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For this "Library Vol. 1 / Espaces Urbains", we have gathered around this theme Parisian and French composers, subtractive jansenists obsessed by a certain idea of electronic and electroacoustic music, film music and illustration... the one that is made by turning potentiometers, manipulating waveforms, inventing oneself as a multi-instrumentalist and often as a home-studio wizard.A passionate, referenced and inspired machine song that often involves the computer only at the end of the chain, al…

Four realisations of John Lely's simple but brilliant composition 'The Harmonics of Real Strings', which is basically a very slow glissando along the full length of one bowed string. Anton Lukoszevieze plays one realisation on each string of the cello, following the harmonic transformations as they occur and producing an extraordinary example of 'the virtuosity of restraint'. John Lely originally composed the piece in 2006, and it was recorded in April 2014. "When I'm composing I'm learning, ask…

Two improvisations from an astonishing Munich performance in May 2019 by the Berlin-based duo of Lucio Capece - bass clarinet, slide saxophone, room acoustics and mini-speakers & Werner Dafeldecker - double bass. "The two pieces were recorded last year during our live performance at the ‘Offene Ohren’ concert series in Munich. On the disc are two unedited improvised sets. Lucio and I have known each other for many years and play together periodically. So the music was maybe ‘pre-planned’ to some…

Music for Krügerrand is a quartet piece written for eight gold bullion coins and eight oscillators, in which the materiality of bullion gold coins and the sonic properties of gold are investigated.  The quartet piece was commissioned by the G((o))ng Tomorrow festival and was premiered at Copenhagen Contemporary on November 7th, 2018. Music for Krügerrand was performed by an ensemble which featured Danish billionaire Lars Seier Christensen alongside Ying-Hsueh Chen, Jaleh Negari and the composer …

*In process of stocking* “Another psych holy grail, finally seeing the light of day. Oasis was an American rock band from Marin County, California active in the 1970s. They eventually morphed from the prog-folk ensemble R J Fox. Their self-titled debut album was released as a private press in 1973 by the Cranbus label in a small run of 150 copies, imagine that…The record was in fact never released in the States but only in Canada, such a mystery today. Coming from the west coast the band -  led …

* Original 1980 copies * Aboriginal musicians receive songs both from an eternal realm known as The Dreaming and from the ghosts of deceased ancestors. The music of the aborigines--known as "wangga"--rests "on cosmologies and ways of being that are radically different from those shared" by the majority of Australians and others from Western, modernized cultures. Music is primarily sung during ceremonial rites of passage and funeral rituals. Singers may occasionally be accompanied by the droning …

Kiyoharu Kuwayama (Lethe) is a Nagoya-based artist who began creating work in 1988 using a halftone-scale violin, household items, and other assorted found junk. After numerous collaborative performances and recordings, he began the ongoing "Catastrophe Point" series which makes use of the resonant qualities of huge abandoned industrial buildings.For this release, we have chosen two pieces of his guitar work from the mid to late 90s. The release is a dual format LP and cassette set, with the fiv…

Live was mostly recorded on November 1st, 2019, at Haus der Berliner Festspiele in Berlin, Germany, during the 2019 edition of JazzFest Berlin. For Angel Bat Dawid and her band Tha Brothahood – which includes Deacon Otis Cooke, Viktor Le Givens, Xristian Espinoza, Norman W. Long, Dr. Adam Zanolini, and Asher Simiso Gamedze – it was the first stop of their first European tour.  Forty-eight hours before the show, Angel and members of the band were on their way to the airport in Chicago when they r…

Recorded at home in Oreno di Vimercate (Italy), September 2012, using various kinds of sparkling liquids recorded through miniature holes on plastic bottles. No overdubs, postproduction or processing involved. Image courtesy of Archivio Alessandro Brivio.

