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*2022 stock. In process of stocking* 'Recorded live during the “Women of New Music” festival in Chicago, [this] OkkaDisk set is marred — Crispell-wise — only by having the piano mixed down too low and occasionally swamped by saxophone and percussion. Otherwise it finds her in thoroughly sympathetic company. Anderson’s diction is Coltrane-influenced but generously... This seems like a relationship written in the stars, and it allows them to build up whole areas of interaction in which the exchang…

*2022 stock. In process of stocking* Fred Anderson & DKV Trio is an excellent jazz album that captures the high level of musicianship possessed by these top Chicago players. Heard here are saxophonist Fred Anderson (founding member of the AACM), percussionist Hamid Drake, bassist Kent Kessler, and reeds man Ken Vandermark. With this group, there is no "warming up"; they're hot from the opening notes. "Planet E" is the first cut, and within no time the fire is stoked and the musicians move, wail,…

*2022 stock* "The rhythm section is thunderous in general with Nilssen-Love providing polyrhythmic barrage fire to Brötzmann’s assaults. It is a vortex of sounds – some shrieking, others almost torn, spat, even puked – owing credits both to hardcore and to Dadaistic sound poems, sharing their free rhythms, their devoted declamation and their rejection of conventional form and content. Trio Roma is a supremely passionate and committed group." -Martin Schray, Free Jazz Blog

Recorded by RLW (Ralf Wehowsky of P16.D4) and srmeixner (Stephen Meixner of Contrastate) between 2010 and 2013. The first emanation of the project came up with two versions of one mutual piece (Sunglasses by rlw, Wishing by srm). The core structural elements of the release can be seen in srm's meditation on sentiment (old hearts) and rlw's textased pieces (Prach-tjunge, Alle, Definition). More instrumentally based are Gummidorf (srm) and Spaßbremse rlw). Beyond this a signment both artists have …

Tip! Written, performed, and produced by Mats Gustafsson (STIM/N©B) & Tony Lugo. Mats Gustafsson: Alto, Tenor, Baritone and Bass Saxophones, FluteTony Lugo: Drums, ElectronicsMats Gustafsson & Tony Lugo: Concatenative Synthesis & Machine Listening Algorithms Recorded May-July 2021 by Olof Madsen at Discaholic Studios, Nickelsdorf, Austria & Craig Bowen at Tempo House, Baltimore, MDMixed by Craig BowenMastered by Lasse MarhaugDesign by Tony LugoPhotography by Mats GustafssonArtwork by Peter Brötz…

'Both bassists had made regular appearances in Victo over the past two decades, but no one in the audience could have guessed that it would be Kowald's last. The German improviser died in New York City four months later. The French-Canadian radio was not recording this concert, but the mixing desk engineer kept a tape rolling, just in case, and negotiations toward the release of this performance were already in progress when fate struck. There is magic on this record, especially in the last minu…

'If you are a Fushitsusha or Keiji Haino fan, you already know to just forget what the title of this CD means -- you are never going to know unless you have a lot of familiarity with the early decades of the English language. If you aren't a fan, then who cares anyway? This Fushitsusha date was recorded live at the Victoriaville Festival in Quebec in 1997. Guitarist Haino and longtime bassist Yasushi Ozawa broke in then-new drummer Ikuro Takahashi. The set is just over an hour long and is broken…

'It was the unexpected event of the 2005 FIMAV festival: avant jazz legend Anthony Braxton joining noisy bad boys Wolf Eyes on-stage. But it did not come completely out of left field. A few months earlier at another festival, the 60-year-old saxophonist had attended a performance by the Michigan noise trio and was transformed, buying a copy of everything the band had to sell that night. The man had been hit in the face by noise music. At the 22nd FIMAV, Braxton was scheduled to play a duo concer…

'It was a match made in heaven, or rather on earth, at last year's 20th Festival International de Musique Actuelle de Victoriaville. Five vocal artists on one stage—Dutch Jaap Blonk, Japanese Koichi Makigami, Canadian sound poet Paul Dutton, Englishman Phil Minton, and German new music singer David Moss—was indeed one of the highlights of the '03 Victoriaville Festival. Only mad vocalist Mike Patton was missing. These five men had never performed together on one stage, though they have worked wi…

