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**200 copies** Roberto Crippa is an italian sound-artist based in London and here is his third album. The refined work of "Ascent" is a deep dive into a dense and gloomy mixture of boulder rhytms, distressing atmospheres and sinister clangors. Although it could be easily ascribed to the industrial genre as well to more sleepy, nebulous and crumpled drifts of (post)techno realms, there’s something strongly personal and idiosyncratic that flows as decisive detail through the grooves of this record…
Originally released on CD in 2006 on Sedimental 'The Suncrows Fall And Tree' pushed Stefano Pilia to the forefront of the European experimental avant garde scene showcasing his incredible knack for creating beautiful soundscapes, blissful ambience and electroacoustic compositions that speak to the heart. His sound can aptly be defined ‘ecstatic', in the purest sense of the term, as a result of the exploration of these points of focus, through multi-instrumental practice and investigations into t…
"Between 1968 and 1970, the P.E. Hewitt Jazz Ensemble recorded three LPs. Self-released at the time in small runs (50 to 100) by teenaged bandleader, composer, pianist, and vibraphonist Phil Hewitt, they documented an enthralling and energetic — and somewhat outsider — vision rooted in post-bop modal jazz. Based in the San Francisco Bay Area, Hewitt was 16 when he made the first record. He was already a pilot and was also pursuing studies in the field of music as a healing agent. All of this pro…
Jennifer Allum, violin. Ute Kanngiesser, cello. Two musicians coming from the impro workshop run by Eddie Prévost in London. Recorded at St Augustine's Bell Tower on May the 29th 2012.
Aura captures the unmatched synergy between two of AMM's core figures, percussionist Eddie Prévost and pianist John Tilbury, who also explores the harpsichord in this release. Recorded in the acoustically rich setting of The Sibelius Museum in Turku, Finland, this album offers a meditative, deeply intimate experience through extended improvisations that emphasize AMM's ethos of creating expansive, ambient soundscapes. With Prévost's textural percussive approach and Tilbury's subtle, evolving cho…
A beautiful 3-CD set with a hardcover book presenting 3 full concerts from 2015 & 2016 of the AMM trio configuration of John Tilbury (piano), Keith Rowe (guitar) and Eddie Prevost (percussion). The 70 page book, dedicated to saxophonist Lou Gare, includes an AMM discography, plus photos, an essays by Paige Mitchell and Allen Fisher; Keith Rowe; Eddie Prevost; and Lou Gare.
Recorded at the festival Neposlusno (Sound Disobedience) in Ljubljana, Slovenia in 2012, the AMM duo of Eddie Prevost on percussion and John Tilbury on piano perform an extend improvisation of tension and dynamic, delicately balancing sound in a rich dialog. Incidentally, the title of the album is the name of the venue (Spanski Borci in which the concert was recorded. Both artists felt a certain respect playing in a place with references to the Spanish Civil War and the fascism that prevailed in…
Active since the mid-1960s, England's AMM have become an icon of the free improvisational movement. In the spring of 2004, due to personal and philosophical disagreements, Keith Rowe suspended his involvement with AMM, an association that went back to his role as founding member in 1965 (albeit with an almost decade-long disenfranchisement through the '70s). The remaining members, percussionist Eddie Prévost and pianist John Tilbury, elected to continue on as AMM, and this their latest effort. T…
AMM's performance at the 2009 Freedom of the City Festival with AMM regular members Eddie Prevost and John Tilbury extended with John Butcher, Chritian Wolff and Ute Kanngiesser. "[...] Certainly in places this sounds like AMM through and through. When Prévost and Tilbury are working together it really cannot be anything else. I find myself hearing the connections between these two musicians through everything else, no matter what other sounds are there to be heard. There are the little climaxes…
The title Indústria was chosen by Eddie Prevost in tribute to the history behind the Museu Industrial de Bala do Tejo, in Portugal where this concert took place by the legendary free improvisation band AMM, represented here as the duo of percussionist Eddie Prévost and pianist John Tilbury, performing as part of the 2015 Out.Fest - Festival Internacional de Musica Exploratoria do Barreiro.
