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Sferics - Music for solo performer
'Sferics is the shortened term for atmospherics, natural radio-frequency emissions in the ionosphere, caused by electromagnetic energy radiated from nearby or distant lightning. These signals - resonant clicks and pops, called tweeks and bonks by scientists - occur in the audible range of humans and may be picked up by antennas and amplified for listening. They are best received at night, far from power lines. Occasionally, certain sferics get caught on and travel long distances along the magnet…
Theme
Theme features three works from Alvin Lucier. Music for Piano with Magnetic Strings is a work in which the strings of a piano sound by themselves. Several EBows (small electromagnets used primarily with electric guitars) which would cause the piano strings to vibrate and sound are placed on the strings of the piano. The pianist works from a prose score which describes the process and suggests she freely position and reposition five EBows on the piano strings, creating strands of sounds of v…
Still Lives
Three amazing works for pure waves and instruments. Lucier has pioneered in many areas of music composition and performance, including the notation of performers’ physical gestures, the use of brain waves in live performance, the generation of visual imagery by sound in vibrating media, and the evocation of room acoustics for musical purposes. His recent works include a series of sound installations and works for solo instruments, chamber ensembles, and orchestra in which, by means of close tuni…
Panorama
A gorgeous recording of works for trombone and piano, transformed by Lucier's electronics and oscillators. Wind Shadows (1994), Music for Piano with One or More Snare Drums (1990), and Panorama (1993)--were written for the Swiss musicians Roland Dahinden and Hildegard Kleeb, who play them on this CD. Also included: Music for Piano with Amplified Sonorous Vessels (1990), which was originally written for Margaret Leng Tan."Wind Shadows" (1994)Two pure wave oscillators are tuned a tenth of a cycle …
Crossings
1990 CD reissue of prime-era Lucier product, with works from 1982-85. Features 'In Memoriam Jon Higgins (for clarinet in A and slow-sweep pure wave oscillator)', 'Septet for Three Winds, Four Strings and Pure Wave Oscillator', and 'Crossings (for small orchestra with slow-sweep pure wave oscillator)'. Said slow-sweep pure wave oscillator produces slowly swept pure waves that oscillate (on separate occasions) a clarinet, three winds and four strings, and a small orchestra. Maximum beat frequency …
Overground
Sonor Music Editions proudly presents this restored re-issue of Maestro Sandro Brugnolini's Overground. This elusive masterpiece in library music captures the most impressive work, alongside Underground (1970), of the Italian composer and alto sax player. Overground was released on Sincro Edizioni Musicali in 1970 as the soundtrack to Enrico Moscatelli and Mario Rigoni's documentary Persuasione, commissioned by Ente Provinciale Per Il Turismo Di Trento, a local tourism board in Italy, with music…
Still and moving lines of silence in families of hyperbolas
Double CD release of of a four-part work, initiated in 1972 and recorded as presented here in 1983-4 and 2001. This reissues two long-out-of-print LPs on Lovely, with four added parts (the strings) released for the first time. A series of mostly solo instrument works for the likes of: clarinet, marimba, viola, voice, xylophone, violin, flute, glockenspiel, cello, horn, vibraphone. Performed by: Thomas Ridenour, William Winant, Dan Panner, Rebecca Armstrong, Conrad Harris, Susan…
In Sara, Mencken, Christ and Beethoven There Were...
**Deluxe slip-cased version features a 110-page book** Definitive CD reissue of this original Cramps label album from 1974, an early classic from Robert Ashley with music provided by Paul DeMarinis. This deluxe slip-cased version features a 110-page book, reproducing the original John Barton Wolgamot text along with fascinating liner notes explaining the whole project from Keith Waldrop and Robert Ashley. The CD features one long composition with Ashley reading a text by poet John Barton Wolgamo…
Leapday Night
A series of three pieces/suites; 'Leapday Night', 'A Traveler's Dream Journal', and 'Interspecies Smalltalk' involving Rhys Chatham/Ben Neill (on trumpet/mutantrumpet), Fluxus mainstay Takehisa Kosugi (violin), and David Behrman himself on electronics. Behrman creates thickly layered liquid sounds utilizing this complex computer music system which absorbs, actually hears, the sounds of instrumentalists, then plays off their improvisations with its own synthesized reactions. The system consists o…
Broken Allures
"Broken Allures", the fifth release from trio Jac Berrocal, David Fenech, and Vincent Epplay (following releases on Blackest Ever Black, Akuphone, KlangGalerie), furthers their unique recording style with a musique concrète approach to mixing, characterized by the distinctive sound and technique of musicians and producers. Fenech and Epplay have paired with legendary French musician Berrocal, renowned for his collaborations with Nurse With Wound, Vince Taylor, Jaki Liebezeit, Pascal Comelade, Su…
Atalanta (Acts Of God) Volume II
2010 release. Three of the satellite songs from Robert Ashley's opera Atalanta (Acts of God) - each inspired or revolving around one of the main characters of the opera, Max, Willard and Bud. Atalanta (Acts of God) was written in the 1980s, begun while Ashley was still in production for the television opera, Perfect Lives.
