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Music 4 Flutes
1993 release ** "Sur cette gravure, Irmela Nolte propose un beau jeu allié à une technique nécessaire quant à ce répertoire, agile, au service des œuvres regroupées ici et dont l’on n’entend pas outre mesure son souffle ni sa respiration. Un panorama intéressant, avec 2 des 4 pièces en solo (1,3) et l’autre moitié où la flûte sera aidée d’un autre dispositif (synthétiseur en 2, bande et enregistrements préalables en 4) qui diversifie les procédés et rompt une monotonie possible dans ce genre de …
Herbstimprovisationen
1995 release (RARE) ** Swiss Volksmusik band from region Appenzell, performing a crossover of folklore music and jazz improvisation.
We Are Not At The Opera
1998 release ** "Whoa. Look out. When you look at the cover you know the sh*t is gonna hit the fan when this old master of the vanguard drumming tradition hooks up with the "gentle giant" of the alto, the tenor, and the flute. Sabir Mateen may not be as well-known as Sunny Murray is, but he's every bit as effective and iconoclastic. The title of the album is funny; they aren't even in the same country that opera comes from -- even though Murray lives near there. So what have you got? Drums, drum…
The Neon Truth
2002 release ** "Inspired by Asian and African forms, Larry Ochs calls his sax and double-drum trio "Larry Ochs Sax & Drumming Core," and the minimal and unusual instrumentation is an effective vehicle for his intense improvisations. Known for his riveting work as a member of the avant-garde jazz group What We Live and the saxophone quartet Rova, Ochs' thick tone, overblowing, and forceful delivery evidence a relentless search for a sort of transcendental ecstasy fueled by the powerful strains o…
Matta
2007 release ** "In April 2007, Ramuntcho Matta went to Tokyo to play with Mama Milk, a Japanese duo, and came back with hours of live recording done by Romain de Gueltzl. From this meeting of three different instruments, accordion, double-bass and guitar, above which Ramuntcho sometimes sings, a unique music was born, mixing jazz, tango and the new music in a movement which is both Zen and sincerely contemporary. SometimeStudio decided to publish these recordings in order to share these moments…
White Zombie
2016 release ** "Paul Roland’s obsession with the 1931 film White Zombie, starring Bela Lugosi, a true cult of voodoo cinema, led him in the 90s to write the basis of what should have been the film’s soundtrack, rewritten by Roland. It was mostly instrumental music, with songs and choirs that depicted the slavery of these men reduced by the mad scientist to zombies, automatons to increase the workforce in the factories. A rather current theme, outside of metaphor… Talking about it one evening at…
?Who Stole The Polka?
1991 release ** Guy Klucevsek plays music by William Obrecht, David Garland, John King, Fred Frith, Peter Zummo, Bill Ruyle, Lois V. Vierk, Phillip Johnston, Thomas Albert, Carl Stone, Mary Jane Leach, David Mahler, Elliott Sharp, A. Leroy. ?Who Stole the Polka? is the second volume of pieces that accordionist Guy Klucevsek commissioned from composers ranging widely over the contemporary new music scene in the mid-'80s. For pure wicked fun, it probably exceeds its companion, Polka Dots and Laser…
Polka Dots & Laser Beams
1992 release ** Guy Klucevsek plays music by Steve Elson, Tom Cora, Guy Klucevsek, Joseph Kasinskas, Anthony Coleman, Daniel Goode, Nicolas Collins, Guy De Bievre, Robin Holcomb, Duke Ellington, Peter Garland, William Duckworth, Bobby Previte, Carl Finch. "Accordionist Guy Klucevsek was listening to a radio interview with Charles Mingus one day in the '70s. The interviewer asked Mingus about the racial divide in jazz and whether or not whites could create great, innovative jazz music. "Let the w…
Breathing
1996 release ** "In deference to this age of “environmental consciousness”, “Breathing”, says the insert, is “recycled and/or scavenged” pieces that once inhabited another form. The composer is Al Margolis, who appears on electronics, tapes, effects, piano, sampled flute, vocals, wind, cello and strings. He is joined by didjeridu, oboe and organ. The album beds itself in deep wind or breath like sounds, with an electronic, industrial, and dark edge."
