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Philip Glass’s seminal 1982 album Glassworks remains one of the most influential and accessible works in contemporary classical and minimalist music, bridging the worlds of concert hall and popular listening with timeless elegance.
Originally conceived as a “Walkman‑suitable” work, Glassworks was designed for intimate, personal listening on cassette, with a special headphone‑oriented mix that brought listeners deep inside Glass’s intricate, pulsing sound world. The album’s six short, vividly con…
This is the fifth chapter, and one of the most assured. Wild Up's long reckoning with the music of Julius Eastman arrives at Gay Guerrilla, the work Eastman composed at the close of the 1970s and regarded as the point where his politics and his sound became indivisible.
Eastman remains one of the singular figures of American experimentalism, an African American and openly gay composer who moved through the orbit of the Buffalo new music scene and the downtown minimalist world before dying destit…
'Composed in 1970, Mantra, for two pianos and ring modulation, was one of the decisive turning points in Karlheinz Stockhausen’s career. The 70-minute piece not only signalled a break with the text-based intuitive works, relying heavily on improvisation, that had come to dominate his output towards the end of the previous decade and a return to fully notated scores, but also introduced the idea of melodic formulae, the “mantra” of the title, which Stockhausen would eventually develop into the or…
'Morton Feldman has proved one of the 20th century’s most influential composers. Yet he remains one of its most enigmatic, and his late works retain an aura of mystery steeped with the grandeur, anxiety and quietly changing colour he adored in abstract expressionist painting and, latterly, Anatolian rug design. Patterns in a Chromatic Field (1981) is perhaps the most rhythmically active of these famously long, static pieces, which showed his increasing preoccupation with matters of form, scale a…
Hymnkus Thoreau Drawings Two features three rarely encountered works by John Cage, interpreted by Apartment House. The album brings together the sparse, spatial interplay of “Two”, the poised transformations of “Thoreau Drawings”, and the hypnotic, layered repetitions of “Hymnkus” in performances marked by clarity, restraint, and ensemble sensitivity.
Jankélévitch Sextets brings together Antoine Beuger’s reductionist poetics and the responsive intelligence of Apartment House, resulting in a recording defined less by overt drama than by its expansive sense of space and attentive musicianship. Over the span of sixty-four minutes, Beuger crafts a patient tapestry for violin, viola, double bass, bassoon, bass clarinet, and accordion. Each instrument enters as if in dialogue, their lines arising not from thematic contrast but from a shared willing…
A sparse and subtle jungle comprises the pieces that make up "Pietra e Oggetto". It is subtle, as such it remains in the memory. Thanks to the device of silence, which is like the air in between things, it allows time for what we have heard to imprint on our acoustic sketchpad. Like closing your eyes to preserve a memory and then moving on to the next. We feel a certain privilege in listening to these undecidable environments; these composite and hybrid objects filled with synthetic biodiversity…
** 2021 Stock ** CP² Recordings presents Dane Rudhyar: Five Stanzas; Arnold Schoenberg: Pelleas & Melisande, Op. 5 by Colonial Symphony and Sinfóníuhljómsveit Æskunnar; Paul Zukofsky, conductor. Sinfóníuhljómsveit Æskunnar (the Youth Orchestra of Iceland) was founded in 1985, by Paul Zukofsky, and was a continuation of the "Zukofsky Seminars in Orchestral Music" which began in 1977, and were sponsored by the Reykjavik College of Music. The aim of both groups was to provide an opportunity for Ice…
Three orchestral works by Giacinto Scelsi recorded in Vienna in 2005: Quattro Pezzi (su una nota sola), Uaxuctum, and the first recording of La Nascita del Verbo, with the Vienna Radio Symphony Orchestra and choirs.
Mind is moving (IX) is a composition for guitar by Michael Pisaro-Liu, affiliated with the avant-garde composers group The Wandelweiser Composers Ensemble. Pisaro's work can be characterized as experimental minimalism, often utilizing silence, a minimum of musical material, and extended composition durations. This version is executed by Slovenian guitarist Primož Sukič.
