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After the monumental 'California Ax', the solid 'French Record' and the live capture 'Glass', Sissy Spacek return with a new offer. These 17 new tracks cover territory from grindcore, noise, noisecore, and electronics. This is an extreme noise assault based on grinding drums, harsh electronics and screamy vocals no space for acoustic improvisation or melodic sounds. Recorded in November 2008 by Charlie Mumma–Drums, Corydon Ronnau–Vocals and John Wiese–Electronics. Artwork and layout by John Wies…

**Edition of 200. Triangular cover** While often laying unobserved below a landscape of the seemingly unfamiliar, experimental music is the imagining of the future, embedded in a quest for fundamental truth. It is a music that attempts to speak of who we are, fueled by curiosity and formed into creative languages that seek new relationships to meaning and communication through organizations of sound. New Mexico based performer, improvisor, composer, and sound artist Raven Chacon’s latest LP, An …

Earthly Delights is a forgotten 1978 free-jazz masterpiece by bass player, composer and improviser David Wertman, alongside his Sun Ensemble. Born in 1952 and raised in Queens NY, Wertman’s distinctive upright playing style was entirely self-taught. He cut his teeth in the notorious New York Jazz lofts, jamming for hours and hours with the likes of Billy Bang, Arthur Blythe, Marion Brown, Steve Reid, Dave Pike, William Parker, Brandon Ross and Charles Tyler to name but a few. Earthly Delights is…

**700 copies** We are proud to introduce this new Superfly reissue, produced in collaboration with Universal Music Japan and Production Dessinee. Japanese modal jazz rarity originally released on Philips Japan in 1970. Dream line-up (Yoshio Ikeda, Masabumi Kikuchi, George Ohtsuka) playing stunning compositions : this one is a must! Gatefold artwork to die for as well. State-of- the-art repress with vintage Japanese quality touch, including obi and insert, strictly limited to 700 copies.

** Limited edition vinyl LP with insert containing lyrics in English and Arabic ** Unique contemporary Arabic folk music sounding unfrozen & released from another time, Natik Awayez has created a pure, expressive sound breaking free like a bundle of torn, faded oracles spreading far and wide across the empty spaces. Rhythmic percussive arrangements by Khaled Yassine are the foundation for oud, violin, buzuq, and Awayez’ lush voice, which floats atop the instrumentation like a series of prayers b…

Les Mémoires d'un Ventriloque ("memories of a ventriloquist") is the long-awaited anthology of Pascal Comelade's collaborations with singers, recorded between 1981 and 2018, and featuring Robert Wyatt, PJ Harvey, and Jac Berrocal, among many others. Almost all tracks are rare, have only been released on CDs or compilations, have been re-worked by Pascal Comelade for this release, or have never been released before. French-Catalan musician Pascal Comelade, born June 30, 1955 in Montpellier, began…

Mark Leckey presents the soundtrack to his autobiographical allegory ‘O’ Magic Power of Bleakness’, a mind sluicing fantasy inspired by folklore and half-remembered tales of teenage life growing up in the Wirral, a personal history woven into screwed 808s, ringtones, sacred chimes, smudged synths and levitating ambience that sounds like nowt else.

A stunning collection of anecdotes, photographs, articles and sound clips that do not intend to be complete - they form a retrospective of the evolution of Logos since 1968

"The beauty of all this, as well as its sorrowful brutality, is even more powerful and stupefying since Ghédalia's sudden departure. Because retrospectively, not only is this recording the trace of a rare moment in a Parisian garden, it also summons a ghost, that of a loved one that is gone, and of his voice, which is fully alive here."  Ghedalia Tazartes and Rhys Chatham had met once in 1977 at CBGC's and had not seen each other since then when they were asked by their mutual agent to play a pr…

LP only. Limited Edition of 130 copies. These 37 minutes mark a turning point in Uhlig,s work. "Genmaicha: At the opal seashore (the last full length Aalfang Mit Pferdekopf-album on Mystery Sea, October 2005) was a already a vague hint of what comes now: Uhlig on the peak of low volume. "VIVMMI is divided into five segments accompanied by a host of verdant birds and the melancholic and peaceful humming chords of an old droning piano (and without much doubt: completely out-of-tune). As if someone…

