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**In process of restock, very last copies, sold out at source** Since its original release in 1977, Ragnar Grippe’s seminal debut album entitled “Sand” has been adorned with immense praise and influenced a myriad of ambient musicians and minimalist composers. Grippe’s unique approach of bonding post-modern classical composition into the tape techniques of musique concrète allowed him to be one of the leading experimental electronic musicians of the late 20th century. Originally trained as …
Delayed to June. After releasing the "minor epic" (the Wire) of Music for Church Cleaners a few years ago we're extremely extremely excited to be able to bring to you Áine O'Dwyer's new record 'Gallarais' on MIE Music. And thi sis David Toop, on hearing Áine O’Dwyer’s Gallarais and the subsequent conversations between November 2016 and January 2017..."Twenty-six letters were sent, not far to travel, from Proust, hypersensitive writer to his upstairs neighbour, Marie Williams – ‘I was rather t…
Totally necessary vinyl edition of Aaron Dilloway's 'Psychic Driving Tapes', recorded in 2009 and originally only available (and now dead hard to find) on a 2011 cassette via his notorious Hanson Records. It's pure swill, smearing over 50 minutes of noize crud and sampledelia into the crevices of both sides so that you can finally own and become acquainted with a modern classic of its genre.
"Coruscating cut-ups yanked still dripping and yowling from the belly of the beast. Dazzling and i…
2017 small repress. "Rob Noyes has been on the Eastern Massachusetts scene for a while, but what we've heard him play is music from within the context of electric bands, most of whom are loud as hell and exist somewhere along the rim of the post-core continuum. More recently, Rob has taken to displaying his solo acoustic guitar chops and they are massive. The Feudal Spirit is the first vinyl evidence of their 'shoulders.' Like Western Mass's Tony Pasquarosa, who mines the same widely-varia…
Recital present a reissue of Dick Higgins's Poems And Metapoems, originally released on cassette by New Wilderness Audiographics in 1982. Label head Sean McCann on the reissue: "Since the beginning of Recital, I have been trying to publish the work of Dick Higgins. He is a chief figure in my artistic world, a hero of mine. And now, with the assistance of Charlie Morrow, it has finally happened. The first vinyl album ever published of Higgins! Many know Dick Higgins as the father of intermedi…
Second release in Buh's "Sounds Essentials Collection," documenting the history of Experimental Music in Peru. Miguel Flores is, alongside musicians such as Arturo Ruiz del Pozo, Luis David Aguilar or Manongo Mujica, one of the most important representatives of that period that spans from mid 70s to mid 80s, when experimenting musically in Peru united modern composing techniques of avant garde music and the search of the sounds of mother land.A drummer turned into a multi instrument player,…
Each of the piano pieces assembled here is a gemstone in its own right; even so, it is their arrangement side by side that makes this album a unique experience. ...The outstanding pianist Marino Formenti begins his journey with Beat Furrer's Voicelessness – The Snow has no Voice (1986), a piece reminiscent of Debussy's Des pas sur la neige and depicting the same profound hopelessness. John Cage's Music Walk (1958), "for one or more pianists who also play radios and produce auxiliary sounds by si…
Rhys Chatham's 'Harmonie Du Soir' presents three compositions. The title track is the first major piece written for the configuration of six electric guitars, electric bass and drums since Die Donnergtter (1986). The second is The Dream of Rhonabwy, a piece written for large brass ensemble and percussion, realized in 2012 by a 70-piece brass band called Harmonie de Pontarlier, lead by the French conductor Patrick Erard. The last track on the CD version and bonus download for the vinyl edition is…
Antico Adagio was originally intended to be a double album, but was eventually scaled back to a single disc, and this is the unreleased album from the 1978 session. Before an aberrant idea of progress and workaholic ethic ludicrously sped up our daily lives, even in the hectic city of Milan it was possible to “play slowly” – with no pressure, simply following the path your art was showing you. After a classic artistic journey and an experimental stint with Aktuala and other brilliant fel…
**few copies back in stock** For fans of the Italian avant-garde, few names inspire the loyalty and devotion offered to the percussionist and composer Lino Capra Vaccina - a perfect emblem of the country’s extraordinary movement of musical Minimalism. He first gained note as a member of Aktuala, a project which laid the groundwork for a entire generation of practitioners following in their wake - creating a hybrid of rock, avant-garde, and ancient musics, while incorporating a diverse numb…
For many, the geography defying partnership of crys cole and Oren Ambarchi is the likely source of envy and awe - a creatively rigorous adventure in sound, egged forward by the romance they share. Ambarchi needs little introduction. Over the last 20 years, he has risen as a leading light of experimental and electroacoustic practice, as recognised for his collaborations with Jim O'Rourke, Keiji Haino, Sunn O))), Keith Rowe, Fire!, John Tilbury and countless others, as he is for his solo work.…
Brian Eno's first four solo albums are all among the most underrated releases of the 1970s. Experimental, catchy and genre-hopping releases similar to that of contemporary David Bowie over the same period. Before and After Science might even be the pick of the bunch, combining the best elements of Taking Tiger Mountain and Another Green World. Eno's slightly thin, hammy English vocals might be the only deterrent, but get past that, and you've a quartet of desert island discs. Quality, quality ef…
Another Green World is where Brian Eno creeps up behind me, and whispers how all pop music is about art, how all art is about life, and life is really a vessel for pop music. Where I forget what is a song and what is not a song, and where Eno realizes you can create something at once high art, low art, and not art at all. Most importantly, Eno discovers there is more beauty and worth in the discreet nuances of subtle sophistication than in all the blunted bluster in the world.
