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Maurice Louca and his Elephantine Band commit a live, raw, collective sound to record. One of Egypt's most adventurous experimental figures pulls cosmic jazz, African and global musics and modal traditions into long stretches of hard-grooving, hypnot…
Foliage is a long-form graphic music score by Elliott Sharp, consisting of eighty risograph prints offered as abstract instructions open to any number of realisations by any instrumentalist or ensemble. Sharp works in the lineage of post-1945 graphic…
BJ Nilsen's first LP for the label, departing from his field-recording practice. Recorded during a Fall 2017 residency at Willem Twee Electronic Music Studio in Den Bosch, the five pieces document improvised sessions on modular synthesizers, tone gen…
Across three decades of uncompromising sound, this series of vinyl reissues traces a raw and evolving lineage within Japanese noise. From the mid-1980s underground to the turn of the millennium, these works capture a continuous process of transformat…
Four previously unreleased pieces (2015-2020) by Otto Sidharta, pioneer of Indonesian electronic music. Built from environmental sound and a deep love of sealed-off traditional musics, the album takes its name from a closed community in Sulawesi and …
The fourth Univers Zero album (1984) and a turning point: the Belgian chamber-rock group plug in, adding synthesizer, electric cello and a heavier, almost rock-leaning attack to their dark instrumental world. Composed and arranged by founder Daniel D…
First collaboration between Frans de Waard and Martijn Comes, deliberately built without an underlying concept. Each artist supplied the other with a pool of source sounds: de Waard sent Comes Korg MS20 and Koma Field FX recordings and field material…
Mariachi parodies, experimental jazz, lounge cues for party scenes, and a main theme that returns in five different versions. Composed in 1972 for Duccio Tessari's aviation comedy, the score to Forza "G" is one of the least visited corners of Ennio M…
500 Copies. Gatefold double LP version. Telephone terrorism tactics and voyeuristic ambience from the Scanner archive 1991-1994. Exclusive unreleased material. An eavesdropper's delight. Scanner is Robin Rimbaud, the British artist who took his name …
First album in IT DEEL, a multi-year project by the Kleefstra Bros (Jan Kleefstra on poetry, Romke Kleefstra on guitar) with Popfabryk, addressing the ecological degradation of Frisian nature. Each volume is composed in residency at the Thomaskerk in…
30th anniversary edition. Revised and expanded printed book edition of The Crack In The Cosmic Egg. Thirty years after its original publication, Steve Freeman and Alan Freeman return to print with an anniversary edition of their encyclopaedic work on…
Second volume in the IT DEEL project. The Kleefstra Bros invited Norwegian duo Streifenjunko (Eivind Lønning on trumpet/electronics, Espen Reinertsen on sax/electronics) into the Thomaskerk in Katlijk, composing between improv, jazz and sound art. St…
Four-CD box collecting reworks of Orphax's 44 Sketches of 44 Seconds, in which Sietse van Erve handed forty-four short source sounds to friends with an open brief to take them outside their usual practice. The contributing artists - TVO/Ruaridh Law, …
Recorded at Ardent Studios in October 1977 as part of the sessions that birthed Gravest Hits, the tracks on Gravest Gravy were contained on seven 1/4 inch reels. The tapes were transferred by Brian Kehew, the tracks were selected for inclusion by Hen…
* Remastered repress. Comes with printed inner sleeve. * Leg End is the debut of Henry Cow, recorded at Virgin's Manor studios in May and June 1973 and released that summer. The band had formed five years earlier around two Cambridge students, Fred F…
Debut by Pangea de Futura, a Montreal octet led by Eric Quach with members of Godspeed You! Black Emperor and more. Three drummers, brass and electronics build massive textural shapes and droning, tribal post-rock that rises out of flux toward entrop…
For more than six decades, Beatriz Ferreyra has been building worlds out of sound. Born in Córdoba in 1937 and based in France since the early 1960s, the Argentine composer entered the GRM at the invitation of Pierre Schaeffer in 1963, contributing a…
Two long drone pieces built around recordings of improvised saxophone. The first is a seventeen-minute work derived from material James Fella sent Orphax in 2006: multi-layered and roughly cut, with non-harmonic multitones colliding in the room and e…
It's an all electronic affair, harmonically maximalist, predominantly symphonic synthetic, requiring active listening. Some pieces function as challengers of musical structural habits, provoking the short attention span culture, others present
a prob…