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Keith Rowe
ErstLive 007 is a solo set from Keith Rowe, and took place on the second night of the Amplify 2008: light festival in Tokyo in September 2008. This was Rowe's first ever solo set in Tokyo in his 40+ year career. Keith Rowe: guitar, electronics.
do
A groundbreaking release from two youngish Japanese improvisers. Sachiko M plays sample-less sampler, and Nakamura uses the no-input mixing board--both instruments which conceptually produce no sound, yet these two conjure it out, somehow."Do" was recorded live in Europe and Tokyo last summer, and features three improvisations varying in length from just over two minutes to slightly under 40. While the shorter tracks are worthwhile and hold moments of greatness, it is the first, very long track …
Ftarri
Sploosh Records presents Ftarri by Riuichi Daijo, Martín Escalante and Yuma Takeshita. Recorded live at Ftarri on 06/08/19. Special thanks to Toshimaru Nakamura. Art and design by Everardo Felipe. Mastered by Skaset.
Riuichi Daijo: guitarYuma Takeshita: electro-bassMartín Escalante: sax
2 seconds / b minor / wave
Michael Pisaro and Taku Sugimoto are not generally closely associated, but have quite a bit in common. Both are composers whose primary instrument is the guitar, both have close ties to the Wandelweiser collective (Pisaro is a longtime member), and both have pursued their unique paths without much concern as to how the rest of the world will perceive them. 2 seconds/b minor/wave marks their first collaboration, but these aesthetic overlaps allow their independently conceived recorded parts to fi…
Phi
First meeting of experimental musicians Keith Rowe & Radu Malfatti in a 3 disc set: one disc of compositions by Jurg Frey and Cornelius Cardew; one disc of their own compositions; and one disc of improvisation. Keith Rowe and Radu Malfatti are two of the most influential experimental musicians in recent decades, each with extensive bodies of highly distinctive work and a combined 80+ years at the forefront of their respective areas of exploration. On Φ, their first meeting ever is documented via…
Maruto
Using his no-input mixing board Toshimaru Nakamura, perhaps the ultimate Onkyo artist, spent two years creating this work, which is also the second release in the Erstsolo series. Nakamura constructs this 46 minute piece from recordings of his mixer, which generates a combination of hum, glitch, buzz and subliminally disruptive sound. He develops the results into gentle and non-violent textural and impressionistic music that unfolds in a meditative and absorbing manner. That Nakamura c…
Cloud
restocked: The four gentlemen of the guitar are: Keith Rowe guitar, electronics. Oren Ambarchi guitar, electronics. Christian Fennesz guitar, computer. Toshimaru Nakamura no-input mixing board. 'Keith Rowe, Oren Ambarchi, Christian Fennesz and Toshimaru Nakamura are four of the most prominent and influential musicians in experimental music today, each with extensive discographies and distinctive styles. In mid-2004, they formed the Four Gentlemen of the Guitar (4g), and played a series of shows …
Face off
Erstwhile's debut of percussionist, microphone and electronic artist Will Guthrie in a duo with tape machine Revox and electronic artist Jerome Noetinger ("Hands of Caravaggio") in an interactive "face off" between the two. "november 2011 release ; ... whenever i get bummed out about music in general (usually :: fearing the seemingly consistent march towards rural / “beguiling” simplifications of electronic music, various “returns” to “form”, etc ...) there almost always seems to be an erstwhile…
Crosshatches
Crosshatches was composed, recorded and assembled by Tsunoda and Pisaro over a period of 14 months, as a single 85 minute work in eight sections.
