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Sub Rosa Sale: the label catalogue at reduced prices

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Fractals / Brain Fever
2022 Repress "Fractals" (1981): Composed at the GMVL from December 1979 to September 1981, this work was commissioned by Fnac. Fractals are mathematical oddities that, when crossing our path, turn the smallest island into an immensity to be explored. "Fractals" is a series of short studies, all based on the same sound source. Seeking in the sound and its very logic a proposal upon which a construction is elaborated, each Fractal remains open and is a mere fragment of itself. "Fractals", music p…
Works for Flute
Roberto Fabbriciani plays the complete flute works of Henri Pousseur, including Flexions I, Éclipticare and Zeus joueur de flûtes with live electronics by Alvise Vidolin, plus the 1957 tape piece Scambi.
High Noon
**Third edition of 70 copies, white water based ink silkscreened by Gerard Herman on thick brown board with die-cut center hole. Original white vinyl with silkscreened gold labels.** LP from Timo van Luijk and improvising jazz drummer Kris Vanderstraeten. spaced out improvised music, mainly acoustic and with a strong percussive touch. First album in their 10 year collaboration.
L'état Intermédiaire
Edition of 300. 'L'etat intermediaire' (the intermediate state) began amidst the ending points of 'A Paper Doll's Whisper of Spring' (FP 022 : recorded 2012) and further inspired by some live performances in Leuven and London using mostly acoustical instrumentation. 'L'etat intermediare' collects 10 pieces by Andrew Chalk  & Jean Noël Rebilly recorded over four years and into a narrative of personal journeys using some collected sounds, clarinets, string and keyboardinstruments.  “Dreaming when …
Divine Comédie
The complete Divine Comédie: Bernard Parmegiani's Hell and François Bayle's Purgatory, guided by Michel Hermon's voice, joined for the first time by Paradise, the mixed piece they composed and performed together, unreleased for fifty years.
Bijou
A subtle, moody, rich and wide-ranging work, in which atmosphere, emotion and dramaturgy lead the ear far beyond music into a world of hints, evocations, anticipation and association and, in passing, reveal a complex metonymic language that, at a deep level, invokes that mostly unconscious lexicon of sound we have all absorbed collectively and subliminally in the course of a century of movie-going, television viewing, documentary recording and electroacoustic experimentation. Once sounds have be…
End of an Era
*300 copies limited edition. In process of stocking* Ferns Recordings presents End of an Era by Christoph Heeman. Recorded and mixed 1999 - 2021
Ways Of The Voice
Rezas Populares do Brasil, Anamak, Amkéa and Annazone, are vocal works. All the sounds on this disc originate with the Brazilian singer Anna Maria Kieffer. Two works, Anamak and Amkéa, have an "orchestral accompaniment", composed of tropical bird songs. Making use of elements of electroacoustic music and sound poetry, the music expresses wonder at Brazil's tropical beauty and, ultimately, an intense love of the abstraction of words and musical forms.
Zyklus - Four Realizations By Max Neuhaus
2004 release. Four previously unreleased realizations of Karlheinz Stockhausen's "Zylus" (different recordings than the one featured on the Columbia LP Electronics and Percussion -- Five Realizations. Recorded 1959-68. The term "New York School" refers to a circle of composers. "Zyklus" was written in 1959 and is one of the first solo pieces to utilize such a large number of percussion instruments (twenty-one). When Max Neuhaus first started to play this piece there were only three percussi…
Música Electroacústica Mexicana
*200 copies limited edition* In 1984, Música Electroacústica Mexicana was released as the third volume in the series Colección Hispano-Mexicana de Música Contemporánea, co-curated by Antonio Russek and artist Ángel Cósmos. This anthology served as a tableau of the contemporary state of Mexican electroacoustic music, featuring works by Russek, Raúl Pavón Sarrelangue, Roberto Morales Manzanares, and Vicente Rojo Cama. It marked the first-ever electroacoustic music release from Mexico. Although exp…
Solastalgia
*In process of stocking. Limited edition of 400 copies.* We haven’t found them yet, the words to talk to each other about the worrying signs of climate change. Feeling worried when walking on autumn leaves in the beginning of August should be completely normal. But how do we communicate about it? We don’t want to be just the next hysterical doomer. With this music I try to focus on the climate pain itself, gently inviting the listener to investigate their latent feelings of unease and growing co…
Wege / Way
Bomb! Edition of 500 copies, with fold-out insert. Rolf Gehlhaar (1943-2019) was an instrumental and electronic music composer, and a pioneer in computer controlled interactive music. He grew up in the US where he studied philosophy and composition at Yale University. In 1967 he moved back to Germany to become Karlheinz Stockhausen’s personal assistant and member of his performing ensemble. In 1969 Gehlhaar co-founded, along with Johannes Fritsch (Metaphon 012) and David Johnson, the Feedback St…
Autour du Lac d'Asselt
*300 copies limited edition* Timo Van Luijk with percussionist Kris Vanderstraeten, together for an enchanting exploration of liminal psychoacoustic space. "Playing with Kris always reminds me of doing expeditions in a lake. Some kind of under water sound fiction observing sonic creatures. This album is a live recording (28-01-2012, Kunstencentrum Belgie, Hasselt,Belgium) which to me always felt like one of the best concerts we did. As with our previous album Arrêt au Lac Chimère Vincent de Rogu…
Trommels!