The many hours of material were performed throughout the world in many
different configurations, but this is the first time these songs have
been available on CD. Personnel…
Automatic Writing
A 1996 CD compiling three early Ashley works from the years 1967-79 -- some of his most experimental and out-there works. A classic electronic music collection and an ideal intro into the somewhat foreboding oeuvre of Robert Ashley's recorded works. The title piece is a 46-minute classic from 1979, which rather famously formed the basis for Nurse With Wound's A Missing Sense. Steven Stapleton's commentary upon this summarizes the intense vibe of this recording: "A Missing Sense was originally co…
Live in Forli, Italy 1982
Robbie Basho (1940-86), who died young after a stroke, never got his due in the culture at large, but steel-string guitar enthusiasts have known for decades that he was one of the greats of "American Primitivism". Technically adept and compositionally imaginative, fusing the music of many cultures into a mesmerizing solo style, he has been an inspiration for many; his music has generated a surge of interest in recent years. This 1982 concert was part of a four-show Italian tour. It took place at…
Closer
When Oscar Peterson moved from Montréal to New York in 1949, then-17-year-old Paul Bley took over Peterson's residency at the Alberta Lounge on Peterson's recommendation; in his 20s, Bley played with Charlie Parker. Bley incorporated maverick pianist Lennie Tristano's approach to improvisation and collaborated with Charles Mingus, and in 1958 in Los Angeles famously put together a band with Ornette Coleman, Don Cherry, Charlie Haden, and Billy Higgins. His move into free improvisation in the gro…
Yellow Man With Heart With Wings
1990 CD issue of Robert Ashley's 1978 piece for voice and electronics. A two-part composition with narration (part one in Spanish and part two in heavily altered English) commissioned by public radio station KUNM in Albuquerque, this music has a plain, serene beauty. Part one is a narration by Guillermo Grenier in dreamy, flatly inflected Spanish, backed by a four-note synthesizer track, and punctuated by mysterious, heavily processed vocalizations. Ashley throws in extensive sound washes and ot…
eL/Aficionado
1994 release. The fourth opera in Robert Ashley's Now Eleanor's Idea tetralogy: Junior, Jr.'s story. A group of scenes from the life of an agent. The scenes are a kind of debriefing to a jury of interrogators, in which the Interrogators challenge the agent in various forms of musical dialogue. The mood of the opera owes much to American society's ongoing fascination with espionage and with the character of those people who lead double lives. Featuring Thomas Buckner as the agent and Jacqueline H…
Eine Nacht Volume Three
Volume 3. On September 13th, 2023 a musical collision occurred between The Band Whose Name Is A Symbol and Dead Sea Apes. With a room booked and a full moon glowing, the doors were locked and for the next 120 minutes, the nine members created nirvana/chaos where, with no direction, all possibilities were endlessly explored. Like hearing the lost Amon Düül recording you've waited 50 years for, Glenn Branca's wall of guitars, the shamanic cacophony of The Boredoms, psych melters Comets on Fire, an…
Eine Nacht Volume Two
Volume 2. On September 13th, 2023 a musical collision occurred between The Band Whose Name Is A Symbol and Dead Sea Apes. With a room booked and a full moon glowing, the doors were locked and for the next 120 minutes, the nine members created nirvana/chaos where, with no direction, all possibilities were endlessly explored. Like hearing the lost Amon Düül recording you've waited 50 years for, Glenn Branca's wall of guitars, the shamanic cacophony of The Boredoms, psych melters Comets on Fire, an…
Eine Nacht Volume One
Volume 3. On September 13th, 2023 a musical collision occurred between The Band Whose Name Is A Symbol and Dead Sea Apes. With a room booked and a full moon glowing, the doors were locked and for the next 120 minutes, the nine members created nirvana/chaos where, with no direction, all possibilities were endlessly explored. Like hearing the lost Amon Düül recording you've waited 50 years for, Glenn Branca's wall of guitars, the shamanic cacophony of The Boredoms, psych melters Comets on Fire, an…
The Dull Blade
"More than a decade since their first (and last) trio album, Dim Bulb (2005), 'Buffalo Steve,' Chris Corsano and Paul Flaherty are back on the attack. The three recorded as part of a larger ensemble on the Open Mouth LP, Wrong Number
(2014), but they have a certain way of creating focused trio dynamics
that makes babies talk in tongues and old men drool. The line-up is a
bit unorthodox -- two saxes (one a goddamn baritone) and drums. You
might almost be tempted to call the format European. B…