Anthony Braxton and Fred Frith each have about as close a relationship to the Festival International de Musique Actuelle de Victoriaville as just about any non-Canadians. The first release on Victo, the label run by the producers of the annual Canadian festival, was a guitar duo with Frith and Rene Lussier; the second was a duet between Braxton and Derek Bailey. Until this year, each had released three discs on the label. But 2005 was the Year of Braxton and the label has released three new Brax…

*2022 stock* Official reissue of the iconic Capitol album remixed from the original multi-tracks masters. Produced, Mixed and Mastered by Chris Malone. Also includes a separate 4-page insert with authoritative in-depth liner notes by Jon BurlingameQuartet Records, in collaboration with Metro-Goldwyn-Mayer, Capitol Records, Universal Music Enterprises and the Phil Ramone estate, present the official LP reissue of the iconic soundtrack album for the landmark film Midnight Cowboy, directed by John …

Frederic Rzewski’s work “The People United Will Never Be Defeated” is based on the Chilean protest song, “¡El pueblo unido jamás será vencido!,” written by Sergio Ortega a few months before Pinochet’s military coup in September of 1973.Frederic Rzewski came to Europe as a young man, lived in Cologne and Rome, and created a sensation as an avant-garde pianist with his premiere of Karlheinz Stockhausen’s “Klavierstück X”. He worked with the leading composers of the time and was himself a composer.…

*In process of stocking* The final installment of the electronic fusion projects that Walter Bachauer concocted for Klaus Schulze’s Innovative Communication label, Visions of Audio delves further into minimalist musique concrete, extending themes developed on Memorymetropolis in drawing on non-European vocal chants, here applied in dissociative layers. The diverse, complex arrangements include the symphonic synths of ‘Promised Land’ and the war-mode Sensurround of ‘1922 In Baku,’ as well as the …

"Operating at an extremely high level, Smyth and Corsano share a special connection. One can almost see their thoughts syncing together and their bodies merging into one four-armed monster. Several moments are reminiscent of the best work from Cecil Taylor and Tony Oxley, while still managing to sound like Smyth and Corsano." — Burning Ambulance “With the energy and focus on display, it is tempting to compare the meeting to two heavyweights coming toe-to-toe, prepared to slug it out… but that wo…

“a brisk but free-flowing dialogue with phrases and ideas being batted back and forth between them ... in effect, they are soloing simultaneously with each being aware of the other's playing and responsive to it. Even when Parker gets locked into one of his protracted, circular-breathing solos, Smyth is still there with him, responding with an impressively gargantuan solo of his own. The two obviously understand and complement each other well.” — John Eyles, All About Jazz “Parker and Smyth use …

"'Proprioception' initially focuses on his acoustic improvisations, studio recordings with a startlingly vivid and intimate sound, so near that one feels like an occupant of the clarinet itself. When he adds amplification to the clarinet he presses it into the sonic territory of an electric guitar." — The New York City Jazz Record "Not only London's, but probably the UK's finest exponent of free, extended technique improv on clarinet is also a gripping solo performer, as he proves here." — Jazzw…

4-disc boxset with 20-page booklet documenting Mopomoso's triumphant UK tour in 2013. disc 1 – Evan Parker / John Russell / John Edwards – Chasing The Peripanjandra disc 2 – Pat Thomas – Naqsh disc 3 – Alison Blunt / Benedict Taylor / David Leahy – Knottings disc 4 – Kay Grant / Alex Ward – Seven Cities "On this evidence, 'Making Rooms' already seems certain to feature prominently in many an end-of-year list of best releases. Yes, a future classic." — All About Jazz "'Making Rooms' has a connect…

Bathroom electronics. Approximate synthesis, approximate songs, approximate melancholy. Drowned nature and dummy melodies

Love CD by Fusiller allows an intimate exploration of his very own musical language presented through his crafted electronic instruments, skills coming form his engineering background. This coupled material and theoretic control, leads to unique meaning structures where haunting evocations join spectral contrasts in a very pure form, evenly poor and massive, inherited from industrial and electroacoustic music.

