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Karen Borca - bassoonRob Brown - alto saxophoneWilliam Parker - bassReggie Workman - bassTodd Nicholson - bassPaul Murphy - drumsSusie Ibarra - drumsNewman Taylor-Baker - drums Track 1-3 recorded May 25, 1998 at the 3rd annual Vision Festival, Angel Orensanz Centre, NYCTrack 4 recorded June 19, 2005 at Vision Festival X, Angel Orensanz Centre, NYCTracks 1-3 recorded and mixed by Alen Hadži-StefanovTrack 4 remastered by Arūnas Zujus at MAMAstudios, Vilnius, LithuaniaPhotos by Peter Gannushkin / D…

*100 copies edition* The story of Room 31 began when drummer Marlon Patton and saxophonist Greg Sinibaldi first crossed paths while playing in the band Kenosha Kid back in 2008. The two formed an instant connection, and fate brought them together again when they both relocated to New York City in 2019. Sharing a practice space, they embarked on a musical journey that would lead to the birth of Room 31. Inspired by their surroundings and the room number of their current practice space, they chose…

Axes and layers, but also the axes, for striking and cutting. This work embraces the muscular energy of avant-jazz and delicate and dreamlike introspection. The musical references are to the America of Tim Berne and the Europe of Marc Ducret - the polyphony and rhythmic pulse of the urban environment. But the connections, even if not strictly musical, reach far; "Axis: Bold as Love" by Jimi Hendrix and "AlasNoAxis", Jim Black's debut album. More than one axis: axes.

*2024 stock* "Recorded back in 2019, in Newcastle upon Tyne, “Skinwalker” is a collaboration between noisy British punk band Bruxa Maria and Norwegian trio MoE. Between these two acts, fireworks might be expected to fly constantly but “Skinwalker” turns out more restrained and controlled than you’d expect. Four tracks, of which three exceed ten minutes, are on offer here, all of them brimming with caged fury and aggression which, if unleashed, could turn this recording into a tapestry of burning…

“A blissfully ecstatic sprawl of spiritual-jazz explorations of the most transcendent order” – Brooklyn Rail

"Sights and sounds move from place to place with promiscuous gesture. Ships, airplanes, and churning whirlpools appeal more to mechanical economies than street feet sharing pulse rate interiorities. The people twist on metric rails. Oxygen converters reflect swinging diatonics. Blackouts resound. Triggers blackout pots, pans, tin cans, and appropriate Lydian roots, talking tanks, and time-sliced wildlife. By 1950, modernist cultural curdling sacrificed aesthetic convenience for intuitive product…

Recorded on September 25th 2018.  The Krakow Improvisers Orchestra is a creative space for the collaboration of improvising musicians with backgrounds in free jazz, classical, and experimental music. Founded by Paulina Owczarek, the Orchestra was inspired by ensembles like the London Improvisers Orchestra, John Zorn’s Cobra, Phil Minton’s Feral Choir, and the Discordian Community Orchestra.  Paulina Owczarek (saxophones) Ernest Ogórek (double bass) Adam Nyk (voice, electronics) Sebastian Mac (el…

2009 release ** Weltraum play and record music since 2003. Their Traum/Trauma ep has been released by Lona Records in 2006. In 2008 Weltraum became a trio (electronics, guitar, drums) and shifted their musical research towards rythmical blocks, prefering dry and sharp timbers. No melody, no meaning. They actively move in Napoli, collaborating with A Spirale, Ne travaillez jamais, One starving day, (etre)..., giving life to several impro projects (Asp/SEC_, Aspec(t), Strongly imploded, endorgan) …

1996 release ** "Reedist Willem Breuker has a fascination with the mechanical organ, particularly instruments like the European street organ. The mechanical organ works like a player piano, and on these recordings is controlled by either Ben Uijtiens or Chris Weeda. His previous Bvhaast album, Lunchconcert for three Amsterdam streetorgans recorded from 1967-1969 is an unusual album of organ work that takes the instrument is lesser known territories, and included a tribute piece to John Coltrane.…

