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Africa, originally released in 1992 on Materiali Sonori, may be a late entry in the Embryo catalog but it is one of their most ambitious and truly progressive albums to date. As the name implies, the Munich group not only draws influence from the continent to their south, but also employs an African percussion ensemble on many tracks.
Match made in heaven collaborative hit single from New Zealand-based artists Claire Mahoney (Thistle Group) and Benedict Quilter (P Wits). Recorded and mixed by Stefan Neville, mastered for vinyl by Lasse Marhaug. 45rpm, edition of 200 copies.
Hardcover, 468 pages, 21×27 cm! In the wake of his Cause And Effect cassette label and distribution service, Hal McGee launched Electronic Cottage International Magazine. From 1989 to 1991, its six issues focused on the independent home recording community – artists who had developed their craft in the post-punk DIY era. The contributors were nearly all members of the hometaper community. The magazine featured articles providing helpful tips and highlighted the challenges hometapers faced. It in…
The next book on Korm Plastics contains no photographs of the artists, no list of released records, no pictures of record sleeves, and no footnotes. It is not a hardcover, not on glossy paper and is not expensive. It’s… ‘America’s Greatest Noise’ tells the story of Ron Lessard, owner of RRRecords, a record store in Lowell, Massachusetts and, from 1986 to 2009, a record label, releasing the albums of Blackhouse, F/i, PGR, the first Merzbow LP outside Japan and many more, regional compilations, th…
In October 1984, Frans de Waard started his Korm Plastics label and his music project Kapotte Muziek. Shortly after, a fellow student, Christian Nijs, joined him as a musical partner. They quickly released a few cassettes and contributed to international compilations, and Nijs started a short-lived label, Disabuse Transmissions. In the summer of 1985, they published the first issue of Nul Nul, a fanzine, to promote their projects and to support the industrial music scene in The Netherlands and B…
425 pages, softcover, 17x24 cm All six editions of this UK fanzine, 1979-1982 Book containing all six issues of the Neumusik fanzine which David Elliott edited between 1979-82 while at university. The 'zine focussed on European, electronic and experimental music which had come out of krautrock, French progressive rock and the more esoteric side of British post-punk. David travelled extensively meeting musicians in Germany and France, and for a year was based in Strasbourg. Interviews and articl…
The book details the history of The Legendary Pink Dots, the band well-known for combining melody and mood in beautiful, haunting songs and soundscapes. This book documents the band’s first decade in all its despair and glory. Based on their extensive discography, it combines facts and confabulation from various members of the Legendary Pink Dots and close associates. With unique images and an exclusive compact disc featuring Dots-songs from the 1980s (including two previously unreleased ones!) …
Massive edition, 580 pages, hardcover. Frans de Waard published Vital, a fanzine for electronic and electroacoustic music, from 1987 to 1995. It was a low-budget, Xeroxed publication, bearing the revolutionary instruction: ‘No Copyright Publication. Reprint Now!’ It featured interviews with Asmus Tietchens, O Yuki Conjugate, Merzbow, P16.D4, Pierre Henry, Jim O’Rourke, Brume, Döc Wor Mirran and many others, hosted discussions on copyright, plagiarism and plunderphonics, house music, ambient musi…
In 1992, Frans de Waard (of Kapotte Muziek, Beequeen and the Korm Plastics label) was asked to work for Staalplaat, then one of the biggest independent labels for experimental and electronic music. Staalplaat was the home for bands like Muslimgauze, :zoviet*france:, Rapoon, O Yuki Conjugate as well as Jaap Blonk, Normally Invisible and Kingdom Scum. With an average of three new releases every month, Staalplaat remained a major player for the next eleven years. Hired to set-up a database and to s…
A 2022 Fourth Edition of Robert Fripp's innovative debut from 1979 mixed (from the original multi-track tapes) by Steven Wilson. 200g vinyl edition mastered by Jason Mitchell at Loud Mastering. Featuring contributions from: Barry Andrews, Phil Collins, Brian Eno, Peter Gabriel Daryl Hall, Peter Hammill, Tony Levin, Jerry Marotta,. Sid McGinnis, Terre Roche and Narada Michael Walden. The definitive LP version of a truly classic album.
