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Electronic Music from 1972-2022
Electronic Music from 1972-2022 seeks to frame fifty years of Carl Stone's compositional activity, starting with Stone's earliest professionally presented compositions from 1972 ("Three Confusongs" and "Ryound Thygyzunz", featuring the voice and poetry of Stefan Weiser – later known as Z'EV) up to the present. This collection is not meant as a definitive history but rather as a supplement to be used alongside the previous two archival releases. It is simultaneously an archival release marking Ca…
Selected Recordings from Grapefruit
For the first time a full album with recordings based on Yoko Ono’s 1964 collection of texts, event scores and drawings “Grapefruit”, a foundational cornerstone of what became known as conceptual art, and enveloping the orbits of Fluxus and experimental music. Performed by The Great Learning Orchestra which has during the 25 years of its existence worked with Gavin Bryars, Terry Riley, Pauline Oliveros, J.g. Thirlwell, Arnold Dreyblatt a.o.
Originally self-published in 1964 in a limited edition …
Lucifer Over London
"I was obsessed, am obsessed, by The Groundhogs, so gave C93 a chance to cover their perfect "Sad-Go-Round" from their perfect Solid album. I also loved Black Sabbath, but had listened to them so much that I never wanted to hear them again. So Michael Cashmore's Perfect Playing of their intro to "Paranoid" was Perfect Way To Wave GoodBye to them, and slip into my visions of Lucifer Over London, May G+D damn him again. "The Seven Seals_" I wrote whilst sitting at my desk in my Then House in Aubre…
Dogs Blood Rising
Reeling in the weeks -- which felt like years -- after my first Current 93 album, I had started on the difficult second C93 album, Dogs Blood Rising. Having been asked to appear on both Top Of The Pops and The Old Grey Whistle Test 93 times in the same week after the release of Nature Unveiled, I realized that God was telling me that I had hit on a winning formula of Christian eschatology and Apocalyptic Christian texts over a Soundscape as cool as flies, but that I was missing the vital ingredi…
Swastikas For Noddy
"Swastikas For Noddy is possibly, probably, maybe, or not, a seminal and sidereal masterpiece, the inspiration for 93,000 Masks On Nothings, none of which were groovy. For me, well, it was my first hallucinatory pick-nick, and the skies turned pixie red for it. I was given the album's title during an acid trip: seeing Noddy crucified in the sky, I asked God what the most inappropriate birthday present for Noddy might be. God answered me from the acid whirlwind: "Swastikas!" I recorded her in a r…
Like The Sky I've Been Too Quiet
South-Asian vocalist, multi-instrumentalist and composer Ganavya releases her new studio album “Like the sky I've been too quiet” on Shabaka Hutchings’ Native Rebel Recordings. The album features contributions from artists including Kofi Flexxx, Floating Points, Carlos Niño, Leafcutter John and Mercury-nominated bassist Tom Herbert. Since graduating from Berklee College of Music, UCLA and Harvard, Ganavya has quickly become a much-in-demand artist on the US scene who consistently confounds expe…
Nature Unveiled
Current 93's first and last album, Nature Unveiled dragged together my obsessions, as I had decided to make a pop album that dealt with my primary fascinations: Christian apocalyptic and eschatological Christian texts. In my speed-ridden soul and mind, I thought I was reinventing The Ronettes, and that the two long sides of Nature Unveiled were A- and B-sides of a wall of soundhogs HIT! But the reality is that I was sharing a squat in Vauxhall with little annie anxiety, and hanging out with yout…
The Light Is Leaving Us All
"The Light Is Leaving Us All is one of the C93 albums that haunts me the most. I was OverMoon and Blessed to work on it with the astonishing aeonic beautiful talents of Reinier Van Houdt, Alasdair Roberts, Ossian Brown, Rita Knuistingh Neven, Andrew Liles, Aloma Ruiz Boada, Michael York, Davide Pepe, Ania Goszczyńska, and Giulio Di Mauro. Once again, the voice in the mask of one of my favorite authors, and longest colleagues, Thomas Ligotti, also joined C93. The album's title was given to me in …
Pleasure-Voltage
Benjamin Finger, James Plotkin, and Mia Zabelka craft a mesmerizing sonic world that buzzes and drones, glitches, and slithers, eventually careening into unexplored musical territory. Pleasure-Voltage was born in the mind (and studio) of Benjamin Finger -- a composer, electronic music producer, DJ, photographer, and film-maker based in Oslo, Norway who in recent years has become quite a prolific artist, expanding his stylistic palette from piano miniatures and off-kilter pop experiments to lyser…
A Danger to Ourselves
Lucrecia Dalt’s A Danger to Ourselves is a fearless reflection on the unfiltered complexities of human connection. Stripping away fictional narratives present on the artist’s last several album endeavors, A Danger to Ourselves arrives from a place of emotional sincerity. Sonically unraveling like a deeply personal conversation,Dalt’s voice is foregrounded and formidable, supported by a lush array of acoustic orchestration and processing, collaged percussive patterns, and an esteemed cast of coll…
Travels
Over the years, Pat Metheny Group's Grammy-winning double live album Travels has earned a singular reputation among jazz aficionados as one of the most distinctive and impeccably recorded live jazz albums of all time. Upon its initial release, it appeared on numerous year-end best-of lists, with The Wire hailing it as simply "remarkable" and "superbly recorded."