2025 stock ** "ViaLucisTrio is a improvised training with members related to the collective Rare Musics , agency dedicated to promote primarily the free improvisation in Madrid (Spain). The four members of ViaLucisTrio they met in the meetings of improvisers (Tuesday Wednesday), musical call organized by Rare Music; precisely to encourage participating musicians and facilitate the creation of projects such as the group ViaLucisTrio. As well as those demanding musicians in its task and aesthetic …

Corbett vs. Dempsey presents And Yeah So (1981-1985), the first ever compilation by Splat! Emerging amid the primo froth of the British post-punk era, Splat!'s lineup included vocalist Dave Parsons, the mastermind behind Ron Johnson Records. The band released its only 7-inch single as the label's maiden record, going on to follow up with a 12-inch EP. These (plus one track on a compilation) were the sum total official output, but the band was active and made loads of fantastic, high-octane, ofte…

2009 release ** Strongly Imploded  is the supergroup composed by part of One Starving Day (Beta-Lactam Ring) A Spirale (Fratto9/ Deserted Factory) and Weltraum (Lona e Toxo Records), a blend of electro-acoustic, free improvisation and elements from heavy sounding music styles such as noise, hardcore and power electronics, that results in improvised /new obscure music. "In their radical improvisations they mix sources of acoustic and electronic origin. In the quiet and open passages their music f…

*100 copies limited edition* New York City ensemble Part-Time Samurai introduces Grass Is Greener, its debut album for 577 Records: a collection of music shaped by movement, uncertainty, memory, and the gradual recognition that a life in transition can also be a life taking shape. Led by saxophonist, vocalist, composer, and bandleader Noah Galbreath, Part-Time Samurai brings together trumpet, trombone, saxophone, vocals, keyboards, guitar, bass, and drums in music that moves freely between intri…

Gunter Hampel's first record, 1965, on SABA: a quintet with Manfred Schoof on trumpet, Alexander von Schlippenbach on piano and Buschi Niebergall on bass, a year before Globe Unity. Down Beat gave it five stars. Hampel on vibes and flute, Dolphy and Ayler in the room, nobody screaming.

Aaron Dilloway returns to Dais Records with 'No Skill Comedy Mind Reading', his first full-length album since 2017, a collection of characteristically jarring, absurdist material. Marked by his signature distortions and contortions — feedback-shrouded found sounds, field recordings, and vocal improvisations — 'No Skill' collects nearly a decade of select solo work and feels distinctly in the present, a scattered product of volatility, both harsh and humorous. Few contemporary experimental artist…

I first met La Monte Young at a 1981 performance of his piece The Well-Tuned Piano at the Dia Art Foundation’s beautiful Harrison Street space. When I got a chance after the show to speak with La Monte and his wife, Light artist Marian Zazeela, I was surprised at their friendly demeanor and sense of humor. We began working together shortly after that. Since then, I have been playing music in Harmonic Series tuning. When Brian [Chase of Chaikin Records] first spoke to me about the possibility of …

Rare 2019 re-press on clear vinyl in an edition of 100 copies of the 2017 Blume LP with two previously unreleased superb minimalist droning pieces for organ and for clarinets from the mid-1980's by the American composer. With obi.

William Parker as composer and lyricist: songs sung by Andrea Wolper with an inter-generational band, a title suite with tap dancer Melissa Almaguer, pieces for Chantal Akerman and Joseph Jarman. CD limited to 500 copies on Centering.

