We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
425 pages, softcover, 17x24 cm All six editions of this UK fanzine, 1979-1982 Book containing all six issues of the Neumusik fanzine which David Elliott edited between 1979-82 while at university. The 'zine focussed on European, electronic and experimental music which had come out of krautrock, French progressive rock and the more esoteric side of British post-punk. David travelled extensively meeting musicians in Germany and France, and for a year was based in Strasbourg. Interviews and articl…
The book details the history of The Legendary Pink Dots, the band well-known for combining melody and mood in beautiful, haunting songs and soundscapes. This book documents the band’s first decade in all its despair and glory. Based on their extensive discography, it combines facts and confabulation from various members of the Legendary Pink Dots and close associates. With unique images and an exclusive compact disc featuring Dots-songs from the 1980s (including two previously unreleased ones!) …
Massive edition, 580 pages, hardcover. Frans de Waard published Vital, a fanzine for electronic and electroacoustic music, from 1987 to 1995. It was a low-budget, Xeroxed publication, bearing the revolutionary instruction: ‘No Copyright Publication. Reprint Now!’ It featured interviews with Asmus Tietchens, O Yuki Conjugate, Merzbow, P16.D4, Pierre Henry, Jim O’Rourke, Brume, Döc Wor Mirran and many others, hosted discussions on copyright, plagiarism and plunderphonics, house music, ambient musi…
In 1992, Frans de Waard (of Kapotte Muziek, Beequeen and the Korm Plastics label) was asked to work for Staalplaat, then one of the biggest independent labels for experimental and electronic music. Staalplaat was the home for bands like Muslimgauze, :zoviet*france:, Rapoon, O Yuki Conjugate as well as Jaap Blonk, Normally Invisible and Kingdom Scum. With an average of three new releases every month, Staalplaat remained a major player for the next eleven years. Hired to set-up a database and to s…
A 2022 Fourth Edition of Robert Fripp's innovative debut from 1979 mixed (from the original multi-track tapes) by Steven Wilson. 200g vinyl edition mastered by Jason Mitchell at Loud Mastering. Featuring contributions from: Barry Andrews, Phil Collins, Brian Eno, Peter Gabriel Daryl Hall, Peter Hammill, Tony Levin, Jerry Marotta,. Sid McGinnis, Terre Roche and Narada Michael Walden. The definitive LP version of a truly classic album.
After King Crimson's dissolution in 1974, Robert Fripp embar…
Come un vecchio incensiere all’alba di un villaggio deserto is Alan Sorrenti’s second album, released in 1973 by Harvest Records. This album marks an evolution in his musical exploration, continuing the experimentation begun with his previous album "Aria" and solidifying his position in the Italian progressive rock scene.
The centerpiece of the album is the lengthy suite that gives the record its title, a track lasting over twenty minutes that explores psychedelic, jazz, and folk sounds. The com…
The Prog Rock Italia Series continues with the reissue of Fragments Of Light, the debut album by Sensations’ Fix, a musical project by Franco Falsini, an eclectic musician from Tuscany who has always been dedicated to exploration and electronic experimentation.
After moving to England and the United States to broaden his artistic horizons, Falsini returned to Italy in the early 1970s and formed the trio with Richard Ursillo and Keith Edwards, both of American origin.
Originally released in 1974,…
The Prog Rock Italia Series continues with the reissue of Finest Finger, the fourth album by Sensations’ Fix, a musical project led by Franco Falsini of Tuscany, an eclectic musician constantly focused on exploration and electronic experimentation. The band immediately stands out for the international scope of its compositions, not only for the use of the English language but above all for its continuous musical exploration: Sensations’ Fix distinguishes itself on the Italian progressive scene t…
45th Anniversary Remaster Over Half a century later, this record still slays; if any album is deserving of the "classic" tag, it's The Velvet Underground & Nico. Lou Reed's affected vocals, Nico's female Lugosi-style recitations, John Cale's droning strings, Moe Tucker's minimal kit - this landmark work laid down paths that musicians today are still trying to follow. Just pick any track: "I'm Waiting For The Man," "Sunday Morning," "Venus In Furs," "All Tomorrow's Parties," "There She Goes Again…
Sound shapes our world in invisible but profound ways, and here Caspar Henderson brings his characteristic curiosity, knowledge and sense of wonder to the subject to take us on an exhilarating journey through the heard universe.
