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More than 25 years after the start of collaboration with Acid Mothers Temple mastermind Makoto Kawabata (including the INUI series and the classic Kawabata/Youngs release) comes the first proper VHF LP by the prolific quintet. One of an occasional series of “minimalism” inspired LPs by the group, In A Not C is a not a barely changing drone, but a wild ride with the band in full flight, rushing along in a glorious swirl of psychedelic madness.
Like the band’s well-known 2001 version of Terry Rile…
Grisaille is shaped by reduction, intuition, and time. Woven from a deliberately restricted palette, the pieces emerge from musical systems set in motion and allowed to unfold according to their own internal logic. Rather than following a fixed compositional path, they drift, accumulate, and transform: forms revealing themselves gradually through interaction, repetition, and change. The work foregrounds the first gesture. Takes are retained as they arrive rather than rehearsed into place, preser…
Which is the more productive situation for improvisation: the shock of the first time encounter, unhindered by history or habit, or the long-term association and the evolution of more complex interactions? It's an unresolved, perhaps even undecidable, question. This recording brings together four improvisers together in a multi-layered situation which combines multiple permutations of the untried and the familiar. The four had never all played together before but the quartet contains various his…
* Discounted Bundle * Two three-LP boxes, released together on 2 October for Steve Reich's ninetieth birthday, covering the years 1974 to 1982 in full.
Drumming; Music For Mallet Instruments, Voices and Organ; Six Pianos is the Deutsche Grammophon set of 1974, recorded at the Polydor Studios in Hamburg that January by Steve Reich and Musicians, with Cornelius Cardew on glockenspiel in the final part. It was the first time a box set had been given to a minimalist composer. This edition has been r…
*300 copies limited edition* At this point the vast swathes of unreleased Muslimgauze material Bryn Jones left behind when he passed away over 25 years ago is as legendary as any of his work. And sure enough, there's still some being unearthed today. The fourth entry is in a 7" single series taken from one of Jones' customary completely unlabelled DATs he sent to labels seemingly as fast as he finished them. A new series of singles collecting one of Bryn Jones’ innumerable DAT tapes that would s…
Two side-long improvisations recorded in a spring evening beneath a 1908 shot tower. That is the whole record, and it is enough. Fysiikka ja Kemia - Physics and Chemistry - surfaced in late 2025 with Biologia, a debut LP on Tampere's Ultraääni Records that the label summed up in a single line: rural psych-jazz improvisations by the Finnish bastard sons of Arbete & Fritid. Three hundred copies, each sleeve screen-printed by hand by the band, gone quickly. We Jazz picked a track for their Friends …
On Today’s Special, Hanne Lippard and Renato Grieco turn speech into score and accompaniment into acoustic typography. Reduced, exacting compositions for voice, viola da gamba, piano and Wurlitzer shadow the rhythm and contour of language, transforming wordplay, online debris and intimate anecdotes into a dryly comic, strangely moving suite of musical rhetoric.
Reich's three string quartets on one record for the first time: Different Trains (1988), Triple Quartet (1998) and WTC 9/11 (2010), each setting the live quartet against tape. New readings by New York's Mivos Quartet, made with the composer's involvement. 2LP with notes by John Schaefer.
**CD edition** Awesome library, remastered from the original master tapes with superior sound quality, replica of the original RCA LP (with bonus CD) in a limited edition of 500 copies. Sweet keyboards galore‚ a wonderful sound library set from the Italian scene of the '70s‚ filled with Fender Rhodes throughout! The tunes are a mix of funky and mellower numbers, but all sport these really great keyboard lines up top‚ always rhythmic, even when moving slow‚ and with this sexy sparkle that's right…
* Edition of 300 copies. High thickness cardboard with opaque laminated cover. Comes with a printed insert * So… Steinmetz. Hugh Steinmetz. A Danish trumpet player my mentor Peter Brötzmann always talked highly about. 'Aaaaah jaaaaa - those crazy Danes!' Steinmetz was one of very few Scandinavian musicians who actually travelled south and collaborated with European musicians in the late 60s. He is a legend. And a key to understand the early developments of free jazz. The possibilities given to S…
A landmark of 1970s Turkish psychedelic funk, Zafer Dilek’s Oyun Havaları returns to vinyl 50 years after its original 1976 release on the legendary Yonca Müzik label.
