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Tip! *199 copies limited edition* Green Wheels is Merzbow in its most straightforward, most genuine, most uncontrolled and refined form. Originally released by the legendary US label Self Abuse Records in 1995 on CD and 5-inch vinyl record, both housed in a foil-lined cardboard box with the abstract and impressive art work created by the artist himself, which has become another of the fetishist objects of Merzbow and now incredibly hard to find. Like all of his work since the early nineties, Gre…
*2024 stock* Private Records returns with a new killer vinyl limited edition album by German Funk/Disco producer Ambros Seelos. Magic psychedelic Disco, Afro Funk and Jazz recorded during the 1970’s and early 1980’s. Top notch music productions that get released on Private Records as limited edition in a cooperation with Sony Music and JAS in 2019!
*2024 stock* Private Records returns with a new killer vinyl limited edition album by German Funk/Disco producer Ambros Seelos. Magic psychedelic Disco, Minimal Synth, Psychedelic. Top notch music productions that get released on Private Records as limited edition in a cooperation with Sony Music and JAS in 2019!
*2024 stock* "Composers Roberto Donati and Fiamma Maglione’s funky, jazzy score that at times feels completely incongruous with the action on screen. The duo is credited under one pseudonym, Buddy Maglione. It wouldn’t surprise to learn this feature was scored “cold”, with little regard given to how it would marry with the on-screen action. In one unintentionally hilarious moment at the end a close-up shot of a child, the only survivor of the Flavor-Aid cyanide suicide, quickly cuts the NYC skyl…
The official re-release of the scarce DJ classic. Ralf Nowy produced this unique mix of Krautrock, Space Disco and proto Techno vibes in Berlin in 1980. The collaboration featuring also famous German star producer Jack White and Tom Muller as well Vicky Brown from UK as singer who worked together also with bands as for example Pink Floyd, Roger Waters, Cerrone and Bryan Ferry.
A great live recording of Sun Ra and his Arkestra from 1980 in Switzerland, originally released as a double LP, and remastered for CD in 2010 (two pieces have been excluded from the original LP release). The concert featured a ten piece ensemble playing a mix of originals, standards and modern jazz compositions, including pieces Thelonius Monk, Miles Davis/Tad Dameron, Coleman Hawkins, Billy Strayhorn, and Duke Ellington. This is a good example of later Sun Ra configurations, with Sun R…
To experience this music, over the relocations of time and place, is an opportunity to confront complex truths and seductive mysteries, discover the poetry in sound, and share a rare “ecstatic instant.” – Art Lange
Ran Blake pianoDave Knife Fabris electric guitar (tracks 11-18)
Temporary Super Offer! Don Cherry cornet, Gato Barbieri tenors saxophone, Pharoah Sanders, tenor saxophone & piccolo, Karl Berger vibes & piano, Henry Grimes & J.-F. Jenny-Clark double bass, Edward Blackwell drums. Following a 1964 Albert Ayler tour, trumpeter Don Cherry remained in Europe, working on new concepts of improvising based on form itself, developing his concepts with saxophonist Gato Barbieri, vibraphonist Karl Berger & bassist J.F. Jenny Clark, composing two brilliant albums: 1966'…
In the fall of 1966, Albert Ayler embarked on a European tour with his current quintet. For the first time, the four recorded concerts previously issued by Hat are presented here in one package, in chronological order. The group included his brother, trumpeter Donald Ayler, with whom he worked for years but the other three members were relative newcomers to the ensemble. Beaver Harris, who had played and recorded with Archie Shepp and Marion Brown, took over the drum duties from Ronald Shannon J…
The sessions Archie Shepp led for BYG over five days in August 1969 is a body of work that merits revisiting outside the context of the entire Actuel series and the well-trodden trope of the African American avant-garde in radical Paris. The resulting albums were not ad hoc firestorms: rather, they were considered statements mirroring the pan-stylistic of his Impulse! albums. Shepp's BYG are occasionally framed as somewhat anomalous items on his discography, but their subject is the same as that…
Together, ‘Spirits Rejoice’ and ‘Bell’s encapsulate a four month period where long-gestating ideas of Ayler’s were birthed, helping to usher in a conception of music unlike virtually anything else extant, paving the way for his own adventures of the next several years and, perhaps more importantly, providing an extremely fertile bed for a generation or two of musicians to come. – Brian Olewnick
Albert Ayler’s recording career was a short one, spanning only the years 1962 – 1970, yet he went thro…
Reissuing two essential albums from saxophonist Marion Brown--Why Not? (ESP, 1968) and Porto Novo (Polydor, 1969)--the first recorded in NY in a quartet with pianist Stanley Cowell, bassist Sirone and drummer Rashied Ali, the second recorded in The Netherlands in a trio with Han Bennink on drums and Maarten Van Regteren Altena on double bass; essential.
