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McDonald And Giles
Following the meltdown of the original King Crimson lineup, Ian McDonald and Michael Giles brought brother Peter Giles back, which helps to account, in some ways, for the resemblance of this album to the 1968 Giles, Giles & Fripp recordings -- though the songs here tend to go on at some length, combining prog rock's traits of length and multiple sections with some of the lighter feel of the GG&F days. The 20-minute "Birdman" tends toward self-indulgence, while "Tomorrow's People - The Children o…
Penumbra
Four beautifully reduced duets, jointly developed by violinist Morgan Evans-Weiler and pianist J.P.A. Falzone. Music which is as delicate as a feather, but also as tough as nails.
Flowers of Emptiness
Eight chamber works by Canadian composer Linda Catlin Smith, beautifully performed by Apartment House. The album is structured around the first recordings of three of Linda's string quartets (tracks 1, 6 and 8), along with a short violin duo, a piece for clarinet, violin, cello and double bass, an early string trio, a very recent work for cello and piano, and a bass clarinet solo written for Apartment House regular Heather Roche. Together the pieces present a compelling portrait of the chamber m…
Zamat
Three recent chamber works by the highly-regarded Slovakian composer Adrián Demoč. The title track 'Zamat' is a 10-minute quartet for clarinet, bass clarinet and cello, which uses slightly asynchronous Korean unisons throughout. 'Gebrechlichkeit' is a 25-minute string quartet., „...o protón jasu...“ is a new work lasting 30 minutes for two clarinets, viola and cello, commissioned by Another Timbre for this album.
Dawnings
A double album with 5 major new works by the brilliant young composer Eden Lonsdale.
Disc One contains three pieces played by Apartment House:'Aurora' for solo cello'Dawnings', a 32-minute duet for clarinet and piano& 'Cloud Symmetries', a 34-minute piece for four violins, commissioned by Another Timbre
Disc Two contains concert recordings of two long works for larger ensembles:'Constellations' played by Oerknal at the Gaudeamus Music Week, 2023and 'Shedding', a piece for seven violas, commissio…
Curva Triangulus
'Curva Triangulus' is a superb composition from 2021 by Catherine Lamb, written for and played by Ensemble Proton, who are based in Bern, and have access to some of the unusual instruments used in piece, including arciorgano, baroque triple harp, lupophone and contraforte. More details about the piece can be found in Catherine Lamb's and Richard Haynes's sleevenotes, which are included as bonus items with the music.
Outermost Melodies
Double CD of percussion works by Jürg Frey, featuring definitive recordings of works composed between 1994 and 2022. Performed by Ian Antonio, with members of Talujon percussion ensemble on one track. Comes with a pdf of the cover artwork, plus jpegs of the photos used on the cover, and an interview with Ian Antonio about the music
Holde Träume, kehret wieder!
A double album consisting of two versions of Magnus Granberg's 2021 composition 'Holde Träume, kehret wieder!' The first version is for the Nattens inbrott quartet, for which the piece was originally written. The second version, with some extra parts added, is perfomed by Magnus Granberg's longstanding group Skogen, and is performed by a septet. Also includes high-quality jpegs of the superb artwork for the CD by Magnus Gramén, a pdf of the cover artwork and an interview with Magnus Granberg abo…
Distant Musics
A portrait CD of the early music of US composer Paul Paccione, all 5 works being originally composed between 1980 and 1990. The pieces were recorded in 2023/2024 and are superbly played by Apartment House.
Cover artwork by Anton Lukoszevieze.
Maniera
With yet another striking and forward-thinking work of contemporary composition, Another Timbre returns with “Maniera”, their second outing with the Italian composer, Marco Baldini, following on from last year's brilliant “Vesperi” which sold out within weeks. Comprising seven works for various configurations of string ensemble, masterfully executed by Apartment House, that nod across time toward Italian polyphonic compositions of the 16th and early 17th centuries, the diverse history of Minimal…
Screens
An extraordinary album of compositions by Frank Denyer, played by Octandre Ensemble. 'Screens' contains five pieces, whose dates of composition range from 1973 to 2021. Anyone listening blind would struggle to identify which were early pieces, and which were late; they all simply belong to and come out of Frank Denyer unique and idiosyncratic soundworld.
