Chronoradial
In the world of sound library and production music French Avant-garde composer Patrice Sciortino is both unique and universal. His astounding late 1960s and early 1970s recordings for the prestigious Musique Pour L’Image and PSI labels receive the…
Alienology: Selected Works 1998-2008
Stunning collection of works from 1998 to 2008, MY CAT IS AN ALIEN's first decade of adventure in outer space and modern music. All ultra-rare and long-out-of-print material from space brothers Maurizio and Roberto Opalio finally available for the fi…
What Space Is Made For
The monumental set 'What Space Is Made For' has been recorded in their secret base on the Western Alps, and unlike MCIAA's previous works, it's mostly made of short pieces and songs. In addition to their (un)usual instrumentation (electric and acoust…
Avventure Lontane
Mostly known for his intense drone performances and as bass/guitarplayer for the ultrasonic noise trio MIR, Papiro seems to slip into a different persona when left unattended with a bunch of old Synthesizers and the privilege of overdub. The nine tra…
Acid Birds III
Acid Birds was formed in 2004 in Brooklyn, NY by Andrew Barker (drums & percussion), Jaime Fennelly (harmonium & electronics) and Charles Waters (alto saxophone & bass clarinet). NY-based Barker & Waters are both founding members of Gold Sparkle B…
Transparent Winter
Transparent Winter follows on from the debut release on the always excellent Time-Lag label and releases on the equally great PSF, Opax and A Silent Place. Painting Petals On Planet Ghost is the trio of Ramona Ponzini with Roberto & Maurizio Opali…
KMH: Piano Music in the Continuous Mode
Lubomyr Melnyk's debut album from 1978, KMH, is an unheralded touchstone of minimalism. Performing solo on piano with a speed that suggests multiple pianos playing together in harmony, Melnyk nearly brings out the full sound of the instrument all …
Geelriandre / Arthesis
Realised on the ARP Synthesizer in 1972. Piano: Gérard Fremy. Recorded at the Stedelijk Museum, Amsterdam, December 1979. Arthesis was realized on the Moog Synthesizer at the University of Iowa in 1973. Originally released on Fringes Recordings in 20…
Mort aux vaches
CD, 3-panel micro-wave carboard cover, pyrography on the front side and hand-stamped inside, ltd. 500ex. Produced and recorded for Dwars@vpro by Berry Kamer, Amsterdam, October 27, 2008.
Microtub
A wonderful microtonal play.In microtub, ideas of microtonal tuba music are put into action by the three improvisors Robin Hayward, Martin Taxt and Kristoffer Lo. A unique timbre is created when the sound of the three tubas merge together. SOFA is p…
Vessel
'when I was young, at night, if the wind was blowing in the direction of our house I could hear the slow beating of the ships' engines.' Vessel was conceived for and presented as a site-specific, multi-channel sound installation in Diapason Galler…
Seches Abstände
Five dense movements from abstract composer, Ralf Wehowsky, co-founder of the great Wahrnehmungen & Selektion labels. Recorded in 2008.
Twenty Ten
Following 2008's critically acclaimed double-CD Filaments & Voids, Twenty Ten sees Kirschner's use of real-world instruments become even more accomplished while still remaining steeped in conceptual outlines, meticulously married with computerized…
In A Place Of Such Graceful Shapes
"In the fading days of autumn in 2010, Taylor Deupree and Marcus Fischer, having become acquainted only earlier that year, set out on the sort of cross-country collaboration typically executed via technology and the web. However, having made a few…
Terra
Julian Lynch grew up in Ridgewood, NJ, where, as a youth, he learned to play clarinet and guitar. In high school, he performed in bands alongside future members of Real Estate, Titus Andronicus, and Family Portrait. During a year spent studying in Sc…
Sung In Broken Symmetry
Describing the music of Aquarelle's Ryan Potts is a difficult task indeed. It's related to the hazy, heavily treated output of musicians such as Fennesz and Tim Hecker, but one would be remiss to locate it solely within the realm of electronic amb…
No Visible Means
Originally self-released in 1984 on Pterodactyl Records, No Visible Means is the work of Canada's own Lou Champagne. Lou Champagne was active the Ontario music scene and also performed with other local musicians from that region as well. The Lou …
Reflectors
The Preservation label presents the second album from New York's Nickolas Mohanna. Also working as a visual artist, Nickolas draws unique forms from the wealth of sounds found in New York's complex sprawl and imbues them with feeling and subtlety.…
Light Poured Out Of Our Bones
The Preservation label presents Light Poured Out Of Our Bones, the debut for the pairing of Aaron Martin and Justin Wright. Aaron Martin is a multi-instrumentalist who has previously recorded three acclaimed albums on Preservation; Almond, River Wate…