**300 copies, 2019 stock** Percussionist Kris Vanderstraeten is one of the unsung heroes of Belgian free improvisation. Since the seventies, he has been experimenting with his unique set-up and different collaborations: the trio Sureau, a duo with Timo Van Luijk, several performances / recordings with young experimentalists.Trommels! is Vanderstraeten’s second solo album. It lures the listener into a universe without rules, a place where intuition and imagination decide what happens. Vanderstrae…
Project Pope
Some Fine Legacy is proud to announce the first LP by Project Pope, the collaborative project of Antwerp artist Gerard Herman and Christoph Heemann, known from his solo output as well as many releases with Mimir, In Camera and Mirror. Prior to Project Pope Gerard Herman has been producing a series of intriguing solo LP releases for the Entracte, Kraak and Opgewarmde Groenten labels. Then in 2021 the two met for a week at Les Ateliers Claus in Brussels to produce this new masterpiece of distorted…
Dreams
*300 copies limited edition*  Dreams, subtitled Scenes I-XV, captures imaginary scenes and sequenced into a full album of 52 minutes length at Impression Lointaine. Dreams being archaic and unpredictable in its composition, such as dreams themselves that make little sense upon waking and assembled using time limited constraints. And while immersed, and in privacy, form a thread of personal communication like a nostalgic memory-a painting of which we inhabit ourselves. Many things of the past Are…
Sountracks for the Movies of Pierre Clementi
** Edition limited to 300 copies with full-color sleeve, inner sleeve and insert, reproducing some very inspired scenes from the movies of Pierre Clementi. ** First performed at the CAPC Museum of Contemporary Art in Bordeaux in March 2009, “Soundtracks for the movies of Pierre Clemanti” is an electronic concrete music including many references to psychedelia, kraut, spontaneous sound creation of the 1960s-70s, building an intense dialogue with the specific universe of Pierre Clementi. Even if p…
Karlsbad
Thrilled to announce the reissue of Nikolaus Utermöhlen’s ‘Karlsbad’ album, originally released in 1989. Utermöhlen was a founding member of Die Tödliche Doris and this is his sole solo release. A collection of 23 witty oddball compositions for clarinet, accordion, percussion, recorder, violin, guitar, organ. It definitely has a Doris dose but even more so it shines for its totally singular mélange of tribal dada chamber folk, dilettante dissonant poetry, hard to compare with anything else. A sl…
Parallèles
Reissue of a magnificent, impossible-to-categorize French classic originally released on the hopelessly obscure d'Avantage label in 1976. Pretty much the definition of musical anarchy, "Paralleles" begins with an atonal duo for trombones, wends its was through accompanied poetry readings and cornet solos, vamps into a rap delivered by Vince Taylor (France's answer to Eddie Cochran and Bowie's inspiration for Ziggy Stardust!) on 'Rock N Roll Station' (which Nurse With Wound deconstructed later on…
Arthur Pétronio
Edition of 500. With fold-out poster and original sleeve design by Alain Geronnez. Arthur Petronio (1897-1983) was a French-Italian musician, poet and painter. Lived in Belgium and The Netherlands between 1910 and 1924 and since then in France. Young violin virtuoso studying with Belgian master violinist Eugène Ysaÿe. Played solo violin for Belgian King Leopold II, at the age of 9. Attracted to the avant-garde and visionary ideas of Gesamtkunstwerk. Develops and presents his “Verbophonie” in 191…
Tautologos III / Havresac (CD)
2014 CD-only release on Éditions Piednu with GOL & Brunhild Meyer-Ferrari performing Ferrari's 1969 open piece plus their own 2012 improvisation.
