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Fortune Goodies
Minami Deutsch 3rd full studio album Fortune Goodies. "Everyone has their own imagination about outer space, and each one us gets to daydream about what exactly floats or exists there. ‘Fortune Goodies’ is Minami Deutsch’s long-awaited 3rd studio album. While not all the songs on the record function as straightforward Krautrock this time around, they still manage to capture the spirit and heart of the genre. After relocating from Tokyo to Berlin, Miula’s musical vocabulary has greatly expanded, …
Danish Tape Amateurs 1959 - 1976
**2020 small repress** Outstanding! Long understood as the realm of advanced composition, plumbed only by a small handful of adventurous listeners, the spirit which began the history of tape music and musique concrète, is too often overshadowed and lost. This incredible movement, kick-started by Halim El-Dabh, Pierre Schaeffer, and Pierre Henry, shortly after magnetic tape became widely available following the Second World War, was quickly adopted by many of the most noted composers of the day, …
Ten Minutes to Midnight
Marco Farina's debut is a masterwork of subtraction. It burns quietly through different ideas, drawing across the electronic scene its intimate trajectory - bright and sharp as a shooting star. Eight pieces of research-based wishful thinking, shaping our horizon with their emotionally charged impact.
Batlahatli
Batlahatli starts where Drookitarlùp left off. Giancarlo Toniutti and James Wyness developed two electroacoustic compositions out of sound materials collected during their European travels in search for drookitarlùp. Exploring different relational morphologies, opening their systems to timbrally charged forms, from two points of the universe, it is true that, albeit the "archaic" descriptor was not entirely apt, they extended their theoretical investigations in music.
"Clustering on the geometry…
Pauline Oliveros: Deep Listening Pieces
Deep Listening Publications, 1990. Second edition. Stapled wrps., 42pp. Illustrated. Fifteen pieces some including audience participation (1971-1990). Through her Deep Listening Pieces and earlier Sonic Meditations (1971), Pauline Oliveros helped introduce the concept of incorporating all environmental sounds into musical performance. This requires focused concentration, skilled musicianship. and strong improvisational skills, which are the hallmarks of Oliveros' form.
Deep Listening Anthology: Scores from the Community of Deep Listeners
"Thirty-eight works by twenty-five musicians come together in this anthology. Contributors to this collection come from the United States, Canada and Switzerland, and reflect the international aspect of the Deep Listening community. The range of work in this anthology demonstrates further diversity: scores using common practice Western musical notation, graphic symbols and images, interwoven with texts, textual instructions for performance, guided meditations, commentary on the creation and use …
Appel D'Air
Desert sounds, assembled from concrete recordings in the Mojave. Draws you in - a kind of ultra-radical wallpaper music; sometimes extreme and always somehow on the point, never redundant. Like much of this music, a dark room opens a new ear. Also includes Pacific Tubular Waves.. the LP has this and another piece but not Deserts. And it comes with a 3-D cover and red-green glasses. On 'Appel' MR turns from water to the sounds of air - transformed.
Chœurs imaginaires
This piece develops a preoccupation already begun in “Naissance du verbe” (Birth of the Word), the result of research on language and phonemes undertaken by Bernard Ucla. The idea behind this research is that the sign in language is not arbitrary, but that the choice of phonemes at the origin of languages obeys a long elaboration, and that between the meaning of words and the phonemes that express them, mysterious relationships exist: the phoneme is not a neutral acoustic substance but carries s…
Granulations-Sillages — Franges Du Signe — Signal Sur Bruit
Granulations-Sillages develops an idea glimpsed at in Franges du Signe: the existence of extreme times, at the edge of our faculties of perception, which only the electroacoustic music tools allow us to realise. Two natures of phenomena, opposed in all respects (the Granulations-Trails and the Tutti), alternate through seven movements that constitute the piece. The work is designed for six channels diffused in concert on a main stereo system facing the public and two auxiliary stereos (group of…
The Shining Space
Franco-Argentinian composer Daniel Teruggi follows in the footsteps of the Paris-based GRM (Groupe de Recherche Musicale) and their illustrious founders Pierre Schaeffer, Pierre Henry and Francois Bayle, representing the next generation of eletroacoustic explorers. 'The Shining Space' includes works written between 1997 and 1999 and each composition uses a single instrument; piano, electric guitar, voice, etc, as original sound source which is then transformed by the GRM's own processing tools (…
