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In process of restock, last copies around. Edition of 300. Bridging the worlds of Modern Classical composition, musique concrète, electronic and electroacoustic music, organic jazz and minimalism while fitting comfortably in none, for more than a decade Piotr Kurek has remained a slow and elusive fixture in our sonic landscape, creating an entirely singular, almost lawless world of his own. After a series of records made in collaboration with others, and solo efforts under different monikers, th…
LP version. "Disguised as the meandering outpourings of vacant thought and activity dialed simultaneously from zero and ten. Formed in the cauldron of a fevered mistake resolute. Surrounded by ignorance, dis-interest, and the attention of the carefully self-selected. Recorded and burned through a thousand galaxies of dust and doubt and endless infinite wonder, transforming both time and space. Forever exiled to the very bottom of the world to reflect on the struggling desperate pile above. Recog…
Fully remastered and licensed reissue, limited to just 350 copies on black wax. This killer Italian library album by Luciano 'Arawak' Simoncini was only ever released on the elusive Orrery Records label, and is now very hard to find. Still very much under the radar, Explosive reveals itself as a swift tangled web of beats for the discerning DJ. Tracks includes the driving cosmic funk Hardware with sharp hip-hop breaks and spaced-out abstract synth keys. Kangoroo Court is an even better alternati…
180-gram vinyl, Tip-on cover. Originally released on John Fahey's Takoma Records in 1965, The Seal Of The Blue Lotus is the debut album from American guitar soli legend Robbie Basho. In college Basho immersed himself in the study of Asian art and culture, even changing his last name to that of the Japanese poet Matsuo Basho, and his music shows a much greater Eastern influence than contemporaries like John Fahey and Peter Lang. Basho was particularly entranced by the raga form which is apparent …
Recorded in 1968, as the Incredible String Band popularity was peaking, the band by this point had more or less stabilized to quartet form with Williamson, Heron and Licorice being joined by Heron’s then-girlfriend, Rose Simpson, on violin and percussion. They were touring a lot at this point throughout Europe and the U.S., which I assume is how they fell in with the Scientologists, but that particular tragedy doesn’t have any noticeable effect on this album (!)Along with having very developed a…
Dr. Strangely Strange were an experimental Irish folk group, formed in Dublin in 1967 by Tim Booth and Ivan Pawle. the Strangelys were friends and contemporaries of the Incredible String Band, whose producer Joe Boyd signed them to his Witchseason management and production company in 1969. This first album originally came out in mid 1969 on Island Records. Over the years, Kip has acquired a considerable cult status; in 2007, Record Collector Magazine proclaimed it one of the UK's hundred most co…
The 1968 release of The Hangman’s Beautiful Daughter, the third Incredible String Band album, was met with wide acclaim, both critically and commercially, reaching # in the UK. Sitar, oud, panpipe, jaw harp, water harp, penny whistle, chananai, harpsichord and gimbri merged with traditional folk instruments in a multi-tracked musical extravaganza. This audacious aural experience proved to be heavily influential on the band’s contemporaries. The surreal imagery of the song lyrics and the group’s …
The 5000 Spirits or the Layers of the Onion was the second LP by The Incredible String Band, released in July 1967. Since recording their debut album the previous year, the original trio had been reduced to two, Mike Heron and Robin Williamson. They recorded The 5000 Spirits... in London in early 1967. The album also featured Pentangle's Danny Thompson on double bass, Williamson's girlfriend Licorice McKechnie on vocals and percussion, master sitar player Nazir Jairazbhoy (credited as "Soma"), a…
Wee Tam and The Big Huge were originally released in 1968 as both a double LP in the UK, and individually as two separate albums in the US. They mark a creative high point for the Incredible String Band that is only matched by their other 1968 masterpiece, The Hangman’s Beautiful Daughter. Produced, as always, by the legendary Joe Boyd, these albums feature some of the band’s best, and most accessible song writing. While Hangman’s and The 5000 Spirits… may have been considered more revolutionary…
Beginning as a duo in Edinburg, Scotland, acoustic musicians Robin Williamson and Clive Palmer sought to stretch the boundaries of contemporary folk music from the start. Composing much of their own material rather than relying solely on the hidebound traditional repertoire, they were spotted by Elektra Records' Joe Boyd while playing in the Crown Bar and, duly impressed, he signed them to the label. After adding additional guitarist Mike Heron, they traveled to London's Sound Techniques Studio …
