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Au Royaume Du Silencieux
1992 release ** "The 3rd and final album by Les Granules. The pieces on this album are recorded in real time and without overlays. Each of the composed or improvised pieces was subsequently the subject of serious alterations by collage. Slight differences in pulsation, tuning, and subtle shifts from one beat to another, from one type of sound recording to another, were highlighted rather than hidden, producing the effect of a mosaic or quilt. "
Jean Derome: flutes, alto sax, calls, drum machine…
The Seven Seasons
1991 release ** "Electroacoustic chamber music. In the booklet Mikael Tosti is credited playing electroacoustic violin as well as Ko de Regt, obukano and Henrik Jespersen, electroacoustic saxophone."
Long On Logic
1990 release ** "Rova Saxophone Quartet’s 1990 recording of music composed by Steve Adams, Fred Frith, Henry Kaiser, Larry Ochs and Jon Raskin. With music by Rova, Henry Kaiser (g), and Fred Frith, this was an outgrowth of a successful local concert series. It’s one of the few sax quartet albums that utilizes studio and sampling technology as an artistic tool."
Acrid Acme (Of) P16.D4
1989 release (RARE) ** "The acRID acME [of] P16.D4 might be the most well known work, no doubt due to the unique approach taken for the first segment: in 1987, the P16.D4 dredged recordings from the 1981 punk incarnation and placed them in a completely different context. As a result, "Maba 4. 12." and "Rotting Outscratched" reveal their initial forms, the former with the occasionally perceptible fragment of punk thrash sipping out unscathed from the abused tapes, and the latter allowing a hint o…
Altered Realities
2025 stock ** Erdem Helvagioglu first broke through to the international audience with his Walk Through the Bazaar...a collection of sounds from the bazaar in Istanbul that he worked to create an emotional tour. On this record the listener is presented with the performer, on live guitar with live electronics and processing. This kind of work is straight up 'new music' and has strong affinities to the downtown, improvised and modern classical currents that are being played throughout the capitals…
Live 2
1990 release **
Tales Of A Voice
1991 release ** "The singer's vocal style is characterized by an enormous vocal range and a particularly accentuated use of the voice as an instrument (cf. Scat or Bop vocals). The constant change of intonations and phrasing as well as different timbres, the mixture of cantilènes and squeaking or cooing noises with overtone singing creates a confusingly diverse sound world of strong tension, which always comes into its own not only in solo performances, but also in ensemble playing, without domi…
No Train
1998 release ** "This is a change of pace for West Coast musician Steuart Leibig, who is joined here by saxophonist Vinny Golia and drummer Billy Mintz for a mix of Leibig compositions and thoroughly improvised numbers. Leibig leaves his violin at home, instead focusing on contrabass guitars, while Golia muscles his way on baritone and soprano saxophones. The composed pieces are loose constructs; a different course from the leader's earlier penchant for densely layered colors. If the disc has a …
Ensemble Kaleidocollage
1991 release **
Live Improvisations
1990 release ** "For fans of that particular brand of noisy avant-gardism for which Robert Christgau coined the term "skronk," guitarist/violinist Fred Frith and saxophonist Tim Hodgkinson need no introduction. Charter members of the 1970s avant rock outfit Henry Cow, each has spent a lot of time making unspeakable noises with his instrument, and often those noises have been unspeakably glorious. This collection of live recordings -- all of them taken from live gigs around England in May of 1990…
Improvvisazioni
1995 release ** "This engaging little slab reflects a 1995 recording date between Evan Parker's saxophones, Antonello Salis' piano and accordion, and Mauro Orselli's drums and cymbals. Featuring nine variously timed improvisations, this works simply because of the sheer delight and will of the performers. Here, texture means nothing, tonality means nothing, listening means nothing. The reason for being, the raison d'être, if you will, is simply action and reaction and more action. This is consci…
Issue Three
New zine dedicated to Coil: the esoteric music project pursued by Jhonn Balance and Peter Christopherson. Issue 3 of the ongoing zine dedicated to researching the importance of Coil.
