We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
"The antennas that grow in your ears and hide in my head. In 2019, Dan and Li's live performance at the OCT-LOFT International Jazz Festival of their album "Mutually Chanting Cipher" was a stroke of genius, and the two of them put together a memorable performance with little advance communication.
In November 2021, Dan traveled to Yunnan to meet Li with Tang. In Dali, they experimented with a wide range of compositions, from acoustic to plugged-in instruments, from Chinese to Western, from ethni…
Tip! *In process of stocking. 2022 stock* Peter Evans believes that his music is closely related to the philosophical concept of "Wu Wei (literally means "doing nothing" or "inaction")" from China. He has also been studying how it reflects in different academic and cultural contexts. As a composer and improviser, Peter Evans talks about "Wu Wei" with his superb trumpet playing, and named his first album released in China "Into the Silence". It's worth mentioning that the artwork on the front cov…
2025 stock “Regarding the title of the album what I found by looking further is ‘Inside Out’. To explain in a few words from Hungarian: at the base, there is ‘itt’ = ‘here’, and ‘ott’ = ‘there’. From ‘itt’ derives ‘ide’ = ‘from there to here’, from ‘ott’ follows ‘oda’ = ‘from here to there’, so there is a dynamic in ‘ide’, which there is not in ‘itt’, which is stable. ‘Kint’ is ‘outside’. ‘Idekint' therefore means, that we are outside and we invite to be outside (while ‘Odakint’ would mean that …
Keiji Haino considers this live album as an integral work that cannot be separated. We suggest that you enjoy the whole album without interruption and turn the volume up to the maximum.
2025 stock In 2014, Tatsuya Yoshida participated in the first Tomorrow Music Festival, and his improvisation with Mamoru on the night of the performance was the first time the two musicians collided, and the improvisation, which lasted less than 30 minutes, brought the audience's perception of “improvisation” to a new level. The last two improvisations in Ruins Alone: Tomorrow's Ruins were recorded live at that time.
**2nd pressing, screen printed cover, risoprinted obi edition of 250** “Peace is not the word to play” rapped Large Professor on Main Source’s 1991 debut album. His plea to stop abusing the word “peace” simply for rhetoric flair sounds just as valid in today’s genocidal world as it did in the streets of New York over 30 years ago. For Oiro Pena to name this album Béke, meaning peace in Hungarian – or white people in French Caribbean creole – it seems like they finally have something to say. With…
** Silk-screen printed (blue color) recycled sleeve. 200 copies ** Much-needed repress of this spiritual flute jazz artifact by the mastermind Antti Vauhkonen. Originally released as a limited edition lathe-cut 10'' in a handful of copies. Cover art silkscreened on recycled cardboard-sleeves. Artwork by Arsi Keva. Mastered by Samuli Tanner. The first person to create something one may classify as instrumental music was probably alone. The mind tingles when imagining the prehistoric moment when, …
For the first time ever, the whole Piero Umiliani’s production on his Liuto and Sound Work Shop record labels is collected in a two sensational box sets.
*2022 stock* The origins and technical content of Strahlen (‘Rays’), a work left incomplete at the time of Stockhausen’s death, are complicated. It’s best to watch the documentary about the work before hearing it through, so that your mind’s eye is tuned in to what is going on, and what lies behind the concept and techniques used in its realisation.
Part of the genesis of Strahlen was a desire to create a ‘virtual vibraphone’ with the ability to play extended notes, dynamic crescendos and freaki…
Mega tip! *80 copies limited edition bundle.* Ideal Secret Circle It's an 11 CD limited-edition set of albums packaged in digi packs designed by Philip Marshall. The series is curated by Joachim Nordwall.1. Sins For Beginners - We Don’T Need No Music (For Pita)2. Susana Santos Silva - The Fabrication Of Time 3. Merzbow - Gareki No Niwa4. Jim O’Rourke - Subtracted5. Spykes - Memoirs Of Pogonophores Vol. 2.6. A. Bolus - Evil Moisture Plays Music In The Style Of Organ Of Corti7. Eternities - Foreve…
On Electric Dead Speak. Music inspired by the Electronic Voice Phenomenon, RhaD, Yousef Kawar, Kokum, Sílení, Pnévmma, Mario Lino Stancati, Richard Bégin, Oubys, The Resa, Nerthus, Nikos Sotirelis and Insectarium channel EVP’s eerie aura into twelve post‑industrial and dark ambient seances where tape hiss, spectral tones and fractured signals blur the line between document and hallucination.
Eighth Tower Records unveils Nihil Impvlse’s The Great Filter, the third release by the industrial project on the label. A dark post-industrial exploration of humanity’s collision course with its own tools, the album reframes the titular cosmic theory as a metaphor for our self-engineered existential sieve where accelerationism’s fervent dogma and apocalyptic fatalism fuse into a nihilistic liturgy. Through seven corrosive movements, Nihil Impvlse conjures the dissonance of a species intoxicated…
Love letters via Echelon by Nerthus is a spectral descent into coded romanticism and surveillance. Electronic textures, cryptic samples, and cinematic atmospheres evoke the tension between intimacy and secrecy—a sonic correspondence unfolding in digital shadow and memory.
*150 copies limited edition* Robin Storey’s journey through sound is inseparable from the evolution of post-industrial and experimental ambient music itself. As a founding member of the seminal collective Zoviet France, formed in Newcastle upon Tyne in 1979, Storey helped shape a new sonic vocabulary that blended ritual abstraction, primitive sampling, and immersive atmospheres. When Storey launched his solo project Rapoon in 1992, he distilled that experimental spirit into a more introspective …
Saltern presents a thrilling new live recording of Naldjorlak for solo cello, composer Éliane Radigue’s first piece for an acoustic instrument, paired with a remastered version of the long out-of-print, original 2006 recording. Composed in 2005 in close collaboration with cellist Charles Curtis, Naldjorlak marked a striking shift in the music of Radigue, who has since composed exclusively for instrumentalists with her celebrated Occam series. This album brings together two complete performances …
Laetitia Sonami's Dangerous Women: Early Works 1985-2005 traces twenty years of fearless electronic innovation. From her studies with Eliane Radigue in France to mentorship under Robert Ashley and David Behrman at Mills College, this 2CD collection captures her evolution from analog experimentation to pioneering digital performance with her legendary "lady's glove" interface.
Two of Annea Lockwood's dramatic works dealing with issues of spiritual wholeness. Duende (1997), about shamanic transformation, is written with and performed by Thomas Buckner. Lockwood selected sounds which reminded her of certain vocal transformations heard in recordings of shamanic ceremonies. In such singing, changes in the voice mirror and also help to bring about changes in the singer's mind and awareness. Within an improvisational framework, Buckner explores the possibility of change of …
2019 repress on CD; 1990 release. Commissioned by Mabou Mines, the experimental theater group from New York, for their interpretation of King Lear, Pauline Oliveros's Crone Music is a subtle and haunting electronic music endeavor. Interfacing an abundance of digital delay processors, reverb effects, and foot pedals to bend pitches from piercing to twisted, sonorous tones, with her one-of-a-kind expanded accordion, Oliveros produces rich, eerie textures. Personnel: Pauline Oliveros -solo accordio…