Back in stock

Telectu's 1984 manifesto, the double LP the duo paid for and released themselves: music for performance, concert, theatre and video, from miniatures named after demons to the side-long Palolo. Remastered, 300 copies, screenprinted fold-out cover.

While still unknown to many today, Enzo Minuti (1927-2000), aka Ezy Minus, left his unique mark on the kaleidoscopic world of Italian library music. One of the most versatile, skilled and authentic figures in the Bolognese music scene of the mid- to late 20th century, Minuti was a multi-instrumentalist, composer, music producer and recording studio manager, as well as a painter, etcher and graphic artist. He devoted his life to music (especially jazz, a genre that has enjoyed a long tradition in…

Previously unreleased complete edition for this explosive jazz-funk score by Italian maestro Riz Ortolani, written in 1973 for the poliziotteschi film, “Si può essere più bastardi dell'ispettore Cliff?” (also known as “Mafia Junction”).Only two tracks from this soundtrack were ever released, and as a result is now an extremely rare and sought-after C.A.M. 7" - but that was enough to create the legend... Four Flies Records is honored to have been granted access to the original C.A.M. mas…

On Fantasy, Piero Umiliani resurfaces four decades late with a perfectly preserved final statement: a 1983 library dream where analog synths, light orchestration and soft rhythms drift between science‑fiction shimmer and easy‑listening warmth, closing his universe on a quietly visionary note.

All the music for Jean Dubuffet's "animated painting" spectacle Coucou Bazar. Disc one is Ilhan Mimaroglu's 1973 electronic score for the Guggenheim staging (originally on Finnadar); disc two is Dubuffet's own 1978 Turin soundtrack, long buried in a rare catalogue. Digipak with 40-page booklet. 2CD.

A masterpiece of film music following "A Man and A Woman" by the tag team of Claude Lelouch and Francis Ray. This is an artistic documentary film that only features footage of the Winter Olympics held in Grenoble, France, and Francis Ray's brilliant music. The performances by the actual star athletes of the time and the astonishing talent of Francis Ray, which can be described as a French soundtrack, make this a masterpiece. The theme song "White Lovers" was produced with Japanese lyrics and cov…

Le Tres Groove Club present a reissue of Jacky Giordano's IM 24, also known as Organ, originally released in 1977. An aura of mystery hangs over Jacky Giordano, a studio musician who has mostly worked for library music. He is the one behind the amazing label Freesound -- Schifters (1974), Philopsis (1975) , Challenger (1974) -- but as well on Montparnasse 2000 with Pop In Devil's Train (reissued on Le Très Groove Club, LTGC 001LP), on Timing (with Timing N°1 and Timing N°5, under the nickname Ja…

Le Tres Groove Club present a reissue of Jacky Giordano's IM 24, also known as Organ, originally released in 1977. An aura of mystery hangs over Jacky Giordano, a studio musician who has mostly worked for library music. He is the one behind the amazing label Freesound -- Schifters (1974), Philopsis (1975) , Challenger (1974) -- but as well on Montparnasse 2000 with Pop In Devil's Train (reissued on Le Très Groove Club, LTGC 001LP), on Timing (with Timing N°1 and Timing N°5, under the nickname Ja…

Music For Parents is a low-frequency, vibroacoustically informed album developed through research into sound, rest, and nervous system regulation. Composed between 2019 and 2020, the record explores slow-moving bass structures and reduced harmonic density, inviting a form of listening that is felt as much as heard. The work emerged from a personal process, shaped by a desire to support rest and release through sound. Music For Parents takes its title reflecting on the dynamics of parent–child re…

Released in 1971, under the blanket of library music anonymity, Jungle Obsession is one of those rare and precious records whose extraordinary personality is instantly recognised by the ear of the listener. Timelessluminous!! Though it may look like a sexy piece of exotica from the heyday of tiki culture -- the '50s and early '60s -- Jungle Obsession was originally released in 1971 by the French Neuilly label. Nino Nardini was a master of library music for movies, TV series, and other media back…

On Nafs At Peace, Jaubi turn a Lahore jam into a spiritual suite: North Indian raga, hip‑hop pulse and modal jazz woven into a journey from turmoil to stillness, as if Coltrane’s quest had been reimagined on tabla, sarangi and MPC‑haunted drums.

