Music from Colombia

Lucrecia Dalt's score for Bryn Chainey's folk horror Rabbit Trap, a film about the power of sound: humming drones, unnerving loops and garbled fairy chatter, with Aaron Dilloway on one track.

*170 copies limited edition* "Between September and November of 2024, I turned to sonic art making to cope with personal grief and to reestablish a sense of purpose after a family loss. Like a ritual, I developed a weekday routine, working in my stud…

Lucrecia Dalt’s A Danger to Ourselves is a fearless reflection on the unfiltered complexities of human connection. Stripping away fictional narratives present on the artist’s last several album endeavors, A Danger to Ourselves arrives from a place of…

*2025 stock* All music composed, performed, recorded and mixed by Lucrecia Dalt. Guitar, drums and backing vocals on "No One Around" and drums on "Chasing Heather" and "Chasing Dee" by Alex Lázaro. Tape loop on "Leonids' Temple" by Aaron Dilloway. Ma…

A prolific and limitless musician, performer, composer, and sound artist, Lucrecia Dalt challenges both genre and form, pulling apart familiar elements of pop and experimental music and reassembling them in unexpected ways. Breaking through to a wide…

Limited edition of 200 hand-numbered copies. All include an additional art card on 300gr satin-paper. Packaged in clear vinyl sleeve with folded insert. With the obsolescence of storing and reproducing media devices, a lot of information becomes unav…

*2024 stock. 170 (hand-numbered) copies limited edition* "The genesis of this project is a conversation between Bruno and David about making music in current times of social and environmental crisis. This dialogue prompted an exchange of recordings, …

Tip! Lucrecia Dalt channels innate sensory echoes of growing up in Colombia on her new album ¡Ay!, where traditional instrumentation encounters adventurous impulse and sci-fi meditations on atemporality in an exclamation of liminal delight. Dalt’s in…

Tip! 'Today, we seem to have two branches in the school of experimental pop. One branch privileges object-hood, richness of surface, and mass-hallucinatory quotation. The other (much less celebrated) branch seeks to recapture authenticity in the form…

Tip! Upon introducing her Guest Mix, “en medio,” Lucrecia Dalt left a number of clues concerning the role of film in her music. Through describing its placement in the mix and the impact certain classics had on her third album, Syzygy, she explained …

Second Edition w/ Alternate artwork from first edition. Full color printed covers w/ full color printed inner sleeves. 1000 copies pressed. * Lucy & Aaron is the debut collaboration LP from the duo of Lucrecia Dalt (RVNG Intl.) and Aaron Dilloway (Da…

Lucrecia Dalt’s Anticlines is a volume of bodily and geological substrates within poetic theory and sound. It is a place where skins and minerals dissolve and commingle, where gaseous subterranean leaks inflate lungs, where brain cavities echo interp…

Lucrecia Dalt presents No era sólida, an introspective path to unworldly surroundings where self becomes sound, and a compass for the searchers of musical possession. For her follow-up full-length to 2018’s Anticlines, Dalt relinquishes control of th…

**200 copies** "For my collaborative piece Our Seasons Reverse I used recordings captured in Waziers, Saint Nazaire, Calais, Lille, Roubaix, Paris, London between 2017 and 2018. These recordings compiled a number of events that included museum visits…

2015 release. Along the arc of Lucrecia Dalt's music, beyond what steers her so allusively away from self-repetition, there is an undefinable forward inertia. What can explain, for instance, the near absence of her voice? Is it personal interest, ren…

'In April 2011 David Vélez invited Simon Whetham to Bogota to run a field recording workshop at the Nacional University as part of the Masters in Fine Arts that Vélez was taking. They also planned to work together outside the workshop, a major part o…