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Projections Of A Coral City
Coral Morphologic and Nick León’s Projections of a Coral City marks a series of collisions between distant worlds: the organic and the artificial, the Eocene and the Anthropocene, sea and cement—and even, perhaps, ambient music and activism. Coral Morphologic are the Miami duo of marine biologist Colin Foord and musician J.D. McKay; since 2007, they have used a variety of multimedia projects to generate environmental awareness of marine biodiversity—most notably Coral City Camera, an underwater …
8 Petites Pièces De Variété
On 8 Petites Pièces De Variété, Urbi-Flat compress a playful, genre‑hopping imagination into miniature form: eight short pieces that treat “variety” as licence to slide between jazz, musette, pop and cartoon‑score pastiche with light‑footed charm.
La Vieille Que L'On Brûla
La Vieille Que L'On Brûla by Ripaille is a baroque‑tinged prog fable: harpsichord‑like keys, acoustic guitars and theatrical vocals recounting witch‑trial tales with a mix of pastoral charm, satirical bite and intricate arrangement.
Quad Sax
Quad Sax’s self‑titled release revels in the possibilities of four saxophones and nothing else: tightly voiced chorales, pointillist counterpoint and raw honks spinning from cool modernism to playful chaos without ever touching a rhythm section.
Triton
On Triton, Potemkine deliver a fiery blend of Mahavishnu‑esque fusion and French symphonic colour: rapid‑fire unisons, angular riffs and lyrical detours swirling around a core of high‑energy, jazz‑driven virtuosity.
La Clef Des Songes
Pentacle’s La Clef Des Songes unlocks a distinctly French prog dreamscape: lyrical vocals, flowing guitar work and subtle symphonic touches combining into songs that feel like folktales told in shifting, mist‑lit harmonies.
The World Of Genius Hans
The World Of Genius Hans finds Moving Gelatine Plates stretching out into longer, more intricate forms: extended suites, rich horn voicings and mercurial grooves building a strange, storybook universe where virtuosity and eccentricity walk hand in hand.
L'uccello dalle piume di cristallo
* Black vinyl edition. Gatefold cover * Dario Argento’s opera prima ‘L’uccello dalle piume di cristallo’ was premiered in 1970 and marked an historical and revolutionary debut, being a truly original and innovative thriller. The stylistic choices of Argento mark a clear step forward from the thrillers of that era and even the soundtrack was something utterly special.Argento assigned the score to Ennio Morricone, composer of the soundtracks for ‘Comandamenti per un gangster’, ‘C’era una volta il …
Il gatto a nove code
2025 much-needed repress. Black Vinyl.  "Il Gatto a Nove Code" (The cat o 'nine tails), filmed in 1971, is the second film by Dario Argento, a horror thriller still distant from his horror works for which he will later become famous on an international level. The collaboration with the composer and conductor Ennio Morricone, already known for his work on Sergio Leone’s western movies, is here renewed after the success of "The Bird with the Crystal Plumage", and will continue with the third insta…
Et après...
Mémoriance’s Et après... is a cinematic slice of French symphonic prog: narrative suites, mellotron swells and dramatic vocals unfolding like a dystopian concept film scored for rock band and orchestra in miniature.
Brussels
Brussels captures Lard Free in raw, exploratory mode: a live document where jazz‑rock, minimalism and proto‑industrial textures blur into long, evolving jams that feel like they’re testing the limits of what a band can do with repetition and noise.
Racines Synthetiques
On Racines Synthétiques, Joël Fajerman and Jan Yrssen plant electronic seeds in pastoral soil: vintage synths, sequencers and string machines tracing lyrical miniatures that imagine nature re‑composed through early‑digital circuitry.
Mandarine
With Mandarine, Ex Vitae offer a fragrant cross‑section of French underground sensibilities: chanson‑shaded melodies, jazz‑leaning harmony and touches of psych and prog drifting together in songs that feel both intimate and quietly surreal.
The Rapist
Scorpion Violente’s The Rapist is a deliberately abrasive slab of minimal synth sleaze: cheap drum machines, monotone vocals and lurid basslines grinding through repetition until the line between satire, menace and dark humour becomes productively unstable.
Anyway
On Anyway, oto pare guitar‑band language down to its essentials: clipped rhythms, glassy chords and murmured melodies arranged with a minimalist’s ear, resulting in a quietly luminous set where small shifts in tone feel momentous.
Morricone (Complete Film Music Discography) - book
368 pages, simply titled Morricone, a sprawling — and rather massive looking — catalogue raisonné centered on the Ennio Morricone extensive discography, this is actually the first comprehensive publication dedicated to his film music, which was able to take shape thanks to the boundless archive of the great cinema expert Maurizio Baroni. A volume that collects many things together: the path of his exceptional career as a film composer through texts and images of which many unpublished, the testi…
1988
Garbage Collector’s 1988 plays like a rescued time capsule: raw, tape‑blurred electronics, post‑punk edges and proto‑techno pulses sketching an alternate late‑80s where bedroom industrial, DIY wave and dancefloor futurism already share the same smoke‑filled basement.
Battling the Invisible
Edition of 300. Comes with a 8-page booklet. In 1969, while American minimalism was consolidating into its most recognizable forms, Charlemagne Palestine was conducting solitary experiments with oscillators and sine waves that only now reveal their visionary scope. This was the New York of lofts and abandoned industrial spaces, of artists pushing sound toward its physical limits - a city where the boundaries between music, performance art, and bodily endurance were dissolving. Battling the Invis…
Here Comes Success
Band Of Susans stretch their guitar‑drone blueprints to breaking point on Here Comes Success, a long‑form barrage of tuned distortion, motorik repetition and coolly mantra‑like vocals that turns noise‑rock excess into something strangely meditative.
An Anthology
Essential and visually stunning 1963 anthology edited by Young and Maciunas featuring most of the artist who would be take part in Fluxus. Very rare second edition published in 1970 of this important book.