Os Tincoãs
Creatively visionary and groundbreaking on numerous terms, 1973 'Os Tincoãs' revolutionized Brazilian music by harmonizing Afro-religious singing, heavenly vocal harmonies, and frawing on Yoruba mythology, Samba, Capoeira chants and spiritual songs.
Vento Sul
*2025 stock * A holy grail! This is one of Marcos Valle's best-ever albums – and it's certainly the one to best realize the larger scope he was heading for in the years after the bossa – that sublime mix of jazz and more expansive arrangements – a perfect fit for the growing sophistication of Valle's songwriting. The record is fantastic – done with a sweeping sound that still leaves us breathless after all these years – and put together with an approach to composition that is virtually indescrib…
Karma
*2025 stock * An obscure bit of Brazilian folk rock from the early 70s - recorded with an easygoing, laidback style that's really wonderful! The group's working mostly here in a blend of acoustic guitar and percussion and some of the guitar work is done by Jorge Amiden of O Terco, using a strange three-necked guitar that looks mighty weird in the picture! This instrument seems to be played using a bow at times - creating a "guitar strings" sort of feel that gives the record a bit more class th…
Lugar Comum
*2025 stock* A sweet electric 70s session from the mighty Joao Donato – very different than his earlier bossa work of the 60s – and with the same funky appeal as the best work on his classic Quem E Quem album! This set's got a tighter feel overall – very much in a samba soul style, with lots of great Brazilian bits mixed up with funk and jazz touches – including a range of great keyboards handled by Donato himself! Drums are by the mighty Wilson Das Neves – who brings in some breaks at a few poi…
Quem É Quem
When João Donato released “Quem é Quem” in 1973, he had already been in the music industry for over 20 years, gaining national and international recognition. Nevertheless, the album marked the beginning of a new phase in his career: the surprising multi-instrumentalist included lyrics in his songs for the first time. It is one of his most important albums, which now returns to shelves pressed on 180gr matte green coloured vinyl.
Samba Esquema Novo
Back in print ! First released in 1963 on Phillips Records, this was Jorge Ben's debut album. "Samba Esquema Novo", which translates to 'New Style Samba' deliberately sets a new standard in Brazilian music. A beautiful, fresh and vital combination of Ben's percussive guitar and smooth/rough voice backed by Big Band style horns, percussion (the great Dom Um Romao) and strings. In 2007, it was listed by Rolling Stone Brazil as one of the 100 best Brazilian albums in history, but It would be enough…
Milton Nascimento
2025 stock ** "Milton Nascimento (1969) is the third eponymous album by Milton Nascimento after the excellent Travessia (1967) and the very average Courage (1968) and before the exceptional Clube Da Esquina (1972). With this album, Milton Nascimento continues the experimental and exploratory work undertaken previously. Milton Nascimento is a record built around moving compositions, mainly Ballads, carried by the sensitive voice of its performer and by the impressive arrangements of Luiz Eça (Tam…
10 Anos Depois
10 Anos Depois is the tenth album by Brazilian musical artist Jorge Ben, released in 1973. It is a collection of popular songs from the first decade of his career re-recorded as medleys.
Ben
The long unavailable ninth album by Brazilian star Jorge Ben. Released in 1972, "Ben" comes from one of Jorge Ben’s most artistically important phases, the early 70s. The album has some of Ben’s most famous songs, “Taj Mahal” (plagiarized by Rod Stewart on his song “Da Ya Think I’m Sexy?”, as the British singer admitted himself in 2012), and “Fio Maravilha”, paying homage to Flamengo’s iconic football player Fio Maravilha.