Snow Beneath the Belly of a White Swan: The Lost Live Recordings
"It has been said that Robbie Basho's art was strongest in concert. To what extent the experience can be reconstituted is uncertain. Whatever the case, Snow Beneath the Belly of a White Swan is the mother lode of Basho live recordings. On these five discs we are treated to some remarkable pieces that have never been published, as well as surprising renditions of old favourites. Compiled from Basho’s sprawling personal collection of master tapes (discovered during the production of Voice of the E…
Sy
2009 release ** Weltraum play and record music since 2003. Their Traum/Trauma ep has been released by Lona Records in 2006. In 2008 Weltraum became a trio (electronics, guitar, drums) and shifted their musical research towards rythmical blocks, prefering dry and sharp timbers. No melody, no meaning. They actively move in Napoli, collaborating with A Spirale, Ne travaillez jamais, One starving day, (etre)..., giving life to several impro projects (Asp/SEC_, Aspec(t), Strongly imploded, endorgan) …
The thing like us
2008 release ** This CD is a realisation of the music written for the 2002 Veenstudio production Spinoza : I am not where i think myself to be. It is in two parts: Affectio and Epistola, based respectively on the definitions of the emotions from the third part of Spinoza's Ethics, and on a letter about free will Spinoza wrote to G. H. Schaller. Ayelet Harpaz - alto, Tatiana Koleva - percussion, Anne Falbourn - harpsichord, Carola Arons & Bert Luppes - voices, Paul Koek - director, Yannis Kyriaki…
Trout Mask Replica
2025 repress. Trout Mask Replica is a touchstone in the history of recorded music. The mix of dada absurdist blues and previously unexplored experimental avenues has long been praised as one of the greatest albums of all time. As it was so eloquently put by John Peel, "If there has been anything in the history of popular music which could be described as a work of art in a way that people who are involved in other areas of art would understand, then Trout Mask Replica is probably that work."
In …
All At Once At Any Time
1994 release ** "Recorded live in May 1994 at the Festival International de Musique Actuelle de Victoriaville, All at Once at Any Time features two members of the Dense Band, drummer David Moss and guitarist John King, and an experimental DJ largely unknown at the time: Otomo Yoshihide. In the course of the next six or seven years, the first two names became less and less heard, while Yoshihide arose as a leading creative force in avant-garde music. The trio's music is made of fragmented bits of…
Flute XX
1990 release **
Syrinx – Claude DebussyDensity 21.5 – Edgard VarèseMusica Su Due Dimensioni – Bruno MadernaSequenza I – Luciano BerioDas Atmende Klarsein (Fragment)– Luigi NonoCarceri D'Invenzione II/b – Brian FerneyhoughCome Vengono Prodotti Gli Incantesimi? – Salvatore SciarrinoCanzona Di Ringraziamento – Salvatore Sciarrino
The seasons: Vermont
1998 release ** The Seasons: Vermont is a soundscape of Vermont as charted through the changes of its yearly soundings. It is a composition in four parts (Summer, Autumn, Winter, Spring) for magnetic tape collage with an unspecified live instrumental/vocal ensemble. Though the actual composing of the music was completed between 1980 and 1982, it is the realization of a ten-year composition project. Goldstein listened closely and became attuned to what was the particular sound quality of each sea…
Sahara Dust
1993 release ** "Sahara Dust is Lindsay Cooper and Robyn Archer's collaborative score for a music theater production based on the Gulf War, and was recorded in 1992. Her accomplices number five and include vocalist and trumpeter Phil Minton. Scored in five movements, each with a textual element that serves as a meditation for the music, Cooper, who has long scored collaborative projects involving film, television, voices, dances, and theater, has outdone herself this time. The brooding score whi…