In September, 1967, three of the primary ensembles of free music in Northern Europe gathered for a mini-festival on Radio Bremen: the Manfred Schoof Quintet, the Peter Brötzmann Quartet, and the Irène Schweizer Trio. Pianist Alexander von Schlippenbach appeared as part of the Manfred Schoof Quintet, but in these sets, which mixed the dozen members of the ensembles, as well as presenting them on their own, Schlippenbach in fact either led or was at the center of several groupings, presenting two …
Thelonious Monk by Francis Gooding, Mats Gustafsson, Fielding Hope, Patrick Preziosi, Andy Thomas, Arttu Tolonen, Bret Sjerven, Daniel Spicer & Wif Stenger, Miles Okazaki by Andrew Scott, Kiri Ra! by Wif Stenger, Jazz Is Dead By Tina Edwards, Dirar Kalash by Henry Boon, Dewey Redman on Impulse by Andy Beta, Water Damage by Matt Sonzala, Mikel Patrick Avery by Patrick Romanowski, The Torched Torch Singers by Alex Coles & more.
Recorded at Ardent Studios in October 1977 as part of the sessions that birthed Gravest Hits, the tracks on Gravest Gravy were contained on seven 1/4 inch reels. The tapes were transferred by Brian Kehew, the tracks were selected for inclusion by Henry Rollins, engineered by Ian MacKaye and Don Zientara at Inner Ear Studios and mastered by Pete Lyman at Infrasonic Sound.
Originators of a mutant and primal, stripped-down sound with its roots in the primordial soup of Rock 'n Roll - The Cramps cra…
Two x 2LP sets that examine the influence and expression of the underground jazz that evolved in California and surrounding states during the latter part of the 20th century.
On Séance of Sleep II: La lévitation de Shéhérazade, David Wunder Brägger turns folk memory, analogue circuitry and microtonal drift into a slow‑burning dream ritual. Droning fiddles, handmade electronics, metallophones and vintage organs rise together, making an ambient record that feels at once archaic, futuristic and gently unmoored from waking time.
Another Day on Earth (2005) was Brian Eno’s first song-based album since Nerve Net in1992, and remains one of his most acclaimed solo records. It featured a young Jon Hopkins alongside long-standing collaborators Nell Catchpole, J. Peter Schwalm and Leo Abrahams, with lyrics co-written by Michel Faber and Danny Hillis. The album was launched with a public conversation between Eno and the writer Michael Bracewell at the Marble Palace in St Petersburg and its cover photograph was taken by Eno hims…
Nostalgia is not an ideology, though in this moment, we could be mistaken for thinking it might be just that. Over the past years, the idea of nostalgia has been filtered through various political and technological lenses and has become a tool used for forgetting, rather than remembering. Instead of embracing histories’ complexities and inconsistencies, this version of nostalgia seeks only singular recollection. This contemporary phenomenon of nostalgia has become a methodology at best, and a we…
On Sweet Love, Bitter, Mal Waldron turns a fictional portrait of Charlie Parker’s final years into a darkly luminous suite of cinematic jazz. His lyricism, tension and blues‑stained restraint guide a formidable 1967 ensemble through music that moves beyond soundtrack function, making New York feel bruised, nocturnal and fiercely alive.
After many requests to reissue the seldom heard cassette EPs and VHS releases, Akuphone compiled this archival release which illuminates the group’s early development from 2008 as enigmatic practitioners of post-apocalyptic folk and ritual psychedelia.
These recordings capture Ak’chamel’s signature sound in its most primal form: thoroughly f*cked lo-fi production, warped tape hiss, detuned instruments, and melancholic hysteria captured on cassette.