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Death Must Die
Soundwalk Collective is a multi-disciplinary audio-visual collective founded by Stephan Crasneanscki, including members Simone Merli and Kamran Sadeghi. The Collective's approach to composition combines anthropology, ethnography, non- linear narrative, psycho-geography, the observation of nature, and explorations in recording and synthesis. The source material of their works is always linked to specific locations, natural or artificial, and requires long periods of investigative travel and field…
Image Over Image
Seriously classy rewired-techno from lowlands synth Miss, Christelle Gualdi aka Stellar Om Source. Harking back to vintage Drexciya, Population One, Mad Mike, all four tracks are constructed with a fluid, fast flowing efficiency, no moment is wasted and always urging into the the next with instinctive sense of narrative and attuned groove. A-side 'New Look' is highly sophisticated body futurist music and 'Club 5-7' displays a remarkably deft grasp of hi-tech machine funk. Flipside's 'Heatwave' c…
Gegen Die Zeit
On September 11th, 2015 the audience of the stunning "Rotor" concert series witnessed the first live appearance of John Gürtler and Phillip Sollmann underneath a highway bridge in Offenbach, Germany. Hosted by International Music Institute Darmstadt alongside Institut für Klangforschung Offenbach and HfMDK Frankfurt, the newly formed duo performed an aural conversation on stage within the incredible architectural environment. A year later, an extract of these live recordings became part of …
Lose today
restocked!! Michigan trio Wolf Eyes are known for bursts of harsh noise, but they've also made lots of interesting music on the way to those climaxes-- during the pregnant pauses, eerie bits of calm, and gradual build-ups that explode into raucous release. Stare Case, the "blues roots" duo of Wolf Eyes' John Olson and Nate Young, deal primarily in that restrained territory, where minimalism and quietude bulge with possibility. On Lose Today, the implied eruptions never come, but always seem to b…
Freaked With Jet
**100 copies** No guitars and fuck two-second gaps. A collection of six 7-inches (Gutter Splint, Fortune b/w The Eyes of Men, Epistasis, Vacuum, Vanishing Point, and the split with Agathocles). Performed by Mumma / Ronnau / Wiese. The only band to make a Milton and a Mentors reference on the same album. Silk screened cover.
Feedback Overload Unit
A chokingly powerful session of elemental feedback noise from one of iDEAL’s foundational players. Arriving some 13 years after his first missive for Joachim Nordwall’s infamous label, it’s a stoically economical exercise in discipline and control, unflinchingly documenting Henrik Rylander’s improvised recordings of a no-input mixing desk undergoing a severe stress test in realtime. Big recommendation if you're into anything from Mika Vainio to Sonic Youth's feedback sessions...
The lates…
Classical Music
Edition of 250. You know that old phrase, 'Teach a penguin to cuss, and you'll never have to buy another comedy record' I'm sure you do. But what about its codicil? 'Teach a guitarist to play synth, and you'll never have to buy a new age record?' If you know that one, you might well be put off by the fact this album features one of New Zealand's most wickedly post-tongue guitar players fiddling about with oscillators and analog synths (in concert with a guy who does this stuff all the time). But…
Den Förföljdes Gryning
Individually numbered edition of 99 copies. Few copies available. Two blinding wormholers from Daniel Rozenhall on a super limited pressing bound to be sought-after by intrepid sound explorers. A close associate of Stockholm’s EMS studios and the Fylkingen venue at the heart of the city’s experimental music scene, Daniel Rozenhall has played a low-key but vital role in Sweden since his trio of albums for Firework Editions and Kning Disk, and the ‘Rozenhall’ compilation, between 2001-2009. Ten ye…
Red Horse, White Mule
Includes download code. "Part of a collaboration with Jack Rose's estate and Three Lobed Records to restore all of his LPs to print, VHF presents new vinyl editions of the celebrated guitarist's first three solo albums, newly cut by John Golden Mastering from the original source material. Originally issued on LP by Eclipse Records between 2002-04, these releases chart an eclectic, more experimental approach left behind as his technique and compositions became more refined and deliberate on…
Centering and displacement
To manipulate a recording of the improvised process is to directly dilute spontaneous conception, and thank god for that. Centering and Displacement was composed in the winter-summer of 2008 in Chicago. A body of improvised source material was collected, segmented and organized by a simple chance operation. These segments were then orchestrated into a sound program and arranged by order of the strict composed form. At times, the score also regulated post-recorded effects to manipulate the origin…
