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An unusual Merzbow double CD album, in lovely (digipak) packaging! Two very different CDs bounded in one unique release. While on one disc the sounds are more "ambient style", with a free piano, many field recordings, far and rumbling rhythms and noises (The Piano Lento Ma Non Troppo Madness), the other disc's sounds are diving deep into "poly-rhythmics", continously beating and popping plus additional sequencing and 'exploding' sounds (The Pop-Corn Psychedelia). The soundtrack for a new psyched…
* Compilation of the 1982 cassette releases Solonoise 1 and Solonoise 2. Limited to 300 copies. Released in digipak. * Merzbow re-edition of 2 historical tapes of the first Japanoise era! Special guest on "Solonoise 1": Kiyoshi Mizutani.This albums offers pure analog noise with varied timbre and string, keyboard, percussion. Inspired by DADA & Kurt Scwitters from which he took "MERZ" for his project name, this might be considered a New-DADA experiment....These early tracks are not the overwhelm…
In search for unseen colors beyond the visible spectrum, Kangding Ray explored the outer fringe of club music and came back with a set of prismatic sonic crystals.
David Letellier made his new album at a crossroads. In more recent years, the electronic artist—who started out making what you might call ambient music—had solidified his music into techno, a gleaming, abstracted version of the genre often referred to with terms like "high definition" and "architecture." His music is always precise …
Milestone Reissue! CD Edition, deluxe digipack and Obi. Initially pressed in very few copies for TV production use only on Umiliani's LIUTO label. A monster rare album with Music by Alessandro Alessandroni and Oronzo De Filippi Produced by Piero Umiliani at the now legendary Sound Work Shop studio in Rome, January 1971. During the '70s, work days at Umiliani's Sound Workshop Studios were hectic; thousands of sessions were held in order to keep up with a very busy Italian movie industry: Hundreds…
**CD version** Another amazing find of our research - this obscure album by The Braen's Machine is dated 1971 and is part of one of the most fascinating and enigmatic periods of Italian music history. Library Music, made for radio and TV mainly, pressed on a few vinyl copies..."Quarta pagina" portrays with great ability some possible - who knows if they ever had been realized - crime scenes, with hard-boiled and dark atmospheres, alternating with the Psych-Funk rides that have always characteriz…
**CD edition** Awesome library, remastered from the original master tapes with superior sound quality, replica of the original RCA LP (with bonus CD) in a limited edition of 500 copies. Sweet keyboards galore‚ a wonderful sound library set from the Italian scene of the '70s‚ filled with Fender Rhodes throughout! The tunes are a mix of funky and mellower numbers, but all sport these really great keyboard lines up top‚ always rhythmic, even when moving slow‚ and with this sexy sparkle that's right…
**Double CD edition** “Music especially created for films, television, radio, publicity and industrial use”. The disclaimer coming with these two records – "Here And Now 1 & 2" – puts a smile on our lips and brings us back to more culturally innocent and naive times. A quick listen is enough to realize that this is top quality material (even if often hidden behind weird and mysterious titles), which can’t be compared to anything released in recent times. Paolo Renosto, the person behind the moni…
**CD version** Although library music has always had the purpose of accompanying TV and radio shows, documen- taries and TV news, it is difficult to track down most of these masterpieces composed by some of the greatest composers of those years. Anonymity is one of the distinctive traits of this music genre, being in most cases difficult, if not impossible, to find out where these tracks had been used. The liner notes of these works often spark the reader’s curiosity: the notes are in fact detai…
**CD version** Given his fascination with obscure and esoteric topics, an interest that lasted throughout his whole career as a composer of library music, Fabio Fabor must have been diabolic and mysterious for real. The Milan-born composer, who passed away in 2011, had always showcased a darker side compared to other fellow musicians of his era. A side that is well portrayed in works like the famous masterpiece “Pape Satan”, or “Satanas”, which is included in the very accessible “B 81” (Serie Us…
**CD version** A deep mystery surrounds the movie “Nell’anno della Luna” (In the year of the Moon) and its soundtrack, which was released one year later. A beautiful work that lingers in between swing and melodies, in a fad that was popular a few decades earlier, complemented by some elements of novelty borrowed from beat and rock. The title track, “Alla brasiliana” and “Samba Querida” sound more traditional, while titles like “Afro Swing”, “Underground”, “Beatmania” (all featuring the vocal ens…
“Feelings” is considered an absolute cult inside the library music panorama. As the same Torossi recently said, the album “was played only by studio musicians... the best we could find at the time, and the results show”. The album sees the participation of Sandro Brugnolini, Giancarlo Gazzani, Puccio Roelens and Stefano Torossi, famous songwriters in the field of soundtracks and library music. “Feelings” had been released for the first time in Italy by Carosello Records, under the pseudonyms of …
