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2025 stock Sharp strands of disintegrated string samples gradually pull together; celestial multi-tracked voices gather and thudding drums sketch out a spontaneous ritual routine; timeline and drone form a crawling impressionistic narrative. The first collaboration of Rupert Clervaux and Dania stretches across a single momentous 77-minute piece, combining languid drone with bursts of improvised vocals and percussion. The constituent pieces fuse together to form an exceptionally delicate epic tha…
2025 stock What is considered making music today? What is it that we like / dislike or is considered music today? Monotonous structures, global rhythm, predictability? How profound is the influence of pervasive media on how we shape our tastes? Are we able to dissect the overwhelming presence of multimedia content? —Glass. By focusing on the physical aspect of sound—in its broadest way—'crY' can be seen as a response to an explicit impulse to investigate modern commodification beyond its soothin…
*100 copies limited edition* In his late forties, Andreas Malm is releasing his first solo album. So where has he been hiding all these years? In plain sight, it seems. The past few decades, he’s been a staple in the music scene of Malmö, Sweden. From the free-rock outbursts of Fria Konstellationen to the tapedrones of Amph, the synthscapes of Skeppet and probably best known, the minimalist rockquartet Eternal Music Society: it’s fair to say he’s been around. Just not all by himself. As Kroppskä…
Venerable composer and pianist Charlemagne Palestine revisits his seminal 1976 work ‘The Golden Mean’ in duo with enigmatic artist Rrose, reprising a dialogue started 10 years ago when Rrose was studying at Mills College and looking for a score to Charlemagne’s amazing ‘Strumming Music’…“In 2018 the Festival Variations in Nantes commissions Palestine to perform The Golden Mean, reworking the piece for two pianists. Palestine chose Rrose to join him in this new rendition of the work. Together, th…
Born at the end of 1984, Gerstein moved between filmic experimentalism and piano sonatas with background noise elements.In 1989, after the release of the cassette La Pomata Delle Femmine, the project seemed to have reached its end. However, Maurizio Pustianaz’s creation took a new direction, shifting toward a sound still open to experimentation but influenced by the more romantic atmospheres reminiscent of David Sylvian.
In 1991/92, the first embryonic versions of the tracks that would later ap…
2010 release **
"Two discs, 17 tracks per disc, just whistling, never remotely pyrotechnic, always with substantial breath in the tone, emerging from the very audible hum of the room, subsiding back into it. Slow, hints of melody but, fundamentally, the kind of things you'd whistle to yourself when deeply thinking of matters, perhaps not even realizing you're whistling. It's so personal, in a way, yet you don't (at least I don't) have any uncomfortable feeling of eavesdropping. Beuger is a fluti…
2004 release **
"Another joint production by Edition Wandelweiser and Radio Bremen testifies to the originality of the Japanese composer Makiko Nishikaze. Her idiosyncratic diptych pianopera l & II (2002), with its unpredictably alternating sound structures, follows no discernible logic, yet its musical structure never seems arbitrary, so that the music, despite the great aesthetic distance, certainly seems related to Luigi Archetti's CD discussed at the beginning. It is the varied penetration i…
2014 release **
New compilation of works by emerging west coast composers who somehow belong within a John Cage lineage. Music by James Tenney, Michael Pisaro and their students, Mark So, Michael Winter, Chris Kallmyer, Tashi Wada, Liam Mooney, Scott Cazan, Laura Steenberge, Cat Lamb, Quentin Tolimieri and Casey Anderson. "A compilation of work by twelve composers, ten of whom studied with James Tenney and/or Michael Pisaro (who are also represented by pieces here) at Cal Arts, performed by a qu…
2014 release **
"The three pieces presented by Borg (piano) and Nørstebø (trombone) are spellbinding explorations of the low tone. Three pieces but they segue into one another effortlessly and, with the possible exception of slight variation in pitch (and I'm not even sure of that) are pretty much indistinguishable from each other unless I missing some subtle pattern shift. The sounds are all low and sustained--bottom of the keyboard piano and extremely low trombone (the disc says, simply, "trom…
2004 release **
Few composers have the self-control seen here to allow the silence that surrounds all we do to be so present, to bring to the forefront that which is covered by all of our daily activities, only present when we let ourselves realize the stillness at the base of all action, all sound. The regular presence of notes in calme étendue (oboe) provides for the listener a feeling similar to that of a light on top of a lighthouse as it regularly turns in the night – a feeling of grounding…