Companion Rises
Six Organs of Admittance is back after 3 years with a new record, new techniques in sound generation, and a new attitude. Companion Rises has a driving force only hinted at with previous releases. Manipulating the rhythmic DNA from songs such as the bass-dominated “Taken by Ascent” (on his last record, Burning the Threshold), Ben Chasny has grown a new sound creature in his lab that is as welcoming as it is terrifying and as fun to listen to as it provocative and intriguing.Methodologically, Com…
I Line My Days Along Your Weight
LP edition. Brooklyn duo Mark Rogers and Mary Byrne recorded their debut, I Line My Days Along Your Weight, as a true duet: facing each other inches apart, intent upon listening. They wove together archaic instruments -- baritone acoustic, tricone resonator, golden-era flattop, space-age lap steel, upright piano, and hundred-year-old mandolin -- into a new and vibrant third voice. All the songs were recorded live to two-inch analog tape, the studio equivalent of tightrope-walking without…
Mare Australe
"Another brilliant posthumous album by Letha Rodman Melchior. Letha's music, as her visual art, was a great collaged pile of extreme strangeness, with seemingly irreconcilable objects butting heads in ways that end up making great sense. I met Letha a long time ago, when she was in Cell, but I had not much idea of her work beyond that until she had moved to North Carolina and I started hearing her health was bad. Siltbreeze put out an amazing album called Handbook for Mortals (2013), and it was …
Disco Carousel Vol. 1
The artist formerly known as Ergo Phizmiz, releases his first work under his birth name, DW Robertson with Disco Carousel Vol. 1, a demented ode to the power of mechanical music. Robertson on the record: ''Everybody knows that mechanical music is the highest form of entertainment, that's why the fairground, that age old uber-entertainment, rang with the chaotic splendor of Barrel Organs, Orchestrions, Bellenoens and Serinettes. In the 20th century, as the delicate mechanisms of automata fe…
these are the days
out of print LP, "These are the days" is a collection of short pieces all around of memory concept... a sort of back-up of experiences on Claudio's preferred media (tapes and vinyls). Tapes and vinyls are here used in a double way: in their common way, the Universal recognized one. As sound reproducers, as technological element of our day-life with their own personal story linked to all the people who owned them... they are full of memory, they are part of our World. But if you change the rules …
Xxx
XXX is a four LP collection featuring Scorch Trio's recordings. It includes Scorch Trio (2002), Luggumt (2004), Brolt (2008) and a radio session entitled Oval. In Norway, Scorch Trio was greeted with 6/6 reviews in the two biggest newspapers and The Wire said "the scope of their improvisational ideas is breathtaking", in spirit comparing the album to The Mahavishnu Orchestra's The Inner Mounting Flame (1971). Four years after Luggumt, Brolt was to become the final album with Paal Nilssen-Love be…
A Wonder Working Stone
Alasdair Roberts continues to do his bit for Scottish folk heritage on a fyne suite of augmented standards and new songs accompanied by his pals. Alasdair brings his undoubted charm, skill and imagination to ten songs ranging from celebratory elegies ('The Merry Wake') to doom-laden laments ('The Laverock in the Blackthorn'), distilling the passion, pain and yearning of hundreds of years of tradition with a timeless voice, perfectly summed up by fellow countryman and poet Robin Robertson: …
It’s Counterpart
Faitiche welcomes two young artists from Canada. Jonathan Scherk and Daniel Majer hail from the post-rock and experimental scene in Vancouver, where they shared a studio for several years. In artistic terms, too, there is a surprising coherence: on It's Counterpart, their solo work naturally blends to create a joint album, making it hard to distinguish between their contributions. Majer describes his part as a shadow-like reflection to Scherk’s brightly meandering collages. The album’s title ref…
Vent
After performing at a concert in Oakland, 2010 and feeling proud of their musical output, Tom Carter (Charlambides) and Pete Swanson (Yellow Swans) decided to collaborate with one another again as a guitar duo. The resulting record amalgamates Tom's recent self-oscillating, power starved shredding psychedelia, with Pete's self proclaimed "more neanderthal attempts at VU/Roy Montgomery inspired simple melodicism". Ultimately, the album is an unusual haze of oscillator sweeps, dying batte…
In C Mali
2015 release. Terry Riley's In C Mali by Africa Express is the first ever recording of Riley’s minimalist work by an African ensemble. In C Mali was originally written by Terry Riley in 1964. Upon hearing this new version the composer said that he was “overwhelmed and delighted”. The piece is conducted by Anton De Ridder who has lent his expertise to Max Richter, Jonny Greenwood and These New Puritans to name but a few.