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In 1973, avant-garde ensemble Creative Associates goes on a tour of Europe with Eastman’s brand new piece in their repertoire, and in short: “Stay on It” turns the coordinates of avant-garde music on its head. It is minimal, but unashamedly groovy; it is open to improvisation, grants performers all the freedom they could need, but it isn’t jazz and never slips into the non-committal. It is open to theatrical and performative elements, but also to the poetic and lyrical. It is strict and demands …
"Onkiniemi Ateljee is a cultural space established in a disused knitting factory in 2020, at a time when the Covid pandemic had been raging for roughly half a year. Globally, countermeasures to the disease and the threat it posed were varied, but the effects were universal. Communal rituals, such as live music gatherings, became rarer or changed in nature. The most you could do was put a record on while boiling masks in the evenings. Every now and then I’ve heard people speak of experimental or …
*300 copies limited edition* Since the early 2010s, Josh Mason has slowly amassed an enchanting discography, publishing recordings on labels such as Florabelle, Dauw, Longform Editions, and his retired Sunshine Ltd. imprint. Whether focusing on electric guitar or modular synthesizer, Mason approaches his music with intentionality, tenderness, and a keen ear for detail, resulting in an exceptional and enduring oeuvre.
His workmanlike approach to craft and monomaniacal interest in circuit design …
"The recording of a literary interpretation of a performance by the artist Pablo Pijnappel. The record is a spoken-word, audio rendering of two accounts included in the publication Beyond Imagination/Zona de Crepúsculo—itself a literary interpretation of a performance of the same title presented in the Pijnappel's solo exhibition at the Iberê Camargo Foundation, Porto Alegre, Brazil in 2018. Manipulating the notions of translation, interpretation and memory, the two texts are interwoven into a b…
Rosary Bleeds takes the road hinted at with those 90s synth chords and follows it all the way down. While the other two releases feel like very communal creations with no single voice dominating, Rosary Bleeds is centred on Alison O'Donnell's dramatic vocals. The backdrop is almost entirely synthetic; clicking drum machines, burbling, proto-melodic leads, deep bass. Clean electric guitar sometimes adds to the texture with simple, single strums. There is almost nothing to suggest that the…
After NEF's album in 2019, Ici Bientôt is happy to present today the reissue of "Comme Au Moulin" by Nyssa Musique. Paris 1985... ‘Extra-European’ Traditions meet Jazz and Minimal Music. An unusual array of instruments turn music into a dialogue. For a unique record ... vivid, full of texture, somewhere between Midori Takada, Don Cherry and Jon Hassell. Beginning of the eighties, 5 musicians rehearse in a contemporary dance class hall, upstairs from the ‘’New Morning", renowned Music venue in Pa…
Originally released as a private tape in 1982. Necrosi Statica was the first ever cassette by Pierpaolo Zoppo and was recorded before the infamous Mauthausen Orchestra tapes. The early electronic experiments of Necrosi Statica show an intriguing but inevitable progression from glacial synthetic sounds to a primordial flow of noise thoughts. It comes in a stickered black sleeve with black inner and black record labels.Included is a photo, an insert and a label catalogue.
M.B. - 31.04.1980 was recorded at Mectpyo Studio, Milano, in April 1980. Unreleased track. A musique concrete track made mostly using lp records played at the wrong speed and made into frantic loops. There are also the occasional and unexpected bits of dialogue! A very interesting M.B. early experiment.
Dedali - 31.04.2016 was recorded at The Shadow Factory, Lugano, in April 2016. A dense and hypnotic track. Dedali here uses treated field recordings and voice samples creating a very warm organi…
On May 27th 1983, drummer Masahiko Togashi and guitarist Masayuki Takayanagi, two pivotal figures in the Japanese free jazz scene that had been working together since the 1960's, performed and record this unique set at Zojoji Hall in Tokyo. At the time, Japanese jazz musicians were trying to find their own voice, welcoming creative elements coming in from the USA and Europe. The two musicians were at the fore-front of this generation, with Takayanagi developing his own guitar style through influ…
*2023 stock. Italian language edition* This edition of "Manuale di CUlturea Industriale" entirely revised, updated, and increased by more than fifty percent from the previous edition edited by Paolo Bandera, remains the reference text of an uncompromising counterculture that has been able to resist the blandishments of the market for twenty years.
