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Metz
Recorded on 25 May 2003 in Metz.
Rot
Udo SCHINDLER, soprano saxophone, bassclarinet. Margarita HOLZBAUER, cello. Harald LILLMEYER, electric guitar. Udo SCHINDLER, soprano saxophone, bassclarinet. Margarita HOLZBAUER, cello. Harald LILLMEYER, electric guitar. Udo Schindler studied flute on conservatory and architecture on university. starting as guitarist + saxplayer with rock and rockjazz. after moving to munich, performing free jazz, experimental and improvised music, Neue Musik, compositions for stage- and radio-play, lyric-publi…
Verwandlung
Coralie Lonfat, laptop. Nathalie Huber, piano, objects, harmonium. Recorded in november 2012 at Atelier Musiquezag, Lausanne (CH).
Sin Asunto
Jason Kahn - amplified percussion. Vincent Millioud - violin. Bo Wiget - cello. Christian Weber - contrabass. Recorded in Zürich, 2008. Cover design Jason Kahn.
Premio Malattia
Dario Sanfilippo, computer, FeNeBaNo-LiDiSProS Project (Feedback Network Based Non-Linear Digital Signal Processing System). Recorded, mixed and mastered in 2008. Dario sanfilippo was born in Agrigento, Italy in 1983. He started working on electro-acoustic music in about 1997. Since then, his research concentrated on experimental and non-conventional music, both composed and improvised. His current main projects are based on computer for the creation of non-linear DSP systems through feedback-ne…
Timelines Los Angeles
'Computer (Laptop), guitar: Mark Trayle. Percussion, Synthesizer (Analog), Composed By (Graphical Score) : Jason Kahn. Piano (Prepared): Olivia Block. Saxophone (Alto, Sopranino), electronics (Live-electronics): Ulrich Krieger. Recorded by Clay Chaplin April 25, 2008 in Los Angeles at the Cal Arts Center for Experiments in Art, Information and Technology Festival.'
Empty Pigeonhole
Udo Schindler, bass- & contrabass-clarinet, soprano saxophone, cornet. Elisabeth Harnik, pleyel-piano. Live recording Octobver 26, 2012 in München.
23 Exposures
Awesome trio, Ernesto Rodrigues, violin, viola; José Oliveira, percussion, acoustic guitar; Marco Franco, soprano saxophone. Recorded on 6 November 2001 at Exit Studio, Lisbon.
Ura
Recorded and mixed in July 2002 at Estudi 84, Barcelona. Thanks to Anki Toner and Jakob Draminsky.
![Rumeur [For Solo Accordion]](https://cdn.soundohm.com/data/products/2025-11/R-563445-1131937112-jpeg.jpeg.500.jpg)
Rumeur [For Solo Accordion]
Alfredo Costa Monteiro, accordion. Recorded by Ferran Fages, March 2003 in Barcelona. Rumeur was conceived in continuity; but not in the narrative sense; each piece was developed independently, but always with a common preoccupation: The timbric continuity of each of them and the way it comes about, intuitively directed by a kind of sonorous alliteration. rumeur is about the manifestation of sound in its fluidity, its prolongment, or, better said, its sequence, in the same way that a rumour, by…
L'écorce Chante La Forêt
Recorded in Paris, May 27th 2001.
Dining Room Music
Recorded in the dining room of the Maison Bustros, Beirut, Lebanon on 21 August, 2004.
Kunststoff
Recorded between th 31th July and 1st August 2003 at Tonstudio by Hrólfur Vagnsson.
A Cavall Entre Dos Cavalls
Ferran Fages, electric guitar. Self-tought musician, started playing guitar in the rock scene, but in 1998 stoped for re-thinking the instrument and the music made with it. In 2002 starts from zero, a process where music allows harmony to circulate without being dependent of itself, where time is the reason for exposed materials, always as compositions, never closed, where space is enough for permanent changes, everytime it is played. 'a cavall entre dos cavalls' is a exemple of that. The record…
Landscape: recognizable
Recorded, mixed and mastered at Experimental Sound Studio, Chicago on 5 June, 2004.
Wrong Shape To Be A Storyteller
Recorded live in Jersey City, NJ on 8/8/2004.Mixed and mastered at Amme Studios in NYC 9/1/2004
Brevi Momenti di Presenza
Pure core music, laically spiritual, in constant tension between order & chaos, law & anarchy, silence and loudness, modernism and tradition. Tense border music.
Tesa Musica Marginale
Pure core music, laically spiritual, in constant tension between order & chaos, law & anarchy, silence and loudness, modernism and tradition. Tense border music. Away from mainstream artistic path, the band keeps on his quest for an honest experimental musical language. Anatrofobia’s music is a mix of improvisation, writing, acoustic and electronics, experimentation of non-idiomatic structures, unique timbral combinations: Anatrofobia plays with constantly variable themes, saturation and rarefac…