Swedish artist Michael Idehall uses sacred texts as an apocalyptic framework: ten pieces of post-industrial music and dark ambient on grey marbled vinyl in a matte black die-cut sleeve. Ant-Zen, 12 inch.
Dan Courtman's Kommando, the dark twin of Thorofon: the surviving 1993-94 recordings of two cassette albums, compiled and remastered in 2026. Death industrial and power electronics on CD in a digipak, on Ant-Zen.
Enemy by Control, the project of Thomas Garrison, in power electronics and death industrial since the late 1990s: six tracks of siege, aggression and fatalistic void. Multicoloured LP, each copy unique, 200 copies.
Polish power electronics and death industrial act SZNUR, recorded in 2025: eight tracks of concrete, steel and dead gods in a post-apocalyptic vision. CD in a matte six-panel digipak on Raubbau, distributed by Ant-Zen.
Bruno Silva's Ondness with friends: Pedro Alves Sousa on saxophone, Kepla on cello and five guest voices, in a record that finds a way out of the cul-de-sac of his earlier work. Holuzam, LP of 300 copies.
Tekamolo, the anonymous electronic project, with drummer Elizabad Volkova: altered voices, fragments of memory and free-form electronics opened up by live drums, between groove and ambient. LP of 300 copies.
** 2021 Stock. Single 140g vinyl LP in a full colour printed sleeve with printed inner. Includes download card ** Ndeya presents Seeing Through Sound - Pentimento Volume Two by Jon Hassell. A companion piece to 2018’s Listening To Pictures, this second volume in the pentimento series presents eight new tracks by the music visionary, continuing his lifelong exploration of the possibilities of recombination and musical gene-splicing. Pentimento is defined as the “reappearance in a painting of ear…
Twisted programmings, a unique humour and futuristic improvisations are some of the characteristics of Lisa Carbon's sound, which has been copied by many throughout the years.
Sometimes, while listening to electronic music, one might experience a feeling of solitude and coldness... The sound of machines need the human soul's energy and warmth for fuel.
Sometimes, while listening to electronic music, one might experience a feeling of solitude and coldness... The sound of machines need the human soul's energy and warmth for fuel.
this is a tribute to, and a celebration of non-standard electronic music. think of Suicide's ghost rider, the unique universe of Coil, the sublimity of Detroit's techno sound with an obvious fascination for Asian Kung-Fu/Love/Saber movies.
About "radicalism". Sensational isn't really the kind of sweet R'n'B "for the masses" artist. Nor is he some agressive member of the experimental inteligentia (even if he used, when he was 15.
Strictly speaking, MUSIC A.M. didn't form in the morning, but rather one evening in January 2002. On the evening in question, Volker Bertelmann from Düsseldorf and Luke Sutherland, from London, met to discuss their new musical project.
Strictly speaking, MUSIC A.M. didn't form in the morning, but rather one evening in January 2002. On the evening in question, Volker Bertelmann from Düsseldorf and Luke Sutherland, from London, met to discuss their new musical project.
A distant place, far up north, Canada, Alaska, or even further, far away from here. The earth: somewhere on its way around the sun, but we don't know where we are. We find ourselves in the snow.
Claude Pailliot, Emeric Aelters, Gaëtan Collet, and Vincent Thierion were Tone Rec before they became Dat Politics, based in Lille, France. As Tone Rec, between 1997 and 1999.
First solo album published in 2001 by the creator of "Ultra Vivid Scene" (4 AD/pop with irony) and "Cathars" (meta-electronic), now back with soulful minimalist electronic music.
Between 1997 and 2002, on his own name, Yoshihiro Hanno, or with Multiphonic Ensemble, four records have been released by Sub Rosa. Cirque is the second, published in 1999.
On Observations, eRikm and Pierre Bastien stage a tightly focused encounter between hacked turntables and mechanical orchestra, sculpting trance‑like, Dubuffet‑dirty rhythms and razor‑sharp details from one hyper‑attentive night in Brussels.
