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Carsten Nicolai concludes Alva Noto’s UNI-prefixed release cycle with Unieqav, the 3rd and most dancefloor-focussed instalment of the series. The follow-up to Unitxt [2008] and Univrs [2011] pairs pendulous minimal techno and electro rhythms with wide, sheer electronic drones in a way that strongly recalls recent Monolake output as well as Ilpo Väisänen in full swang. Comparisons aside, though, it’s unmistakably Alva Noto. Pursuing the project’s roots in the dancefloor of Tokyo’s UNIT club to a…
Collaborative work between Brandstifter & Diurnal Burdens (Aka Ross Scott-Buccleuch). A great sound-collage with both artists using a big variety of analogue sound sources and materials.Brandstifter is a German interdisciplinary Artist and Networker, working with many different forms of art, in the spirit of Dada & Fluxus. He is a collagist, performer & musician, experimenting with happenings, visual poetry, as well as sound & music. His work is very diverse and provocative, expressed with his o…
Italian sound artist Ezio Piermattei is an active musician since 2010, releasing works under different aliases like Autopugno, Hum Of Gnats, Poisucevamachenille. In 2014 he started releasing music under his real name, through labels like Chocolate Monk, My Dance The Skull, Steep Gloss and through his own Tutore Burlato label.
His “From Afar It Looks Like An Oriflamme” captures some of the most delicate compositions by him. Detailed narratives are mixed with a big variety of field recordings,…
Jim Strong is a visual artist, painter, performer & experimental instrument builder. Until now his music is released on respectful labels like Vitrine and Crisis Of Taste. He is the one half of Melkings, a collaborative group with T.D. & founder of the experimental label Cor Ardens.Jim Strong’s music is characterised by a structural complexity, combining amorphous instrumentation and spoken words. His handcrafted instruments, that looks more like artifacts or sculptures, reproduce a big variety …
A relatively obscure band from the underground French progrock scene from the 70's, founded by sound designer Alain Coupel and guitar player Jack Mlynski. Half King Crimson's complexity, half Gong's fantasy, the quartet was best known for writing songs that were deeply occult and strange. Vocals are sparse, enigmatic and ghostly. The album’s real centerpiece is “Artcane I”, a
lengthy track encapsulating everything great about Artcane: patient
crescendos of cosmic atmospherics, hypnotic keybo…
The music on this recording was initiated when Grazia and Gianni Bolongaro, owners of La Marrana di Montemarcello asked me to record the sounds of Jannis Kounellis’ installation and make a piece in response. Kounellis’ untitled installation comprises 23 large church bells that appear to spiral out from a cylindrical chamber rooted in the Earth’s core. I was struck by the intensity of this chorus of silent tongues, facing the sky and projecting a colossal resonance that is felt but is not heard. …
** Edition of 200 ** Comes in a regular plastic case with clear tray. Includes a 6-page fold-out booklet. Paul Chain’s 1994 experimental album. "There are sections of familiar guitarplay included as well as the standard hammond organ, but still all metal/rock fans should be warned that this is mostly an electronica/industrial release. The mood of the album varies between lamentation and insane anxiety. In particular, ‘Prescence Of The Soul’s Forest’ is utterly disturbed and the vocals of Sandra …
'Emisphere' is the last album from Paul Chain to be completely improvised. As usual, the tracks tend to be long, many being near or above the 15 minute mark, with a large use of the Hammond Organ throughout, and introduces some electronic elements as well. Released in 1996 by Paul Chain playing all instruments with the occasional help of Sandra Silver on vocals.
**Hardcover edition. English edition, stunning one** Visual Vinyl Collects some of the most visually stunning and evocative album covers from the 20th Century Features homages to numerous important designers and artists, such as Damien Hirst, Yoko Ono and Raymond Pettibon. Up until the 1940s, records were sold in plain, uniform jackets. In the post-war years, musicians and record companies discovered that graphically designed record covers had the potential to boost sales. Significantly, in the …
Decades before the advent of 'world music', bassist-composer Ahmed Abdul-Malik introduced Arabic music into jazz, creating a distinct, unique sound that was far beyond its time. Best known in jazz circles for his solid work with Randy Weston and Thelonious Monk, Abdul-Malik, who is of Sudanese descent, was also the first to use the oud, a pear-shaped, traditional Middle Eastern stringed instrument similar to a lute, as a jazz instrument. Recorded in 1958, with tenor saxophonist Johnny Griffin (h…
** 2021 Stock ** Jérôme Poret (born 1969, lives and works in Paris) explores the event-driven and material dimensions of sound. His artistic universe, inscribed in the so-called extreme musical practices (industrial, metal, noise) and the electro-acoustics aesthetics, makes it the material of an interaction with the places and architectures invested.