A Book of Noises gathers together sounds from the cosmos, the natural world, the human world, and the invented world, and contains quiet pockets of silence. From the vast sound of sand in the desert to the tuneful warble of a songbird, to the meditative resonance of a te…
It has been 50 years since Norman Mailer asserted, ‘I think that William Burroughs is the only American novelist living today who may conceivably be possessed by genius.’ This assessment holds true today. No-one since then has taken such risks in their writing, developed such individual radical political ideas, or spanned such a wide range of media – Burroughs has written novels, memoirs, technical manuals and poetry, he has painted, made collages, taken thousands of photographs, made visual scr…
Established in the 1950s by musician and engineer Pierre Schaeffer, the Groupe de Recherches Musicales would become the nerve center for avant-garde artists experimenting with sound and acoustics, as well as the birthplace of a genre of music-making enabled by new recording technologies and sound pioneers: musique concrète. Évelyne Gayou—herself a researcher, composer, and producer at the GRM—tells the history of the storied institution through the people, works, technologies, and research devel…
Sounding the Indian Ocean is the first volume to integrate the fields of ethnomusicology and Indian Ocean studies. Drawing on historical and ethnographic approaches, the book explores what music reveals about mobility, diaspora, colonialism, religious networks, media, and performance. Collectively, the chapters examine different ways the Indian Ocean might be “heard” outside of a reliance on colonial archives and elite textual traditions, integrating methods from music and sound studies into the…
Pierre Schaeffer’s In Search of a Concrete Music (À la recherche d’une musique concrète) has long been considered a classic text in electroacoustic music and sound recording. Now Schaeffer’s pioneering work—at once a journal of his experiments in sound composition and a treatise on the raison d’être of “concrete music”—is available for the first time in English translation. Schaeffer’s theories have had a profound influence on composers working with technology. However, they extend beyond the co…
"It begins with a shoebox of mysterious provenance, full of recordings from the Vendée department on France’s western seaboard: songs of love and war, life and death, played out on land and sea. Songs passed down and sung by ordinary men and women, gracefully delivered with the poetic economy which unites the folk song of all peoples. Next it takes a group of contemporary musicians to make selections from this treasure trove and sing these old songs anew; to sing them for their beauty, of course…
Tip! Despite the title of the album, it is the Tullio De Piscopo's third work, recorded in 1976. Comprising nine tracks in total across its two sides, “Vol. 2” falls somewhere between fusion and prog, straddling darker, brooding temperaments with joyous, funky lines. Predictably, as is nearly the case with music of this sort, the playing and artistry is top-notch, the band locked together with remarkable precision, but the journey that “Vol. 2” takes is far from expected. Interspersed throughout…
*In process of stocking* The original soundtrack for "Il Casanova di Federico Fellini” (1976) sees Nino Rota putting into music Federico Fellini"s opus on the legendary Venetian icon and “tombeur des femmes” Giacomo Casanova. Winner of an Oscar for Best Costumes in 1977, the film is one of Fellini's finest, a grotesque and hyperbolic take on the life of Casanova that is matched by Rota's compositions. "Il Casanova di Federico Fellini” possibly is one of Rota's most eerie and enigmatic scores, as…
Mike Vamp grew up in Frankfurt, played guitar in the early punk scene, then moved to West Berlin in 1980 and began experimenting with electronic music and synthesizers as the city's famous wall-era underground was at its most electrically charged. West Berlin in the early 1980s was defined by the painters of the Geniale Dilletanten movement and the music of Einstürzende Neubauten, Malaria!, Die Tödliche Doris, Sprung aus den Wolken, and Die Haut: a scene that celebrated difficulty and abrasion, …
On Downwind, Pierre Moerlen's Gong trades cosmic whimsy for aerodynamic precision, fusing mallet‑drunk jazz‑rock, prog heft and a dash of pop clarity into a sleek late‑70s vessel where vibraphones, drums and guest guitar gods share the same thermal updraft.