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Drummer Joey Baron has played with such unorthodox types as John Zorn, Wayne Horvitz, and Tim Berne, so it's not surprising that his own sessions are equally diverse and ambitious. This date presents an unusual instrumental lineup and a freewheeling, constantly changing musical menu. Baron heads a trio with saxophone and trombone; the absence of bass, keyboards, or guitar results in intriguing voicings and the pieces are solely dependent on the interaction of his drumming with Ellery Eskelin’s s…
"Beyond a Dream" is a live jazz album by saxophonist Pharoah Sanders and drummer Norman Connors, recorded on July 22, 1978, at the Montreux Jazz Festival in Switzerland and released in 1981 by Arista Novus. The album showcases a blend of spiritual and free jazz elements characteristic of Sanders' style, complemented by Connors' dynamic drumming. A reviewer from Dusty Groove described it as "a dream of a record from this legendary spiritual jazz duo."
Rediscovered and compiled for release shortly before her death in November 2023, Further Selections from the Electric Harpsichord presents a never-before-heard recording of composer and artist Catherine Christer Hennix's early magnum opus. Originally debuted in 1976 at the festival Brouwer's Lattice at Stockholm's Moderna Museet, The Electric Harpsichord has steadily mystified fans and students of Western minimalist music for its implacable, transformative qualities, and the long-held, relative …
“The Afro-Sambas from Baden Powell and Vinícius de Moraes”… Many guitarists all over the world respectfully smile when they hear these words. The compositions are true masterpieces that never seem to loose their inspiring quality. The two legends in Brazilian Music recorded the album in 1966 as a conclusion of their mutual interest in the Afro-Brazilian culture.
As a witness of the rise of Bossa Nova, Baden Powell (1937, Varre-Sai (north of Rio de Janeiro)) got in contact with Tom Jobim in 1959.…
Long lost krautrock classic delivering a dynamic, complex combination between fuzzy freak out improvisations (full of Hammond organ and catchy heavy guitar leads) and epic folk arrangements for the flute. Sperrmull formed in 1971 but went through various lineup changes until they recorded this their only album in December of 1972. It was produced by Dieter Dierks and recorded at his studio. Dieter also played some synths on the opening track. A very accomplished essay. Similar to (early) Nosfera…
Grupo Medusa was one of the best instrumental bands out of Brazil during the 70s and 80s, blending Jazz, African Influences and traditional Brazilian Rhythms. Formed By Chico Medori, Claudio Bertrami, Amilson Godoy and Heraldo do Monte. Original release in 1981 reissue for the first time Worldwide.
**100 copies** Rie Nakajima: a handle of Japanese sliding door (fusuma) from her grandmother’s house, Japanese rice bowls, coils, jars, shells, flower pots, plastic bags, tin foil, tin cans, chopsticks, a bamboo pot, stones, cups, and kinetic objects made by Rie herself.
Sonically, the Swedish duo SHXCXCHCXSH distort the club context they work from by rendering functionality with an exceptionally refined and idiosyncratic palette. As logophiles, they contort the little descriptive context they afford audiences by imploding language into splintered and barely comprehensible character sequences. The impression is that each is the result of mutual process-driven experiments. This is all true of '......t', their new album and debut recording for Northern Electronics…
2024 stock. Sound is ephemeral. It does not belong to anyone. It cannot be captured in words. Writing on sound art usually focuses on the same familiar figures, but this treatment will broaden the field to explore artistic practitioners like the godfather of movie sound, Walter Murch, the king of the jungle Chris Watson, naturalist and explorer Alexander von Humboldt, pioneer wildlife recordist Ludwig Karl Koch, American pioneer composer and master teacher James Fulkerson, uncompromising compose…
Edition of 100 copies In 2012 Frans de Waard started yet another new music project, Modelbau. It took another two years before he really started, but he has since then released a long string of releases, many of which are on very limited cassettes. Over the intervening ten years, he played various European concerts and collaborated with musicians such as Orphax, MvK, and Scanner. Meeuw designed the original logo, which graced almost all of the releases, giving it a distinct look. Meeuw also crea…
*300 copies imited edition. 2023 stock. In process of stocking* Try to imagine an astonishing reversal of the traditional widespread subservience of sound to story-telling: instead of sound effects providing realism to a narrative, the open shell of an apparent narrative becoming sound work… or perhaps even a new form of weird experimental music that only requires a willingness to listen to the actual sonic matter itself, precisely when it appears to be something else.
Francisco López offers a brand new field recording composition based on the recordings he did in the island of Tenerife whilst visiting for a performance at the Keroxen Festival, 2020. Internationally recognized as one of the major figures of the sound art and experimental music scene, Francisco has an ear-like gift to point his microphones (and our ears) to the most special and unlikely of sound sources. For almost forty years he has developed an astonishing sonic universe, absolutely personal …
**2022 stock. 200 copies limited edition** The album 'untitled (2019)' by Francisco López was entirely created in 2019 and composed of a variety of very different pieces. Even though the pieces have very different origins, they all come together in a fascinating sonic trip, with the supreme quality and attention to detail you've come to expect of Francisco López. He himself humbly refers to this album as 'a killer'. Couldn't agree more. Francisco López is internationally recognized as one of the…
Francisco López is known all over the world as one of the main figures of all time experimental music. He performed in hundreds lives, projects and sound-sets in 60 countries of 5 continents and his huge discography has been released by more than 200 labels all over the world. His musical universe moves from human-ear limits to the deepest abysses of sonorous power and it is mostly composed of field recordings caught along the wildest areas of Earth or between the sounds of industrial world.For …
Features two unreleased tracks recorded in 2006 - in his installation The Complete Operations Of Spirit Communication, Carl Michael von Hausswolff takes up central themes of his previous work and adapts them for a display especially created for the series O.K Spektral
Using field recordings made in Brussels together with TRMX, Johan Vandermaelen, Martiens Go Home, and Building Transmissions, López mutates and records these into an intense 73 minute composition that takes the sounds of a city and transforms them into a interior landscape, a city within.
In October 1984, Frans de Waard started his Korm Plastics label and his music project Kapotte Muziek. Shortly after, a fellow student, Christian Nijs, joined him as a musical partner. They quickly released a few cassettes and contributed to international compilations, and Nijs started a short-lived label, Disabuse Transmissions. In the summer of 1985, they published the first issue of Nul Nul, a fanzine, to promote their projects and to support the industrial music scene in The Netherlands and B…
Bitchin Bajas are back... Bitchitronics, is ready with the quickness we expect from the Chi-based duo -- which is funny, since their area of expertise and mastery is in the area of synthetic ephemeral sonic languid-ity known more instinctively, inclusively (and let's face it, irresponsibly) as drone music. They make slow music at a fast pace is what we're saying. Now these guys are paying attention to this on the micro-level because that's where their fun is, so how will you react when we…
Two orchestral works by Adrián Demoč, the highly-acclaimed Slovak composer currently based in Spain. The title track 'Neha' (2018) creates a shimmering tension by overlaying 'well-tempered' chords with the same chords using natural harmonics outside of the tempered tuning system. This doubling creates a gentle trembling of interferences. The second piece, 'Popínavá hudba', evolves from a single melodic line, which is repeated with slight variations such that it curves and is bent into fascinatin…