Sphæra
In Daniel Teruggi's own words: Between 1984 and 1989, my acousmatic work was focused on processing and merging the four fundamental substances. Each « element » gradually became articulated with the others, thus crystallizing my subjective perception of their materiality. Over the years, helped by the enthusiasm of a Greek friend who propelled me into the Socratic universe, what started out as an exploratory path has become a circular, spherical unity, in which each occurrence simultaneously bel…
Instants D'Hiver - Summer Band
Daniel Teruggi (1952-) studied Physics, composition and piano in Argentina. In 1977 he moved to France where he studied at the Paris National Conservatory. In 1981, he starts working at INA (National Audiovisual Institute), at the Groupe de Recherches Musicales (GRM). In 1997 he becomes Director of the Groupe de Recherches Musicales of INA, a position he kept until his retirement in 2017. From October 2001 to 2016 he was simultaneously Director of the Research and Experimentation Department of I…
Futaie / Tchernoziom
Régis Renouard Larivière was born on 3 December 1959 in Paris. He decided to devote himself to acousmatic composition following the Adac-GRM training course he attended at the end of 1984 with Jacques Lejeune and Philippe Mion. He has been teaching since 1990. He is currently professor of composition at the Conservatoire Royal de Mons (Arts2) in Belgium. He has written numerous articles on various electroacoustic composers (Parmegiani, Bayle, Schaeffer...), as well as on Schaefferian concepts. H…
Chrysalide
In Bocalises, Denis Dufour explored with virtuosity the sound possibilities of a sole sound source, glass jars broken, crushed and mixed to themselves to infinity. Fifteen years later, he takes up the material and, with digital tools, presents a retouched and recoloured version to give a new power and poetic richness to the initial energy.
Hinterland
Carlos Roque Alsina is an Argentinean-born composer who tends to mix acoustic and taped sounds together in a manner that evokes natural sounds to some degree, something of a more programmatically inclined Iannis Xenakis. The title piece combines piano and percussion with taped sounds that often possess an organ-like quality. While the acoustic instruments dance around each other in intricate patterns, the tape heaves and respires ominously, depicting the sort of backcountry that's unsettling in …
Musica Mundana / L'Estran
'Musica Mundana': Mixed, fusion and root music, work on 'harmonisation' of various music and vocals. A genuine alchemy! 'L'Estran': What a beautiful metaphor is this piece of coastline. It conveys an impression of in-between, uncertainty, contraries. After studying music in the French National Music School, a decisive encounter with Ivo Malec, Guy Reibel, Jacques Lejeune and Jean Schwarz at the GRM will introduce him to electroacoustic music which he will afterwards focus on. He has composed aro…
Slaapkamers Met Slagroom
The Dutch title that literally translates to "Bedrooms with Whipped Cream" and harkens back to the band's experimental days. On three tracks spread over 28 minutes, Sonic Youth work out extended, hypnotic themes for non-existent psychological case studies. The title track, the longest of the three "songs" included here, opens with a swirl of sound before eventually settling into a 17 minute cavalcade of guitar effects overlaying a particularly "in-your-face" drum sound. The results are simultane…
Anagrama
Sonic Youth have started their own label -- SYR, and are releasing a series of 12"s and CDs. SYR 01 features 4 new songs written and recorded by Sonic Youth in their studio in NYC. The 4 compositions are titled: 'Anagrama', 'Improvisation Ajoutee', 'Tremens', & 'Mieux: De Corrosion'. All 4 songs are instrumentals. The track listing is the same for the 12" and the CD version of this release. Twenty-four minutes of expansive, cloud-relational sound blatters, SY in their most exotically stretched O…
Chord / Gong!
Edition of 300. New York, 1978, kindred composers Philip Corner and Carles Santos meet at the Bösendorfer piano of Charlemagne Palestine to record four-hand piano versions of Corner’s pieces “Chord” and “Gong!”. The result is a long-flowing distillation of the source of the two composers’ affinity: avant-garde practice of austere artistic devotion at play with perfect imperfections of the uncontainable human spirit.A small cassette edition appeared in the late 1980’s and is now presented in a …
Trust in Rock
Trust in Rock documents the last evening of an epic concert series held at Berkeley’s University Art Museum in November 1976, featuring an all-star ensemble of the Bay Area’s most unclassifiable musicians performing works by “Blue” Gene Tyranny and Peter Gordon. Tyranny’s cycle “No Job, No Warm, No Nothing” contains songs “concerned with influence, trust, self-reliance, and having to re-do what is true for you;” three songs by Gordon, with lyrics by Kathy Acker, are complimented by two earlier i…