Home Comfort
2nd edition 200 copies + insert. Very pleased and grateful to announce this ‘Home Comfort’ reissue by Mark Glynne and Bart Zwier, originally self-released in 1980. Maybe a bit of an unexpected title to appear in the LSD catalog but my love for this album goes back to my late teenage years and has had an addictive effect since, like a spleen infused magnet.With this album Glynne and Zwier, based in the Netherlands and connected to the Ultra scene, drew an insular blend of intimate post-punk and c…
Zürahümnah
For two decades, Bart De Paepe has navigated the psychedelic underground, creating a singular artistic path through labels like Astres d’Or, Ultra Eczema, and No Basement Is Deep Enough, and through collaborations with Sylvester Anfang’s funeral folks, Louise Landes Levi, Timo van Luijk, and Raymond Dijkstra. Zürahümnah distills his expansive vision into four immersive tracks that blur the line between light and darkness, time and reverie.
Vhoysee
*200 copies limited edition* The first Manon Anne Gillis release was a single-sided mini-album titled “Angebiguë”, which was Manon’s self-release in 1983. “Angebiguë” was 6-track mini-album in a cold-minimal-synth vein, and any track from “Angebiguë” were not included in her retrospective 5CD Box “Archives Box 1983-2005”, which Art into Life released in 2015. “Angebiguë” was privately released in tiny edition for her friends only and has been a highly sought-after item among collectors. “Vhoysee…
Music Promenade / Unheimlich Schön
** 2022 Repress ** "Music Promenade" (1964-1969): Electroacoustic Music, world premiere for the Théâtre de la musique, March 16, 1970 "Hétéro-Concert". Permanent version for four stand-alone tape recorders. A series of colliding realistic sounds and sonic images. Whilst walking, a man is struck by the violence of his surroundings. Nature has disappeared in a whirlwind of warfare and industry in the midst of which he encounters a dying folklore and a lost young girl. The "Installation" version is…
Echos Pastoraux
Beautiful new album by Andrew Chalk and Timo Van Luyk (with Daisuke Suzuki on percussions and Ian Middleton on "accidental sounds"). Andrew Chalk is one of the most appreciate musician in this category floating between drone and ambient music, and his meeting with Timo Van Luijk has created an amazing disc, able to emphasize the slow, limited gestures, movements elegiac elegance, but still so heavily controlled. Each faint seems to have a gesture meaning. Here you can hear a flute (connected to …
Bidule 2.0
On Bidule 2.0, eRikm tunnels into a cache of unheard Pierre Henry tapes, feeding analog “sound objects” from 1950–1974 through his custom digital apparatus to forge a dense, flickering work where early musique concrète and present‑tense signal processing fold into one another.
New Sense of Hearing
Tip! Limited LP, black vinyl, pressed at RTI and housed in a heavy-duty jacket. Available from Blank Forms for the first time since its original 1980 release on ALM-Uranoia, New Sense of Hearing  documents a collaboration between Takehisa Kosugi and Akio Suzuki, two luminaries of Japanese experimental music in the lineage of Fluxus. Blank Forms’s high-quality reissue of the sought-after, long out of print LP, is produced by musician-artist Aki Onda and mastered from the original tapes recorded o…
Atlantic Crossing
La Scie Doree returns with an absolute stunner, the LP “Atlantic Crossing”, a reissue of a rare privately released cassette recorded by the Bayerischer Rundfunk, from 1988
Death of the moon
This disc is a reissue of lps on Pogus and Radium. Rune Lindblad (1923-1991) was an early pioneer in electronic and concrète music. Lindblad did not see these genres as mutually exclusive. Important and wonderful works by a composer who represented no institutionalized school of thought. At a concert in 1957, the critics called his music "pure torture."
