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Acid Birds was formed in 2004 in Brooklyn, NY by Andrew Barker (drums & percussion), Jaime Fennelly (harmonium & electronics) and Charles Waters (alto saxophone & bass clarinet). NY-based Barker & Waters are both founding members of Gold Sparkle B…
Transparent Winter follows on from the debut release on the always excellent Time-Lag label and releases on the equally great PSF, Opax and A Silent Place. Painting Petals On Planet Ghost is the trio of Ramona Ponzini with Roberto & Maurizio Opali…
Lubomyr Melnyk's debut album from 1978, KMH, is an unheralded touchstone of minimalism. Performing solo on piano with a speed that suggests multiple pianos playing together in harmony, Melnyk nearly brings out the full sound of the instrument all …
Realised on the ARP Synthesizer in 1972. Piano: Gérard Fremy. Recorded at the Stedelijk Museum, Amsterdam, December 1979. Arthesis was realized on the Moog Synthesizer at the University of Iowa in 1973. Originally released on Fringes Recordings in 20…
CD, 3-panel micro-wave carboard cover, pyrography on the front side and hand-stamped inside, ltd. 500ex. Produced and recorded for Dwars@vpro by Berry Kamer, Amsterdam, October 27, 2008.
A wonderful microtonal play.In microtub, ideas of microtonal tuba music are put into action by the three improvisors Robin Hayward, Martin Taxt and Kristoffer Lo. A unique timbre is created when the sound of the three tubas merge together. SOFA is p…
'when I was young, at night, if the wind was blowing in the direction of our house I could hear the slow beating of the ships' engines.'Vessel was conceived for and presented as a site-specific, multi-channel sound installation in Diapason Galler…
Following 2008's critically acclaimed double-CD Filaments & Voids, Twenty Ten sees Kirschner's use of real-world instruments become even more accomplished while still remaining steeped in conceptual outlines, meticulously married with computerized…
Fourcolor is the solo project of Keiichi Sugimoto (Minamo, Filfla) and should be well known to the 12k audience with his two previous releases, Air Curtain (2004) and Letter of Sounds (2006) both highly regarded and now out of print, which establis…
"In the fading days of autumn in 2010, Taylor Deupree and Marcus Fischer, having become acquainted only earlier that year, set out on the sort of cross-country collaboration typically executed via technology and the web. However, having made a few…
Julian Lynch grew up in Ridgewood, NJ, where, as a youth, he learned to play clarinet and guitar. In high school, he performed in bands alongside future members of Real Estate, Titus Andronicus, and Family Portrait. During a year spent studying in Sc…
Describing the music of Aquarelle's Ryan Potts is a difficult task indeed. It's related to the hazy, heavily treated output of musicians such as Fennesz and Tim Hecker, but one would be remiss to locate it solely within the realm of electronic amb…
Originally self-released in 1984 on Pterodactyl Records, No Visible Means is the work of Canada's own Lou Champagne. Lou Champagne was active the Ontario music scene and also performed with other local musicians from that region as well. The Lou …
The Preservation label presents the second album from New York's Nickolas Mohanna. Also working as a visual artist, Nickolas draws unique forms from the wealth of sounds found in New York's complex sprawl and imbues them with feeling and subtlety.…
The Preservation label presents Light Poured Out Of Our Bones, the debut for the pairing of Aaron Martin and Justin Wright. Aaron Martin is a multi-instrumentalist who has previously recorded three acclaimed albums on Preservation; Almond, River Wate…
"15 more tapes" is a suite of 15 short pieces, very different in character and dynamics, edited from improvisations on various tape machines. The music was recorded during the year 2009, and then edited, recomposed and mastered in vimercate i…
Brand new solo material from Aidan Baker, one of the most prolific musicians recording at the moment, Aidan creates such a wide array of musical sound its hard to keep track, not only does he perform as part of the fantastic Nadja, as well as in proj…
Using his no-input mixing board Toshimaru Nakamura, perhaps the ultimate Onkyo artist, spent two years creating this work, which is also the second release in the Erstsolo series. Nakamura constructs this 46 minute piece from recordings of his mi…
and/OAR (via either/OAR) is very pleased to present what is without a doubt among the very best of both artist's electronic-based work. Throughout much of this highly charged release, brooding clouds of swarming tones and drones envelope the listene…