**500 copies, never released before on any format!** And what if the infamous Underground and Overground albums had a third psychedelic chapter, still secret and unreleased until today? This Superground LP is sonically akin to the legendary pair for which composer Sandro Brugnolini will always shine worldwide, and ideally brings the trilogy to a close. Composed and recorded in two sessions between July 1969 and November 1970, the album echoes the shocking 1969's Charles Manson massacre, with tra…

** 14x7" Singles Boxset, limited to 128 numbered copies, celebrating Unrock's 25th anniversary as an entity ** The Well Known Strangers 7“ Singles Box Set documents the history of the Unrock singles (as we know it).  International dervishes galore….Fourteen singles, thirteen were originally released in the Unrock Series, or have been part  of our Saraswati Series and came first with the Early-Bird-Editions of the regular albums. Instead of the only missing single (Bill Orcutt/Sir Richard Bishop …

Music originally composed by Elisa Faires for a sound installation. Later released on vinyl by Eroto Tox Decodings. Elisa Faires: composer, recording engineer, mix engineer, producer, design, vocalsThomas Dimuzio: masteringChandra Shukla: designNicole McConville: photography

Sorry For Laughing is a project by Gordon H. Whitlow who is also a member of legendary US avantgarde collective Biota, formerly Mnemonists or Mnemonist Orchestra. Their music is a mixture of modern classical, experimental sounds, noise, industrial, avant-garde, songwriting and free jazz. Their releases were published by their own self-produced label Dys between 1981 and 1986. By 1985 the group had split off into separate groups for visual and audio work. From that time, Mnemonists operated only …

Room 40 presents Canto+ by Beatriz Ferreyra. "I’m not really sure when I first heard Beatriz Ferreyra’s music. My best guess would be in the early to mid 2000s when I was working alongside the curatorial team at Liquid Architecture. Given the focus of the festival at that time, GRM and musique concrète more generally was very much a point of focus. That said, it wasn’t until this decade that her work was sharply in focus for me (and I am guessing a great many others). In 2017, I had the great pl…

"Noir" is the first studio album of the bleakly imaginative trio Marteau Rouge (French for "Red Hammer"), consisting of Makoto Sato on drums, Jean-Marc Foussat on VSC 11 and vocals and the talented guitar player Jean-Francois Pauvros (former collaborator of proper miliar stones of noise scene such as Sonic Youth and Keiji Haino), after their brilliant live recording with legendary free-improvisational saxophone player Evan Parker, whose absence on this record gives this amazing ensemble the poss…

*Limited edition of 500 copies.* Quartet Records, in collaboration with Cinevox Records, presents the premiere release of the soundtrack to Bruno Mattei’s 1980 iconic zombie film Virus (aka Virus, L’inferno Dei Morti Viventi, aka Apocalipsis Caníbal, aka Hell Of The Living Dead), which compiles together both library music and an original score composed by Gianni Dell’Orso. Virus largely takes place in Papua New Guinea, as a group of mercenaries are sent to resolve an imminent zombie outbreak. Th…

Quartet Records, in collaboration with Capitol Records, presents the premiere CD edition of renowned British composer Ed Welch’s classy score for the 1978 version of The Thirty-Nine Steps.Famously filmed by Alfred Hitchcock in 1935, the first adaptation of John Buchan’s classic thriller novel actually strayed far away from its source material. Directed by Don Sharp, the 1978 version starring Robert Powell as Richard Hannay follows the novel more closely, telling the story of an unwitting enginee…

“Deep Throat” is the soundtrack for the famous american pornographic film that was at the forefront of the Golden Age of Porn, released by Kieh! Kieh!.

*2022 stock* Kurt Schwitters’ “Sonate in Urlauten” [Sonata in Primal Sounds] is the prototypical work at the border between speech and music. The concise title of the work alone forges a suggestive link between language material and the musical form of the sonata; the "Ursonate" almost proverbially stands for sound poetry. For Schwitters, who was actively involved in promoting his sound-poetical opus magnum, even as his own interpreter, it was difficult to imagine that his work could survive wit…

*2022 stock* George Brecht, Alison Knowles, Philip Corner. "Fluxus! The New York-born artists whose radio plays are collected on this CD, Philip Corner, Alison Knowles, and George Brecht, have appeared together in performances, and they are also connected by their relationship to John Cage's aesthetic, by work with chance operations, and by Zen. Explaining Fluxus is like wanting to hold a river in your hand." Includes the pieces "Satie's Rose Cross as a Revelation" by Philip Corner, "Bean Sequen…