After King Crimson's dissolution in 1974, Robert Fripp embar…
Come un vecchio incensiere all’alba di un villaggio deserto is Alan Sorrenti’s second album, released in 1973 by Harvest Records. This album marks an evolution in his musical exploration, continuing the experimentation begun with his previous album "Aria" and solidifying his position in the Italian progressive rock scene.
The centerpiece of the album is the lengthy suite that gives the record its title, a track lasting over twenty minutes that explores psychedelic, jazz, and folk sounds. The com…
The Prog Rock Italia Series continues with the reissue of Fragments Of Light, the debut album by Sensations’ Fix, a musical project by Franco Falsini, an eclectic musician from Tuscany who has always been dedicated to exploration and electronic experimentation.
After moving to England and the United States to broaden his artistic horizons, Falsini returned to Italy in the early 1970s and formed the trio with Richard Ursillo and Keith Edwards, both of American origin.
Originally released in 1974,…
The Prog Rock Italia Series continues with the reissue of Finest Finger, the fourth album by Sensations’ Fix, a musical project led by Franco Falsini of Tuscany, an eclectic musician constantly focused on exploration and electronic experimentation. The band immediately stands out for the international scope of its compositions, not only for the use of the English language but above all for its continuous musical exploration: Sensations’ Fix distinguishes itself on the Italian progressive scene t…
45th Anniversary Remaster Over Half a century later, this record still slays; if any album is deserving of the "classic" tag, it's The Velvet Underground & Nico. Lou Reed's affected vocals, Nico's female Lugosi-style recitations, John Cale's droning strings, Moe Tucker's minimal kit - this landmark work laid down paths that musicians today are still trying to follow. Just pick any track: "I'm Waiting For The Man," "Sunday Morning," "Venus In Furs," "All Tomorrow's Parties," "There She Goes Again…
Sound shapes our world in invisible but profound ways, and here Caspar Henderson brings his characteristic curiosity, knowledge and sense of wonder to the subject to take us on an exhilarating journey through the heard universe.
A Book of Noises gathers together sounds from the cosmos, the natural world, the human world, and the invented world, and contains quiet pockets of silence. From the vast sound of sand in the desert to the tuneful warble of a songbird, to the meditative resonance of a te…
It has been 50 years since Norman Mailer asserted, ‘I think that William Burroughs is the only American novelist living today who may conceivably be possessed by genius.’ This assessment holds true today. No-one since then has taken such risks in their writing, developed such individual radical political ideas, or spanned such a wide range of media – Burroughs has written novels, memoirs, technical manuals and poetry, he has painted, made collages, taken thousands of photographs, made visual scr…
Established in the 1950s by musician and engineer Pierre Schaeffer, the Groupe de Recherches Musicales would become the nerve center for avant-garde artists experimenting with sound and acoustics, as well as the birthplace of a genre of music-making enabled by new recording technologies and sound pioneers: musique concrète. Évelyne Gayou—herself a researcher, composer, and producer at the GRM—tells the history of the storied institution through the people, works, technologies, and research devel…
Sounding the Indian Ocean is the first volume to integrate the fields of ethnomusicology and Indian Ocean studies. Drawing on historical and ethnographic approaches, the book explores what music reveals about mobility, diaspora, colonialism, religious networks, media, and performance. Collectively, the chapters examine different ways the Indian Ocean might be “heard” outside of a reliance on colonial archives and elite textual traditions, integrating methods from music and sound studies into the…
Pierre Schaeffer’s In Search of a Concrete Music (À la recherche d’une musique concrète) has long been considered a classic text in electroacoustic music and sound recording. Now Schaeffer’s pioneering work—at once a journal of his experiments in sound composition and a treatise on the raison d’être of “concrete music”—is available for the first time in English translation. Schaeffer’s theories have had a profound influence on composers working with technology. However, they extend beyond the co…