Dez Anos Depois
Nara Leão's Dez Anos Depois, released in 1971, is a stunning double album that revisits her musical journey and celebrates her contributions to Brazilian music. Known as the "Muse of Bossa Nova," Leão recorded this reflective and intimate collection of reinterpreted classics in both Paris and Rio de Janeiro. The album features timeless tracks like "Chega de Saudade," "O Barquinho," and "Corcovado," showcasing her gentle yet emotionally powerful vocals paired with minimalist acoustic arrangements…
Nelson Angelo E Joyce
In 1972, Joyce and Nelson recorded the LP Nelson Angelo e Joyce, her only professional recording between 1971 and 1975. Sophisticated in its simplistic sound, the album explores Joyce’s tender voice and Angelo’s melancholic mantra-shaped melodies. The duo fuse bossa nova and acoustic psychedelic rock in arrangements that incorporate nature sounds and ritual drumming. The opening track stands out with its angular chord changes and pretty melody, a perfect start. They trade tunes, Joyce sings Hote…
The Astrud Gilberto Album
180 gram Vinyl Edition. The debut studio album by singer Astrud Gilberto, featuring Antônio Carlos Jobim on guitar and arrangements by Marty Paich, The Astrud Gilberto Album was released by Verve Records in 1965. It peaked at number 41 on the Billboard 200 chart and, in 2017, National Public Radio placed it at number 73 on the "150 Greatest Albums Made by Women" list. The album received a ****½ rating on AllMusic, with reviewer John Bush stating that “her voice was yet more sweet than had been h…
Um Violão Em Primeiro Plano
Rosinha de Valença’s 1971 album "Um Violão Em Primeiro Plano" is a masterful showcase of Brazilian guitar, highlighting her exceptional talent and contribution to MPB (Música Popular Brasileira). This album features a rich blend of bossa nova, samba, and traditional Brazilian rhythms, all centered around Valença’s virtuosic guitar playing. Known for her intricate fingerpicking and emotive style, Valença creates a captivating soundscape that transports listeners into the heart of Brazilian music.…
Trio Ternura
Trio Ternura’s LP is a delightful collection showcasing the best of Brazilian soul and funk from the 1970s. The album features smooth vocals, rich harmonies, and vibrant rhythms, capturing the essence of the era’s musical innovation. Each track is a testament to the trio’s talent, blending traditional Brazilian sounds with contemporary influences. Standout songs include “Sol Quarenta Graus” and ”Sempre Existe Alguém,” which highlight the group’s dynamic range. The production quality is excellent…
Wave
Limited Edition 180 Gram Gatefold LP Reissue. From the early 1960s to the late '80s, A&M was one of the most eclectic and powerful independent record labels in the world. The roster of artists who recorded there includes The Carpenters, Captain Beefheart, The Police, Joe Cocker, Suzanne Vega, Procol Harum and Janet Jackson, among others. Founded as an independent company by Herb Alpert and Jerry Moss in 1962, soon the label garnered interest and success, and was acquired by PolyGram in 1989. Thr…
Samba '68
180 gram Vinyl Edition. Elemental Music, together with Universal Music Spain presents a new vinyl reissue of “Samba ’68“, the only album released on the Verve label by prolific Brazilian singer Marcos Valle. In 1968, Valle was commissioned by Verve to record his Brazilian hits in English in order to capitalize on the then-huge Getz-Gilberto-Jobim-Mendes-Astrud market. Marcos’ rapid and stunning artistic growth is apparent on this brilliant Bossa Nova album. Fans of Sérgio Mendes and Astrud Gilbe…
Bossa Nova!
Back in stock ! "Originally released in 1961 as Joao Gilberto, this historic album is one of the great cornerstones of bossa nova. Accompanied by Tom Jobim (who wrote such standards as 'Garota de Ipanema' and 'Desafinado') and organist Walter Wanderley (best known for his smooth Hammond playing and the 1966 hit 'Summer Samba'), Gilberto plays songs like 'Samba da minha terra' and 'O amor em paz,' both of which (along with most of the songs on this album) would soon become standards of the genre.…
Gravado Ao Vivo No Maracanãzinho
*2024 stock * Recorded live at the Maracanãzinho gymnasium in 1974 for a TV Globo special and released in 1980. Good quality considering the time and the precariousness of Brazilian technology. Lot for the improvisations and the totally Rock'n Roll feel. This phrase stolen from the band's Orkut community says it all: "If, at that time, a mother ship had landed, for example, in the Praça dos Três Poderes in Brasília and dumped some aliens through its doors, it wouldn't have caused such an impact,…
Ao Vivo
*2024 stock* Os Mutantes' Ao Vivo is the seventh album originally released in 1976 by the Brazilian band Os Mutantes and their first live album, with only new material on it. Like it's predecessor, Tudo Foi Feito Pelo Sol, the only original member of the band to take part in this album is guitarist Sérgio Dias. Reissue on 180g vinyl by Polysom (Brazil)-