The Swedish dancer, choreographer, and performer, Greta Lindholm, has remained, since her emergence during the late 1960s, a singular and unique force on the global contemporary dance scene. Having developed a synthetic and experimental approach to movement and generative sound, her boundary pushing body of work can be understood as a celebration of the body and its languages, and their intimate relationship with the voice; using primarily foot drumming and vocal rhythms, her body is transformed…

The Sea Is Rough is only a single (released as a 12’’ EP, played in 45 rpm) that features 2 pieces, recorded by the Russian power-pree jazz outfit Brom (Бром) with Japanese legendary trumpeter Toshinori Kondo, known for his collaborations with innovative improvisers around the globe like Peter Brötzmann, Han Bennink, Henry Kaiser, Bill Laswell and Paal Nilssen-Love. This promising meeting of Brom and Kondo was recorded at Orange Studio, Moscow in March 2019.  The first version of the title-piece…

*2022 stock* The duo Minit (Jasmine Guffond and Torben Tilly) have taken a slightly more melancholic turn for their first release on Staubgold. Their two previous efforts released on the Sigma label were more abstract. This one marks an increase in lushness, smoothness, and dreamy near-melodies. In fact, Now Right Here could be described as a cross between Fennesz's Venice and Rosy Parlane's Iris. It has the filtered instrumental/melodic component of the former and the softer noise textures of t…

"No Songs Name, No Band Members Name, No Contact, No Nothing!!!". Mysterious 10" released on French label Yakisakana

*2022 stock* 1986's Rituals is one of the best-kept secrets of the Belgian synth-pop/coldwave movement -- sinister, dark, with touching melodies. Peter Bonne and Geert Coppens had already been playing for a few years in other projects such as Autumn and Linear Movement, and in 1985 they managed to create this stunning album. Highlights on the album include "I Never Called You a Dream," "Rooms," "Amorphous Materials," "Closed Circuit," and every other track. When the LP was originally released, b…

*2022 stock. In process of stocking* 'Fred Anderson is from Chicago, a city like Detroit known for the strength of its music scene. High time that he was shown in the light of this great quartet session, Birdhouse. Anderson’s association with Hamid Drake has germinated here with Anderson’s quartet giving a searching performance of his [Anderson’s] compositions. Birdhouse reflects that kind of powerful play where the roots are so strong, the music can evolve farther without losing the thread of i…

*2022 stock. In process of stocking* AALY Trio (Gustafsson, Nordeson, Flaten) on left channel; DKV Trio (Vandermark, Kessler, Drake) on right channel.Recorded September 23, 1999 at Airwave Studios, Chicago.Track 2 is a long performance with an index point at the start of the Awake Nu theme.

*2022 stock. In process of stocking* 'Recorded live during the “Women of New Music” festival in Chicago, [this] OkkaDisk set is marred — Crispell-wise — only by having the piano mixed down too low and occasionally swamped by saxophone and percussion. Otherwise it finds her in thoroughly sympathetic company. Anderson’s diction is Coltrane-influenced but generously... This seems like a relationship written in the stars, and it allows them to build up whole areas of interaction in which the exchang…

*2022 stock. In process of stocking* Fred Anderson & DKV Trio is an excellent jazz album that captures the high level of musicianship possessed by these top Chicago players. Heard here are saxophonist Fred Anderson (founding member of the AACM), percussionist Hamid Drake, bassist Kent Kessler, and reeds man Ken Vandermark. With this group, there is no "warming up"; they're hot from the opening notes. "Planet E" is the first cut, and within no time the fire is stoked and the musicians move, wail,…

*2022 stock* "The rhythm section is thunderous in general with Nilssen-Love providing polyrhythmic barrage fire to Brötzmann’s assaults. It is a vortex of sounds – some shrieking, others almost torn, spat, even puked – owing credits both to hardcore and to Dadaistic sound poems, sharing their free rhythms, their devoted declamation and their rejection of conventional form and content. Trio Roma is a supremely passionate and committed group." -Martin Schray, Free Jazz Blog