Shape of the Moon is the California based duo of Benjamin Burke and Bear Glass that explores existential headspaces beyond mundane frames of thought. Following streams of consciousness that contemplate the stardust that forms us to the very first human sound that reverberated through a cave, Shape of the Moon intertwines language and music into ambient dream-weaving narratives. When the land is laid bare forms a collection of recordings composed of Burke reciting his introspective poems and Glas…

Extraordinary double LP of solo guitar music by Hans Reichel (1949-2011), curated by Oren Ambarchi. Twenty-three pieces from 1973-1988 documenting Reichel's radical instrumental rethinking: custom-built guitars with additional strings, moveable pickups, special capos. Sounds simultaneously strange and beautiful, from romantic lyricism to alien sonorities. Essential.

*Back in stock!!* Black Truffle make Oren Ambarchi's Grapes From The Estate available once more on vinyl. Originally released on CD on Touch in 2004 (TO 061CD) and reissued on Southern Lord as a limited double-LP in 2006 during Ambarchi's tenure as a member of Sunn O))), Grapes From The Estate was a landmark release for Ambarchi, seeing him expand his sonic palette beyond the clipped, bass-heavy electric guitar tones he was known for at that point. Incorporating subtle layers of strings, keyboar…

Ascension, released in 1966 on Impulse!, stands as one of John Coltrane’s most radical and influential works. Subtitled “Edition I & II” to reflect the two complete takes recorded at the session - and presented together on LP for the first time - the piece is a nearly 40-minute large-ensemble performance marking Coltrane’s decisive embrace of the avant-garde. Recorded on June 28, 1965, at Rudy Van Gelder’s Englewood Cliffs studio and produced by Bob Thiele, the session assembled an expanded ense…

Nico's first solo album, from 1967, after her time with the Velvet Underground, with songs by Jackson Browne, Lou Reed, John Cale, Bob Dylan and Tim Hardin.

Transversales is very glad to announce the release of Mémoire Magnétique Vol. 2 spanning 1966-1993, revelatory collection of short and secret music by electronic music pioneer Bernard Parmegiani. Since the late '50s, Bernard Parmegiani, a major figure of electroacoustic music and a founding member of GRM has created some eighty two concerts music. From the start, Parmegiani’s work was closely linked to the screen, with dozens of documentaries, films, long features, animation films but also music…

On Panorama Vol. 2, Various Artists from the golden age of French cinema and library studios resurface in 11 lush, long‑buried cues, all moody strings, flanged funk drums and prowling basslines wrapped in a deluxe archival edition.

**Much needed repress.** Often, when looking back over the history if experimental music in France, easy divisions can be seen to emerge. There are the pioneers of improvised music, usually associated with jazz, and there are the pioneers of electronic music, including tape, synthesis, and electroacoustic practice. This separation is convenient and serves historians well, providing simple answers for the what and why of what occurred, but, in most cases, fails to represent the true spirit of any…

Kayn's earliest keyboard music in historical recordings: Fünf Kleine Klavierstücke (1952), Divertimento (1955), Quanten (1956) and Fractals (1994) on the first disc; on the second the studio Quanten and Diffusions (1965) for one to four electronic organs, from Sonology in Utrecht.

Kayn before the machines: orchestral scores from 1957 to 1966 on the first disc, Sequenzen, Aggregate, Vectors I and II, Signals; ensemble works to 1974 on the second, including Phasen for speech sounds and four percussion groups. Premiered at Darmstadt, Venice, Warsaw and Hamburg.

Also under Kayn's Multiplex Sound-Art heading: Ultra (2001) and Redundancy TR (2003) on the first disc, the three-section Megaphonie (2001) on the second. Three of the last pieces Roland Kayn completed and released on his own label.

Issued under Kayn's Multiplex Sound-Art heading: Requiem pour Patrice Lumumba (2002) and Interations (2003) on the first disc, the four-section Composizione AD (2002) and Prismes Reflectes (2002) on the second. Among the most recent pieces the composer completed.

Two long pieces from 2004: Etoile du Nord in two parts on the first disc, Ghyress für Ilse-Emily Kayn on the second, named for the daughter who would later reawaken her father's label. Among the last titles Kayn issued on Reiger Records Reeks himself.

Invisible Music (2003) spread over three parts across two discs, followed by Hommage a K. R. H. Sonderborg from the same year. Late Kayn, sound with no visible source, left to a self-regulating electronic system to unfold at its own pace.

Two long pieces from the turn of the millennium, Gärten Der Lüste (1999-2000) and L'Innominata (2000), each in two sections, with the early Cybernetics II (1969) set between them on the first disc. Thirty years of Kayn's electronic practice in a single pairing.

