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Carliot – It’s Never Too Late Orchestra
Carliot - it's never too late Orchestra praises Per-Åke Holmlanders 40-year-old music-making and brings together new and old music friends he met over the years in this "recycling project". The range of music this evening is beautifully wide - tango, free improvisation, beat, jazz and contemporary sounds both from here and from the far north.
Hotel America
By any standards and from several directions, Hotel America is demanding work. It’s a five-movement piece stretching to 76-minutes. Composer Szilárd Mezei conducts an ensemble of 15 musicians and three actor/singers and employs musical methodologies ranging from densely composed to free jazz and free improvisation. The verbal content is also challenging: the actor/singers perform lengthy poems in Hungarian, a language little-used outside Hungary and a few surrounding territories.Hotel America is…
Vhs
**Limited edition of 100 LPs packaged in deluxe tip-on gatefold jackets**Reflecting the artist's passion for cinema, VHS consists of audio recordings that were produced through an openVhsRecorder using manipulated videotapes. Most source sound is taken from background parts edited from old tapes of obscure and underground cinema. Mechanical memories and the suggestions of past cinematographic sets are converted and re-contextualized in order to explore the expressive possibilities of an archaic …
Do Den Haag Church
Mental Groove presents a vinyl reissue Do Den Haag Church from France, repress of the band's now well known live recording in Den Haag, 2008. The recording is raw and the mastering is fat. The first two pressings made in 2014 and 2015 were distributed confidentially and during the numerous live performances of the band. This pressing features brand new artwork. "France is a French trio that uses drums, bass and amplified hurdy-gurdy. They only perform live, in the middle of the audience - turned…
The Voice of Soul
Veteran library musician Alan Parker recorded with session vocalist Madeline Bell for his Themes International Music label and the result was 1976’s The Voice of Soul. The sensational uptempo dancer That’s What Friends Are For is probably the most well known track on the record, and is a big hit on the rare groove scene, but it is by no means an anomaly. The Voice of Soul is essentially a perfect, sophisticated soul album with heaps of swagger and sass from beginning to end. Its once generic-sou…
Creatures of the Deep
A new album of piano driven ambient music from British composer Robert Haigh. Following in the path of his albums for the Japanese Siren label, Creatures of the Deep is an underground vantage of a meeting between the musical worlds of Harold Budd and Erik Satie. With a storied musical career that has ranged widely in style — from his industrial-avant-garde works on Nurse With Wound’s United Diaries label as SEMA to his legendary ambient drum and bass records as Omni Trio on Moving Shadow — Robe…
Three Solo Pieces
'Marginal Invitation', 'Corrosions on the Surface of Life', 'Cloud Passade No. 3'. Comprised of three balanced examples of his Continuous Music technique on solo piano, Three Solo Pieces serves as perhaps the best introduction the Ukrainian-Canadian composer Lubomyr Melnyk yet available. 'Marginal Invitation' is a subdued work with a deeply rooted melodic sensibility that is rich in overtones, while 'Corrosions on the Surface of Life' exhibits a dissonant fury of patterned note play. The final, …
Love & Peace
LP version. Unseen Worlds presents new recordings of solo piano pieces by Ethiopian composer Girma Yifrashewa, the first release of Yifrashewa's music outside of Africa. Born in Addis Ababa in 1967, Girma Yifrashewa is a worthy new torchbearer of African pianism. His highly personalized approach to the piano likens him to Ethiopian composer Emahoy Tsege Mariam, while his use of Ethiopian pentatonic scale within the Western Art Music format places his compositions in conversation with more academ…
Bright Moments
Rahsaan Roland Kirk's live club gigs were usually engaging, freewheeling affairs, full of good humor and a fantastically wide range of music. The double album Bright Moments is a near-definitive document of the Kirk live experience, and his greatest album of the '70s. The extroverted Kirk was in his element in front of an audience, always chatting, explaining his concepts, and recounting bits of jazz history. Even if some of his long, jive-talking intros can sound a little dated today, it's clea…
Celebration
"From the inheritor of John Coltrane's mouthpiece a re-integration of deep South African jazz roots with the Black Atlantic spiritual jazz continuum. Celebration's release trumpeted the emerging dawn of South Africa's epochal changes. Sainted and blessed, Bheki Mseleku appeared as the herald of a new era, a prophet of rebirth and reconnection. This is a work signalling change, a sign of a South African music that was properly reconnected with global currents. Recognizing Bheki as a kindred spiri…
Hör!-Spiel / Nekrologlog 1961 / Fantasmata 1960
