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**200 copies** Éric La Casa probes his inner sound environment through the recording of his Parisian apartment, an artist's studio and the empty spaces of a museum.
For more than 20 years, while listening to the environment, Éric La Casa (born 1968, Tours, lives and works in Paris) has been questioning the perception of reality and has expanded the notion of what's musical today. Through his aesthetic of capturing sound, his work fits equally into the fields of sound art and music. As a result o…
* 2022 stock * Futura Records presents Live Again: Georges Arvanitas (piano & piano électrique), Jacky Samson (contrebasse) & Charles Saudrais (drums). Recorded on 13th jan 1973 in Levallois (France) Contrabass – Jacky Samson Drums – Charles Saudrais Engineer – Christian Boulnois Mixed By – Jef Gilson Piano, Electric Piano, Liner Notes – Georges Arvanitas Producer – Gérard Terronès
Awesome collaborative & solo pieces by sound artist Moniek Darge & kye boss Graham Lambkin"I have always been interested in sounds in general. When reading and teaching about the futurists, I fully agreed that the sound of engines and machines could be as interesting as the sound produced by musical instruments. But not only industrial sounds fascinate me I also find the sounds of nature very inspiring. What I love to do is make soundscapes, and I try to give an impression of a certain space. I …
* 200 copies * These last 10 years, Valance Drakes (formerly known as MusSck) has recorded a lush bunch of albums and EP's, solo and in collaboration with various music artists. His solo works of surreal experimentalism, turntable styles and textured and layered sound sculptures have been released on Detroit Underground, Amek and M-Tronic. "Freedom Is Its Own Kind Of Salary" is his 4th solo album. "The underground hasn’t the time for vocation to stay in the shadows as those need to give the mes…
One could take Wolfram Schurig's Ultima Thule for five ensembles, a work whose mere instrumentation in-vokes that utopian place which, according to the composer, should automatically be the goal of any authentic artistic activity, as a motto for Wolfram Schurig‘s entire compositional œuvre. In ancient Greece, the name Thule referred to the northern-most part of the world, whose accessibility and actual existence, however, remained uncertain. Since Virgil, th…
**300 copies** The term ‘supergroup’ often comes with tacky connotations, but this is the real deal. Through hard work and a tirelessly inquisitive spirit, Nate Wooley, Dave Rempis, Pascal Niggenkemper and Chris Corsano have become some of the most versatile improvisers of their generation. As From Wolves To Whales, they turn their imposing collective strength into a relentless new whole. Relentless, not just because of the energy levels or the generous amount of freedom, but because of the cons…
**300 copies, 2019 stock** Percussionist Kris Vanderstraeten is one of the unsung heroes of Belgian free improvisation. Since the seventies, he has been experimenting with his unique set-up and different collaborations: the trio Sureau, a duo with Timo Van Luijk, several performances / recordings with young experimentalists.Trommels! is Vanderstraeten’s second solo album. It lures the listener into a universe without rules, a place where intuition and imagination decide what happens. Vanderstrae…
**300 copies** While g a b b r o, Hanne De Backer’s baritone sax project, used a no frills duo concept for its debut album, things take a different turn on Granular. With Marc De Maeseneer again by her side, this album also involves fellow Belgian experimentalist Raphael Malfliet on electric bass, as well as singular vocalist Agnes Hvizdalek.Taken from studio recordings, as well as the quartet’s performance at 2018’s Summer Bummer Festival, Granular turns fragmentation and attention for detail, …
Francisco López is known all over the world as one of the main figures of all time experimental music. He performed in hundreds lives, projects and sound-sets in 60 countries of 5 continents and his huge discography has been released by more than 200 labels all over the world. His musical universe moves from human-ear limits to the deepest abysses of sonorous power and it is mostly composed of field recordings caught along the wildest areas of Earth or between the sounds of industrial world.For …
"Per un Pugno di Samba" is the fifth album recorded by Francisco Buarque de Hollanda, known as Chico Buarque, one of the most important authors and interpreters of Brazilian popular music. The album, released in 1970, was recorded during a self-imposed exile in Italy in 1969 following the arrest he had suffered in Brazil in 1968 for his political commitment against the military dictatorship. In Italy he met Sergio Bardotti who produced the disc writing lyrics in Italian and music, and especially…