"What I'm interested in is a compositional process and a sounding music that are one and the same thing" (Steve Reich, 1968). Minimal music, which numbers Steve Reich among its founders and as one of its most significant representatives, existed for hardly more than ten years. The Ensemble Avantgarde presents a wonderful survey of Reich's minimal music-compositions. The conceptional concentration in the musical work on the structurally simple means of its creation is seen especially in Reich's "…
From deep within the Soleilmoon warehouse, and just in time for its 10 year anniversary, come the leftover/extra copies of the LPs from the “Merzbient” LP box sets, originally released in 2012.
First ever vinyl reissue of this cult album from 1975. Défense de was the first album of Jean-Jacques Birgé and Francis Gorgé, before founding Un Drame Musical Instantane with Bernard Vitet in 1976. They had started to play together while at high school, and on their debut LP they were joined by percussionist Shiroc (who also played in Speed Limit). The album's four tracks were recorded in the family apartment of free jazz producer Sebastien Bernard, who had several nice instruments belonging to…
Time to unearth another Kraut obscurity, sought-after by collectors worldwide since his inclusion on the legendary NWW list. Franz De Byl's second album, released by Thorofon in 1971, was actually his debut as a solo performer, an eccentric collection of freaky acoustic folk songs with bluesy elements and an extra satirical, political twist (not unlike Floh De Cologne). Weird sounds and compulsive chanting from this master of the acoustic guitar, one of the most curious characters to ever emerge…
O.P.M.C. (Oldest Professional Music Company, as they were living in the famous Amsterdam Red Light District in those days) centered around Barrie Webb and Teun van der Slikke with different line ups during their existence. Other musicians in their recordings feature Frank van Tijn (drums), Peter van der Sande (bass, cello, elctric guitar, keyboards - plus he also did arrangements and production) and Onny Lopulalan (lead guitar), some of them having served in other interesting Dutch bands such as…
Wah Wah Records proudly presents a luxury vinyl reissue of this rare 1974 private pressing. Cool long electronic experiments splitted in two tracks, one on each side. Recorded in one take and offering an astounding combination of synth drones, wordless vocals, ambiental electric organ and ethereal guitar arpeggios.An outstanding work that moves away of the more classical kraut cosmische sounds to walk darker paths, yet retaining some early Kluster reminiscences.The Wah Wah reissue comes to life …
It was 1977, the year when punk rock exploded in the face of disco-music, but some thinking heads in Italy managed to escape the set trends of the year and walk a totally different path. Pioneers like Franco Battiato had already been experimenting with a crash of rock and electroacoustic music since the beginning of the decade, and others like Roberto Cacciapaglia or Riccardo Zappa would explore farther in those lands, mixing acoustic instruments with the bourgeoning synth technology. Among all …
Mexican rock had a strong renaissance in the eighties, when most bands, majorly coming from the prog scene, turned to Spanish language again. One of the big acts from that era was Jorge Reyes' led Chac Mool. Chac Mool counted on its ranks with Carlos Alvarado, who was an accomplished musician on its own and who would record one of the most interesting electronic prog albums of the era, on which Reyes also collaborated. Originally released on mexican private label Momia in 1980. "Carlos Alvarado'…
Formed by multi-instrumentalists Hans Reffert ('Flute') and Hans Brandeis ('Voice') in Mannheim in 1969, the Flute & Voice duo discographic debut was issued on Pilz that same year. Their second album was originally recorded in 1973, but it remained unreleased for 22 years until Jack Wieber Records issued it on CD in 1995 as part of a 2 album CD (along with Imaginations Of Light) and now available on vinyl LP format through Wah Wah. But some more material was composed in 1974/1975 and recorded, a…
At last, in stock now!! 1991's Spiral makes its first ever appearance on vinyl format here. Previously it had only been available on a impossible to find CD, consisting of eight short to mid-length pieces, the major change being the prominence of the twenty-two piece choir, which shares the spotlight equally with the saxes, and three vibraphones, all which results in a far more ethereal and majestic sound than its predecessors. Urban Sax was created in 1973. Gilbert Artman, the mastermind behind…