**CD version** Due to a perhaps too buoyant and unfitting title and to a ridicolously limited distribution (even at the time of its original release), Fischiando in beat (Whistling in beat) has often been ignored despite being one of the most entertaining works signed by Piero Umiliani (here accompanied by his orchestra). Originally released in 1969, Fischiando in beat presents twelve gems of instrumental beat music, fabulous specimen of that music genre often labelled with the much-abused term …
**CD version** Before talking about Psichedelica, one of the many and rare library albums signed by Piero Umiliani, we must step back in time, until June 1968, when Umiliani was working on the score of Svezia Inferno e Paradiso (Sweden Heaven and Hell), one of the many collaborations between director Luigi Scattini and the Maestro. In fact, a large part of the music recorded for that movie, one of Umiliani's most popular works, would be later selected for this library release. Originally issued …
**CD version** “Questo sporco mondo meraviglioso” is one of the numerous collaborations between the director Luigi Scattini and Piero Umiliani, and one of the most interesting and varied soundtracks within the composer’s repertoire. Produced in collaboration with Piero Loy, the picture falls into the Mondo Movies genre, documentaries dedicated to controversial and shocking topics (without aspiring to be journalistic or adhering to scientific evidence). In this case, Scattini’s direction focuses …
**CD version** The long and prolific career of Piero Umiliani, also consisting of dozens of collaborations for television and cinema, has given (and is still delivering, given the amount of material that is finally coming back to light) a long series of experimental albums and music libraries that showcase his songwriting skills, as well as a natural curiosity towards avant-garde and more ‘difficult’ sounds. We can attribute to the second category this “Percussioni ed effetti speciali”, a title …
**CD version** "A fantastic obscure record, whose tracks simply anticipate Techno and generally Electronic music of the early 70s, including Kraftwerk’s milestone Autobahn, Heldon and Lard Free. A mind-melting opera. While Kraftwerk released Ralph & Florian, and about one year before the releasing of the milestone Autobahn, maestros Sandro Brugnolini and Giorgio Carnini were already experimenting the deep sounds of analogue synthesizer ARP 2600.The set provides some blending Funk tunes driven by…
**CD version** Due to an overwhelming number of reissues and to the steady and meticulous work of collectors and passionate music lovers who have been spreading the word about it, the realm of Italian library music has moved from being some kind of hidden cult to becoming a well defined niche. Authors such as Alessandroni, Umiliani, Sciascia, Tommasi and Sorgini have become more accessible to the uninitiated, while prices of the original presses of their records keep surging.Among the multitude …
**CD version** Lelio Luttazzi was a multifaceted artist who shined and left his mark as a pianist, musician, conductor and com- poser. A jazz lover, Luttazzi reached fame and success thanks to his brilliant and undoubtable talent. During a career spanning more than 50 years, he established himself as a master of several disciplines such as music, literature and cinema.He started his career in Trieste right after the Second World War. In 1948 he moved to Milan to take on the role of Director at t…
**CD version** Sante Palumbo was born in 1932 in Cerignola, a small village near the city of Foggia, in southern Italy. After studying at Foggia’s conservatory, he moved to Milan in 1954. Unlike other musicians who were rapidly recognised by the local jazz scene, Palumbo started to be noticed only at the end of the 60s. At the beginning of his career he was one of the most in-demand pianist for studio sessions. When in 1969 he became part of Giorgio Buratti’s trio, the critics praised him as one…
**CD version** Amleto Armando Roelens, also known under the moniker of Puccio, had a musical career almost entirely devoted to jazz; he was one of the first in Italy to play jazz music with his orchestra at the end of World War II, a genre that at the time was regarded as a vulgar import from the states. After some collaborations with RAI, the Italian national public broadcasting company, the fortunate encounter with the composer Armando Sciascia led him to write arrangements for many albums rel…