Subtitled "Describing Planes Of an Expanding Hypersphere". Recorded in 1984 but held up in a post-production stasis until now, this is music for 5 guitars, mallet guitar, violin, drums, bass, keyboards, that is being touted as the "most dense, cacophonous Branca symphony yet." Glenn's music gets quite often inaccurately described as wall-of-sound/noise/guitars/whatever. A wall exists for the purpose of containment. 'Symphony No. 5' is expansive beyond limits, smashing the wall (at least sonicall…

Robert Filliou (17 January 1926 – 2 December 1987) was a French artist associated with Fluxus, who produced works as a filmmaker, "action poet," sculptor, and happenings maestro. A 45 minute conversation by these two icons of the Fluxus movement, in French language. This tape was made for a gallery show in The Hague, few copies available

**few copies back in stock** Special edition white vinyl reissue to celebrate 40 years of TG! Includes stickers, inserts and download code with additional audio.Restored and remastered by Chris Carter from 24bit 'baked tape' digital transfers of the original first generation analogue master tapes. Originally released in 1977, TG's Second Annual Report features various recordings of "Slug Bait" and "Maggot Death," plus the 20-minute soundtrack to After Cease To Exist, a short film featuring a cas…

Since 2016 Sfyria Trio is the Chicago/NY free improvising trio of tenor saxophonist Sam Decker (Shorve, Logan Strosahl Team, Green and Grass), bassist Charlie Kirchen (The Few, Rooms, Charlie Kirchen Quartet), and drummer Matt Carroll (Ohmme, Typical Sisters, Rooms), performing their unique improv idiom incorporating elements from a wide range of musical perspectives.

* Limited to 445 sets. Comes with obi. 7inch and booklet are in white paper sleeve that written Yoshiko Sai's signature and numbering. P-Vine official online store & Disk Union exclusive * 5 reissue LPs (Mangekyo, Mikkou, Taiji no Yume, Chou no Sumu Heya, Takla Makan) Limited 7" ep including new recording (no sale separately, just for this set) A-side is her new song "Nihonichi Chiisana Mura" which is collaboration with Seiichi Yamamoto (recorded just 5 days ago!), Sai-san played this song somet…

*2022 stock* Magnetic tape for serial use is not the prerogative of Stockhausen or the French members of the GRM. On the other side of the Alps, at the RAI Studio di Fonologia in Milan, Luigi Nono worked for a long time on the development of a new form of theatrical composition. In the 1960s, his research led to the creation of a series of works that are difficult to classify: A floresta è jovem e cheja de vida (1966), Y entonces comprendió (1969-70), but especially La fabbrica illuminata from 1…

*2022 stock* This CD of works by the Hungarian composer György Ligeti represents an extremely interesting combination of several of his serene works for harpsichord, organ, and wind quintet with two electronic compositions from the late 1950s.

Hidden but not forgotten, hinted at through piecemeal reference after the fact, the creative efforts of the members of this West-Coast-centric cadre of art mutants first took shape in the early 1980s in Chico, California, home to a state university infamous for its alcohol-embracing student body. Twenty-five years later, in 2009 to be exact, Induced Music Spasticity, the 4xLP boxest of unheard home-made four-track recordings of tape experiments, electronic improv, spoken word, live recordings, p…

Comprising Bert Jansch’s seminal 1960s output (alongside his only album as a duet with Pentangle bandmate John Renbourn) this four disc set covers an era that forged creative paths for everyone from Neil Young to Johnny Marr. New listening notes from Bill Leader, as well as unseen photographs from Brian Shuel complete this special collection.  Where to start with a career as prolific as that of Bert Jansch? Why, the beginning of course. Bert’s first studio (though as Bill Leader rightly poin…

What you hear on Fly is Yoko Ono's disarming combination of opacity and visceral, personal transparency in full bloom. It's one of the most unbridled, most captivating soul albums ever made. And that's right where she wants you: vulnerable, wide open to any-and-everything, ready to have your world tipped onto its head. She's a master of spinning your head around. First, you get the Bar Band from Hell of "Midsummer New York" to kick things off. It's about the last thing you'd expect from O…