Dystonia Duos
2013 release ** "Contrary to the effects of the titular condition, which I'm given to understand afflicts both musicians, and as also implied in the images of distorted and pained hands adorning the cover, there's some seriously steady and decisive music contained herein. It's understandable, for a moment, that the innocent listener might have an idea that this is more Panzner's affair than Stuart's if, like yours truly, one's knowledge of the latter's work is pretty much covered by his adventur…
Detour
A stunning construction and a fantastic recording, seemingly endless layers of depth and ways to listen. A composition using field recordings by Toshiya Tsunoda and Manfred Werder, recorded in Japan in 2013. A bit past the 40-minute mark, there's a clear fade-out of the activity above and a shift into a different zone--perhaps it's simply going from the Miura Peninsula into Tokyo (the detour?). A strong, somewhat harsh electrical buzz is the main element, sounding like an exposed wire-box on…
The Abyss
The Abyss is an epic, dynamic statement that shows the wide range of sound these two esteemed artists are capable of creating. The lengthy list of instruments used, plus the year it took to assemble, gives an indication that there is a grander modus operandi at play here than the linear works that Kevin Drumm and Jason Lescalleet are known for. CD-1 is made up of seven pieces that run the gamut, with electronic crackle, digital shards of noise, piano mangle, and even dissonant brass clust…
II
The label doesn't want to do notes anymore about his new releases. So we have to write some with our very good English. With these two names you can imagine that for sure the music will be closer to silence than to wall of noise. First we must say that no credit is written on the CD, like it was not important to know who is playing what and first what is played. CD1 is an instrumental piece signed by Radu Malfatti. CD2 by Jürg Frey where instruments are mixed with field recordings. It was r…
Schwarze Riesenfalter
An evocation of “Nacht,” Graham Lambkin and Michael Pisaro’s chilling, malefic collaboration directly references Giraud’s collection of poems, Pierrot Lunaire, and Arnold Schoenberg’s melodrama of the same name. Despite the continental subject matter, Schwarze Riesenfalter isn’t an academic act of re-rendering a historical text. Their use of verse comes across as the result of warped poetic fascination and fixation, where a text crawls underneath skin, finding ways to subtly influence the mundan…
Contact
Keith Rowe (guitar, electronics) and Sachiko M (sine wave, contact microphone). Recorded by Taku Unami at Kid Ailack Art Hall, Tokyo on september 21 and september 23, 2008. Mixed by Taku Unami. Mastered by Toshimaru Nakamura.
Les Signes Passagers
'Les signes passagers' is an album of seven pieces for solo fortepiano written by Jürg Frey in 2021, commissioned by the Amsterdam-based pianist Keiko Shichijo. It was premiered by Shichijo on February 5, 2022 at the Concertgebouw Brugge during the Slow Festival. In the same year, Shichijo performed the piece again at the November Music 2022 and later recorded it for this album in April 2023 at the Concertgebouw Brugge in the presence of the composer.
“As a listener, I have experienced with musi…
Piano
Piano is an album of three pieces, 'A Luca Marenzio ll', 'Ma fin est mon commencement', and 'Gebrechlichkeit', written by Slovak composer Adrián Demoč between 2018 and 2023. 'Ma fin est mon commencement' and 'Gebrechlichkeit' were written with three performance options in mind: specific instrumentation, open instrumentation with a similar quality of timbre and register, and a "monochromatic polyphonic" instrument, preferably the piano. 'A Luca Marenzio ll' was originally written as 'A Luca Maren…
For Piano and Shō
"I've long been interested in exploring the elongation of the piano's decay. The shō's clean harmonics offered an enticing texture to incorporate into my experiments with slow-moving piano works." - Samuel Reinhard
Suite No.9 / Quattro Illustrazioni / Un Adieu
Shira Legmann is an Israeli concert pianist, with a wide repertoire from Baroque to contemporary and experimental music. This album contains three piano works by Italian composer Giacinto Scelsi: Suite No.9 "Ttai" (1953), Quattro Illustrazioni (1953), and Un Adieu (1978/1988). This is Legmann's second CD on Elsewhere Music, following the 2019 album "Barricades" in which she was the pianist for Michael Pisaro's composition for piano/electronics.Legmann's clean, supple yet solid piano sounds, whic…
Lettres et Replis
**500 copies** This album contains six pieces written by French composer / artist Bruno Duplant, all composed and realized by Dutch pianist / composer Reinier van Houdt. Duplant's scores Lettres (pour Reinier van Houdt) (2017) are three letter-form scores personally addressed to van Houdt containing letter sequences distributed across the page. Trois replis d'incertitude (2018) are also three letter-form scores but with the notion of 'repli' (meaning 'fold' in a Deleuzian postmodern baroque sens…