Eternal Rhythm: Conversations and Travelations with Don Cherry and Graeme Ewens is the book on Don Cherry we have been waiting for - not a biography written from the outside, but a portrait built from the inside, from hours of cassette-taped conversations recorded since 1979 by writer Graeme Ewens, a confidant, travel companion, and close friend of Cherry. Published by Ars Nova Workshop, this is an intimate, free-flowing document of one of the most unique and innovative voices to emerge from the…

Worriedaboutsatan return with Outland, an eight-track album from Bradford, UK musician Gavin Miller. The record moves between expansive ambient passages, electronic textures, and shorter, more fragmented pieces, creating a shifting landscape that unfolds across its 51-minute runtime.From the 11-minute opener “I've Got Nothing But Time” through “A New Life Awaits You in the Offline Communities,” “Isogloss,” and “Your Home At One Time,” the album gradually moves between spacious and more concise f…

Telectu's 1984 manifesto, the double LP the duo paid for and released themselves: music for performance, concert, theatre and video, from miniatures named after demons to the side-long Palolo. Remastered, 300 copies, screenprinted fold-out cover.

Picture-disc in an edition of 400 copies released by RRRecords in 2004.

*200 copies limited edition* The road does not end: it abandons us, and in its abandonment it invites us to pause, listen, and wander within what cannot be possessed, only perceived. "The Dead End Road" is a journey along a road that leads nowhere, immersed in dark and suspended atmospheres - a path that leaves us alone with our listening. Through field recordings and electroacoustic textures, sounds emerge, dissolve, and recombine in restless spaces, between memory and presence. Each track is a…

The 1993 RRRecords session, the heaviest Skullflower record of the first decade: Matthew Bower, Stuart Dennison and Russell Smith in five long pieces of droning, chaotic dissonance.

On Barker Final, Ivan The Tolerable closes the door on 1a Barker Road with a set of songs conceived, performed and mastered entirely by Oli Heffernan. The album feels like a final dispatch from a long‑running home studio, where restless experiments in tone and texture are distilled into a focused, late‑night farewell.

2011 release ** "Frail and delicate ambient atmospheres, clusters of rarefied piano notes lying on discreet drones, soft and evanescent clarinet riffs, suggesting and catching natural sounds... Light and ethereal pastel-coloured musical plots... Eight tracks, one hour of suspended and quiet sonic passages, flowing like discreet background, or to listen/see in a passionate mood, dreaming in silence, lying in gloom... Wonderful ambient stuff from these two Russian artists in the same vein of some …

Tip! When Peter “Sleazy” Christopherson passed away in 2010, he left several projects in different stages of completion. In 2014, seven of these tracks were assembled by people close to him and released as Time Machines II on a limited deluxe memory stick. The edition sold out almost immediately and has since become a collector’s item. Despite its title, Time Machines II is very different from Coil’s 1998 drone classic. More varied in sound, it recalls instrumental Coil works such as The Restitu…

Flutist Nicole Mitchell and percussionist Joe Westerlund, a former mentee of Milford Graves, improvise in a rural studio near Chapel Hill: looped flutes, mbiras, metallophones and live electronics, with no overdubs.

*Limited edition of 200 copies.* Involving electric drone music; static backgrounds surrounded by occasional field recordings, distortions, hums, metallic sounds, gongs, Tibetan bowls with subliminal oriental suggestions. Compositions that are sometimes coloured or guided by short, deep, hypnotic melodic phrasings of electric guitar, hints of slide guitar, pounding piano notes, or violated by sudden modulations of sibilant electronic waves alternating with bombastic electric pulsations; chaotic …

One long piece by Francisco López made from sounds recorded on the body, clothes and surrounding space of Valentina Lacmanović during ritual whirling; 2013.

