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Sound fragments unfold across Zurich, making loss, memory, and cultural change physically and acoustically perceptible. In The Rhythm of Design, Zurich-based fine arts duo Michael Meier & Christoph Franz explore urban displacement and its impact on the local music scene.Focusing on six venues that have disappeared or are under threat, the artists collected materials on site—wood, metal, and other architectural elements—and, with the support of professional instrument builders, transformed them i…
Recorded live at the world premiere of Kran Etüde at the Leisure & Pleasure Festival, on the 29th of June 2023 at Müggelsee, Berlin.
Katharina Ernst: musical concept, prepared drumkit, cymbals, snareStefan „Schne“ Schneider: electronics, synthesizers, live processingStina Fors: gongs, stones, cymbals, tamtam, snareShiau-Shiuan Hung: gran cassa, snare, marimbaJudith Schwarz: prepared drumkit, cymbals, snareNettie Nüganen: thunder sheetSybille Fischer: conductorFlorentina Holzinger: choreography, …
In the new work ''Shlimazl'' by the Swiss composer Michael Wertmüller, symphony orchestra and big band merge into a virtuoso, polymetric organism that not only transcends styles, but also a perceived linearity of time. In doing so, he explicitly takes up the rich tradition of the big band, and revitalises it within the symphonic context under new auspices and allows it to take off. All the soloists act like a picture within a picture within the big band, which oscillates between musical nucleus,…
2nd Volume of the perfect pairing Brötzmann & Nilssen-Love! Recorded at Zuiderpershuis in Antwerp, August 2015. Liner notes-transcription of an interview with Peter Brötzmann.
*2026 stock* A young, super-tight and intense power trio from Moscow, Brom genuinely push heavily, crossing over among improv, noise-rock and free jazz with Sunstroke. "One of the most amazing mixes of musical elements I have heard in a long freakin´ time."- Mats Gustafsson
**500 copies** Pieces From the Cloudland Ballroom is the first solo LP by Anthony Moore, originally on Polydor. It was released in 1971 under the production of Uwe Nettlebeck and featured Anthony Moore on conduction, Ulf Kenklies, Glyn Davenport and Gieske Hof-Helmers on vocals, plus Werner 'Zappa' Diermeier on hi-hat. Moore is best known as a founder of the progressive rock band Slapp Happy but has also written lyrics for Pink Floyd (!)Pure minimalist experimentation with echoes of Richard Youn…
A real masterpiece....dreamy improvised music with eastern influences and electronics!! "Before his magnificent experiments with electronic music on Elektrictus (previously reissued on Wah Wah), Andrea Centazzo was already an accomplished musician who had issued his recorded works on the PDU and RCA labels. His first release was Ictus, a free-form avantgarde jazz oddessey on which he already started to experiment with electronic generated sounds. Ictus was a band formed by Centazzo, Armando Bat…
At last, in stock now!! Urban Sax's third LP was recorded in 1982 & 1985, and released in 1985 on Celluloid, and it is an absolute diamond - sharing Julian Cope words "Everything starts with this massive (and I mean it...we're basically talking about something the size of an orchestra here) wash of sound, like something dropped wholesale out of the trippier parts of Ligeti's material in the "2001" soundtrack. Then we get swept into the primal repetition of a simple motif...very Magma-like, save …
Much-needed reissue of these incredible LPs. Urban Sax's debut LP was issued in 1977 on Cobra, recalling the best Terry Riley, stunningly psychedelic, it’s the perfect combination of hazy, fluttering psychedelia and tough, tactile reed work. Urban Sax was created in 1973. Gilbert Artman, the mastermind behind Lard Free -who has also participated in dozens of recordings by other artists of the French experimental scene that included Delired Chameleon Family, Clear Light, Komintern, etc.- develope…
**strictly limited edition of 500 copies** 1972 saw the release of The Sixth Ear (Narco NR666), this time credited to Nik Pascal. A more complex work than Beyond The End..., it adds consistent rhythmic patterns to the mix with the addition of bongoes and also explores some interesting chord progressions. Besides his musical explorations, Nik was also an interesting painter. His paintings are auctioned from time to time, and are consciousness expanding works influenced by abstract cubism and surr…
In the early sixties, "Mantequilla" had the chance to lead his own combo, Mantequilla y su conjunto, with which he was to record the three splendid EPs that are compiled on the present album. All these 7" have become elusive collector pieces in the record market, with sellers demanding from 200 to as much as 950 euros per copy. In 1961 "Mantequilla" was at his best moment, his gigs at the Jamboree Jazz Cava had brought him back to the first line of Barcelona's jazzmen after he had been working a…
