried by Neil Jason's bass, Sammy Figueroa's congas, and …
2004 release ** The eagerly expected split album of Niko Skorpio & Kouhei Matsunaga! With its full 74 minutes and numerous collaborations it covers many areas of electronic and experimental music, from chilling ambience to high energy noise freakouts and from trapezoidal rhythms to plain weird alien atmospheres. Comes with a particular magickal wibe and underground spirit.
2008 release ** Hypnoz is a project of Dmitry Zubov, a musician from Moscow suburb Fryazino, the town that endowed the lovers of post-industrial music with such names as Hum and Staruha Mha. His first composition was recorded in 1993, and during its existence Hypnoz has released one CD on the Moscow label Insofar Vapour Bulk, which gathered tracks from different periods, a couple of very limited CD-Rs, and participated on the compilation "Iznutri" by the Ewers Tonkunst label with a fragment of a…
2008 release ** Picking up where they left off 33 years ago with the accidental death of leader Father Yod, three remaining members of Yahowa 13 create a reunion album in the spirit of the original ensemble in Sonic Portation. True, Father Yod's unique vocal stylings are missing, which may be taken as a crucial omission or with a sense of considerable relief. What's left is a rhythm section consisting of Djin Aquarian, Octavius Aquarian, and Sunflower Aquarian, playing guitar, bass, and drums in…
1997 release ** This is an all-instrumental affair with classic thrash serving as the binding link throughout, but there are other elements that have been thrown in like doom, the second major ingredient, death and even power metal. Although thrash seems like the prevalent genre, there are times when its presence is disputable like on the contrasting doom/proto-death carnival "Snuff Movie", or on "El Canto Del Chivo" which develops as vintage doom until a brutal deathy break arrives splitting th…
2015 release ** Four political tape compositions 1976-1979 by Swiss composer Max E.Keller (b.1947). A rare case of left-wing / socialist electroacoustic music. The CD includes Keller's piece from the long out-of-print and sort of legendary Split-LP with Martin Schwarzenlander from 1977 plus 3 previously unreleased tape compositions. Max E. Keller originally started out as one of the first Swiss Free-Jazz musicians in the mid 1960's and studied composition with Hans Ulrich Lehmann and Helmut Lach…
1999 release ** Both peculiar archaism and highest sensitivity characterize this quiet, while extremely tense sound landscapes of the Sicilian composer Salvatore Sciarrino.
Salvatore Sciarrino’s music-theatre piece Luci mie traditrici (Oh my deceitful eyes) was originally based upon the colourful life of the composer Carlo Gesualdo, but when he discovered that Schnittke was also busy on an opera on the same subject, Sciarrino changed track and eliminated all references to the great madrigalist i…
*2024 stock* “Don’t ask me what I mean, ask me what I’ve made.” - Alvin Lucier
The American Alvin Lucier is one of the most significant composers of New Music in the twentieth century. Being one of the first representatives of live electronic music, he explored in his works the nature and the effect of sound phenomena such as resonances, echoes and interferences, with the boundaries between installation, performance, composition and science becoming blurred.
In the present documentary film by Vi…
Pisaro’s “Hearing Metal” series is a multipart lecture of the above, now on its third rendition. Each is in dedication to the sculptor Constantin Brâncuşi, with track names and piece subtitles littered with Brâncuşi references (Sleeping Muse, The Endless Column, Prometheus, 1911). Although the orchestration differs across each entry, each piece is primarily composed of electronic (sine tones, field recordings, a guitar, etc.) and percussive (cymbals, tam-tams, ‘surfaces,’ almglocken, etc.) eleme…
A collaborative CD between Devin DiSanto and Taku Unami, a recording of a live performances that took place inside AMPLIFY 2015: exploratory at Fridman Gallery in Nyc. "Devin DiSanto lives in Brooklyn and develops performances, actions, and audio recordings that revolve primarily around the material attributes of a sound, particularly the plurality of its signification. His projects start from the premise that space is listened for as much as seen and heard before it comes into view. It doesn't …
Using his no-input mixing board Toshimaru Nakamura, perhaps the ultimate Onkyo artist, spent two years creating this work, which is also the second release in the Erstsolo series. Nakamura constructs this 46 minute piece from recordings of his mixer, which generates a combination of hum, glitch, buzz and subliminally disruptive sound. He develops the results into gentle and non-violent textural and impressionistic music that unfolds in a meditative and absorbing manner. That Nakamura c…
Unusual sound work from the Japanese duo of Takahiro Kawaguchi and Utah Kawasaki (Astro Twin), using self-made instruments and electronics to create unexpected sonic emissions that follow curious paths that are separated by periods of quiet or textural sound.
Takahiro Kawaguchi was born in Osaka, Japan, in 1980. He works in Osaka and Tokyo in various electroacoustic genres, using field recordings or creating sound installations, or presenting sound live. The common concept of all his works is: "…
A minimal theater in sound from Taku Unami and Takahiro Kawaguchi and starring Yoko Chosakabe and Kumio Kurachi, recording at the Ueno Okura Theater Older Building. "Teatro Assente is endearing and provoking, but most of all, endlessly pleasing." Tinymixtapes
"After several years of not doing anything since Erstwhile first asked me to do a solo album, I suddenly had the idea to record it last week and it was released within a week or so. I know some of you are thinking "Anyone can do this...", but in the DIY spirit of doing what anyone can do with what anyone can get, and without any special skills or funds, I tackled improvisation head on, using mostly newspapers and cardboard boxes, which turned out to be this triple CD set." - Taku Unami
"For the…
After a solo on Kye, the Australian writer Matthew Revert comes back with the American sound artist Vanessa Rossetto. Together they mostly work with field recordings, editing and mixing them in a narrative form, adding some texts and voices. Whereby two of the cutest cabbages in the cot create a soup unlike any other.
Erstwhile presents Pictures Of The Warm South, Vanessa Rossetto's the seventh Erstwhile release, her second ErstSolo. Mastered by Giuseppe Ielasi, designed by Matthew Revert. Double CD, six-panel digipak. Primarily focused on composing works that draw on a diverse pallet of chamber instrumentation, field recordings, electronics and a wide array of different objects, with a practice that explores each through a combination of extended and traditional techniques, Vanessa Rossetto has been working …
Keith Rowe and Michael Pisaro: 13 Thirteen | On this two-and-a-half hour, semi-improvised opus, the two guitarists and composers approach finely wrought detail and vast empty space in ways that can warp one’s perception of time itself. On this two-and-a-half hour, semi-improvised opus, the two guitarists and composers approach finely wrought detail and vast empty space in ways that can warp one’s perception of time itself."On this two-and-a-half hour, semi-improvised opus, the two guitarists and…