**Ltd. 300 copies, perfect replica of the original packaging and newly remastered for optimal sound.** Toshi Ichiyanagi, Michael Ranta and Takehisa Kosugi originally got together in the summer of 1975 for an open-air concert in Sapporo. The concert felt like a great success but was unfortunately not recorded. As the desire arose to record together, they managed to arrange a studio session in the NHK Studio in Tokyo, with presence of sound engineers. What was supposed to be a soundcheck for this …

"Timo Van Luijk and Bart De Paepe in troubled water" says the label press: Ilta Hämärä, the duo of Bart De Paepe (Sylvester Anfang II, Bokrijk, Charles Vögele) and Timo van Luijk (Af Ursin, Elodie, La Poupee Vivante). An imaginary source that combines Bart’s hazy psychedelic antics and Timo’s subtle and abstract sound manipulations in otherworldly spheres of cosmic dimensions

“The Reinvention of Romance,” a new work for percussion and cello that examines the care and empathy that emerge when two lives share space. Over the course of 90 minutes, a series of repeating patterns creates a peculiar kind of harmony in which two musicians are rarely “playing together” but are nonetheless intimately bonded. The Knoxville-based duo Two-Way Street (Ashlee Booth and Adam Lion) commissioned Hennies to compose “a very long piece;” for this recording they step into its two intertw…

Inuit singer Tanya Tagaq live at Victoriaville in May 2010 with Jean Martin on drums and computer and Jesse Zubot on violin: throat singing, cries and breath stretched into an hour of raw, physical improvisation.

Mysterious, primitive lo-fi ‘pop’ from Swedish enigma Mind Control Hands - was anyone ever meant to hear this? Something of a needle in a haystack.  The depths of the internet are flooded with snippets of information about enigmatic CDrs, often no more than a crusty JPG and a bit of text, if you’re really lucky a single track to listen to.  The vast majority are of no interest, but perseverance pays off.  Mind Control Hands, originally birthed in the endless sprawl of CD-baby era early 00s micro…

★ First reissue ★ With obi ★ Gary Marks, a folky jazz singer-songwriter with a career spanning 50 years, has left behind a long list of works, and the second album in his highly acclaimed trilogy released in the 1970s is finally being reissued for the first time on LP! Gary Marks is a folky jazz singer-songwriter with a unique musical style. Born in New York in 1950, he moved to the West Coast in 1976 after releasing his first album, where he worked with Art Rande and Oregon member Paul McCandle…

*100 copies limited edition* Wasser Bassin has just released a brief anthology of the work of José Albert Gomes, Música Para Teatro 2009-2022; or, in other words, a road of discontinuous lines, where the contemporaneity of tracks like “Ciúme” is followed by the abstractions of “Quarto Poder”, the meditative atmospheres of “Laudes”, or the glitch of “Needle”. That said, this compendium may sound a little scattered or paradoxical, but the same mind doesn't necessarily have to think the same things…

From the first moment the pulsating tone of Devin's synth blends with the whispering voices of Earth, Wind and Choir and the menacing bells Naima Karlsson set in motion this record you just know and feel immediately 'Nebulizer' will be a soul-searching journey, soaking you deep into an unknown and very personal musical world. Devin Brahja Waldman is a New York saxophonist, drummer, synthesizer player and composer who leads the group Brahja. He has performed with Patti Smith, William Parker, Nada…

The first Manon Anne Gillis release was a single-sided mini-album titled “Angebiguë”, which was Manon’s self-release in 1983. “Angebiguë” was 6-track mini-album in a cold-minimal-synth vein, and any track from “Angebiguë” were not included in her retrospective 5CD Box “Archives Box 1983-2005”, which Art into Life released in 2015. “Angebiguë” was privately released in tiny edition for her friends only and has been a highly sought-after item among collectors. “Vhoysee” is Manon’s long-awaited new…

Tip! *300 copies limited edition* "Before hitting the road together in 2022 Bill Nace and Emily Robb recorded a tour split — a cassette, limited run of 50 — only to be found at their merch table. Now on vinyl, the split captures a moment bursting with verdient, crisp anticipation. Both artists were then on the heels of significant artistic leaps. Robb was wrapping up the promotional cycle of her first full-length solo record, 2021’s How To Moonwalk, and Nace had recently shifted his focus from p…