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Dialogue One
2011 release  ** "Enrico Coniglio's four tracks on Dialogue One don't differ radically in style from those on I, though the former are in spots perhaps louder and more texturally wide-ranging. Next to no details are provided about sound sources (save for a thanks to Rachele for lending her voice to “Calls of the White”) so once again impressions must be based on listening, pure and simple. One of the recording's most attractive aspects is the contrast between Coniglio's four tracks (all of which…
The Bunker Years [2006-2014]
2019 release  ** "A sort of anthology that collects material recorded between 2006 and 2014. The album is titled, programmatically, The Bunker Years (2006-2014) and represents a bit of a "summa" of his art. Musically the album is wonderful: the settings are dense, magmatic and claustrophobic. It is a liquid, wavy and minimal sound that moves in electroacoustic and electronic territories. The initial “The Rule Of The Shadows” with its rumblings creates a bizarre and difficult to decipher acoustic…
In Between
2020 release ** Limited edition of 200 copies. "Sound pulses and pale metallic clangs, thin percussive incisions, impalpable high notes broken by thundering and flaying industrial noises. This powerful work by Gianluca Becuzzi breaks down the barrier between the “inside” and the “outside”. As in the third law of correspondence what is above is below, what is below is above, the barriers are broken down, the rhythm deconstructs and annihilates, they are explosions of a Tancredi Parmeggiani with d…
I Racconti di Aretusa
Tip! “I Racconti di Aretusa” is the result of the encounter between Lino Capra Vaccina, a legend of Italian minimalism, and Mai Mai Mai, the alias of Toni Cutrone, a key international figure in the avant-garde/drone scene. A work that weaves together experimentation and Mediterranean echoes, creating a sonic journey of rare intensity. The collaboration was born during an artistic residency for the Ortigia Sound System (Syracuse, Sicily), a festival dedicated to the dialogue between traditional s…
Good Sound
2009 release ** "This is an early collaboration of Multi-award-winning Icelandic cellist Hildur Guðnadóttir (Oscar, Grammy etc. for the original scores of Joker, Chernobyl etc.) and Dirk Dresselhaus (Schneider TM, die ANGEL, Locust Fudge, faust etc.) who met each other at Club Transmediale 2004 in Berlin and started to hang out, party, play boccia and record electroacoustic improv-sessions at Dirk’s Construction Site Studio. Their extended experimentations led to a combination of Hildur’s skills…
Abandoned In Sleep
2009 release ** "Infinite Greyscale is delighted to present a new long-form composition by Anduin. Since 2008, Jonathan Lee has been releasing beguiling and dusky cinematic music to great acclaim. Last Days of Montrose House is a deeply impressionistic work that’s constantly changing scene and perspective. Like entering a long abandoned building, it suggests both physical space and the unknown.  The sound of a projector rolls to a foreboding rumble that invites the listener into a smoky, wide sc…
Agents At Midnight
2006 release ** "Agents at Midnight, eh? Sounds like the kind of film noir title Barry Adamson might like. But the music doesn't: it's a collection of raw, powerful improvisations for saxophone (Chang) and electronics (and harmonica) (Howard), a fine example of how the fences that used to separate Noise and Improv have been bulldozed into the dirt by the younguns across the pond (and a few of them here in Europe too). Chang's playing – alto sax, is it? not always easy to tell for sure – is rough…
AMPLIFY 2002 | Balance
2003 release ** Featuring: Thomas Lehn, Toshimaru Nakamura, Tetuzi Akiyama, Günter Müller, Christof Kurzmann, Taku Sugimoto, Keith Rowe, Marcus Schmickler, Otomo Yoshihide, Burkhard Stangl, Sachiko M, Cosmos. "A document of the 2002 Amplify festival in Tokyo curated by Erstwhile's Jon Abbey. Disc 1 and 7 are smaller club shows that took place outside the Festival proper, disc 2 is a studio session that took place around the time of the festival and discs 3-6 feature eight of the twelve sets that…
Psychotic Reactions & Lightnin' Rag
2004 release ** "Here an hybrid instrumentation entangling blues and electro-acoustic music re-plays for us the complete history of recorded music. There is no deferred time between the instrument being played and the reworking of the recording parameters. All movements are connected in real time, as close as possible to the body. Hands on the tapes, fingers on the strings, fresh blood is springing, free from conventions, as if to abolish the principle of separation our society is built on. It’s…
Noise \ ... [Lärm]
2002 release ** "noise\ ... [lärm] consists of five performances from the avant-garde ensemble for compositions created by three Noise musicians: the legendary Masami Akita (who performs on his two compositions, "Crack Groove" & "Yahowa Stackridge"), the equally as legendary Zbigniew Karkowski (responsible for "Monochromy" & "White," the latter of which Karkowski remixes), & Dror Feiler (responsible for "L'extension du domaine de la lutte")."