The third volume, six pieces from 1986 to 1996 across two discs: Cybernetic Serendipity, Transfluxion and Syntropie on the first, An Artificial Acoustic Environment, Syzygy Dynamical Units and Equivalence Sonor I on the second. A decade of self-regulating systems at work.

The second volume of Kayn's cybernetic works, a single CD holding two long pieces: Assemblage (1984) and Refractions (1995). Music not composed and practised but set going, arising from merged control loops and feedback in a system that can be entirely autonomous.

The first volume of Kayn's cybernetic works: Ready-Made I and II (1982) on one disc, Collage and Decollage (1984) on the other. Four long pieces that arise, in the composer's words, from the interplay of merged control loops setting a process into motion.

The close of the cycle: Electronic Symphony VIII (1978-98) and the single-year Symphony IX (1999) on the first disc, Symphony X (1982-99) in two sections on the second. Thirty years of Kayn's generative studio work arriving at its last and largest statements.

Electronic Symphony VI (1982-97) on the first disc, Symphony VII (1984-98) and Frottage II (1996) on the second. Two of the longest gestations in the cycle, worked over fifteen years and left to a self-regulating electronic system to concrete in real time.

Electronic Symphony V (1977-97) in two sections, one per disc, each paired with one of the Emissioni Trasformati of 1996. Twenty years of revision folded into music that a complex autonomous electronic system concreted in real time, beyond any traceable authorship.

Electronic Symphony IV (1988-96) unfolds over four sections across two discs, joined by Frottage and Minimax, both from 1996. Sound generated in real time by an autonomous electronic system: since the process cannot be retraced, the recording itself stands in for the score.

The first instalment of the ten Electronic Symphonies: Symphony I (1966-96), II (1970-96) and III (1971-97), with Equivalence Sonore II and III from 1995. Pieces concreted in real time by a complex autonomous electronic system, a process Kayn documented rather than composed.

*2023 Black Audiophile Vinyl LP repress* Full-color jacket with 20-page Art Book mounted on cover. Includes QR codes for access to music DL & extra multimedia contents. Art by Roberto Opalio. Design by MCIAA. Debut release by the new Antigravitational imprint, the record label & multimedia platform created and curated by My Cat Is An Alien (MCIAA), set up with gallerist and publisher Marco Contini. "MCIAA PHASE THREE — WE BAPTIZE THE SPIRITUAL NOISE" reads Roberto Opalio’s aesthetics Manifesto: …

In stock! Anguished atmosphere, obsessive mechanical patterns, dark disturbing music: in short, this is what we call a Masterpiece! "Back in 1971, when this real gem of electronic experimentation was released, the term “cybernetic” was used to refer to the future. Or, at least, to an obscure science in the hands of a few experts, conducting experiments in rooms filled with huge electronic calculators. Automated controls, auto-regulation, information theory… those were abstract, uncommon and rare…

Legendary Japanese experimentalist Keiji Haino (Fushitsusha) and London's fearless drummer Steve Noble took to the stage at Cafe OTO in 2012 for a monumental concert - with Haino's extreme treatments of electric guitar, and feedback, with Noble on a lot of percussion... While Haino theatrically sweeps between bleak and uninhibited paranoia, deep-level zoning and bluesy contemplation, Noble's huge set up and graceful approach brings space, light and shade - so much so that at one point Haino unpl…

Reissued after decades, this remastered Cold Spring collection showcases Psychic TV’s soundtrack work for Derek Jarman’s films. Featuring ritual soundscapes, field recordings, drones, and chants, it’s a haunting, essential document of avant-garde artistry.

This bundle includes the following albums:Piero Umiliani "La ragazza dalla pelle di luna" (LP, 1972)Piero Umiliani "La ragazza fuoristrada" (LP, 1973)Piero Umiliani "Il corpo" (LP, 1974)Piero Umiliani "Psichedelica" (LP, 1968)The Braen's Machine "Underground" (LP, 1971) Few composers captured the eclectic beauty of Italy’s golden age of soundtracks like Piero Umiliani. A master of mood, texture, and subtext, Umiliani created a vast discography that blurred the lines between jazz, lounge, funk, p…

Digging deep into the catalog of Cramps records, Dialogo returns with another stunning entry in their reissue series dedicated to the seminal imprint, the Croatian composer Martin Davorin Jagodić’s 1975 masterstroke, "Tempo Furioso (Tolles Wetter)". A bristling work of monumental scale at the vanguard of electroacoustic composition and musique concrète, its stunning two sides, created by his sinfully under-recognized associate of Groupe de Recherches Musicales, reshapes history at every turn. Is…