It happened in a former brewery that became a place of art. Place embodying a know-how, today dedicated to the representation, the brewery became a…
Housed in a plain black sleeve with a sticker in the upper left-hand front corner. Includes a double-sided insert. Edition of 250 copies. Freak Animal’s vinyl offerings to satisfy fanatics of violent and raw power electronics. Sadio is project of #Grunt + Kommando Skingraft, utilizing raw, simple and fierce recording techniques and live-in-studio method to create piercing sound. Prurient from USA offers material that excludes obvious rhythms, synth melodies and other elements project has been k…
Pendulum Nisum are Reto Mder (Ural Umbo, Sum Of R, RM74) and Mike Reber (Herpes Ö DeLuxe) from Bern, Switzerland. The 8 pieces on their debut album are built on majestic organic drones and hypnotic, sinister melodies - a complex structured sound built from horns, organ, piano, analogue synthesizers, shades of guitar sounds, voices, found objects, electro-acoustic processes, and, most of all, an unusual strong presence of field recordings. The powerful but warm and gloomy sound, based on acoustic…
* Yellow Vinyl * First in a series of three records of library music miniatures from composer and multi-instrumentalist Daniel O'Sullivan (Æthenor, Ulver, This is Not This Heat, etc). For heads, the term 'library music' in 2020 might evoke dodgy Italian gray market LPs and crate diggers hunting for 'funky breaks' -- but London's venerable KPM Music is working with groundbreakers like O'Sullivan to open up new avenues for composers to experiment. Electric Māyā includes eighteen gems, beautifully …
*Edition of 100* San-kofa Rhythm Records is an independent Antwerp based record label, in order to release Leftfield Electronic and “Afrocentric” Rhythm-and Percussive music. 'SKRR' wants to return back to the root element and link this to the essence within the contemporary music scene. Susubrino’s EP is dedicated to his guitar teacher in Castilla La Mancha, as he opened Pandor’s Box and introduced Susubrino to a new world of classica land traditional guitar music. His Spanish teacher always …
*2021 stock. 180 Gram Gatefold sleeve with custom replica retro finish. Half speed mastering at Abbey Road Studios.* Affinity was one of the most brilliant British jazz-rock groups to emerge in the early 1970s and was formed by former students from Sussex University. They recruited singer Linda Hoyle and were managed by the famous jazz club proprietor Ronnie Scott, who was impressed by their refreshing approach. A later member of the band was renowned bassist Mo Foster. ‘Affinity’ was their onl…
“I was born to lose; I won’t have this form forever.” So begins Horseback’s fifth full-length studio record, "Piedmont Apocrypha", with an incantation that could very well serve as the shapeshifting band’s raison d'être. Since before 2007, Horseback has served as a musical vehicle for multi-instrumentalist Jenks Miller (also of Mount Moriah and various solo outfits), chronicling his prolific, exuberant, and at times altogether whimsical investigation of heavy music(s) and their relationship with…
North Carolina-native Jenks Miller is a bit too otherworldly to ever be pegged as a regional musician. Still, he seems to have the South in his bones. Not the false sheen associated with the so-called “new South,” mind you—with its tech startups and gallery spaces colonizing the re-purposed red brick warehouses; the hip speakeasies and fussy artisanal coffeehouses dotting the once somnolent and segregated main streets; the hikers and bikers streaming over the muddy tobacco roads. Not that place,…
You might have lost track of Wooden Wand some years back. No one would blame you. Under a decade into a recording career, his tangled discography had sprawled to Sun Ra-like breadth and complexity. He had parted ways with his longtime collaborators in the Vanishing Voice sometime around 2006, seemingly replacing them afresh with new (and newly named) backing groups on every subsequent release. He even threatened to jettison his own moniker—a threat he made good on for the pair of album he releas…
three lobed recordings is extremely excited to be involved with divide by zero records in the release of tennessee & other stories…, Hans Chew’s debut solo album. while chew is best known as the honky-tonk pianist and auxiliary vocalist behind brooklyn’s psychedelic americana outfit d. charles speer & the helix (including his lead vocal turns on both “life insurance” off distillation, and “bar-abbas blues” off the “in madagascar” 7”), his skill as a piano player has also previously been on promi…