Back in stock
Franco Battiato, Nucleus (Book)
Absolutely recommended. Photographs by Roberto Masotti, texts by Carlo Maria Cella, Silvia Lelli, Luca Scarlini. This is the third volume dedicated to musicians-composers that Masotti has collected for and with the publisher Seipersei after those dedicated to Keith Jarrett and John Cage. The one on Battiato shows a panorama of photographs that starts in 1973 with a service made in Bologna in the studio and on location commissioned by the Bla Bla label by Pino Massara and followed by a whole seri…
Interviews by Pauline Oliveros, Laurie Spiegel, Clara Rockmore, Beatriz Ferryra
Spanish/English edition. Perfect bound. 110 pages, edition of 50 copies This publication gathers interviews with four artists who are pioneers in the in the field of electronic experimental music, Clara Rockmore interviewed by Robert Moog, Pauline Oliveros interviewed by Miya Masaoka, Beatriz Ferreyra interviewed by Jason Gross and Laurie Spiegel interviewed by Dena Yago.
Manifesto of Futurist Musicians
“I appeal to the young. Only they should listen, and only they can understand what I have to say. Some people are born old, slobbering spectres of the past, cryptograms swollen with poison. To them no words or ideas, but a single injunction: the end..”
Fluxus Music
"Where does music fit into George Maciunas´s definition? Where does music fit into Fluxus praxis? Music fit where all the other individual arts fit into Fluxus - into a process of de-definition that robs music and the other arts of media that is itself not easily distinguished from the rest of life."
Zine A5 / Staple / ByW / 6 pp / 1st ed - 2015 / 50 copies
.
Clara Rockmore by Robert Moog
Theremin´s virtuoso interviewed by synthesizser´s maverick Robert Moog in 1977. "I am a violinist and a musician. I wanted to see if it were possible to use the theremin to make real music. Bach couldn't write for the theremin when he was alive, but there is no reason why I can't play Bach on the theremin today. "Clara Rockmore
Zine A5 / Staple / ByW / 8 pp / 1st ed - 2014 / 50 copies
.
.
1984/5 Il ladro di anime / Diario segreto
Daniel Bacalov is a composer of music for theater, cinema, and dance who has studied classical guitar and percussion. He composed the music of numerous theatrical performances represented in many international theatre festivals. His first two publications on Lp were Il Ladro Di Anime, presented at the Venice Biennial of 1984, and Diario Segreto. The label Soave proposes these two fundamental documents of the period reprinting them for the first time in a limited edition on double Lp.The composit…
La Camera Astratta
**100 Copies in light Blue vinyl** “La Camera Astratta” is the result of the amazing collaboration between
Piero Milesi e Daniel Bacalov with the experimental theatre-performance
of the Studio Azzurro and Giorgio Barberio Corsetti. An idea of
immersion in a dimension devoid of gravity, the desire concerning a
soft, ethereal, articulated and perfectly interpenetrated reality. It's
an evocative ambient sound, with rhythmic cadence, soft and repetitive,
full of airiness; the music expresses t…
Il Cavaliere Azzurro
Limited clear vinyl, edition of 100. One of the many characteristics of Italian avant-garde theatre, from the seventies through the eighties, was the overlap of acting with the physicality of movement - reality with fiction and the stage with real life; it was a new poetic language for a multimedia representation. In this new language, the music composed for the stage was an active part of the performances, and the soundtrack from 1985’s “Il Cavaliere Azzurro” is one of its most significan…
Encounters in the Republic of Heaven
2011 release. Amazing work completed Sept. 2011, an exploration of the music inherent in everyday speech, collected from all kinds of oral sound sources (fishermen, farmers, city-dwellers, etc.), highly processed vocal material between musique concrete & experimental earplay; comes with lovely 64p book
"Encounter in the Republic of Heaven” is a multi channel electro acoustic surround piece where Wishart works with phonemes as a musical phenomena in combination with storytelling. The materi…
Saccharine Scores
Saccharine Scores is an album/art book documenting Sean McCann's
recent chamber compositions. Ranging from the 10-person ensemble
performance of "Portraits of Friars" at Fylkingen, Stockholm in February
2018, to his first quartet piece "Victorian Wind", performed in Toronto
in 2014. McCann's scores leak pastoral and bizarre passages, dancing in
the banal beauty of sound poetry. The performances feature guest
musicians Sarah Davachi, Zachary Paul, Geneva Skeen, Celia Eydeland, Maxwell Augus…
The 12th Annual International Sound Poetry Festival
*Last copies, almost sold out at the label. Limited edition of 200 hand-numbered copies.* After years of preparation, Recital is proud to present The 12th Annual International Sound Poetry Festival box set. Held in New York in 1980, this was the last festival of the pioneering sound poetry series started in Stockholm in the 1960s. This ambitious document holds nearly five hours of audio from 30 artists. A 240-page book with biographies, texts, and artwork from each artist supplements the edition…
