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The Prog Rock Italia Series continues with the reissue of Finest Finger, the fourth album by Sensations’ Fix, a musical project led by Franco Falsini of Tuscany, an eclectic musician constantly focused on exploration and electronic experimentation. The band immediately stands out for the international scope of its compositions, not only for the use of the English language but above all for its continuous musical exploration: Sensations’ Fix distinguishes itself on the Italian progressive scene t…
45th Anniversary Remaster Over Half a century later, this record still slays; if any album is deserving of the "classic" tag, it's The Velvet Underground & Nico. Lou Reed's affected vocals, Nico's female Lugosi-style recitations, John Cale's droning strings, Moe Tucker's minimal kit - this landmark work laid down paths that musicians today are still trying to follow. Just pick any track: "I'm Waiting For The Man," "Sunday Morning," "Venus In Furs," "All Tomorrow's Parties," "There She Goes Again…
Sound shapes our world in invisible but profound ways, and here Caspar Henderson brings his characteristic curiosity, knowledge and sense of wonder to the subject to take us on an exhilarating journey through the heard universe.
A Book of Noises gathers together sounds from the cosmos, the natural world, the human world, and the invented world, and contains quiet pockets of silence. From the vast sound of sand in the desert to the tuneful warble of a songbird, to the meditative resonance of a te…
It has been 50 years since Norman Mailer asserted, ‘I think that William Burroughs is the only American novelist living today who may conceivably be possessed by genius.’ This assessment holds true today. No-one since then has taken such risks in their writing, developed such individual radical political ideas, or spanned such a wide range of media – Burroughs has written novels, memoirs, technical manuals and poetry, he has painted, made collages, taken thousands of photographs, made visual scr…
Sounding the Indian Ocean is the first volume to integrate the fields of ethnomusicology and Indian Ocean studies. Drawing on historical and ethnographic approaches, the book explores what music reveals about mobility, diaspora, colonialism, religious networks, media, and performance. Collectively, the chapters examine different ways the Indian Ocean might be “heard” outside of a reliance on colonial archives and elite textual traditions, integrating methods from music and sound studies into the…
"It begins with a shoebox of mysterious provenance, full of recordings from the Vendée department on France’s western seaboard: songs of love and war, life and death, played out on land and sea. Songs passed down and sung by ordinary men and women, gracefully delivered with the poetic economy which unites the folk song of all peoples. Next it takes a group of contemporary musicians to make selections from this treasure trove and sing these old songs anew; to sing them for their beauty, of course…
Tip! Despite the title of the album, it is the Tullio De Piscopo's third work, recorded in 1976. Comprising nine tracks in total across its two sides, “Vol. 2” falls somewhere between fusion and prog, straddling darker, brooding temperaments with joyous, funky lines. Predictably, as is nearly the case with music of this sort, the playing and artistry is top-notch, the band locked together with remarkable precision, but the journey that “Vol. 2” takes is far from expected. Interspersed throughout…
*In process of stocking* The original soundtrack for "Il Casanova di Federico Fellini” (1976) sees Nino Rota putting into music Federico Fellini"s opus on the legendary Venetian icon and “tombeur des femmes” Giacomo Casanova. Winner of an Oscar for Best Costumes in 1977, the film is one of Fellini's finest, a grotesque and hyperbolic take on the life of Casanova that is matched by Rota's compositions. "Il Casanova di Federico Fellini” possibly is one of Rota's most eerie and enigmatic scores, as…
Mike Vamp grew up in Frankfurt, played guitar in the early punk scene, then moved to West Berlin in 1980 and began experimenting with electronic music and synthesizers as the city's famous wall-era underground was at its most electrically charged. West Berlin in the early 1980s was defined by the painters of the Geniale Dilletanten movement and the music of Einstürzende Neubauten, Malaria!, Die Tödliche Doris, Sprung aus den Wolken, and Die Haut: a scene that celebrated difficulty and abrasion, …
On Downwind, Pierre Moerlen's Gong trades cosmic whimsy for aerodynamic precision, fusing mallet‑drunk jazz‑rock, prog heft and a dash of pop clarity into a sleek late‑70s vessel where vibraphones, drums and guest guitar gods share the same thermal updraft.
Esoteric Recordings are proud to announce the release of a Deluxe 2CD Expanded edition of Matching Mole’s self-titled debut album. Formed in 1971, Matching Mole featured former Soft Machine drummer Robert Wyatt, former Caravan keyboard player Dave Sinclair, guitarist Phil Miller, bassist Bill McCormick with guest keyboard player Dave MacRae. Recorded between December 1971 and February 1972, Matching Mole was a wonderful debut that included tracks such as ‘O Caroline’, ‘Signed Curtain’ and ‘Part …
Bill Fontana investigates the physics of perception itself. Side A: tape collages where sound becomes both material and force. Side B: Wave Spiral for 5 Rin Gongs - a sidelong, 21-minute centerpiece where pure sine waves create interference patterns, frequency made sculptural. Sound spiraling through space, dissolving boundaries between observer and phenomenon.
There are not enough superlatives to describe Ennio Morricone’s score to "Once Upon a Time in the West". It is considered the best movie soundtrack ever by many. Finally we have the complete score in 31 tracks. 4 of these have never been previously released, 3 have never been released by the Solisti and 3 have been upgraded. It includes a 24 page booklet with critical notes & listener’s guide.
On Danger: Diabolik, Ennio Morricone weaponises pop, jazz and electronics into a hyper‑stylised heist engine: fuzz guitars, wordless vocals and mod orchestration turning Mario Bava’s comic‑book caper into a delirious, late‑60s sonic hallucination.
Kevin Figes’ new sextet You Are Here release their debut CD which features Kevin’s new arrangements of five pieces by Keith Tippett, plus compositions by Elton Dean, Harry Miller, Dudu Pukwana and others. You Are Here is a loving tribute to friends, mentors and collaborators no longer with us. The album's 14 tracks are a worthy monument to some of the greatest composers in British modern jazz.
Unreleased work from alto genius Joe Harriott – two different slices of material from a very under-recorded point in his career! The first five tracks feature Joe in that back to basics mode he was hitting at the time – working in a unique group that features Kenny Wheeler on trumpet and flugelhorn, Pat Smythe on piano, Ron Mathewson on bass, and Bill Eyden on drums – all players who are very open to modern ideas, but who also keep things on more of a groove here – with only a bit of the freedom…
"The music on this recording definitely has a mainly Jazz slant, so I thought it a good idea to dedicate it to other Jazz players (Charlie Parker and Eric Dolphy), that represent the best of that music and were an inspiration to us and many more players. I felt a recording that represented this very important project, and what we achieved together, was long overdue. So here we offer you some music we played in 1989. But still sounds, to me, as fresh as the day we first played it."
I felt a recor…
** Strictly limited to 500 copies. Digipak with extensive liner notes by Simon Spillett ** The Don Rendell Ian Carr Quintet live in session in 1964 playing much of their debut album ‘Shades Of Blue’ including the title track composed by Neil Ardley. Beautifully packaged 180g vinyl. Flip-back sleeve. Strictly limited pressing run of 500 copies worldwide. Liner notes by Simon Spillett. Not nearly celebrated enough, Rendell & Carr were Britain's answer to Miles & Coltrane. With beautiful, introspec…