Originally released on Roulette Records in 1960, this is a unique and yet often overlooked document in the form of a split album featuring early, little known works by John Coltrane and Lee Morgan. Coltrane, already in full modal flight, is featured with an unusual quartet that includes McCoy Tyner on piano, Steven Davis on bass and the great Billy Higgins on drums.
Lee Morgan's straight ahead hard bop set sees the young trumpet genius leading a hard swinging group that includes a fabulous Wayne…
Taken from the Original Soundtrack Recording Black Splatter on Red 7”. Taken from the original soundtrack album, this 7” single has the film’s Main Title as its A Side, and The Bank Robbery on the B Side. John Carpenter's Escape From New York was released in 1981 and 40 years on the film remains a firm cult favourite with sci-fi fans worldwide. Originally released on the 31st of July 2015, the vinyl LP edition of John Carpenter’s classic thriller mirrored the expanded CD release from 2000, with …
*2024 stock* John Carpenter’s 1980 follow-up film to his smash hit Halloween featured ghost sailors terrorizing a Californian coastal community as a dense fog descends on their homes. The multi-talented filmmaker’s atmospheric synthesiser score has long been a soundtrack favourite and this double album features a 20 track LP of the entire score, drawn from the original tapes, remastered by long-time Carpenter collaborator Alan Howarth on the A/B sides and the original album which featured 20 min…
LP version. On Buck Curran's second solo album, Morning Haikus, Afternoon Ragas, the emphasis switches to acoustic guitar, as compared to his first solo album, Immortal Light
(ESPDISK 5014CD/LP, 2016). Side A, all solo acoustic instrumentals,
seems to have fallen out of a wormhole emanating from Takoma Records in
the 1970s. There's some of that on side B as well, but there are also
vocals and other instruments, sometimes overdubbed, and the dedication
of "Taurus" to Peter Green, guitarist e…
With Christina Jones and Sebastian Lexer. Features the following pieces: Cascando (a radio piece for music and voice). Voices by John Tilbury. Music composed and performed by John Tilbury with electronic modulations by Sebastian Lexer. Rough for Radio 1 (for music and voices). Voices: Christina Jones and John Tilbury. Music composed and performed by Sebastian Lexer, Eddie Prévost and John Tilbury. Studio recordings from 2004-5.
Awesome set with a sense of suspended time that marks out their musical world. Combined with the quality of attention and the virtuosic command that is evident in each stroke, it is almost hallucinatory in effect - Keith Rowe, John Tilbury, Eddie Prévost. Concert in Houston, Texas. 1996. "A stupendous continuation of the 90's AMM sound, ala previous documents such as Newfoundland, Live In Allentown and From A Strange Place. Shifting patterns consistently emerge; via Prévost's bowed percussion; v…
New double-LP edition of a selection from Saltern's acclaimed collection of recordings surveying the career of renowned, American cellist, Charles Curtis. Features the music of Guillaume de Machaut, Tobias Hume, Silvestro di Ganassi, Terry Jennings, Morton Feldman, Anton Webern, Olivier Messiaen, Richard Maxfield, and Curtis himself. Includes liner notes by La Monte Young and Tashi Wada, as well as a new text by Curtis, and a download of the full original album. Mastered by Stephan Mathieu, and …
Restocked, reduced price. "Since its inception in 1966, the cooperative group AMM has been uncompromising in its commitment to freely improvised music. Often, especially early in its existence, this resulted in a harsh, aggressive sound field, one that even the most inquisitive newcomer might have difficulty approaching. By the mid-'80s, perhaps due to the mellowing that comes with age or the addition of pianist John Tilbury, AMM's music took a turn toward the quieter, more contemplative music e…