Recorded by RLW (Ralf Wehowsky of P16.D4) and srmeixner (Stephen Meixner of Contrastate) between 2010 and 2013. The first emanation of the project came up with two versions of one mutual piece (Sunglasses by rlw, Wishing by srm). The core structural elements of the release can be seen in srm's meditation on sentiment (old hearts) and rlw's textased pieces (Prach-tjunge, Alle, Definition). More instrumentally based are Gummidorf (srm) and Spaßbremse rlw). Beyond this a signment both artists have …

Tip! Written, performed, and produced by Mats Gustafsson (STIM/N©B) & Tony Lugo. Mats Gustafsson: Alto, Tenor, Baritone and Bass Saxophones, FluteTony Lugo: Drums, ElectronicsMats Gustafsson & Tony Lugo: Concatenative Synthesis & Machine Listening Algorithms Recorded May-July 2021 by Olof Madsen at Discaholic Studios, Nickelsdorf, Austria & Craig Bowen at Tempo House, Baltimore, MDMixed by Craig BowenMastered by Lasse MarhaugDesign by Tony LugoPhotography by Mats GustafssonArtwork by Peter Brötz…

'Both bassists had made regular appearances in Victo over the past two decades, but no one in the audience could have guessed that it would be Kowald's last. The German improviser died in New York City four months later. The French-Canadian radio was not recording this concert, but the mixing desk engineer kept a tape rolling, just in case, and negotiations toward the release of this performance were already in progress when fate struck. There is magic on this record, especially in the last minu…

'If you are a Fushitsusha or Keiji Haino fan, you already know to just forget what the title of this CD means -- you are never going to know unless you have a lot of familiarity with the early decades of the English language. If you aren't a fan, then who cares anyway? This Fushitsusha date was recorded live at the Victoriaville Festival in Quebec in 1997. Guitarist Haino and longtime bassist Yasushi Ozawa broke in then-new drummer Ikuro Takahashi. The set is just over an hour long and is broken…

'It was the unexpected event of the 2005 FIMAV festival: avant jazz legend Anthony Braxton joining noisy bad boys Wolf Eyes on-stage. But it did not come completely out of left field. A few months earlier at another festival, the 60-year-old saxophonist had attended a performance by the Michigan noise trio and was transformed, buying a copy of everything the band had to sell that night. The man had been hit in the face by noise music. At the 22nd FIMAV, Braxton was scheduled to play a duo concer…

'It was a match made in heaven, or rather on earth, at last year's 20th Festival International de Musique Actuelle de Victoriaville. Five vocal artists on one stage—Dutch Jaap Blonk, Japanese Koichi Makigami, Canadian sound poet Paul Dutton, Englishman Phil Minton, and German new music singer David Moss—was indeed one of the highlights of the '03 Victoriaville Festival. Only mad vocalist Mike Patton was missing. These five men had never performed together on one stage, though they have worked wi…

Anthony Braxton and Fred Frith each have about as close a relationship to the Festival International de Musique Actuelle de Victoriaville as just about any non-Canadians. The first release on Victo, the label run by the producers of the annual Canadian festival, was a guitar duo with Frith and Rene Lussier; the second was a duet between Braxton and Derek Bailey. Until this year, each had released three discs on the label. But 2005 was the Year of Braxton and the label has released three new Brax…

*2022 stock* Official reissue of the iconic Capitol album remixed from the original multi-tracks masters. Produced, Mixed and Mastered by Chris Malone. Also includes a separate 4-page insert with authoritative in-depth liner notes by Jon BurlingameQuartet Records, in collaboration with Metro-Goldwyn-Mayer, Capitol Records, Universal Music Enterprises and the Phil Ramone estate, present the official LP reissue of the iconic soundtrack album for the landmark film Midnight Cowboy, directed by John …

Frederic Rzewski’s work “The People United Will Never Be Defeated” is based on the Chilean protest song, “¡El pueblo unido jamás será vencido!,” written by Sergio Ortega a few months before Pinochet’s military coup in September of 1973.Frederic Rzewski came to Europe as a young man, lived in Cologne and Rome, and created a sensation as an avant-garde pianist with his premiere of Karlheinz Stockhausen’s “Klavierstück X”. He worked with the leading composers of the time and was himself a composer.…