Pour Entrer Et Sortir d Un Conte - L'Eglise Oubliee
Two musique-concrete episodes from a larger work entitled Les Contes de la forêt profonde (Tales from the Deep Forest) sparse entries, with an emphasis on sliding shepard tones & digitally mutating concrète texturesPour entrer et sortir d'un conte (1990 - 21'05) the "entrance" is like passing through a maze. the elements are propelled by processes of repetition and recurrence and tend towards stagnation within a structure consisting of blocks set side by side and thick. compact, opaque masses. t…
Enteha
A Colourful Storm presents Enteha, the latest piece by Elodie, the duo of Andrew Chalk and Timo van Luijk. They embody a free-spirited approach to music making whose improvisational process can be traced to a distinct period of Europe's post-industrial landscape. More than two decades of ambitious solo and collaborative work would solidify both Chalk and van Luijk as masterful craftsmen exploring the tension between composition and free improvisation: their individual lists of collaborators boas…
Yo-In (1980)
First world publication for the seminal Yo-In (1980) an electro-acoustic work produced in Japan and revisited by the Museum of Modern Art of the City of Paris in 1981. “Sound Theater for an imaginary rite”. Yo-Inleads to a sort of “celebration-ritualization of the day of man on Earth”.Jean-Claude Eloy discovered the meaning of Yo-In by going deeper into the culture of Japan where he had been invited by Toru Takemitsu in 1970: “Yo-In, echo, rhyme, resonance, psychic reverberation”. Karheinz Stock…
Itinera
**200 copies ** When Timo Van Luijk isn’t working under his own name, he works under the alias Af Ursin - a project focused on structured improvisation, combining electronic and acoustic instrumentation. Itinera is his eight full length release under the moniker since 2002. The album is a stunning and challenging marvel, hearkening back to another less compromising era of electronic music - one of rigorous and complex arrangements of structure and tone. While drawing on a number of sources for i…
Skagafjörður
* LP in black vinyl, includes a duotone printed insert and set of three postcards * Faraway Press, presents Skagafjörður by Andrew Chalk & Timo Van Luijk. Soundtrack to the silent film ‘Skagafjörður’ by Peter Hutton. Originally released on cassette by B.A.A.D.M. Recorded as part of ‘Night of Experimental Film’ event in Ghent, Belgium, 2018 that also saw screenings of Derek Jarman’s ‘The Angelic Conversation’ and performance by Tom James Scott, the recording captures the quintessence of Chalk and…
Traces du Hasard
In Timo van Luijk's own words: This album is a bit of an accumulation of coincidences. It is the first recording session I did with Kris Vanderstraeten, back in 1994, together with Daniel Duchamp and Luis Ferin. The session recording had since disappeared from attention and 30 years later, while going through old DAT tape archives, I came across it by chance, initially even not knowing who/what it was...The tape started with a recording of cars, captured from my balcony in Brussels, where I live…
Murmurations
Tip! Comprising 10 tracks of creative expression, veteran experimentalists, Ben Vida and Lea Bertucci, deliver “Murmurations”, their first release as a duo, incorporating live tape manipulation, modular synthesis, sampling, and real-time instrumental and vocal improvisation, into a joyous tapestry of playful, boundary blurring sound. Longstanding figures in New York City experimental music scene - both noted for pushing electroacoustic music into highly individualized realms - Ben Vida and Lea B…
11 Dec 80
11 Dec 1980 is a two CD set containing Eliane Radigue's live performance of Chry-Ptus (1971), her first work for modular synthesizer, and the world premier of parts one and three of Triptych (1978). Triptych part 2 is also performed. Upon hearing these performances for the first time in many years Radigue declared them to be the best versions she'd ever heard. Radigue's sublime renderings of these major pieces are full of illusory stasis, slow change and dense, slow motion drone that has charact…
Crone music
2019 repress on CD; 1990 release. Commissioned by Mabou Mines, the experimental theater group from New York, for their interpretation of King Lear, Pauline Oliveros's Crone Music is a subtle and haunting electronic music endeavor. Interfacing an abundance of digital delay processors, reverb effects, and foot pedals to bend pitches from piercing to twisted, sonorous tones, with her one-of-a-kind expanded accordion, Oliveros produces rich, eerie textures. Personnel: Pauline Oliveros -solo accordio…
During a Lifetime
The fourth disc in the Canadian Composers Series features the music of Chiyoko Szlavnics. The CD contains three works, two of which use sinewaves in conjuncton with acoustic instruments. The title track ‘During a Lifetime’ is written for sinewaves and saxophone quartet, an instrument on which Szlavnics herself used to perform. The final piece, ‘Reservoir’, is composed for sinewaves and an unusual instrumental octet, including two accordions, two flutes and two percussionists. The middle piece ‘F…