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Life Goes On
A striking album of new music from pianist/composer Carla Bley, whose trio with Andy Sheppard and Steve Swallow is now in its 25th year. Individual associations among the players go back much further: bassist Swallow first recorded music by Carla in 1961. So when Bley says “Life Goes On”, a lot of life is alluded to. The album, realized in the Auditorio Stelio Molo Studio in Lugano in May 2019, with Manfred Eicher producing, takes the form of three suites. The title piece begins as a stoical blu…
Conference of the Birds
**2022 Stock. Originally released in June 1973, audiophile pressing taken from the original analog tapes** It had been preceded by ECM duo albums with Barre Phillips and with Derek Bailey as well as the cooperative band Circle’s great Paris Concert, but Conference of the Birds, recorded in 1972, was Dave Holland’s first album as a full-fledged leader. An album of driving, progressive jazz it is also of historical significance as the only occasion when Sam Rivers and Anthony Braxton, two of the m…
Entupadas
1988 release ** "Sometimes with a touch of disdain, but it’s merely poetic, political reflection on an incomplete world—the only one we know. Beauty and cruelty, joy and sorrow. The piano, mastering every language, responds to the glowing voice of the singer: Romansh, German, English, French. Sweet, strict, harsh, thrilling, playful."
Winter Canabinol Essence
2009 release ** ""Winter Canabinol Essence" is the debut album to be released by the Moscow based label Nihil Art. The Russian project Obozdur, unknown for us'till this release, offers here six tracks at the cross between "old-school" harsh noise, cut-up noise and experimental music. Using radio-waves transmissions, tapes, rythm'n box, processed vocals or tape-voices, processed guitar or bass, various analog effects, all used in a "non-musical" way, Obozdur creates long tracks of cut-up dada noi…
Morituri Te Salutant
2004 release ** "Mariae Nascenti is the solo-project of Angelo Visone, a native of Milan, Italy. Morituri Te Salutant is his first proper CD release, following a number of self-released CD-Rs. On Morituri Te Salutant he enlists the assistance of Black Sun Productions, Larsen and members of Sadomarta and Gullinkambi. There role here is to provide vocals to his surreal atmo-soundscapes that range from post-industrial greyness to dark ambient. Mariae Nascenti's palette involve electronic drones, an…
The Journey Like Never Before
2008 release ** "The atmosphere ranges from ambient, meditation and transcendence to sound experiments and rhythmic madness. A clash of acoustic explorations by the Hati group with modern, rhythmic electronics by Lal (2nd Hand Beatnix, Wiedźmin). This is one of the most electronic projects ever realized by Hati, which – as a band that performs a lot – uses mainly acoustic instruments."
Girl Talk
Girl Talk completes the "trilogy" of great records that started with Midnight Sugar and Misty, Girl Talk solidified Tsuyoshi Yamamoto's reputation as Japan's premier jazz pianist. Though he would continue to tour and record for Takeshi "Tee" Fujii more than a decade, Girl Talk became the pinnacle of his career. This trio of classic LPs together are a benchmark in Japanese jazz records in particular and recording engineering in general. As usual, master recordist Yoshihiko Kannari worked with Yam…
Orang-Utan
Following his success with “Blow Up,” the once-weekly favorite bassist Isao Suzuki returns with his fourth release under the Three Blind Mice label. The heavy, groovy sound he crafts alongside the eccentric talent Kenji Mori remains timeless and undiminished by the years.
