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In 1973, the Sound Sculpture Show took place at the Vancouver Art Gallery. An LP audio catalogue (with a booklet) of the exhibition, entitled “The Sounds of Sound Sculpture”, was released in 1975 under the supervision of the Canadian sound sculptor John Grayson and US composer David Rosenboom. Grayson had edited an important early book on the field, “Sound Sculpture”. The LP included rare takes of Rosenboom and Grayson, amongst others, playing famous pieces by pioneering sound sculptors includin…
In 2022 New Forces received a pair of discs in the mail from Nick Forté (Rorschach, Raspberry Bulbs, Half Mortal) that contained the initial creative burst from his new project Green Tea. The albums were astonishingly well crafted and could hardly be considered "demos"; indeed, they felt like masterworks that emerged out of thin air, blending psychedelic harsh noise with ambient and new age music in a way that felt incredibly fresh and exciting. As the artist describes it, "I knew I was working …
Inspired by the perspectives and timescales of nonhuman beings and distant orders of magnitude in the universe of life, Rewild seeks new strata in musical parameters, exploring the uncanny zones at which pitch becomes rhythm, harmonic interval becomes beating rate, and timbres morph over time. Like a giant body or ecosystem slowly breathing, Rewild’s constantly transforming sound-world orients temporal perception toward global listening. By offering an aural metaphor for the interacting gradual …
*300 copies limited edition* On Tsilla, Jean-Noël Rebilly and Andrew Chalk pay homage to the late French writer and engraver Cécile Reims. While she may be best known as interpretative engraver for surrealist artist Hans Bellmer, and she also worked with Leonor Fini and briefly for Salvador Dali, Reims’ most powerful and enduring works were made either in collaboration with her husband, the writer and artist Fred Deux (who signed their collaborative work “cf deux”), or by herself. Later works by…
"In the quartet on this album, Paul Dunmall has returned to his first love: totally free improvisation based on interaction between the four players. Many aspects of Paul Dunmall’s playing are apparent on this album. His approach is to listen very carefully to what is happening around him and to react to it. If you see him play live, you will see how he concentrates on the flow of the music, often stepping back and allowing the music to develop before choosing the right moment to enter or re-ent…
Tip! *In process of stocking* The Polygon Islands 7” was orignially released in a sparse edition of 85 copies on Austrian label Syntactic in 1998. The twin force of Mayuko Hino (theremin, electronics) and Hiroshi Hasegawa (synthesizer) here somehow manage to sound more grandiose and fierce than ever, despite the stripped down lineup. Those who have heard their duo pieces from the phenomenal Rocket Shrine CD (Test/Creativeman Disc, 1997) have a hunch of what they're in for. Otherworldly harsh psy…
For more than fifteen years, Toc – the Lille-based trio of Jérémie Ternoy (Fender Rhodes, Piano Bass), Ivann Cruz (guitar) and Peter Orins (drums) – has been pursuing a singular sonic quest where the energies of experimental rock, the unpredictability of improvised music, and a constant drive toward excess converge. On stage as on record, Toc invents a telluric and ever-shifting music, built from flows, ruptures, and accumulations, where hypnosis and chaos feed off one another.
