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Perhaps from the habit of our nineteenth-century parlor-music tradition, perhaps from the frustration of trying to get orchestral works performed, American composers seem to have remained more active in the genre of the chamber sonata than their Euro…
This recording contains four works for violin by four disparate American composers with unique conceptions of the instrument and its possibilities, technical and expressive. Elliott Carter's Riconoscenza is a short work for unaccompanied violin imbu…
The music of Charles Martin Loeffler (1861-1935) was a rarity in the United States. Much admired for its artistry, it was yet so individual and its Symbolist aesthetic so unusual that Loeffler acquired a reputation that set him apart from other Ameri…
John Harbison's music draws together gestures and ideas from musical worlds that reflect such favorite composers as Robert Schumann and Heinrich Schutz, the songs of George Gershwin, and the hieratic qualities of Igor Stravinsky. His work has always …
The vocal music on this recording documents three generations of American music, each characterized by its own ideals yet shaped by its relationship to the past. Heard together on one disc, this music provides a glimpse of the rapid and often radical…
The Piano Concerto was Peter Lieberson's first orchestral work and was, from the outset, conceived with Peter Serkin in mind as the soloist. He wrote it after a long period of immersion in the study of Tibetan Vajrayana Buddhism. Throughout what Lieb…
This is the premiere recording of Samuel Barber's Antony & Cleopatra, written for the opening of the new Metropolitan Opera House at Lincoln Center in 1966. Along with Vanessa, it is one of the peaks of Barber's output and one of the great American o…
Vincent Persichetti's choral music plays an important part role in his output. In many ways his Mass is an orthodox a cappella Mass, its Renaissance heritage reflected in its use of a Gregorian chant as the unifying theme, and in its reliance on imit…
The Third Essay was Samuel Barber's last completed work and its drama and lyricism are entirely characteristic of the neo-Romantic style he composed in for his entire life, a style which won him a large and faithful audience. In his avowed concern f…
Comet-like radiance, conviction, fervent intensity, penetrating thought on many levels of seriousness and humor, combined with breathtaking adventurousness and originality, marked the inner and outer life of Stefan Wolpe, as they do his compositions.…
Music of the Federal Era is an excellent overview of late 18th and early 19th century compositions by Benjamin Carr, Oliver Shaw, Raynor Taylor and others, performed on period instruments. The variety of styles represented on this disc reflects two k…
Of the numerous settings of Walt Whitmans poetry, and this poem in particular, Sessions's is generally agreed to be one of the very finest and most sensitive. His mature style - a highly personal, instantly recognizable mix of severity and control w…
The generation of American composers who came of age in the 1920s are now generally acknowledged as seminal figures in the creation of a truly indigenous American art music. Quartet Romantic makes available for the first time on CD several important …
This compendium of American piano music of the last half of the nineteenth-century is a potpourri of popular salon pieces and works of more serious aspirations. Together they conjure a characteristic portrait of the society for which they were compos…
Clearly influenced by Varese's concept of "pure sound," the four works on From Behind the Unreasoning Mask privilege the exploration of sound as a means of musical expression. In the 1970s, the integration of new vocal and instrumental techniques and…
Making its first appearance on CD, The Haymakers is an integral and indispensable part of the mosaic of the emerging American musical culture of the nineteenth century. It is a secular dramatic cantata on an American subject and was written in 1857, …
If diversity and independence are definitive American traits, it would be hard to find four roughly contemporaneous native composers more unmistakably American. Markedly different in personality, each going his own stubbornly separate way, each spoke…
Choral music has always held and continues to hold a prominent position in American musical life. The three works presented here take their place in a tradition that stretches back to the Puritan Fathers. The title composition, Americana, is one of t…
A welcome appearance on disc of some of the finest American music for wind ensemble from the 1950s to the 1970s that demonstrates the evolution of the wind band as a vehicle for “serious” composition. The five compositions represent a wide cross-sect…
Octavian Nemescu's music doesn't perform - it initiates. This Metaphon collection reveals Romania's spectral mystic at his most profoundly timeless, where bees' wings and synthesizer drones become pathways to the inaudible."