Music of Georges I. Gurdjieff
*2024 stock. Deluxe packaging* Fascinating and highly attractive project which returns the music of Gurdjieff (c. 1866 – 1949) to its ethnic inspirational sources. To date Gurdjieff’s compositions have largely been studied, in the West, via the piano transcriptions of Thomas de Hartmann. Armenian composer Levon Eskenian now goes beyond the printed notes to look at the musical traditions that Gurdjieff encountered during his travels, and rearranges the compositions from this perspective. Eskenian…
Dolmen Music
Meredith Monk and her vocal troupe cut a line between experimental theatre and music, marking a passage through the Ancient Greek tragedy, the opera, world-music, the archaic ritual and the mystical chant. It started with "Gotham Lullaby", presenting a contralto over a desolate and stark piano sonata. Then "Travelling" set a feverish gypsy dance, a wild ritual stirring the primeval forces at play. The sonata returned in "The Tale", as the backbone to an offbeat pantomime/ theatrical performance.…
Nouvelle Vague
This is the complete soundtrack – music, dialogue, sounds – of Jean-Luc Godard’s Nouvelle Vague, premiered at the Cannes Film Festival in 1990. "In making this film," Godard said at a press conference later that year, "I heard a great deal of music; music produced by Manfred Eicher. I can well imagine how musicians are inspired and influenced by these sounds. And I too have immersed myself in this music, and I have felt,in my work, like a musician." Interviewed at the Toronto Film Festival of 19…
Tabula Rasa
The 1984 ECM album Tabula Rasa was the vehicle that introduced the revolutionary music of Arvo Pärt to audiences outside Eastern Europe and initiated what was to become one of the most extraordinary musical careers of the late 20th century. Like many of the first generation American minimalists, he limited himself to diatonic harmonies and generated pieces by setting processes in motion, but the radical simplicity he achieved was the result of religious contemplation that was at least as, if not…
Live In Munich
This concert recording from Munich’s Schwere Reiter performance space features improvisation with an expanded palette of possibilities. “To work with these colours is a great challenge and joy!” says bassist Barry Guy of the glowing and ever-changing tints, timbres and tones radiating from Jordina Millà’s freely associative piano.  Like Guy, Millà is both a player of prodigious technical capacity and a fearless improvisational explorer, and her highly creative use of the piano interior opens up …
There’s nothing better than producing sounds
2011 release ** "This album is Gianluca Codeghini's return to his origins, and the 14 tracks were recorded after long improvisation sessions which inspired each musician with unpredictable scores, visual stimuli and stories. The starting point is "Coffee-table book" (2011), a collection of quatrains by Alessandro Broggi published by Transeuropa edizioni, and the poet actively collaborated in the composition of a few tracks and in the production phase. The sequence of the tracks lines up the rhyt…
Discordes
2017 release ** "This duo started in 2014 with the idea to transform the acoustic instrument into a real electroacoustic one. Transducers, springs and microphones are attached to the cello which is then processed through electronic and tape. This CD comes from several hours of improvisations recorded in studio and reorganised to build six pieces of abstract electroacoustic music. "
Mar
1999 release **
Endspace
Duo improvisations recorded at Goldsmiths College, London, July 2007. Angharad Davies (violin) and Tisha Mukarji (inside piano) - two of the most distinctive young improvisers on the UK scene - unite for their first recording as a duo. An entirely acoustic affair impossible to ignore the heritage that goes before such a recording of piano and violin: the slow pace of Feldman and the New York School, the grey austerity of the Wandelweiser collective echo through these five improvisations. Davies …
McDonald And Giles
Following the meltdown of the original King Crimson lineup, Ian McDonald and Michael Giles brought brother Peter Giles back, which helps to account, in some ways, for the resemblance of this album to the 1968 Giles, Giles & Fripp recordings -- though the songs here tend to go on at some length, combining prog rock's traits of length and multiple sections with some of the lighter feel of the GG&F days. The 20-minute "Birdman" tends toward self-indulgence, while "Tomorrow's People - The Children o…
Zamat
Adrián Demoč writes "gentle and soft, non-violent music." The Slovak composer, based in Spain, reduces chamber music down to near-monody—single melodic lines articulated through subtle timbral shifts and microtonal deviations. Zamat, his fourth Another Timbre release, presents three chamber works where Apartment House navigates music that moves "back and forth on the spot between a handful of notes." The title track—zamat means "velvet" in Slovak—deploys clarinet, bass clarinet, viola, and cello…