Following on from the acclaimed Tiger Balm / Amazonia Dreaming / Immersion LP (BT028), Black Truffle is thrilled to present two major new instrumental works from legendary sound artist and experimental composer Annea Lockwood. Demonstrating the ever evolving and radically open nature of Lockwood’s practice, these two recent works were developed in close collaboration with their performers.  ‘Becoming Air’ (2018), developed with and performed by trumpeter Nate Wooley, uses extended technique and …

Fully immersive electronic music by US composer Maggi Payne, inspired by the arctic winds. Maggi Payne's sound worlds invite the listeners to enter the sound and be carried with it, experiencing it from the inside out in intimate detail. The sounds are almost tactile and visible. The music is based on location recordings, with each sound carefully selected for its potential—its slow unfolding revealing delicate intricacies—and its inherent spatialization architecting and sculpting the aural spac…

** 250 copies ** Riding the razor’s edge between rigorous experimentation, innovation, and tradition, London based, Italian composer, cellist, and electronic performer, Sandro Mussida, joins the Die Schachtel family with Rueben, his 3rd solo LP.Active since the early 2000s, Sandro Mussida worked extensively with Mark Fell, Curl Collective, Lorenzo Senni, Oren Ambarchi, and Alessandra Novaga, among others, as well as a founding member of the interdisciplinary artists' group TQS Collective, before…

** Deluxe double vinyl LP version in gatefold sleeve. Limited edition to 299 copies ** Merzbow stands as the most important artist in noise music. The moniker of Japanese artist Masami Akita was born in Tokyo in 1979. Inspired by dadaism and surrealism, Akita took the name for his project from German artist Kurt Schwitters's pre-war architectural assemblage The Cathedral of Erotic Misery or Merzbau. Working in his home, he quickly gained notoriety as a purveyor of a musical genre composed solely…

Almost all great music is bridge - spanning geography and time, defying easy definition. It is the product of collaboration and mutual respect - individual voice, fused within a collective force. These are the roots for the trio Vértice, an unlikely formation by experimental luminaries, Maurizio Bianchi, Saverio Evangelista, and Juan Manuel Cidrón - each hailing from their own discrete musical geography in Italy and Spain. Devotion to sound and craft are the bonds which join. Milan based Die Sch…

Warning: both audio and texts are written in Flemish and most probably not understandable for most people that live on planet earth!! If u do understand this confusing waste of vinyl and paper you will find poems (both written and audio) about a garage, a bra, a beach, a dad, a musical interferance, a mild irritation, a caesarsalad, and a duck.. this record and book was made in conjunction with the annual Bruismelk Festival at Scheldapen in Antwerp which happened on 26/07/2013 and was limited to…

After the monumental 'California Ax', the solid 'French Record' and the live capture 'Glass', Sissy Spacek return with a new offer. These 17 new tracks cover territory from grindcore, noise, noisecore, and electronics. This is an extreme noise assault based on grinding drums, harsh electronics and screamy vocals no space for acoustic improvisation or melodic sounds. Recorded in November 2008 by Charlie Mumma–Drums, Corydon Ronnau–Vocals and John Wiese–Electronics. Artwork and layout by John Wies…

**Edition of 200. Triangular cover** While often laying unobserved below a landscape of the seemingly unfamiliar, experimental music is the imagining of the future, embedded in a quest for fundamental truth. It is a music that attempts to speak of who we are, fueled by curiosity and formed into creative languages that seek new relationships to meaning and communication through organizations of sound. New Mexico based performer, improvisor, composer, and sound artist Raven Chacon’s latest LP, An …

Earthly Delights is a forgotten 1978 free-jazz masterpiece by bass player, composer and improviser David Wertman, alongside his Sun Ensemble. Born in 1952 and raised in Queens NY, Wertman’s distinctive upright playing style was entirely self-taught. He cut his teeth in the notorious New York Jazz lofts, jamming for hours and hours with the likes of Billy Bang, Arthur Blythe, Marion Brown, Steve Reid, Dave Pike, William Parker, Brandon Ross and Charles Tyler to name but a few. Earthly Delights is…

**700 copies** We are proud to introduce this new Superfly reissue, produced in collaboration with Universal Music Japan and Production Dessinee. Japanese modal jazz rarity originally released on Philips Japan in 1970. Dream line-up (Yoshio Ikeda, Masabumi Kikuchi, George Ohtsuka) playing stunning compositions : this one is a must! Gatefold artwork to die for as well. State-of- the-art repress with vintage Japanese quality touch, including obi and insert, strictly limited to 700 copies.