My first listen to these four extraordinary pieces by Chris Corsano, Bill Nace, and Steve Baczkowski was over a very rough ferry crossing from Cairnryan to Belfast. It's hard not to think of the ghosts of impossible crossings, victories, loses, harbors in such rough waters. Why would anyone venture out here? Finding something new or an overdue visit? Ending all of the wars? For me, for my first listen to Mystic Beings instantly cured all motion sickness. It was probably just the very welcome adr…
Awash in color and texture, Arian Shafiee's debut album, A Scarlet Fail, brings to light a guitarist whose sound and mastery are in full bloom. Best known for his work in the East Coast dance/punk group Guerilla Toss, Shafiee has spent years warping the idea of what a guitar can sound like. In a group setting, Shafiee does what's best for the composition, often blending seamlessly into the electronics and rhythmic grooves of his peers. A Scarlet Fail gives him a revelatory solo spotlight in a se…
We are pleased to welcome Parisian Matthias Puech into the HITD fold with his album ‘Alpestres’. A researcher by day, he transforms into a nocturnal narrator of sound travel by night, with his new album taking us on a mythical, magical hike up to the inaccessible heights of the Alps. Puech creates a vast collection of untouched electronica landscapes with modular synthesisers built by his own fair hands. With his various devices, he emulates the sounds of nature and gives sonic form to feelings,…
**Clear purple vinyl; Edition of 700** Souffle Continu Records present a reissue of Heldon's Un Rêve Sans Conséquence Spéciale, originally released on Cobra in 1976. In Heldon, nobody particularly likes liner notes. However, although the group's albums have none, they abound, from the very beginning, with clues and often cryptic references. The name of the group, obviously, comes from a science fiction novel by Norman Spinrad, but perhaps it is less well known that the title of the album Un Rêve…
Restocked, reduced price. Song Cycle offers another remarkable addition to the canon of early sound art experimentalism, with this legendary collection of Fluxus audio works compiled by Italian conceptual artist and publisher Maurizio Nannucci. Founded in 1960 by the Lithuanian/American artist George Maciunas, Fluxus began as a small but international network of artists and composers who challenged accepted ideas about what art is. It characterised itself as a shared attitude rather than a movem…
RVNG seem to be doing an enviable job of unearthing some of the most pre-eminent performers of progressive synthesizer and horizontalist ambient world music and this guy, whose stunning 'Osmose' is rarely off my record deck, is surely one of the most treasured. His work during the 70s is, quite simply, incredibly important to lovers of esoteric spiritual synth music and will leave you with a massive helpless grin and a notable dearth of tension in your muscular system come the climax of any jour…
Some of the most gorgeous, little heard DIY music of the early ‘80s finally surfaces with Rimarimba’s ‘Below The Horizon’, the first in Freedom To Spend’s reissue series of work by Suffolk, UK’s Robert Cox - all massively recommended to followers of Colin Potter, Woo, General Strike, Konrad Sprenger and homespun electro-acoustic music of all stripes! Committing its first appearance on vinyl, ‘Below The Horizon’ documents Robert Cox in freehand exploration of his modestly built, four-octave Marim…
In May 1977 Derek Bailey gave me a press ticket for Company Week - a series of concerts of improvised music in London. I made some notes at the time, but there seemed to be nowhere suitable to publish the extended commentary I eventually produced. So I wrote it into a dummy book and it to Derek. Most of it is reproduced here." Peter RileyOriginal copies of this rare and invaluable document, published in 350 copies
2010 release. In 1977, Max Neuhaus turned a triangle of pedestrian space between 45th and 46th Streets in Times Square into an island of harmonic sound. The rich textures of that sound continue today, emanating from beneath the sidewalk grating, to anonymously reach an individual’s ears as if one has stumbled upon a secret. Known as Times Square, the celebrated installation was restored in 2002 with support from Dia Art Foundation, which further commissioned a site-specific piece, Time Piece Bea…
English version. Size: 6,5x8,5 inch. Format: paperback. Musician and musicologist Jean-Yves Bosseur explores the growing
relationship between the plastic arts and music in the world of
contemporary art. This trend is shown in its aesthetic and historical
context through interviews with Iannis Xenakis, Francis Miroglio, Takis,
John Cage, Milan Knizak, Wolf Vostell, Max Neuhas, Nam June Paik and
Stan Douglas. Art production of the last few decades has given rise to an increasing number of amb…