The Greek avant-garde composer Anestis Logothetis was noted for his pioneering tape techniques as well as developing his own notation system for composition that incorporated visual symbols meant to be interpreted by the performers. "Hör!-spiel" / Nekrologlog 1961 / Fantasmata 1960"collects 3 of his most famous works, realized in Vienna where he spent much of the 1940s-1960s. After completing studies at the music academy there, in the 1950s Logothetis became enamored of 20th century composers li…
Epitaph für Aikichi Kuboyama / Sechs Studien
Herbert Eimert was a German music renaissance man, with his expertise ranging from theory to composition, editing, radio production, and criticism. He wrote numerous books on music theory, worked for years at the British occupational forces run Nordwestdeutscher Rundfunk. It was there in 1951 that he established a studio for electronic music that he ran until 1961, which hosted recordings from Stockhausen, Xenakis, and Cornelius Cardew, among others. This brilliant work begins on side A with 'Ep…
Prélude Au Sommeil
**small repress available, clear vinyl edition** Fantome Phonographique present a reissue of Jean-Jacques Perrey's Prélude Au Sommeil, originally released in 1958. Jean-Jacques Perrey was one of the earliest innovators in electronic music, creating a body of work spanning decades that has influenced everyone from Brian Eno to The Beastie Boys. One of the pioneers of musique concrète and electronic tape manipulation, Prélude Au Sommeil ("Prelude to Sleep") is Perrey's debut recording but shows a …
Belzebu
“Belzebu” was originally released in 1983 and it had absolutely no context in the Portuguese music scene. Telectu duly complain about that in the xerox presentation included with the album, but their idea was never to make things easy anyway. Jorge Lima Barreto (JLB) was very active in the avant-garde and jazz scenes (he recorded a ground-breaking AnarBand LP in 1977 together with Rui Reininho, later to assume lead vocals in the pop band GNR) and his uncompromising attitude and leftist leaning d…
Resin, Parched, Chthonic
Last copies, don't sleep. It's a new year. What better way to to kick it off than with some incredible sounds from a not too distant past, via Fern Recordings. Since launching during the middle 2000s, the Paris based imprint has shown an incredible dedication to under-celebrated efforts of underground sound, offering particular focus to works of field recording, experimentalism, and drone. Their latest release, a long overdue reissue of Small Cruel Party's legendary Resin, Parched, Chthonic, ori…
Tasten
LP version. Includes CD. The artists: Hans-Joachim Roedelius (piano), Onnen Bock (piano), Armin Metz (piano). The music: minimalist, spherical sounds by three grand pianos. Introverted, minimalist "classical" music has reached full bloom as devotees of the neo-classical movement flock to see the likes of Nils Frahm, Ólafur Arnalds, and Chilly Gonzales. One pioneer of the resurgence in minimal piano music is Hans-Joachim Roedelius, best known as a member of the avant-garde electronic combo Cluste…
Nerima
Hey there, looking for a healthy dose of electrocution? We got it right here! Two titans of noise, Pain Jerk (aka Kohei Gomi) and John Wiese, continue their trans-Pacific affairs. While the previous episodes have been mail collaborations with Mr. Wiese at the helm, this studio live session has a more distinct Pain Jerk flavor to it (and is a tasty aperitif for his yet-to-appear new studio material). A vivid amalgam of vintage analog synthesizers, classic noiselectronics and DSP, at less than 18 …
Sequence Of Earlier Heaven: Electroacoustic And Computer Music
Original 1985 LP, few copies available and of course long out of print "Canadian electro-acoustic music composer Barry Truax (b1947) studied with R. Murray Schafer and was a member of the latter’s World Soundscape Project, helping record soundscapes around the Vancouver area as early as 1973 and subsequently using sounds from this collection in his own compositions. Truax launched his own label, Cambridge Street Records in Vancouver, 1985. Several features on ‘Sequence of Earlier Heaven’ sound f…
Daughters Of Time
Blue Chemise documents the hermetic sound world of Australia's Mark Gomes. Daughters Of Time follows 2017's brilliant full-length Influence On Dusk, released in micro-edition on Gomes's own Greedy Ventilator imprint. It is an elegiac set of vignettes recorded straight to dictaphone with minimal post-production. These pieces function in a manner akin to Loren Connor's evocative "airs", conjuring poignant, intangible senses of longing and nostalgia then disappearing well before overstaying their w…
Springboard
The quartet of Ian Carr, Jeff Clyne, John Stevens and Trevor Watts - encounter here in their only recorded document, is among the most important gestures in the history of British free jazz. Issued in 1969, but recorded three years earlier, Springboard offers a window into the origins of an entire movement - the flowering of change within a music in geographies not its own. Free jazz always had a more receptive audience in Europe than in America. It’s not surprising that indigenous realisations…