** Limited edition vinyl LP with insert containing lyrics in English and Arabic ** Unique contemporary Arabic folk music sounding unfrozen & released from another time, Natik Awayez has created a pure, expressive sound breaking free like a bundle of torn, faded oracles spreading far and wide across the empty spaces. Rhythmic percussive arrangements by Khaled Yassine are the foundation for oud, violin, buzuq, and Awayez’ lush voice, which floats atop the instrumentation like a series of prayers b…

Les Mémoires d'un Ventriloque ("memories of a ventriloquist") is the long-awaited anthology of Pascal Comelade's collaborations with singers, recorded between 1981 and 2018, and featuring Robert Wyatt, PJ Harvey, and Jac Berrocal, among many others. Almost all tracks are rare, have only been released on CDs or compilations, have been re-worked by Pascal Comelade for this release, or have never been released before. French-Catalan musician Pascal Comelade, born June 30, 1955 in Montpellier, began…

Mark Leckey presents the soundtrack to his autobiographical allegory ‘O’ Magic Power of Bleakness’, a mind sluicing fantasy inspired by folklore and half-remembered tales of teenage life growing up in the Wirral, a personal history woven into screwed 808s, ringtones, sacred chimes, smudged synths and levitating ambience that sounds like nowt else.

A stunning collection of anecdotes, photographs, articles and sound clips that do not intend to be complete - they form a retrospective of the evolution of Logos since 1968

"The beauty of all this, as well as its sorrowful brutality, is even more powerful and stupefying since Ghédalia's sudden departure. Because retrospectively, not only is this recording the trace of a rare moment in a Parisian garden, it also summons a ghost, that of a loved one that is gone, and of his voice, which is fully alive here."  Ghedalia Tazartes and Rhys Chatham had met once in 1977 at CBGC's and had not seen each other since then when they were asked by their mutual agent to play a pr…

LP only. Limited Edition of 130 copies. These 37 minutes mark a turning point in Uhlig,s work. "Genmaicha: At the opal seashore (the last full length Aalfang Mit Pferdekopf-album on Mystery Sea, October 2005) was a already a vague hint of what comes now: Uhlig on the peak of low volume. "VIVMMI is divided into five segments accompanied by a host of verdant birds and the melancholic and peaceful humming chords of an old droning piano (and without much doubt: completely out-of-tune). As if someone…

The Swedish dancer, choreographer, and performer, Greta Lindholm, has remained, since her emergence during the late 1960s, a singular and unique force on the global contemporary dance scene. Having developed a synthetic and experimental approach to movement and generative sound, her boundary pushing body of work can be understood as a celebration of the body and its languages, and their intimate relationship with the voice; using primarily foot drumming and vocal rhythms, her body is transformed…

The Sea Is Rough is only a single (released as a 12’’ EP, played in 45 rpm) that features 2 pieces, recorded by the Russian power-pree jazz outfit Brom (Бром) with Japanese legendary trumpeter Toshinori Kondo, known for his collaborations with innovative improvisers around the globe like Peter Brötzmann, Han Bennink, Henry Kaiser, Bill Laswell and Paal Nilssen-Love. This promising meeting of Brom and Kondo was recorded at Orange Studio, Moscow in March 2019.  The first version of the title-piece…

*2022 stock* The duo Minit (Jasmine Guffond and Torben Tilly) have taken a slightly more melancholic turn for their first release on Staubgold. Their two previous efforts released on the Sigma label were more abstract. This one marks an increase in lushness, smoothness, and dreamy near-melodies. In fact, Now Right Here could be described as a cross between Fennesz's Venice and Rosy Parlane's Iris. It has the filtered instrumental/melodic component of the former and the softer noise textures of t…

"No Songs Name, No Band Members Name, No Contact, No Nothing!!!". Mysterious 10" released on French label Yakisakana

*2022 stock* 1986's Rituals is one of the best-kept secrets of the Belgian synth-pop/coldwave movement -- sinister, dark, with touching melodies. Peter Bonne and Geert Coppens had already been playing for a few years in other projects such as Autumn and Linear Movement, and in 1985 they managed to create this stunning album. Highlights on the album include "I Never Called You a Dream," "Rooms," "Amorphous Materials," "Closed Circuit," and every other track. When the LP was originally released, b…

*2022 stock. In process of stocking* 'Fred Anderson is from Chicago, a city like Detroit known for the strength of its music scene. High time that he was shown in the light of this great quartet session, Birdhouse. Anderson’s association with Hamid Drake has germinated here with Anderson’s quartet giving a searching performance of his [Anderson’s] compositions. Birdhouse reflects that kind of powerful play where the roots are so strong, the music can evolve farther without losing the thread of i…

*2022 stock. In process of stocking* AALY Trio (Gustafsson, Nordeson, Flaten) on left channel; DKV Trio (Vandermark, Kessler, Drake) on right channel.Recorded September 23, 1999 at Airwave Studios, Chicago.Track 2 is a long performance with an index point at the start of the Awake Nu theme.