A list of the instrumentation for the first piece, 'Broken Music' from 1990, gives an indication of the peculiarity and eccentricity of the mus…
things that happen again
A portrait CD of UK composer Paul Newland's music, with five pieces dating from 2009 to 2023, all recorded by Apartment House in 2023. A rich variety of music, ranging from string quartet, two different trio combinations, a short work for solo piano, and a score for open instrumentation, realised in this recording by a septet.Cover artwork by Paul Newland
Translucent Harmonies
An album from andPlay - Maya Bennardo on violin, and Hannah Levinson on viola. Brilliant performances of two pieces: Catherine Lamb's 'Prisma Interius VIII' (Melodic Duo) and Kristofer Svensson's 'Vid stenmuren blir tanken blomma'.
“Translucent Harmonies” allows listeners to deeply immerse themselves in sound, silence, and resonance. This hour-long program includes Prisma Interius VIII by Catherine Lamb (USA) and Vid stenmuren blir tanken blomma by Kristofer Svensson (Sweden), both composed in j…
String Trio
"I wrote the piece on a commission from the Concertgebouw Brugge, and it was premiered by the Goeyvaerts Trio as part of the 2019 Slow Festival. The trio played the piece again after the festival, but I always had the feeling that it hadn’t yet arrived at its final destination. So when the plan emerged to have Apartment House record the trio, I sat down again and worked some more on the piece. It’s not the first time I’ve re-worked ‘finished’ pieces. This is mainly due to my basic way of working…
A History of Musical Pitch
This album contains three works by Seamus Cater, including his creative response to the work of Alexander John Ellis (1814-1890), who presented a paper 'The History of Musical Pitch' to the Royal Society in 1880. Ellis was a mathematician, collector, philologist and musical enthusiast, who spent a lot of time measuring the exact frequencies of contemporary and ancient musical instruments, and so is remembered as one of the founders of comparative musicology. Two of the pieces on the disc are 're…
parallaxis forma
"There are many things that for me make Catherine Lamb's music special. I guess first of all, it's music I turn to if I want a certain feeling/mood or experience, of time, and of sound. I've been lucky to hear a few of her recent pieces live, like the Jack Quartet playing her 'divisio spiralis' at Wigmore Hall, and of course the concerts of Explore Ensemble where we've played 'parallaxis forma' with vocalist Lotte Betts-Dean, when I also played electric guitar. For me it's this balance between a…
A Dread of Voids
Two beautiful recent works for ensemble by Australian composer Anthony Pateras, one performed in Naarm / Melbourne, Australia, the other in Berlin.
Patterned Language: Lizzy Welsh violin Erkki Veltheim violinChloë Sobek double bass Alexander Garsden guitarAnthony Pateras piano, celeste & sines
A Dread of Voids: Jess Aszodi voice Jon Heilbron double bassSam Dunscombe bass clarinet Rebecca Lane bass fluteAnthony Pateras piano & conductor
Fragments of Reincarnation
A 45-minute single movement piece for shō, Hammond organ and cello, exploring ways of combining the differing tuning systems inherent in the instruments.
Violin and String Quartet
Dating from two years before the composer's death in 1987, 'Violin and String Quartet' lasts two and a quarter hours, throughout which the strings weave gently shifting patterns of sound. It is one of Feldman's most beautiful pieces.
Echo Stane
Nine solos for Hardanger fiddle, composed and performed by Sarah-Jane Summers, a virtuosic Scottish musician based in Norway. Sarah-Jane's music stretches from traditional folk music to experimental work. This album is one of experimental solos, but nonetheless contains references to traditional music both in the titles of the pieces, and sometimes in the music itself.