With Another Green…
In other works, such as For Philip Guston, which continues for several hours, Morton Feldman actually would go beyond the bounds of possibility, also overtaxing the concentration of both his musicians and his audience. Nevertheless, like these other words Triadic Memories also requires contemplation, listening without restlessness. Though perhaps not intended by Feldman, a strong contemplative element is inherent particularly in this composition, settling like a haze on the tones that seep in sl…
A fully improvised communion of 3 of America's masters of music. The manifest intent: sowing seeds of sound & bringing them to full blossom. Abstract, organic, & fully inviting. Recorded live at NYC's The Stone in June of 2008, this was the 3rd meeting of drummer GERALD CLEAVER, bassist WILLIAM PARKER, & pianist CRAIG TABORN. An immersive experience yielding magic & inducing a calming mystical ambience. Improvising in long, fluid ideas, Mr. Taborn's solos were housewreckers.
Le Très Jazz Club present a reissue of Kosuke Mine Quintet's first release, Mine, originally released on Three Blind Mice in 1970. Fuzati (Klub Des Loosers), producer and die-hard crate digger, has teamed up with Modulor to launch the Le Très Jazz Club label, dedicated to jazz vinyl reissues. For the first two releases, Mine, presented here, and Green Caterpillar (LTJC 002LP), Le Très Jazz Club has chosen to celebrate Japan. Japanese jazz is sadly one of the best-kept secrets in music. But, it w…
Another addition to Drag City’s curious collection of ‘outsider’ folk records (sitting neatly alongside Gary Higgins in your collection), Ed Askew is an artist I haven’t come across before. After his debut for ESP in 1968, his second album ‘Little Eyes’ was recorded in 1970, but somehow never got past test pressing stage, and as so many records of this era did, was lost for decades. After the 70s Askew seemed to sink into obscurity, but in the early 80s he got his hands on a harpsichord, a tiple…
Last copies, reduced price. Oren ambarchi's 'Song Of Separation' was recorded during his recent European tour and is the latest in the mort Aux Vaches series released by Staalplaat documenting live radio concerts commissioned and broadcast by the VPRO Radio Show 'De Avonden'. This incredible piece is a thorough investigation of concepts established on last year's Suspension release (Touch, UK) and further explored on the forthcoming live LP Triste (Idea, USA). Here ambarchi employs a kind of ton…
Gatefold double LP version. On Audience Of One, Oren Ambarchi presents a four-part suite which moves from throbbing minimalism to expansive song-craft to ecstatic free-rock. His previous solo albums for Touch exhibited a clear progression towards augmenting and embellishing his signature bass-heavy guitar tones with fragile acoustic instrumentation. Audience Of One, while also existing in clear continuity with these recordings, opens the next chapter. Remarkable in its confidence and bread…
Behold is the second collaborative release from Oren Ambarchi and Jim O'Rourke following the 2011 LP Indeed. Ambarchi and O'Rourke seamlessly blend field recordings, electronics, guitar, drums, and other acoustic instruments into a subtle combination of krautrock, minimalism, and classic free flowing electronics. Side A takes the listener into the Fourth World adventures pioneered by Jon Hassell on Fourth World Music Vol. I: Possible Musics (GB 019CD/LP), while the flip seems like an unlikel…