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On Simoom we hear three of Lois V. Vierk's works for "big instruments," that is, multiples of the same instrument, treated more like single entities than like groups of voices: Go Guitars for five electric guitars tuned microtonally around "E," Cirrus for six trumpets, and Simoom for eight cellos. All three works employ what Vierk describes as "Exponential Structure," which utilizes exponential relationships to control time, pitch movement and rates of change. Within this system, Vierk creates v…
Tip! 1981 original copies of this beautiful artist book - A vivid dream of passage narrated by experimental composer Pauline Oliveros and realized through the exploratory photographs of Becky Cohen.This book carries us deeply and graphically into the world of ritual and meditation that is integral to Oliveros' life and art.
It must have been quite some years since I last heard music by Simon Wickham-Smith, but there was a time when I played it a lot, especially the various albums he recorded with Richard Youngs. But I guess that's how things go. Interest shifts I assume. To be honest, again, I have no idea when I left off, or why. But its good, as well as strange perhaps to see him back on Pogus Productions. On the cover I read that 'not satisfied with making music, he has also been a Buddhist monk in the Tibetan t…
Pogus is very pleased to release this 2 CD set of Australian composer Ron Nagorcka's work, covering almost 40 years of his compositions. Atom Bomb (1977) (Golden Fur: Samuel Dunscombe, Judith Hamann & James Rushford, with cassette tape recorders, toy instruments and various other devices) In a music critique for The Australian newspaper in 1977 entitled Atom Bomb becomes Folk Art, Paul Utiger described one of Atom Bomb's performances from the late 1970s: 'The most important instruments were the …
Through satanic possessions and rituals, the extravagant Häxan, a film directed by Benjamin Christensen in 1922, draws the parallel between the witch hunts of the Middle Ages and the persecution of women at the turn of the 20th century, via psychiatric hysteria. In 1966 Burroughs narrated the movie in his usual style.
*2023 stock* Hangman Cut Himself Loose is the debut full-length CD from ascendant NYC-based noise artist Kyle Flanagan. This is the new psychedelia, an expansive album that ranges from blistering harsh noise to expansive drones. Deep space explorations launched from grimy basements. The perfect blend of careful composition and hallucinatory experimentation. A revelatory noise recording that builds on a series of well-regarded tapes for labels such as New Forces, Dead Gods, and No Rent. This is m…
*2022 Stock.* This disc spotlights the trumpet and flugelhorn skills of Marcus Stockhausen (also a featured performer on The Stockhausen Edition no. 33, 35, and 43). These four tracks were originally released by EMI Classics in 1998. - Stockhausenspace.blogspot.com
*2022 Stock.* This recording of an updated version of Mixtur (for 5 ring-modulated orchestra groups, orig. 1964/67) features the Deutsche-Symphonie-Orchester Berlin, conducted by Wolfgang Lischke. In contrast to the original, graphic notation-based version of Mixtur (on The Stockhausen Edition no. 8), all of the orchestra parts for the updated 2003 version are completely notated.- Stockhausenspace.blogspot.com
*2022 Stock.* Karlheinz Stockhausen – “Oktophonie ” Realized at the Studio für Elektronische Musik, WDR, August 23 - November 30, 1990 & Aug. 5-30, 1991. " (...) Stockhausen also points out that the production and spatialization are described in the separate OCTOPHONY score. This score is indeed a very meticulous and detailed one, indispensable for aficionados who will want to enter the inner workings of the OCTOPHONY structure. It is an extreme score in this aspect, in the minute details of its…
2024 stock. Ouroboros is an ancient symbol dating back more than 4000 years. A snake or dragon eats its own tail, and represents eternity, or the circularity of life. A more modern interpretation might suggest that mankind will eventually consume itself once it finishes consuming all the life and resources on Earth.Snake species are in decline just about everywhere. Agriculture, pesticide use, roads that separate breeding populations, habitat loss, decreased food supply and predation by other a…
This man and his work represent the real "speculum musicae" of the past 40 years. The example of his music embodies a lifelong commitment to an integral radicalism. . . . this is a venerable tradition that Philip has written so eloquently about, and continued in his music. A tradition that stems from "Charlie" Ives through John Cage and Lou Harrison. All of these composers would ultimately admonish us to do one thing: to open our ears--and LISTEN! —Peter GarlandPerhaps the single most striking …
"Features The Soldier String Quartet performing in 'Five More String Quartets', a piece for five multi-tracked string quartets and in 'Early Winter' for flute, bass flute, string quartet and synthesizer, also featuring Susan Stenger (flute) and Eberhard Blum (bass flute)." This is purely awesome drone work and one of the loudest, most commanding minimal works you could ever dream of basking within, even living up to the following: "Dense, elusive trance music distinguished by its singular method…
Co-released with Umland Records, Germany. On one night in 2019, The Dorf (German for "village") took a heavy dose of the music of Phill Niblock. The impact on the musicians, gathering to play a double-length version of Niblock's Baobab and (in a second set) three "Dorf" tunes, was deep. It felt a bit like going to church -- a truly spiritual experience. At first, the audience did not believe the announcement that the "drone" piece would last for 46 minutes. Afterwards, their reactions showed the…
If, Bwana alias Al Margolis figure de la scène expérimentale new-yorkaise et boss de Pogus. Compositions pour bandes, voix, électronique... Franc, déterminé et tenu. Avec Al Margolis (bandes, clarinette etc), Laura Biagi (voix), Dan Andreana (voix, bandes), Detta Andreana (bandes, cymbales), Orchestre D'Fou...
The last album from the master in the building-up of mystery, probably the most eerie piece he ever created. One of those albums that one can be dragged into as if there were really other worlds of that obscure nature and we could enter them for a while. You might even feel you don’t want to come back to safety and normality after being there…But who is really Werkbund? One might think Asmus Tietchens in disguise, but he's vehemently denied so.
**100 copies 2018 repress** Originally released to celebrate the 33rd anniversary of Walter Ulbricht Schallfolien back in 2015, Neu Konservatiw comes in a beautifully designed slevve with insert and postcards. The album features two unreleased Asmus Tietchens tracks plus other exclusive contributions by Werkbund, Column One, Evapori, Hyph, Pierce Warnecke, Ditterich von Euler-Donnersperg and Margitt Holzt.
** 2024 Stock ** The Art of Noise presents the 1913 Futurist manifesto “L’arte dei Rumori” as translated by Robert Filliou. Luigi Russolo calls for an infinite expansion of musical vocabulary and sensibility in coordination with that of industrial machinery—“We must enlarge and enrich more and more the domain of musical sounds”—envisioning a machine-based music that would dispense entirely with inherited forms. This publciation made the text widely available in English for the first time. Also i…
** 2024 Stock ** This collection of musical works is as visually and poetically striking as any of the Great Bears, with the individual pieces flowing together in a sprawling collage. Philip Corner’s Popular Entertainments incorporate pop music as a raw material and a motor, an ever- changing sound source with an aura of heightened energy: pulsating rhythms, dancing, and the frenzy of teenage fans. The spectacular, molten immediacy of the work—which prioritizes intense experiences of listening v…
** 2024 Stock ** The third in John Cage’s series of “Diary” essays (the other parts were published in different contexts), defined broadly as “collections of thoughts that develop out of working and being alive.” The text is formally and discursively roving: its margins, typeface, and color undergo continuous alteration by chance methods as Cage contemplates computers, Erik Satie; life on the road with Merce Cunningham; death; encounters with Mies van der Rohe, Duchamp, and Marshall McLuhan; boo…