CD version. Bülent Arel's (1919-1990) work occupies a special place in the history of electronic music, with one thing being certain: Arel's work is still fresh, groundbreaking, and it always look outs for the next adventure in sound. Sub Rosa present a collection of his works here as part of their Early Electronic series. Bülent Arel was a Turkish-born American composer of electronic and contemporary classical music. He was also a devoted teacher, a sculptor, and a painter. From 1940 to 1947, A…
Selected unreleased works by André Stordeur, a key composer of Belgian electronic music, recorded from 1980 to 2000. Perfect complement to Analog and Digital Electronic Music 1978-80 (2015). Released as part of Sub Rosa's Early Electronic series. Belgian electronic music composer André Stordeur, born in 1941, started his musical career started in 1973 with a tape composition for the soundtrack to a film on Gordon Matta-Clark titled Office Baroque (1977). Later in the 1970s, he participated in …
Tip! The most beautiful thing we’ve ever released? It is virtually impossible to describe with mere words how emotionally powerful this work of art is. Just listen. Listen, listen, listen... A blissed-out 80-minute epic, Hatchback's Phaser For The Ocean, Chorus For The Moon is his magnum opus, a sprawling masterwork that encompasses ambient, new age and environmental music to wondrous effect. Moving, hypnotic and deeply meditative, it's FFO Mike Brooks, Deuter, Klaus Weiss, Innovative Communicat…
Laurel Halo returns with an album of original soundtrack music, composed for the film Midnight Zone by visual artist Julian Charrière. Following the path of a drifting Fresnel lighthouse lens as it descends through the Clarion-Clipperton Fracture Zone — a remote abyssal plain in the Pacific Ocean, rich in rare metals and increasingly targeted for deep-sea mining — the film traces a descent into one of Earth’s last untouched ecosystems.
Jason Meagher (No Neck Blues Band, Black Dirt Studio) and Pat Murano (No Neck Blues Band, Decimus) have sporadically been releasing material as K-Salvatore since 1995. The sparse and disturbing electronics captured on this LP, their first since 2006, reflect the dark and cold of the winter's night on which they were created. Edition of 300 in jackets silk screened.
"Been a long time since we heard from K-Salvatore, an offshoot of The No-Neck Blues Band that features Pat Murano (Decimus/Key Of Sh…
The brilliant Pat Murano (NNCK member who has brought out a staggering amount of high quality electronic darkness under his Decimus alias in recent years) has sent us two new LPs on his Kelippah imprint this week, which is nice. As usual with this label they’re very limited (only 300 each) and come housed in beautiful screenprinted card sleeves. This one here is a collaboration between Murano and Charalambides’ own death-defier Tom Carter.
On the grooves we have two lengthy jams. Put your needle…
First LP from this NYC trio composed of Jason Meagher (NNCK, Coach Fingers), Pat Murano (NNCK, Decimus, Key Of Shame), and Dave Shuford (NNCK, Rhyton). An improvised ritual of metal percussion and electronic modulation recorded at Black Dirt Studio in 2012. As in previous NNCK and Decimus works, there's a lot of buzzing drones and flickering electronics, just less haunting and more tripping. Limited to 300 copies.
Decimus 8 is a dark, ritualistic journey crafted by Decimus (Pat Murano, No-Neck Blues Band, Malkuth, K-Salvatore, Key of Shame), blending psychedelic electronics and esoteric symbolism in a limited edition LP dedicated to the zodiac of Decimus Magnus Ausonius.
**250 copies** Previously only available on extremely rare DIY cassettes, this quite fantastic new/no wave-era synthesizer music was masterminded by Steve Cohen in the '80s. Aircraft was the name Steve Cohen used for the largely unknown and quite fantastic synthesizer music he was creating in NYC in the '80s. This was in the same period Steve was in the late-period No Wave band, China Shop, along with guitarist Naux (who would go on to play with the Voidoids) and percussionist Richard Edson (who…
*100 copies limited edition* Originally released in 2003, Requiem for Abandoned Souls returns as a double-LP reissue, marking the album’s first appearance on vinyl. Across 9 interlinked tracks, Peter Andersson’s raison d’être shapes an existential passage through desolation, faith and the possibility of inner renewal. Church bells, reverberating drones, metallic textures, discordant chimes, haunting chorals and sub-orchestral movements gather into a dark, immersive sound world.