For this new albu…
'SOVT' is an album containing one 55-minute piece, written for piano by Sarah Hennies in 2017. SOVT stands for Semi-Occluded Vocal Tract which refers to vocal exercises that strengthens the voice by helping the vocal cords vibrate more efficiently. One may practice SOVT exercises by singing with a straw in the mouth which regulates air pressure and reduces strain on the vocal folds. Hennies encountered these exercises in a class on so-called “voice feminization” for transgender women which also …
*150 copies limited edition* "One to Many, Brightness to Darkness, Memory to Oblivion.Pluton Helios or Apollo Helios? When Massimo Pupillo and ILIOS visited the ancient site of Eleusis, Greece in 2019, Ploutonion (the entrance to the underworld) was their final destination. Recordings of the Ploutonion project started right after and were heavily inspired from the juxtaposition of the ancient and current state of things. The entrance to the underworld does not produce any poisonous emissions any…
Milestone Reissue! CD Edition, deluxe digipack and Obi. Initially pressed in very few copies for TV production use only on Umiliani's LIUTO label. A monster rare album with Music by Alessandro Alessandroni and Oronzo De Filippi Produced by Piero Umiliani at the now legendary Sound Work Shop studio in Rome, January 1971. During the '70s, work days at Umiliani's Sound Workshop Studios were hectic; thousands of sessions were held in order to keep up with a very busy Italian movie industry: Hundreds…
Saltern presents Al Di Là, the first full-length collection of recordings by renowned dancer/choreographer, artist, and writer Simone Forti. Forti (born 1935, Florence, Italy) has influenced generations of artists through her innovative approaches to dance and movement. Forti is noted for her extensive work with musicians, including Charlemagne Palestine, La Monte Young, Jon Gibson, Peter Van Riper, and Z'EV, among others. With Al Di Là, we hear Forti musically in her own right through a diverse…
This highly experimental work represents some early sound collages from this quirky British composer. Affiliated with the avant rock group Henry Cow, Anthony Moore's works are highly regarded in the experimental music scene thanks to his Flying Doesn't Help album from 1978, a cult masterpiece of avant rock which enjoyed a much higher profile in the underground than his debut. This could be attested to the abstract nature of this recording, which explored tape-loop repetitions that build slow-pha…
Angus MacLise, the first drummer for the Velvet Underground, was a poet, composer, and a member of The Theatre of Eternal Music alongside La Monte Young. The "Tapes" 3CD Box is the first-ever reissue of a 3-cassette compilation that Pleasure Editions originally released in 2015, limited to only 100 copies. The 3CD box set comes with a miniature poster and track lists, and each CD has a paper sleeve that reproduces the original cassette card artwork.
This comprehensive 3CD box set is over three …
Erstwhile presents Pictures Of The Warm South, Vanessa Rossetto's the seventh Erstwhile release, her second ErstSolo. Mastered by Giuseppe Ielasi, designed by Matthew Revert. Double CD, six-panel digipak. Primarily focused on composing works that draw on a diverse pallet of chamber instrumentation, field recordings, electronics and a wide array of different objects, with a practice that explores each through a combination of extended and traditional techniques, Vanessa Rossetto has been working …
This release comes in a 2×digipak format in a slipcase with new sleeve notes by Robert Fripp and King Crimson biographer Sid Smith along with rare photos and archive material. Islands is the sixth in a series of audiophile King Crimson vinyl reissues. The album's return to the 12" vinyl format is newly cut from masters approved by Robert Fripp. Manufactured on 200g super-heavyweight vinyl, housed in a reprint of the original sleeve with lyrics insert. The album is a hodge podge of ideas and ther…
It's a miracle that some records ever get made. Right in the middle of Ceausescu's ultra-repressive dictatorship, composer Iancu Dumitrescu managed to arrange for his first LP, a compilation of radical new music by Dumitrescu and three of his Romanian colleagues, all older than him: Ocavian Nemescu, Stefan Niculescu, and Corneliu Cezar. Dumitrescu was -- and remains -- one of the most iconoclastic figures in contemporary music. Often referred to as a spectralist (though he distances himself from…
Temporary Super Offer! 'Among the jazz innovators, Albert Ayler is still considered a solitary figure to this day. From 1964 on he pursued his vision with firm determination. Like no other artist he used well-known melodies from military, marching, blues, gospel and minstrel show music as a starting point, and from these biographical earworm references he set out with the greatest expressiveness into an unconditionality that caused productive disturbance, which his music still does. On the one h…
"To me, these guys sound as if they have a story to tell and enough confidence to believe that they can tell and retell the old stories in new and exciting ways. Hendriksen and Gisler have formed together on this kind of thing, but if it remains true in jazz that rhythm and the percussionist are at the heart of every new step forward, then Paul Amereller’s role in the trio is crucial. No one will mistake him for anything but a contemporary, but he plays in full knowledge of the history of the mu…
Tip! *In process of stocking* "Back in the early ‘90s, whenever the pirate radio MC announced “a pause for the cause”, I usually pressed pause on my cassette recorder. That’s something I would regret years later, when ad breaks had become cherished mementos of the hardcore rave era. Luckily, back in the day I often left the tape running while I went off to do something else. So a fair number of ad breaks got captured accidentally for my later delectation. Not nearly enough, though. So in recent …