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Public private
Atolón : Ruth Barberán, Alfredo Costa Monteiro, Ferran Fages. Chip shop music : Erik Carlsson, Martin Küchen, David Lacey, Paul Vogel. Recorded by Simon Reynell, February 2012. Mixed and mastered by Ferran Fages. A collaboration between two established and highly-regarded improvising ensembles, Atolon from Barcelona and the Irish-Swedish group Chip Shop Music. The disc consists of the whole of a wonderful concert performance from February 2012 in which the two groups attempted to play tog…
Lunula
Octante: Ruth Barberán (trumpet, speaker & microphones). Alfredo Costa Monteiro (accordion & objects). Ferran Fages (electronics). Margarida Garcia (bass). Recorded at ca l'escuder on february 8th and 9th, 2008 by Ferran Conangla. Mixed and mastered by Ferran Conangla. Cover by Alfredo Costa Monteiro.
Live at I.U.C.C. 4/27/80 (2CD)
**333 copies, one-time pressing** Volume 11. 2 disc set documenting the Pan Afrikan Peoples Arkestra in concert at the Immanuel United Church of Christ - April 27, 1980. This is the eleventh and final concert that Tom Albach recorded at Immanuel United Church of Christ. Easily ranking as one of our favorite performances of the series, its also destined to be considered one of the greatest Arkestra live recordings, brimming with intense energy and culminating in the 1-2 punch of a blazing “Lelan…
The Shadows and the Light
**2CD version** «My favorite albums have always been the ones that take the listener on a journey. I aim to do that, to create worlds with my albums - universes. I wanted The Other Side of Time to unfold like a story and I've continued that process with The Shadows and The Light. I'm influenced by so many different styles of creative music and I like to try and bring all those influences into harmony on these records. There is long-form and short-form composition. You have groove and you have fr…
On Leaving
For over a quarter of a century, sound artist and composer Richard Chartier has interrogated an ever deepening thread of minimalist sound that meshes questions of stasis, pulse and timbre. The results of this work is some of the most quietly intense compositions of this century. His is a music of subtle variation, unwavering concentration, and also patience. This five-part work created between 2020 and 2022 is dedicated to his friend and fellow sound artist Steve Roden.
Musica Contemporanea Puertorriqueña
A quartet of beguiling Electronic & Tape Music figures from Puerto Rican composer Rafael Aponte Ledée, one of few operating there during the "Golden Era", consisting of pieces completed in the island's first Electro-Acoustic studio between 1974 & 1978. Starting with the ring-modulated & spring reverb-laden "Elvira Gimenez (O Al Otro Lado De Tica...)" things get off to a great start, getting into the same junkyard-sphere as Xenakis' "Bohor" in in its aggregate form of clockwork-innards & shifti…
Sonoma
While Creel Pone has done a bang-up job at documenting non-Subotnick alternatives such as Michael Czajkowski's "People the Sky," Douglas Leedy's "Entropical Paradise", etc. there's, simply, not a lot of music out there made on the early Buchla systems; which makes this hiterhto undiscussed collection of pieces by the composer Carter Thomas, all recorded between 1971 & 1977, then issued in 1985, something of a unheralded gem.
Starting with "800th Lifetime" - an 11-minute suite for Buchla 100 & 20…
Introducing Scientist - The Best Dub Album in the World
Tip! *2024 repress* Hopeton Brown, better known as Scientist, has been a pioneering figure in the world of dub for nearly 40 years. His early love of electronics proved fruitful when (still a teenager) he was hired at King Tubby's studio in Kingston. Brown quickly ascended the ranks and became heir to Tubby's throne, producing imaginative and technically impressive mixes that solidified his forward-looking nickname.
Introducing Scientist - The Best Dub Album In The World, his 1980 debut LP, live…
L'inter Communal
The Intercommunal Free Dance Music Orchestra was created in 1971 by an “old hand” of French free jazz, François Tusques. Free Jazz, was also the name of the recording made by the pianist and other like-minded Frenchmen (Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais) in 1965. But, six years later Tusques had had his fill of free jazz. After having wondered, together with Barney Wilen (Le Nouveau Jazz) or even solo (Piano Dazibao and Dazibao N°2), if free jazz wa…
Le Musichien
The Intercommunal Free Dance Music Orchestra was created in 1971 by an “old hand” of French free jazz, François Tusques. Free Jazz, was also the name of the recording made by the pianist and other like-minded Frenchmen (Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais) in 1965. But, six years later Tusques had had his fill of free jazz. After having wondered, together with Barney Wilen (Le Nouveau Jazz) or even solo (Piano Dazibao and Dazibao N°2), if free jazz wa…
Signe Emmeluth
Its an honor for the AFJ-Series to introduce the self-titled debut album by Danish Oslo resident Signe Emmeluth. Recorded at Flerbruket, in the forest an hour outside of Oslo - Emmeluth alone in a room with her alto and tenor saxophones.