Again under the influence of both first and second generation of Berlin school musicians the LP will appeal to fans of Klaus Schulze or Tangerine Dream, but they will also find a big deal of Zanov's own personal sound on it, since as the musician himself reckons he had little contact with other peers of his generation, so besides a general love for the electronic gear used and the sounds you could make out of them the creative ideas behind his works were all his own. On his second album a richer…
Under the alias of Zanov we find the works of French electronic pioneer Pierre Salkazanov, who had started playing guitar in the 1960s in a Shadows styled band, Les Ambassadors. Instrumental rock was not enough for Salkazanov, he was always looking for evolution, so when a meeting with French synth player Serge Ramses (of "Secret" fame) got him into the world of synthesizers he just dived deep into the bourgeoning world of electronic music. He got himself his first syths and started producing wo…
Edition of 500. Best known to funk / groove collectors for his 70's library efforts (Freezing Point, The Pop World Of Yann Tregger, Schifters, Catchy, Ducks & Drakes) on such cult labels as L'Illustration Musicale, MTS or Montparnasse 2000 or his late funky disco output via projects like Major Symphony or M.B.T. Soul; french trumpet player / composer /arranger Yann Tregger also devoted time and efforts to delve into electronic sound abstraction when needed. Based around the possibilities of the …
This splendid catalan Jazz LP was originally released on Edigsa in 1968 and sees its first ever vinyl reissue here. Barcelona has always had a boiling jazz scene, and since the 1960s a strong focal point of the city jazzmen has been the Jamboree Club, in the centric Plaça Reial. The Jamboree was a regular point for al American artists doing the European jazz circuit, as it was for all European acts and, of course for the local talent. Among these, a young quartet formed by alto sax & flute playe…
Entering Omar Cheikh’s world feels like crossing a holy portal, the micro‑rhythms of a slow‑growth forest and the lush density of countless light prisms quietly echoing distant songs. ‘The Garden’, his first release for Maple Death, weaves a near-ritualistic, emotionally saturated atmosphere, shaped by organic folk elements, somber instrumentation, and lingering industrial textures. Every detail is finely etched yet the song architectures maintain a liquid form, projecting geometrical figures th…
Devotional music most often gets distilled into earthy chants and ancient folklore, it doesn't always ascend to the sky like Julinko’s ‘Naebula’ an album that from the first organ note clearly trades in terrestrial dreams for ethereal visions. A feverish quality permeates the whole record, as if a ritualistic performance was being captured from start to finish, a collection of hallucinatory doom, synthetic neo-folk hymns and ghostly art-rock. Julinko, stage name for Giulia Parin Zecchin, has lon…
Mai Mai Mai’s artistic path has never rested on laurels, it’s been a constant evolution, a profound and poetic research, a dark and dusty journey through awareness and collaborations where the heart of the process has always been about building connections and understanding people and their rituals. Mai Mai Mai’s new album ‘Karakoz’ was mostly recorded in Palestine (Ramallah and Bethlehem) in 2024 during an ongoing genocide and follows his acclaimed Southern Gothic double-album ‘Rimorso’. The al…
Like the emerald merkiness emerging from the cover photograph, Bono / Burattini’s new album ‘Ora Sono Un Lago’ transcends elements, a tenacious and brooding collection of work that testifies the duo’s growth and ghostly ability to immerse kosmische landscapes, stripped electronica and oscillatory psychedelia and emerge with songs meticulously constructed, dense and unforgiving, full of richly assembled textures and echoed out other-worldly choirs. Some might call it confessional mysticism. ‘Ora …
“Viator” is as skeletal as it is instantly recognizable. Following the inception of the unmistakable post-power electronics cubist-Latin-blues that kept Adrián de Alfonso busy during his Don The Tiger days, the first album under his own name is a ruthless step forward into a new form of avant-garde balladry, raw and stripped down, poetic yet enchanting, anchored in a sort of stubborn and repetitive primitivism, which synthesizes the future rituals of a stateless tradition. "Viator" consists main…