*In process of stocking* The final installment of the electronic fusion projects that Walter Bachauer concocted for Klaus Schulze’s Innovative Communication label, Visions of Audio delves further into minimalist musique concrete, extending themes developed on Memorymetropolis in drawing on non-European vocal chants, here applied in dissociative layers. The diverse, complex arrangements include the symphonic synths of ‘Promised Land’ and the war-mode Sensurround of ‘1922 In Baku,’ as well as the …

"Operating at an extremely high level, Smyth and Corsano share a special connection. One can almost see their thoughts syncing together and their bodies merging into one four-armed monster. Several moments are reminiscent of the best work from Cecil Taylor and Tony Oxley, while still managing to sound like Smyth and Corsano." — Burning Ambulance “With the energy and focus on display, it is tempting to compare the meeting to two heavyweights coming toe-to-toe, prepared to slug it out… but that wo…

“a brisk but free-flowing dialogue with phrases and ideas being batted back and forth between them ... in effect, they are soloing simultaneously with each being aware of the other's playing and responsive to it. Even when Parker gets locked into one of his protracted, circular-breathing solos, Smyth is still there with him, responding with an impressively gargantuan solo of his own. The two obviously understand and complement each other well.” — John Eyles, All About Jazz “Parker and Smyth use …

"'Proprioception' initially focuses on his acoustic improvisations, studio recordings with a startlingly vivid and intimate sound, so near that one feels like an occupant of the clarinet itself. When he adds amplification to the clarinet he presses it into the sonic territory of an electric guitar." — The New York City Jazz Record "Not only London's, but probably the UK's finest exponent of free, extended technique improv on clarinet is also a gripping solo performer, as he proves here." — Jazzw…

4-disc boxset with 20-page booklet documenting Mopomoso's triumphant UK tour in 2013. disc 1 – Evan Parker / John Russell / John Edwards – Chasing The Peripanjandra disc 2 – Pat Thomas – Naqsh disc 3 – Alison Blunt / Benedict Taylor / David Leahy – Knottings disc 4 – Kay Grant / Alex Ward – Seven Cities "On this evidence, 'Making Rooms' already seems certain to feature prominently in many an end-of-year list of best releases. Yes, a future classic." — All About Jazz "'Making Rooms' has a connect…

Bathroom electronics. Approximate synthesis, approximate songs, approximate melancholy. Drowned nature and dummy melodies

Love CD by Fusiller allows an intimate exploration of his very own musical language presented through his crafted electronic instruments, skills coming form his engineering background. This coupled material and theoretic control, leads to unique meaning structures where haunting evocations join spectral contrasts in a very pure form, evenly poor and massive, inherited from industrial and electroacoustic music.

**500 copies, never released before on any format!** And what if the infamous Underground and Overground albums had a third psychedelic chapter, still secret and unreleased until today? This Superground LP is sonically akin to the legendary pair for which composer Sandro Brugnolini will always shine worldwide, and ideally brings the trilogy to a close. Composed and recorded in two sessions between July 1969 and November 1970, the album echoes the shocking 1969's Charles Manson massacre, with tra…

** 14x7" Singles Boxset, limited to 128 numbered copies, celebrating Unrock's 25th anniversary as an entity ** The Well Known Strangers 7“ Singles Box Set documents the history of the Unrock singles (as we know it).  International dervishes galore….Fourteen singles, thirteen were originally released in the Unrock Series, or have been part  of our Saraswati Series and came first with the Early-Bird-Editions of the regular albums. Instead of the only missing single (Bill Orcutt/Sir Richard Bishop …

Music originally composed by Elisa Faires for a sound installation. Later released on vinyl by Eroto Tox Decodings. Elisa Faires: composer, recording engineer, mix engineer, producer, design, vocalsThomas Dimuzio: masteringChandra Shukla: designNicole McConville: photography

Sorry For Laughing is a project by Gordon H. Whitlow who is also a member of legendary US avantgarde collective Biota, formerly Mnemonists or Mnemonist Orchestra. Their music is a mixture of modern classical, experimental sounds, noise, industrial, avant-garde, songwriting and free jazz. Their releases were published by their own self-produced label Dys between 1981 and 1986. By 1985 the group had split off into separate groups for visual and audio work. From that time, Mnemonists operated only …