A fantastic session of sax solo ecstasies recorded by Magnus Hemnes Nergård. Much like Joe McPhee's Tenor and Peter Brötzmann's 14 Love Songs, this album share the same beautiful intimacy. It is close, sparse, poetic and raw at the same time. Minimalist and soul…
Paesaggi
**Limited edition vinyl 1971 album cover. 700 copies** Finally putting an end to a long wait for library music lovers, Four Flies Records is proud to present the first reissue of Piero Umiliani's Paesaggi – a record that, despite remaining for many years pretty obscure compared to other titles in the maestro's discography, is now regarded by collectors and experts as the gold standard in Italian library music. Originally released in two versions with different sleeves, the first on Liuto Record…
Regenstucke Vol. 2
A sensational album by one of the most original composers of our time. Since Regenstucke Vol. 1 deals with rain aesthetic in pure instrumental form, Vol. 2 shows Peter Ablinger´s fascination with techniques of filed recordings, accompanied by different ensembles and orchestra setups. Ablinger has been exploring different sides and features of nature recordings for a very long time, always achieving new territories and pushing boundaries to higher level. This release represents only a minority o…
Aphorisms Insane, 00 Time
A pair of albums at the absolute extreme edge of what can rightfully be considered "Berlin School" Electronic Music music, conjured by the core duo of Walter Heinisch & Karl Kronfeld - with Gerhard Lisy participating only in the former - released in 1980 & 1984, respectively, on (oddly) CBS Austria, and the pair's own Synoptik imprint.
Coming from an aesthetic waypoint far closer to Seeselberg's "Synthetik-1" than anything from the cosmos-gazing Schülze / TD canon, the (burnt) offerings herein, …
Real
Italian sound artist Giulio Aldinucci returns with his 4th album on Karl: "Real" is again a truly masterfully composed and sound-designed ambient masterpiece and a more than worthy follow-up to the critically acclaimed "Borders And Ruins" (2017), "Disappearing In A Mirror" (2018) and "Shards Of Distant Times" which all made it onto several year's best lists.
With now his 4thalbum for Karl, the sound artist from Siena has proved a steady and prolific artist on the label roster. And each time, Giu…
Return to Archive
In 1948, Moses Asch founded Folkways Records with a self-proclaimed mandate to record the sounds of the entire world. From the Sounds of North American Frogs to Speech After the Removal of the Larynx, Folkways documented the audible nooks and crannies of existence on hundreds of LPs produced by field recordists, scientists, and experimentalists probing the margins of the human soundscape. Seventy-five years later, electronic music duo Matmos have diced, looped, stretched, and recontextualized th…
Dw16 / Songbook
DW is an on-going cycle of Bernhard Lang's pieces, where composer explorespossibilities of loops and repetitions, which became his compositional trademark. Songbook I is another piece where Lang highly involves his patterns from Jazz and Pop music, transformed through “damaged beats”. "For many years one of my main influences beside the work of Philip Jeck were the movies of Martin Arnold: they more or less became the trigger for the series of pieces called Difference/Repetition
Multiple Park
Cheryl E. Leonard builds and plays electroacoustic instruments made out of natural materials such as bones, driftwood, shells, seaweed, feathers, and stones. Jon Leidecker (aka 'Wobbly') responds to the sounds of her creations with synthesized animal voices driven by machine listening. The inaugural collaboration of these two veterans of the San Francisco Bay Area electronic music scene can be heard on the album Multiple Park, a collection of works assembled from both studio and outdoor performa…
Akira Umeda (1988-2018)
"In this album, Akira Umeda mixes 42 recordings, dated between 1988 and 2018, which, in a sense, reflect the incredible range of his creative work: from songs, to ambient music; from field recordings to prank calls. The cassette tapes, whose contents make up this double-LP, had been stored in Umeda’s house in São José dos Campos, in São Paulo, Brazil.
Restless, and easily bored, Akira moved seamlessly from one activity to another – he was a little bit of everything (and nothing at all). Such pe…
Udge
Melbourne-based Francis Plagne returns to Horn of Plenty with possibly his strongest statement to date, Udge.