The album captures the Pat Metheny Group during their 1982 US tour, a period when Brazilian percussionist Nana Vasconcelos had become a…
Continuum
Following three studio albums (Stoa, 2006; Holon, 2008; and Lyria, 2010) plus a double live album (2012) with his electric band Ronin, Swiss pianist and composer Nik Bärtsch now unveils a new release with his original ensemble, Mobile – whose lineup partially overlaps with the current Ronin formation.
Originally formed in 1997, Mobile (here enhanced on three tracks by a string quintet) represents the foundation of Bärtsch's ritualistic approach to music-making. This distinctive style has been sh…
Once Around The Room (A Tribute To Paul Motian)
2025 stock On Once Around The Room ECM recording artists and key jazz musicians from several generations unite in a small ensemble to celebrate the musical legacy of drum icon Paul Motian in a big way. Joe Lovano and Jakob Bro lead a party of seven through fiery originals that recall the idioms and idiosyncrasies which Motian brought to light over six influential decades behind the drums. Lovano and Motian had been intimate colleagues for many years with their most notable collaboration being th…
Sphere
The Bobo Stenson Trio’s ability of covering far-reaching idioms and wide-ranging repertoire within the scope of their personal diction has become both hallmark and custom, inspiring the New York Times to say the pianist “makes sublime piano-trio records without over-playing. It’s pulsating, with long improvised phrases; it’s alive.” Sphere is primarily comprised of works by 20th and 21st century composers including Per Nørgård, Sven-Erik Bäck, and Jean Sibelius and offers two originals by Jormin…
After the Last Sky
Eight years after Blue Maqams, Anouar Brahem returns with a poignant project, titled after a line of verse by poet Mahmoud Darwish, which asks “Where should the birds fly, after the last sky?” Graceful chamber pieces for oud, cello, piano and bass subtly address the metaphysical question and its broad resonances in a troubled time. While drawing upon the traditional modes of Arab music, Brahem has consistently sought to engage with the wider world, too, and found inspiration in many sources from…
Diamorphoses / Concret Ph / Orient Occident / Bohor
Iannis Xenakis's early electroacoustic works define already the compositional space he is using later in his mature, almost one-hour long works like Persepolis or La Légende d'Er. After arriving in Paris as a Greek refuge in 1947, Xenakis quickly found a work as construction engineer with the architect Le Corbusier. He tried in vain for several years to become a member of the Groupe De Musique Concrète (GRM) and thus to gain access to the electroacoustic studios at the French radio. Pierre Schae…
Scarlatti
zeitkratzer director Reinhold and his ensemble present new compositions, grounded on Domenico Scarlatti's piano sonata F-minor K.466. Commissioned by the dance company Rubato and dedicated to Mario Bertoncini (1932-2019).
Power Failures
Huge Tip! The New York based duo of Che Chen and Rick Brown, 75 Dollar Bill, return with Power Failures, their first full length since 2020. Issued as a beautiful double LP by Karlrecords, and possibly their best record to date - taking on expanded explorations and a greater sense of abstraction - across its four sides we encounter Chen and Brown interweaving hypnotic polyrhythms and complex tonal collisions, with occasional (and brilliant) contributions from "Little Big Band" mainstays Steve Ma…
Signals From Earth
* 300 copies, deluxe edition with two booklets, perfect replica of the original. * Joining their rapidly growing catalog of radical gestures of creative sound, Holidays Records returns with one of their most important releases to date, the first ever vinyl reissue of Pygmy Unit’s “Signals From Earth”, a towering private press obscurity, originally released by the band in 1974. Blending Native American references into a body of sonority that draws on free improvisation, experimental electronic mu…
Cybernetic Defiance and Orgasm
Henry Kawahara has been called “the Jon Hassell of Japan”, but upon closer inspection one finds that his work operates on very different terms. Like Hosono's forays into computerized Ryukyu folk “sightseeing music” or Tsutomu Ōhashi's Ecophony trilogy, Kawahara's world projected ancient musical traditions and notions of cultural identity onto the modern digital plane through a fusion of cybernetic thinking and pan-asian cultural introspection that makes Western attempts to do the same seem quain…