Humility
2010 release  ** "Noises Of Russia (Шумы России in Russian) is one of the most active experimental Russian projects performing electronic music. It was founded in 2000. It is an institutor and ideologist of international annual Noise vs. Glamour festival and Electroindustry label and Secret Assembly music events in which the different stars of Russian and foreign electronic music take part. Humility is exactly what we have dared to hope and expect from Noises of Russia in recent years. It is cra…
La Morte ha Fatto l'Uovo
Wow! ** Deluxe LP  + insert. Orange Vinyl. Edition of 400 copies ** “La morte ha fatto l’uovo” (1968), published here for the first time on vinyl, is a score distinguished by avant-garde soundscapes that mix the dazzling tones of an unusual thriller that pays homage to Luis Buñuel's filmography. “Death Laid an Egg”, directed in 1968 by Giulio Questi, with an international cast starring Ewa Aulin, Gina Lollobrigida and Jean-Louis Trintignant, features a distinctive warm and glittering photography…
Psychedelic And Underground Music
* Edition of 300. Original-like version, on clear yellow vinyl * The Psycheground Group has been a completely mysterious band for a very long time, about whom nothing was known except the fact that they released an obscure LP in 1970, with a red front cover with a stylized drawing of a male face wearing a coloured bandana. Only in recent times it has finally been revealed that "Psychedelic and Underground Music" was played and recorded - and sung on very rare occasions - by musicians from Nuova …
Descriptive
"Descriptive" completes the series of official reissues of the only two LPs released under the Corviria moniker by Edizioni Leonardi in 1977 (Psyco Analysis) and 1980 (Descriptive) respectively. Both are among the most obscure titles of Italian library music, whose composers can only be traced in the figures of Luigi Bergonzi and Vittoria Corona. Musically, "Descriptive" marks an evolution of the electronic and dark sound of the previous "Psyco Analysis", starting with the four-part opening mini…
Elettroformule
**Edition of 300 copies, black vinyl 180gr. Comes with Obi, and original liner notes by Jonny Trunk** This is a masterful blend of spectrally-processed sounds, electronics, Musique Concrete, minimalistic passages and harder-hitting experimentations, all held together under the leadership of the revered composer Giuliano Sorgini – making this album's one of the greatest Italian library of the 60-70s. At the end of the '60s in Italy - but also abroad, especially in France and England - a very part…
Background Music N. 4
Tip! First official reissue ever on clear vinyl. In the field of library music Benito Simoncini a.k.a. Arawak was undoubtedly one of the most important composers. “Background Music N. 4” is a multi-faceted release that includes at least two jazz-tinged symphonic pop gems, together with other more abstract and improvised tracks, in most cases played with a single instrument; it goes from the dramatic sounds of “Secolo XX°”, through the liquid atmospheres of “Aquarium”, to the percussive experimen…
Ritmo dell’industria N. 2
*Limited edition yellow vinyl* At the end of the ‘60s in Italy – but also abroad, especially in France and England – a very particular trend began to spread, that one known as ’Library music’ or ‘sonorization’: as suggested by its name, those were real music libraries intended for the accompaniment of audiovisual productions such as television programs, advertisements, documentaries and films. Since they were created in total artistic freedom condition, they are often difficult if not impossible…
Tempo Libero
Giuliano Sorgini and Alessandro Alessandroni collaborative effort. One of the rarest titles of italian library music. Originally released in 1975, “Tempo Libero” is undoubtedly one of the rarest titles of Italian library music, a true cult LP highly sought after by collectors and enthusiasts, finally reissued on vinyl for the first time ever.“Tempo Libero” is a collaborative effort between two of the major artists in the library field, namely Giuliano Sorgini (Raskovich) and Alessandro Alessandr…
America Giovane N. 2
Killer. **First official reissue ever, certified holy-grail. Edition of 300 copies, black vinyl 180gr. Comes with Obi, and original liner notes by Jonny Trunk** At the end of the '60s in Italy - but also abroad, especially in France and England - a very particular trend began to spread, that one known as 'Library music' or 'sonorization': as suggested by its name, those were real music libraries intended for the accompaniment of audiovisual productions such as television programs, advertisements…
America Giovane
First official reissue ever, certified holy-grail. Edition of 300 copies, black vinyl 180gr. Comes with Obi, and original liner notes by Jonny Trunk** At the end of the '60s in Italy - but also abroad, especially in France and England - a very particular trend began to spread, that one known as 'Library music' or 'sonorization': as suggested by its name, those were real music libraries intended for the accompaniment of audiovisual productions such as television programs, advertisements, document…