Music, performance, radical philosophies noisily sing the end of the industrial age. From here all "hard" musical forms have taken inspiration, from p…
*Italian language edition* "I guess as contemporary music continues to change in the way I am changing it, what is to be done is to completely liberate sounds more and more from abstract ideas about them and let them with increasing exactitude be themselves physically, and that's it." - John Cage
Considered the creator of experimentalism in the 1950s, John Cage was a major inspiration to conceptual artists in the 1960s, and his music was instrumental in the emergence of minimalism in the 1970s a…
*Hardcover with Embossing. English* Week-End Fest looks back in 2022 on 10 years and encounters with over 100 international artists. Since the beginning in 2011 own fanhood has been a central element of the festival’s curators - this is how the idea came about to inform the artists about the musicians, places or encounters that have shaped them. In „I feel everything you say. I feel everything you hear“. (the title is borrowed from the song „I‘m so Green“ by Can), they tell of decisive moments a…
»In Words« is the first solo album by the Danish musician, composer, and visual artist Alexander Tillegreen. The album represents a series of varied electronic music pieces while also carrying examples of ongoing work with psychoacoustic phenomena. Composed partly of material taken from his artistic practice as an installation artist and his ongoing interdisciplinary artistic research into psychoacoustic phenomena, Tillegreen investigates subjective sonic perception and the negotiation of langua…
Pancrace is a quintet from France comprising Prune Bécheau, Arden Day, Julien Desailly, Léo Maurel, and Jan Vysocky. Pancrace began with a residence in 2015 at the Saint Pancrace church in Dangolsheim where the instrument inventor Léo Maurel resides. Pancrace's debut self-titled double-LP was released by Penultimate Press in 2017 and ended up on The Wire's best releases of that year. After the first record and subsequent tour the band were despondent that the main character of their story, the c…
Black Truffle is pleased to announce Symphony No. 107 –The Bard, a previously unheard archival recording of the legendary improvising ensemble MEV (Musica Elettronica Viva), captured in concert at Bard College, New York in 2012. Formed by a group of American expat composers in Rome in 1966, the MEV ensemble played an important role in the development of free improvisation, bridging the live electronics tradition begun by John Cage and David Tudor and the high-energy squall of free jazz. Early re…
Black Truffle is thrilled to continue its program of archival releases from Arnold Dreyblatt with a recently unearthed concert recording from Dreyblatt and Paul Panhuysen’s "Duo Geloso". While isolated examples of Dreyblatt’s collaboration with the legendary Dutch multi-media artist appeared on the CD reissue of Propellers in Love and Black Truffle’s wide-ranging archival Second Selection, this is the first release to document the variety and playfulness of the concerts that Duo Geloso performed…
*Limited edition of 300 copies.* OP. 176 Penthesilea is presented as a deluxe 5CD box set with 32 page full colour booklet featuring writings by Villy Sørensen, Mark Harwood, Werner Durand and Henning Christiansen. The set is all housed in a sturdy slip case with original artwork (by Henning Christiansen, scores and performance photos.
Music for a tragedy/play, Penthesilea (tragedy in 24 scenes), by director Carlo Quartucci, playwright: Heinrich von Kleist. First performance at Teatro Olimpico, …
*300 copies limited edition* Far from the extended still lifes and mises en abîmes of their acclaimed Penultimate Press debut A Sunset for Walter (PP43, 2019), Noetinger & Pateras’ 15 Coruscations weaves frequencies & stirs data into an agitated series of deft psychoacoustic miniatures. Employing electronics as a deformed mirror reflecting joyous lacerations & interweavings, 15 Coruscations borrows from both brut & skilled musical practises, emerging from the current despair to blister light ac…
*100 copies limited edition* Headlights Recordings presents Manuel Mota's new work Isocèle. Manuel Mota is known for the personal vocabulary he has developed for the guitar. His music draws inspiration from a multitude of references loosely rooted in the blues tradition to craft a sound which was highly regarded by Derek Bailey. Actual but transmitting an enigmatic sense of timelessness. The moment of creation- composition, and the instrumental execution- playing, are to him indistinct, and that…