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Behind The Curtain - The Lost Album
**In process of stocking** Rodion Ladislau Rosca grew up and got his musical education in Cluj, the third biggest city in Romania, during the relatively ‘open’ years of 1965-1972, before Ceacescu’s regime cracked down viciously on the cultural opportunities (and freedoms generally) available to the Romanian people. In this period he absorbed the influences that filtered through the Iron Curtain from the ‘decadent west’ and local eastern European musical traditions. Cluj had its own prog-rock ban…
East Plants
BBE Music is proud to present another instalment in the J Jazz Masterclass Series: East Plants by Takeo Moriyama, one of Japan’s finest jazz drummers. A genuine ‘under the radar’ album known only to a handful of Japanese jazz collectors, East Plants is now available again, reissued for the first time as a double 180g LP, with exact reproductions of the original artwork, obi strip and insert. It also comes with the original notes fully translated. This reissue is fully endorsed by Takeo Moriyama …
Location
**In process of stocking** Following on from the welcome revival of Lyman Woodard’s classic ‘Saturday Night Special‘ and drummer, Bert Myrick’s ‘Live ’n Well’ – which features the epic ‘Scorpio’s Child’ – BBE Records continue to dig deeper into the vaults of Detroit’s Strata label with The Contemporary Jazz Quintet album ‘Location’.
Working in conjunction with 180 Proof’s Amir Abdullah BBE are poised to unearth a steady flow of hard to find or previously unheard gems from the short-lived but con…
Mandala
** Strictly limited to 500 copies ** Jazz In Britain presents Mandala by The Mike Taylor Quartet. Digipak with extensive liner notes by Duncan Heining. Recorded live by Jon Hiiseman on Friday, 8th January 1965 at the Studio Club, Westcliff-On-Sea, Southend. Previously unheard. These are the only known live recordings of the The Mike Taylor Quartet.
Mike Taylor – pianoDave Tomlin – soprano saxTony Reeves – bassJon Hiseman – drums
Znachki Stilyag
** In Process of Stocking ** 2020 marks the tenth anniversary of the working trio Ballister, and it’s been a productive ten years. Eight previous records, and regular concert dates across North America and Europe, have produced a band that maintains a core sound and energy, while taking the time and space to continually expand their individual voices and respective interests. In October 2019, these three musicians met up in Europe for the first time since a US tour in late 2017. With the myria…
Purple Dark Opal
Purple Dark Opal is the second release by the working trio Kuzu, a band whose deep roots in disparate musical traditions delivers a sound that’s not only new, but totally organic. Saxophonist Dave Rempis is best known for his work in the improvised music scene in Chicago, often exploring areas at the farthest edge of the jazz tradition. Guitarist Tashi Dorji, a native of Bhutan, came up through the active noise scene in his home base of Asheville, NC. The last decade has found him deep in that w…
Lattice
** In Process of Stocking ** Dave Rempis is a mid-career artist whose deep roots in the Chicago improvised music scene have by now stretched themselves out across the world through his multiple ongoing collaborations. But he waited a long time to put out this first solo recording. Highly aware of the singular statements in this context put forth by artists such as Coleman Hawkins, Eric Dolphy, Anthony Braxton, Steve Lacy, Joe McPhee, Evan Parker, Ab Baars, and Mats Gustafsson to name just a few,…
Cochonnerie
** In Process of Stocking ** Aerophonic Records presents Cochonnerie by The Rempis Percussion Quartet. With a band that’s been around for thirteen years, one might reasonably ask with a new recording, what’s new here? Are there now dance beats superimposed on the music? Maybe some electronics? A different instrumentation, or perhaps some special guests? The answer on this recording – the eighth official document of this improvising quartet since it started in 2004 - is a resounding no. It’s the …
Perihelion
** In Process of Stocking ** This sophomore release by the working trio of Dave Rempis, Joshua Abrams, and Avreeayl Ra shows a band doubling down on the slow, patient approach to improvising that characterized their first release, 2014’s Aphelion. The trio continues to pulsate, expanding ever outwards, yet returning to a central core each time to launch their next adventure. The live sets presented on this new two-disc set document that musical expansion and contraction within the trio, but also…
Empty Castles
Empty Castles is the third document of Spectral, a working horn trio split between the cities of San Francisco and Chicago that’s been active since 2012. As with their previous two releases, 2014’s self-titled debut, and 2016’s digital-only Neutral Nation, this new recording showcases a free improvising band that fully embraces the term “instant composition.” While their performances are known for thoughtful pacing and development, methodically spinning off complex structures from scratch with a…
ICOCI