Sacral and arcane…
First vinyl edition of the 1993 debut by Oleg Salkhov and Konstantin Smirnov, made at Moscow's SNC Studio from their own library of samples and loops. Downtempo, trance and techno from the early years of Russian electronic music. Remastered double LP.
The debut album by Moscow brothers Sasha and Sergey Lipsky, three years in the making: psychedelic pop with flutes, cello, sitar and synths in place of their usual dance tracks, with guests from Iggor Cavalera to C.A.R.
2026 Reissue. LP version. Originally issued in 1983, Midori Takada's debut LP Through The Looking Glass has long remained one of the most coveted artifacts to emerge from the fertile soil of 1980s Japanese experimental avant-garde. A near-perfect work - a window into the unquestionable singularity of its era and geography. For many record collectors, this is the great holy grail, the unobtainable gem. Its reemergence has been long awaited.
For Japanese experimental avant-garde musicians, the 198…
Tip! *Triple gatefold sleeve* »Inferno« retains its characteristic melodies and atmospheres, drawing on the esoteric influences of »Societas X Tape« (the BoC 2019 NTS mix for Warp Records’ 30th anniversary) as well as the dark atmosphere of »Tomorrow’s Harvest«, which is further intensified by the increased use of spoken-word recordings. The first BoC album in thirteen years has a running time of seventy minutes.
Released for the first time in 2009, ‘utp_’ is the third installment of Alva Noto and Ryuichi Sakamoto’s V.I.R.U.S.'s series. It was commissioned for the 400th anniversary of Mannheim, Germany. The flowing 10-section multimedia work derives its shape from a rasterized structure of the southwestern city, founded in 1608. The recording documents the work’s debut performed by Ensemble Modern at the National Theatre in Mannheim. The music embraces the electronic, piano-based palettes, an expanded ar…
*Remaster.* Originally released in 2005, ‘Insen’ is the second collaboration album between Alva Noto and Ryuichi Sakamoto and the second installment of V.I.R.U.S.'s five albums series.
Remastered in 2021 in collaboration with Calyx Studio, the album's recordings are accompanied by an unreleased composition titled 'Barco.’ Initially composed for Alva Noto and Ryuichi Sakamoto's 2005 ‘Insen' tour, the audio material used in this piece is based on the subtle sounds of Barco projectors, whose tonal…
In process of stocking Released for the first time in 2011, 'Summvs' is the fifth and final installment of Alva Noto and Ryuichi Sakamoto's V.I.R.U.S. series. The title 'Summvs' refers to the Latin word "summa" (eng. sum) and "versus" (eng. towards); it serves as a metaphor for the work being oriented towards a collaborative result. The album features "Microon" compositions containing recordings of a 16th tone interval tuning piano - Piano Metamorfoseador Carrillo en Dieciseisavos de Tono. The a…
Sublime frequencies from the golden era of ambient electronica. Plumbing hidden depths beneath a deceptively tranquil surface, MLO's mid-90s masterpiece Io is an overlooked gem from a golden era for ambient electronic music. Originally released in 1994, Jon Tye and Pete Smith's collaborative album responded to the growing chill-out movement by leaning into classical and avant-garde influences from Satie, Debussy and Cage through to Soft Machine, Incredible String Band and Eno. Recorded across va…
Marc Richter aka Black To Comm released his debut record 20 years ago. In 2023 he is still busy releasing music under various disguises and is currently signed to the Thrill Jockey label. To celebrate this anniversary his own Cellule 75 label is re-releasing some classic out-of-print vinyl albums that originally came out on the defunct Type and De Stijl labels. The LP will feature a full-colour printed inner sleeve exclusive to this edition.
Ten tracks of dark, slow-motion dub by Ravenna photographer and field recordist Adriano Zanni, built from delays, reverb and recordings of abandoned places, from Pripyat to Craco. Limited grey vinyl on Bronson Recordings.