2005 release **
this piece uses 17 tones in whole-numbered proportions to a virtual fundamental of G'' (25Hz).the piece is a kind of analysis of the overtone region from the fifth to seventh partials and the corresponding regions one and two octaves above (10th to 14th, 20th to 28th partials).the tones are played and recorded during the first three parts and played back as samples at specific times.as many as 28 tones may sound simultaneously.the flute sounds are amplified, which allows us to he…
2009 release **
"In case you're surprised to find a Tom Johnson album on Wandelweiser – after all, I reckon there are more actual notes on Counting Keys than on the rest of the albums released on the über-redux label put together – it's worth remembering that Tom Johnson and Wandelweiser prime mover Antoine Beuger know and greatly respect each other's work. This collection of four pieces spanning nearly three decades of Johnson's career is one of the composer's more accessible (though no less ri…
2014 release **
"Beethoven’s fifth symphony begins with that now-iconic but aphoristic “short-short-short-long” musical motive about which so much has beenwritten and said, a radical statement for string melody without harmonic accompaniment. On his 2008 composition “Song 2,” for bass flute, Wandelweiser composer Anastassis Philippakopoulos essentializes the very concept of a similarly constructed four-note phrase, presenting each gesture in isolation, long silences allowing for listener recont…
** Numbered + handmade in an edition of 300 copies only; 180gr 2xLP vinyl in custom-made screen-printed outer ** Frans Zwartjes’ studio remains untouched since his passing in 2017. In early 2023, we returned to the studio and discovered a trunk of unlabelled 3/4 inch tapes, containing completely unheard music by Zwartjes. These works, largely synthesiser-based improvisations for films either unmade or unfinished, were played and recorded by Frans Zwartjes between the late 1960s, through his most…
Lucky restock, few copies available Within our little bubble of avant-garde, experimental, and underground sound, with its endless web of recordings from the past and present day, it can be easy to forget that these contexts are rarely as hermitic as they seem. Many of the great creative accomplishments of the last century have been a result of interdisciplinary conversation - the marriage between image, action, and sound - collaborations reaching toward new forms of “total” art. This is partic…
Tip! *Numbered + handmade in an edition of 250 copies only; 180gr vinyl in custom-made screen-printed outer (sealed), containing two risograph inserts with a specially commissioned essay* Generated in part by his 2022 exhibition in London and produced to coincide with his 2023 exhibition at Argos, Brussels. Includes contributions / interventions from Gary Stewart, Aniruddha Das (AKA Dr. Das / Asian Dub Foundation) and Kate Shortt.
* Numbered + handmade in an edition of 200 copies only; 180gr vinyl in custom-made outer (sealed), containing extensive booklet with images from performance + installation + newly commissioned essay by Akihito Yasumi (Japanese original + English translation); no digital * Takashi Inagaki’s original soundtrack score for filmmaker Takashi Ito’s Japanese-language stage adaptation of Jean Genet’s Prisoner of Love, and its parallel video installation, The Dead Dance. Genet’s final literary work recou…
* Handmade in an edition of 250 copies only; 180gr vinyl in custom-made screen-printed outer (sealed), containing Xerox-printed booklet with the words from the films of Matthias Mulle and a newly commissioned essay by S. Grisseman* The original soundtracks by Dirk Schaefer for the films of Matthias Muller: The Memo Book (1989), Home Stories (1990), Sleepy Haven (1993), Pensão Globo (1999), Vacancy (1999). Newly re-transferred from the original tapes by Schaefer himself, and remastered, these are…
2023 Reissue. Exact LP repro edition. Grey-area reissue of these legendary albums, with top audio quality privately released by Tim Maia on his own Seroma imprint (the name Seroma is the sum of the first syllables of Tim Maia (Sebastião Rodrigues Maia) names. SE from Sebastião, RO from Rodrigues and MA from Maia). It’s difficult to overstate the importance of Brazil’s Tim Maia. A wildly restless creative mind Tim Maia was also a huge personality. The larger than life man made a huge contribution…
Primordial sounds created by Maurizio Bianchi/M. B. using a rudimental five strings guitar, afterwards polarized effects added by Siegmar Fricke utilizing a shapeless analogtronic apparatus. CD-R in half handmade 3 panels digipack