*2022 stock. In process of stocking* 'Recorded live during the “Women of New Music” festival in Chicago, [this] OkkaDisk set is marred — Crispell-wise — only by having the piano mixed down too low and occasionally swamped by saxophone and percussion. Otherwise it finds her in thoroughly sympathetic company. Anderson’s diction is Coltrane-influenced but generously... This seems like a relationship written in the stars, and it allows them to build up whole areas of interaction in which the exchang…

*2022 stock. In process of stocking* Fred Anderson & DKV Trio is an excellent jazz album that captures the high level of musicianship possessed by these top Chicago players. Heard here are saxophonist Fred Anderson (founding member of the AACM), percussionist Hamid Drake, bassist Kent Kessler, and reeds man Ken Vandermark. With this group, there is no "warming up"; they're hot from the opening notes. "Planet E" is the first cut, and within no time the fire is stoked and the musicians move, wail,…

*2022 stock* "The rhythm section is thunderous in general with Nilssen-Love providing polyrhythmic barrage fire to Brötzmann’s assaults. It is a vortex of sounds – some shrieking, others almost torn, spat, even puked – owing credits both to hardcore and to Dadaistic sound poems, sharing their free rhythms, their devoted declamation and their rejection of conventional form and content. Trio Roma is a supremely passionate and committed group." -Martin Schray, Free Jazz Blog

Recorded by RLW (Ralf Wehowsky of P16.D4) and srmeixner (Stephen Meixner of Contrastate) between 2010 and 2013. The first emanation of the project came up with two versions of one mutual piece (Sunglasses by rlw, Wishing by srm). The core structural elements of the release can be seen in srm's meditation on sentiment (old hearts) and rlw's textased pieces (Prach-tjunge, Alle, Definition). More instrumentally based are Gummidorf (srm) and Spaßbremse rlw). Beyond this a signment both artists have …

Tip! Written, performed, and produced by Mats Gustafsson (STIM/N©B) & Tony Lugo. Mats Gustafsson: Alto, Tenor, Baritone and Bass Saxophones, FluteTony Lugo: Drums, ElectronicsMats Gustafsson & Tony Lugo: Concatenative Synthesis & Machine Listening Algorithms Recorded May-July 2021 by Olof Madsen at Discaholic Studios, Nickelsdorf, Austria & Craig Bowen at Tempo House, Baltimore, MDMixed by Craig BowenMastered by Lasse MarhaugDesign by Tony LugoPhotography by Mats GustafssonArtwork by Peter Brötz…

'Both bassists had made regular appearances in Victo over the past two decades, but no one in the audience could have guessed that it would be Kowald's last. The German improviser died in New York City four months later. The French-Canadian radio was not recording this concert, but the mixing desk engineer kept a tape rolling, just in case, and negotiations toward the release of this performance were already in progress when fate struck. There is magic on this record, especially in the last minu…

'If you are a Fushitsusha or Keiji Haino fan, you already know to just forget what the title of this CD means -- you are never going to know unless you have a lot of familiarity with the early decades of the English language. If you aren't a fan, then who cares anyway? This Fushitsusha date was recorded live at the Victoriaville Festival in Quebec in 1997. Guitarist Haino and longtime bassist Yasushi Ozawa broke in then-new drummer Ikuro Takahashi. The set is just over an hour long and is broken…

'It was the unexpected event of the 2005 FIMAV festival: avant jazz legend Anthony Braxton joining noisy bad boys Wolf Eyes on-stage. But it did not come completely out of left field. A few months earlier at another festival, the 60-year-old saxophonist had attended a performance by the Michigan noise trio and was transformed, buying a copy of everything the band had to sell that night. The man had been hit in the face by noise music. At the 22nd FIMAV, Braxton was scheduled to play a duo concer…