A5, perfect bound, 72 pages.
Contents
Singularities of Art and Natureby John Coulthart
“There’s a Man Laying Down in a Grave Somewhere” Poem for Jhonn Balanceby Joseph Breitman
"Shadows only exist when the spotlight is on"An Interview with Mead McLean
“In Perpetual Motion”:The Coil Manifesto as Theory in Practiceby…
Original Gravity
1988 release ** "This is what you get when you put three nutcases like Tony Bevan, Greg Kingston, and Matt Lewis in a room together with their instruments and a case full of toys to play with and turn the tape machine on. Actually, it was recorded live in 1988, so there was the concert's respectability to hold them back somewhat, but not much. This is free improvisation completely realized, articulated, and cacophonously executed in front of a live audience by a group of musical troublemakers wh…
The Complete Spontaneous Event: Live 1967-1969
This tracks on this album were recorded between 1967 and 1969 and include all the tracks on the five sessions Ray Russell’s Quartet recorded ‘live’ for Jazz Club in that period. Those sessions included compositions from Ray’s first two albums he made as leader for CBS – Turn Circle and Dragon Hill. Just six tracks from these sessions were previously released on very limited edition vinyl as Spontaneous Event by Jazz In Britain in 2000. That album attracted particular interest on its release, it …
The Lantern Tree
For the last couple of years Jazz In Britain’s output has largely consisted of CDs around the 75 minute mark, either single, 2 or even 3 disc releases. However, we have quite a lot of items in our archives which come up well short of the magic 75 minutes but, in our opinion, are well worthy of release. With this in mind, we have decided to launch a ‘budget’ series of releases which will come in gatefold digisleeves with simple artwork and no booklet. CDs and downloads will both be at the same p…
Elastic Dream: The Music Of Ian Carr
This book, a comprehensive, annotated, discography, discusses the great British trumpeter Ian Carr’s recorded works and includes up to the minute additions to the Carr canon. It is the most complete discographical text on the works of Ian Carr. The discography is divided into 2 parts with archival releases being covered in the second part. Three appendices detail Carr’s appearances in the Melody Maker jazz polls, biographies either by or about him, and finally details of Ian’s miscellaneous medi…
Beches Brew
1990 release ** "Swedish drummer Bengt Berger made one masterpiece, "Bitter Funeral Beer", an astonishing world jazz album beyond category, that is as hypnotizing as it is guaranteed to move you to tears as well. On Beches Brew, he combines it all, great compositions, with great influences from Indian traditional music, alternated with more or less interesting Scandinavian folk, silly beer brawl songs and boppish pieces. The band consists of Thomas Gustafsson on soprano and tenor saxophones, Jon…
In Illo Tempore / Je Vis - Je Meurs / Nomos Protos
1990 release ** ""In illo tempore" composed 1979 and recorded June 3-4, 1983 at WDR, Köln, Germany. "Je vis - Je meurs" composed 1979-80 and recorded November 15-16, 1984 at WDR, Köln, Germany. "Nomos protos" composed 1986-87 for piano, flute, clarinet, trumpet, horn, posaune, percussion, two violins, bratsche, cello and double bass. Recorded April 23, 1988 at Nedeltschev Sound-Studio."
Otomo Yoshihide, Ryu Hankil, Yuen Chee Wai, Yan Jun, Sachiko M, Yang Ge, Xiao Qiang, Hong Qile, Gogo J, Olivier Heux, Tao Yi, Junyuan
Big Can*In process of stocking* "There was this large, abandoned, cylindrical metal object, maybe an oil tank. In 2009, several people cam to the site and made some noise. They were Otomo Yoshihide, Ryu Hankil, Yuen Cheewai, Yan Jun, Sachiko M, Yang Ge, Xian Qiang, Hong Qile, Gogo J, Olivier Heux and Junyuan. The sounds chosen are refreshingly non-obvious, no fist-banging on the interior walls. There are soft clocks and drips as well as a number of sustained sounds–whistling, moaning, keening–that don’…