Merging and remastering two essential albums from free jazz saxophonist Marion Brown: his 1966 ESP album "Marion Brown Quartet" with trumpeter Alan Shorter, bassist Reggie Johnson and percussionist Rahied Ali; and his 1967 Fontana album "Juba-Lee" in a septet with Reggie Johnson, drummer Beaver Harris, pianist Dave Burrell, trombonist Grachan Moncur III & saxophonist Bennie Maupin.
Temporary Super Offer! "This album features the relatively unusual quartet line-up of two pianists and two percussionists. Equally unusual, though less so than it once was: the leader
on this date, pianist Judith Wegmann, is equally at home in improvisation and composed music. She's a composer, and an interpreter of composed music – her recording of Morton Feldman's Triadic Memories and For John Cage appeared recently on this label. But she's also a free improviser who draws on the tradition o…
Temporary Super Offer! Christoph Gallio and Markus Eichenberger, both born in 1957, have known each other since the early eighties and have played together a lot during this time, listening to music, visiting bars and occasionally taking a dip in the Rhine. At some point, their paths got lost until they crossed again in 2018 to regularly sound out their musical languages and create something new. Their performance at the "40 Years of WIM Zurich" festival remained unforgotten for many.
Eichenber…
Temporary Super Offer! ”In its sum, Draw From The Source recounts a multidimensional journey whose sources and paths constantly cross. Marco von Orelli and Sheldon Suter reveal a lot about themselves, about their individual idiosyncrasies and about their common feelings in this performance carried by finest lyricism. But behind this journey from the north to the south, from urban stagnation to Mediterranean lightness, there is also a call for us to reflect on the true nature of our existence in …
Temporary Super Offer! We can only answer that question from an individual perspective, based upon our perception of place, and space, and time, and stimuli. Each of these categories exists within a complex of contexts – for example, there is the stimulus of personal relationships, the stimulus of our health and that of others around us, the stimulus of political events, the stimulus of work, the stimulus of art. A work of art provides an interactive opportunity to ignite our perception with th…
Temporary Super Offer! To be free. What does that actually mean? Not in a social or even political sense. But as a human being? As a musician? When we speak of free improvised music, freedom is the mother of all things. And that in a literal- al sense. You free yourself from yourself. As human beings, we always act with the sum of what we have collected, stored and reflected in all the years before. An improviser does not have to apply his knowledge and skills intellectually, but instinctively. …
Temporary Super Offer! 'Even a cursory revisiting of Houle and von Orelli’s previous recordings confirms that the stark forum afforded by a horn duo strips their music to its essentials, their shared ability to make unorthodox forms and materials sing and dance being the most salient. Fresh, distanced, and potentially transformative perspectives abound on this album, and not just about the music of any other artist; but, more importantly, the tug and pull between the continuity represented by tr…
Neither musician has to be dominant to prove that he has something to say. Instead of trying to outdo each other, they develop a compelling, very soulful world of their own. In the history of jazz they are two more rhapsodists continuing the tradition, while changing the context of the stories and thus making them plausible. What is amazing is their calm maturity that does completely without the frills of elec- tronics. Dense and compact but at the same time transparent and delicate the music pr…