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Composed in 1970, Stockhausen's Mantra is a duet for piano written for the Donaueschingen Festival. It is Stockhausen's first completely scored piece after a long string of largely improvised compositions. Here both pianists play ring-modulated pianos, cymbals, and a wood block. One player is also controlling a recording of Morse code. The purpose of this composition was to explore the idea of a musical 'mantra.' The repetition of sounds are intended to place both the audience and the mus…
The Stars of Hunger, was composed in 2007. It is based on three poems by the Austrian poet Christine Lavant: “Im rueckgrat aufwaerts glimmt ein licht,” “So also geht erleuchtung vor,” “Zeig an mir die kräuter welche bestärken” and “Lösch aus mein gesicht und führe mich blind.” Rather than set the poems themselves to music, Lang used the text generation program Abulafia to produce from them a cut-up in the tradition of William S. Burroughs. The composition contains only fragments of the po…
“The interpreter is a very important person indeed in Cage’s piano music, and a top international expert like Steffen Schleiermacher is a must for a complete recording such as this one: he knows the nuts and bolts and all the fine nuances.”
“The interpreter is a very important person indeed in Cage’s piano music, and a top international expert like Steffen Schleiermacher is a must for a complete recording such as this one: he knows the nuts and bolts and all the fine nuances.”
* In Italian * L’arte contemporanea raccontata con lo sguardo di un’artista orientale che da anni studia la cultura occidentale, esplorando le sinergie tra arte e musica.L’autrice parte da Kandinsky e Schönberg, segue con passione le tracce di Duchamp, Cage e degli artisti di Fluxus, l’intreccio delle loro storie artistiche e personali. Giunge fino a Nam June Paik, padre della videoart.Con sguardo minimalista, in linea con i principi di Fluxus, disegna, attraverso gli incontri e le amicizie tra …
*Italian language edition* This volume presents fully translated into Italian the landmark texts of the post-World War II musical avant-garde. Master John Cage revolutionized the traditional and academic concept of music and pushed into new frontiers of sound experimentation by applying the method of composition through consultation of the I Ching. And without forgetting to fascinate the reader with the narration of episodes from his life, which rise to the role of Zen parables.
“The interpreter is a very important person indeed in Cage’s piano music, and a top international expert like Steffen Schleiermacher is a must for a complete recording such as this one: he knows the nuts and bolts and all the fine nuances.”
“The interpreter is a very important person indeed in Cage’s piano music, and a top international expert like Steffen Schleiermacher is a must for a complete recording such as this one: he knows the nuts and bolts and all the fine nuances.”
Recording: February, 21-24, 2000, Fürstliche Reitbahn Bad Arolsen 28-page booklet includes text in English, French and German “The interpreter is a very important person indeed in Cage’s piano music, and a top international expert like Steffen Schleiermacher is a must for a complete recording such as this one: he knows the nuts and bolts and all the fine nuances.”
Pianists: Josef Christof and Steffen Schleiermacher “The interpreter is a very important person indeed in Cage’s piano music, and a top international expert like Steffen Schleiermacher is a must for a complete recording such as this one: he knows the nuts and bolts and all the fine nuances.”
“The interpreter is a very important person indeed in Cage’s piano music, and a top international expert like Steffen Schleiermacher is a must for a complete recording such as this one: he knows the nuts and bolts and all the fine nuances.”
“The interpreter is a very important person indeed in Cage’s piano music, and a top international expert like Steffen Schleiermacher is a must for a complete recording such as this one: he knows the nuts and bolts and all the fine nuances.”
Includes 36-page booklet of text & photos (with English/French/German text). “The interpreter is a very important person indeed in Cage’s piano music, and a top international expert like Steffen Schleiermacher is a must for a complete recording such as this one: he knows the nuts and bolts and all the fine nuances.”
Somewhere between Alex- ander Rodchenko, Jackson Pollock and Charles Ives: Marino Formenti's piano studies based on an instal- lation by Florian Pumhösl as a listening experience! The brilliant Italian pianist has placed compositions by Charles Ives (»Thoreau« from the Concord Sonata, the song »Tom Sails Away«, and »Study 11«) under his magnifying glass and studied them, has taken them apart, searched them for resonances, assonances and silences, and confronted the results with Ives’ own methods…
On"Kontinent Varèse" col legno has assembled seven major works of a pioneer of electronic music, performed e.g. by the Ensemble Modern Orchestra, the RSO Vienna and Martin Grubinger!Edgar Varèse is regarded as one of the pioneers of New Music, and with good reason. His piece “Ionisation” was the first-ever composition written exclusively for percussion ensemble to be performed in a traditional concert hall setting; and he explored and searched intensely for sonic experiences. Varèse integra…
“The interpreter is a very important person indeed in Cage’s piano music, and a top international expert like Steffen Schleiermacher is a must for a complete recording such as this one: he knows the nuts and bolts and all the fine nuances.”
John Cage may still be known as avant-garde, a musical rebel, who greatly influenced music all over the world. But not all his music was written for prepared piano or consisted of electronic sounds. He also wrote several pieces for the ‘traditional’ combination of violin and piano. One CD of this album is devoted to this complete part of Cage’s output. He developed a keen interest in percussion, hence his prepared piano compositions. This lead to a number of unusual works, including one f…
Awesome complete prepared piano recordings by Giancarlo Simonacci. The prepared piano, which Cage invented in the early 1940s, was such a brilliant invention that no one would have blamed him for spending the rest of his life writing for it. A lesser composer would have done that; Cage being Cage he spent the best part of a decade creating a sublime body of work for it and then promptly moved directly onto his next preoccupation - indeterminacy - and never wrote for the prepared piano agai…