This transatlantic trio combines musical sensibilities derived from their experiences in two world capitals of improvised music, Chicago and Amsterdam. Rempis and Rosaly, both longtime staples of the Chicago scene, have partnered for more than 15 years, most significantly in the Rempis Percussion Quartet and Rempis/Rosaly Duo. The two met guitarist/bassist Jasper Stadhouders at the Moers Festival in 2009 where the three shared a stage on the legendary “morning sessions.” Despite being only 18 ye…
Codes / Myths
** In Process of Stocking ** Saxophonist Dave Rempis and percussionist Frank Rosaly share a musical relationship of the once-in-a-generation variety. These two improvisers have worked together for almost twenty years, beginning in 2001 when they met in the basement of the Nervous Center, a divey Lincoln Square café that served as a crucial breeding ground for young improvising musicians in Chicago at that time. From the spark of that first musical encounter, the two went on to work together in c…
Polynya
** In Process of Stocking ** This debut release by the working trio Gunwale matches veteran Chicago saxophonist Dave Rempis up with two of the brightest up-and-coming stars from the next generation of Chicago improvisers. While Ryan Packard is known mostly for his extensive work as a composer and percussionist within the thriving contemporary classical scene in Chicago, Albert Wildeman has achieved notoriety for his meteoric rise from novice instrumentalist to one of the busiest players around a…
Worse for the Wear
** In Process of Stocking ** The fifth release by this powerful working trio in as many years shows a band once again not afraid to come out of the gate swinging. As always, these three individual virtuosos combine their unique talents to put forth a churning mix of hard-driving grooves and well-forged power. However, as the band has continued to work and tour together regularly for the past five years, their music continues to find new avenues of expression. On this recording, Worse For The Wea…
Western Automatic
** In Process of Stocking ** Four generations of Chicago saxophonists join forces in this collaborative quartet, each one separated in age by almost exactly ten years. This wasn’t a calculated decision when Rempis and Vandermark first brainstormed the idea of the group in late 2013. The lineup came together based purely on the musical affinity of the personalities involved. (Oddly enough, Mazzarella and Williams had also been discussing the idea of forming a saxophone quartet at that time). Howe…
Cash and Carry
** In Process of Stocking ** On August 31st, 2014, The Rempis Percussion Quartet celebrated its tenth year in existence with an increasingly rare hometown concert at Chicago’s venerable Hungry Brain, a bar whose dark, relaxed, and frequently hard-drinking atmosphere helped to define more than a decade of the Chicago improvised music scene. The band had cut its teeth with regular performances at the Brain in the mid-aughts, but sadly, this would be the last time they hit the stage before the bar’…
Second Spring
Dave Rempis and Tim Daisy are two musicians whose work has helped to define an entire generation of Chicago improvisers. Having performed together since they both hit the Chicago scene in the fall of 1997, these two have joined forces on hundreds of performances and dozens of recordings with notable groups including Triage, The Engines, The Rempis Percussion Quartet, The Vandermark Five, and countless other ad hoc groupings. Their duo pairing has a similarly long history whose roots date back to…
Boss of the Plains
** In Process of Stocking ** Wheelhouse was formed in the summer of 2005, when bassist Nate McBride relocated to Chicago from Boston, and was looking for some similarly-minded musicians with whom to work. Having previously met Dave Rempis during the saxophonist's visits home to Boston, he approached him with the idea of starting a band together. Rempis recommended up-and-coming vibraphonist Jason Adasiewicz, who has gone on to become one of the most noted voices in the Chicago improvised music s…
Phalanx
Dave Rempis, alto, tenor, baritone saxophone. Ingebrigt Hoeker Flaten, bass. Frank Rosaly, drums. Tim Daisy, drums. The Rempis Percussion Quartet is a free - improvising whirlwind that draws inspiration from a shared interest in West African and Latin American rhythms, coupled with American funk and free jazz. Using these influences, the band creates spontaneous music which nevertheless maintains a focus on ensemble motion and compositional structures. Led by saxophonist Dave Rempis (The Engines…
Circus Days: A Collection of Demos and Studio Recordings 1967-69
Sink into a vision of a dreamy psychedelic universe which seems to have been Peter Dunton's own on Circus Days, the third collection of previously unreleased recordings from Dunton's late 1960's British psychedelic band, Please. If Sonny Rollins is the 'Saxophone Colossus', surely Peter Dunton is a top contender for Underground Psychedelia Colossus: Neon Pearl (1967); the Flies (1968); Please (1967 and 1969); Gun (1969); songwriting for Infinity (1969-70); and of course, the band he is best know…