Variations on a Natural Theme for Orchestra (Book)
* Rare original artist' book - Music scores and instructions for performance * Variations on a Natural Theme (1982), as in Dick Higgins words, is a large orchestral work, in some ways a companion to the Ten Ways, since this time it uses gamuts (in this case selected by the individual musicians) and photo derivations made from a female model; she was insistent that she not be recognizable, since she was a teacher and was afraid that it would be damaging to her professionally if it were known that…
Sonata for Prepared Piano (Book)
*Rare original arist' book - Music scores and instruction for performance* Sonata for Prepared Piano (1982) is a short work which, again, uses photoderivations as parts of the notation—this time nature with incomplete figure photographs, mostly obscured by the natural objects around them. (Dick Higgins, "The Strategy of Each of My Books" from Horizons, 1984)
"Four movements make up this thirteen minute work. Each uses a very different method of interpreting its materials, a set of four phot…
Ten Ways of Looking at a Bird for Violin and Harpsichord (Book)
Rare original artist' book - Music scores and instructions for performance Ten Ways of Looking at a Bird (1981)...is a playful variation on the name of a poem by Wallace Stevens whose work I have always admired, though, goodness knows, there is no modern poet more different from myself. This is a piece for violin and harpsichord; the harpsichord part is developed in “live time” (that is, during the performance) from what the violinist is doing, according to a set of rules. The violinist uses mu…
Twenty-Six Mountains for viewing the Sunset from (Book)
Rare original artist' book - Music scores and instructions for performance ** Twenty-Six Mountains for Viewing the Sunset From (1981) is for a small ensemble, including three dancers. It is a different kind of notation, not using photographs but using an indication of what kinds of tex- tures and patterns are desired. The title comes from a trip I took late one night with a teenager from Vermont, who brought me to some of his favorite places to view the sunset from; it was magical evening…
Song for Any Voice(s) and Instrument(s) (Book)
* Rare original artist' book - Music scores and instructions for performance * This score by Dick Higgins consists of letters and arrows arrayed across one sheet of musical notation paper. A cover sheet provides the instructions for the four-minute, fifty-two second performance, stating that any number of people may interpret the score simultaneously if they do so independently of one another. Guidelines for interpretation are fairly specific, but the piece is different every time it is perform…
Watertube Ringspiel (Ambient Music) LP
**100 Copies in gold vinyl, few available - totally sold out at the label** Futuro Antico, the mesmerizing collaboration of Riccardo Sinigaglia with Walter Maioli and Gabin Dabirè evoked in its name the uncanniness of simultaneously witnessing past and future. Watertube Ringspiel (Ambient Music), Riccardo Sinigaglia’s first solo work – originally out on cassette from ADN Tapes in 1985— ultimately delivers on that idea, embodying different irreconcilable time frames not just in name. From our van…
Japanese Ambient, Environmental & New Age Music 1980-90
2CD housed in 7 x 7" 60 page hardbound book. Light In The Attic’s Japan Archival Series continues with Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990, an unprecedented overview of the country’s vital minimal, ambient, avant-garde, and New Age music – what can collectively be described as kankyō ongaku, or environmental music. The collection features internationally acclaimed artists such as Haruomi Hosono, Ryuichi Sakamoto and Joe Hisaishi, as well as other pioneers lik…
Ultrablack of Music
The ultra-blackness manifesto: a Deleuzian reading of the philosophical and socio-political stakes of the current electronic music scene (publication marking the reactivation of the influential label Mille Plateaux, with texts by an ensemble of international musicians, artists and theorists: Frédéric Neyrat, Achim Szepanski, Holger Schulze, Gerriet K. Sharma, Bernd Herzogenrath, Corry Shores, Marcus Schmickler, Thomas Brinkmann, Thomas Köner...). Ultrablack of Music speculates on the manifold wa…
Memory in Motion: Percussion in Surround
“Memory in Motion: Percussion in Surround” was a research project developed to examine how percussionists memorize musical actions within ensembles. As part of this research, director Aiyun Huang commissioned new works to compliment selected existing repertoire. Zihua Tan wrote Sorites to compliment Iannis Xenakis’ Persephassa and Alcides Lanza wrote mnais mnemes to compliment his own earlier composition sensor VI. In both cases, the composers were asked to use the identical setup and notational…