“Divergence” explores the tension between space and sound induced by their manipulated representation: sounds alter, calibrate and form space while simultaneously the sound is formed and manipulated by the space it is placed in. The album is based on pure sound sources such as sine waves and white noise. These sounds are physically manipulated and destroyed by the use of tape in order to form pulses, interferences and new wave forms. These manipulations create a divergence between the perception…
300 Basses exists since 2010, and has performed until now at Cave 12 Geneva, Les Ateliers Claus Bruxelles, Galleria O’ Milano, Labor Sonor Berlin and other venues in France, Italy and Switzerland. Initially they were playing free improvised music, then they began to organize their sound materials into fixed compositions. In 2012 they released their first CD ‘Sei Ritornelli’, on Potlatch label. ‘Tria Atoma’ goes further than the previous album in the exploration of sound configurations achieved b…
Orphax is the Amsterdam based musician Sietse van who has been active with music since 1998. Time Waves is his second proper CD release after 34 CD-R, Tape, DVD-R and download releases and various compilation contributions and remixes. "On December 8th I performed at the famous Bimhuis in Amsterdam in a special evening organised by STEIM where I shared the stage with Yannick Franck and Thomas Köner. My performance got recorded and this was the starting point for Time Waves. In addition I did a l…
Track 1: Multitrack recording of sustained tones using a ‘Jubel Töne’ zither and additional live electronic effect processing. Track 2: Multitrack recording of sustained tones using a ‘Hohner Organetta’ chord organ and additional live electronic effect processing. Both tracks are part of a composition series based on sustained, multilayered recordings of solo acoustic instruments. The instruments have been performed with extended techniques and additional live electronic “extensions” (looping fe…
The four tracks on “Interventions in a landscape” give a voice to the coastal landscape where human intervention is evident. The intervention creates a certain strengthening of contrasts, for instance at the Leihoek between the ever moving sea and the silent firm dyke. Though, at the coastline the weather, the sounds, the light and even the smell are always playing an important role on how someone experiences the coastal landscape. Therefore the tracks do not only reflect on the places mentioned…
Radboud Mens and Matthijs Kouw have collaborated since 2001, when they started working on an album firmly rooted in the ‘clicks ’n cuts’ movement of way back when. After collecting source material using only feedback produced with a mixer and minidisc recorder that was broadcasted live on Amsterdam’s Radio 100 to unsuspecting listeners, they started working on their album ‘Mens/Kouw’ (2002), which features both rhythmic pieces and more abstract elements. With the passing of time, they found them…
Trübhand was summoned in February of 2016. My wife and I were living in north Germany in exile at the time as a result of untenable UK visa policy. As someone who always has a strong reliance on landscape in my work, the absolute flatness of the area was further adding to my homesickness and feelings of isolation. At night, in the alien darkness, I would close my eyes and rend the landscape. I would summon great mountains, pulling up grassy slopes that gave way to jagged cliffs, dragging down th…
"I hear atmospheres, sound shapes, gestural narratives, spectral trajectories, stochastic rhythms and phasic space when I encounter an environment rich in sonic phenomena. But in order to be open to this meta-sensory information, I must first get my ears out of the way. I don't listen with my ears but with an inner sensory apparatus, what Goethe called "organs of perception," that I have developed over the years. Once opened to this world sound becomes something very different—it's as if one cou…
With this album Orphax further explores the various possibilities of drone music. For this work, inspired by the work Vice Versa... by Eliane Radigue, he recorded two works using almost the same settings in the virtual modular software Audiomulch, except for changing one small setting. The recorded source material was than used as building blocks in reaper to create two compositions of exactly 20 minutes. These two compositions can be played separate from each other, but the idea is also the cre…
Caveman is a recorded representative sample of Tasos Stamou’s live sound. Both tracks are complete extracts of improvised solo performances using his portable electroacoustic music studio. Both tracks have been carefully selected for their sound and narrative qualities, also taking in consideration the blend between acoustic and electronic elements. The album’s titles reveal an additional interpretation to the music, being inspired by two prehistoric ancestors who lived in caves during the same …