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* Deluxe Hardcover Triple-Gatefold 3xLP.* In 1991 Coil released the third of their early classic full-length albums "Love's Secret Domain", seemingly casting aside the gloom and funereal beauty of its predecessors in favour of a painstakingly multi-layered hallucinogenic electronic beast, which unlike some of their fellow ex-industrial contemporaries' releases of the time wasn't an attempt at easy accessibility or (the-gods-forbid) danceability, but a vibrating psychedelic masterpiece unrivalled…
Protomurk Book One, the latest project by Zeke Clough in collaboration with Twilight Sequence, is a multimedia release fusing a vividly psychedelic graphic novel with a specially composed soundtrack CD. The first installment in Clough’s Proto Murk series, it traverses inter-dimensional landscapes—populated by mutated mole rats and spectral environments—via Clough’s intricate illustrations complemented by Twilight Sequence’s immersive, atmospheric sound design. Together, they conjure a world that…
Generator is the lead single and CD EP from James Adrian Brown, marking his transition from guitar-driven rock into the realm of thoughtful electronic music. The track—surging, resilient, marked by Brown’s layered production—introduces the conceptual arc of his debut album with pulsing synths and a sense of propulsive energy.
Appendix I brings together three Warrington-Runcorn EPs onto CD for the first time. Comprising Building A New Town, A Shared Sense Of Purpose and Overspill Estates, this CD brings together some of the more esoteric elements of the world of Musical New Town Planning.
Public Works and Utilities by Warrington-Runcorn New Town Development Plan is the sixth full-length album from the British electronic project helmed by Gordon Chapman-Fox. Returning to the conceptual world of post-war British urban planning, this record shifts focus from spectral nostalgia to the stark realities of public infrastructure’s managed decline, channeling the anxieties and bleak optimism of contemporary Britain through atmospheric electronica and abstract, danceable beats.
*2025 Stock* "In 1998 Staalplaat and Muslimgauze were on a conquering spirit. Bryn Jones (1961-1999), the man behind Muslimgauze delivered new works, almost on a weekly basis and was more than happy to see them released straight away. Unlike others, Staalplaat was never shy to release larger works, lumping various works together, such as the 9CD “Box Of Silk & Dogs”. Allowing free reign in editing, the 4LP box set ‘Tandoori Dog”, contained the LP of the same name, which saw only eight out of the…
*2025 Stock* "Unsurprisingly for an artist as prolific and strident as Bryn Jones was, the flood of material he sent to labels and compatriots was not always carefully categorized. Also, sometimes he would be so eager to release material that if things didn’t happen fast enough he’d just send in another tape. And that circumstance is how you wind up with a fascinating oddity like Mohammad Ali Jinnah.Staalplaat has previously released, in 2002, the Muslimgauze album Sarin Israel Nes Ziona. While …
*2025 Stock* Jerusalaam plus the two extra tracks make up unused material from the Return of Black September sessions. The contrast, even for someone with as wide a range as Muslimgauze had, is stunning. The original Jerusalaam fits in with much of Bryn Jones’ classic work, with a heavy emphasis on hand percussion, bass-heavy distortion, sharply clipped loops, and the seething his of static. The two otherwise unnamed Return of Black September tracks, however, follow that album in taking a much m…
*2025 Stock* 'Speaking With Hamas' was compiled by Bryn Jones himself early 1997 and he thought it would be nice to include a new, previously unreleased track. In his words:"It's for people who don't deserve it". "A tourist asked Ali muhamad, a second-hand camel salesman, why camels look so dam supercilious. He replied the Arabs know 99 names for god. But only the camel knows the 100th."
If ‘Satyajit Eye’ (which is released at the same time on Staalplaat) only blinks at Indian culture, the album ‘Al Jar Zia Audio’ does this with both eyes open. It is known that Bryn Jones, the man behind Muslimgauze, looked further than the Palestinian conflict and used extensively the rhythms of India, Pakistan and other Eastern cultures. Like crossing borders in the bigger Islam regio, Jones takes whatever comes at hand and moulds into his own trademark sound – often imitated, never surpassed.…
Jebel Tariq has strong hand drum beats throughout but still maintains a very moody feel. It was undoubtedly these very elements that lead Jeremy Keens to state it was"balanced between the ambient and beat sides" of Bryn's work. It goes beyond just these elements though. There are whispered voices changing to strong ululations, frequent flute"samples" and then the bass. There are parts where the deep throb of the electric bass element gives a very dub feel and then there is the use of acoustic ba…
*2025 Stock* “Sulaymaniyah is part of Staalplaat’s ongoing Muslimgauze archive series, masters originally submitted in 1997, then “replaced” by what became Vampire of Tehran released early in 1998. It was not uncommon for the prolific Bryn Jones to replace masters with what he believed to be a more fit release. Short of two tracks, “Fez Tishan” and “Hamas Pulse of Revenge”, this is Vampire of Tehran with nine additional, unreleased tracks. Because Sulaymaniyah was “replaced”, it was stored in St…
*2025 Stock* Listeners who know much of anything about Bryn Jones' work as Muslimgauze know that he was prolific in both his work and in the way he sent out his work to labels and other interested parties. Fittingly enough for an artist that feverishly productive and often taciturn to the point of frustration, he didn't tend to give much more information than handwritten track titles on the sleeve of a DAT. Why he would submit multiple copies of the same or similar tracks to those he worked with…
*2025 Stock* Recorded and mixed at Abraham Mosque, Manchester 1996, this is a re-release of Muslimlim 009, only C2 taken from stdc 001. Listeners who know much of anything about Bryn Jones’ work as Muslimgauze know that he was prolific in both his work and Muhammadunize, has what could be called a classic feel to it, with a very familiar blend of drones, string instruments, and synths, and varying percussion/break-beat patterns, in turn mixed with a number of hard-to-catch vocal samples. It's a…
Essential Re-issue of this stone cold classic .First released in 2006 Written and produced by Mika Vainio in Turku 1992-1993.
Mastered at Dubplates & Mastering by Rashad Becker.
Désinances is a collection of pieces taken from two contrasting recording sessions. The first was intended as a set of raw materials made specifically for a collaborative project with Franck Vigroux, and provided the impetus for the making of this album, with the second following on shortly afterwards. Both occasions yielded different musical results, yet possess a similar intention - owing something to the liminality of crepuscular daylight and the nighttime darkness during which they were both…
Towards the Center of Time and Surrounded by Spirits by Peter Van Hoesen is an immersive exploration of perception and temporality. Crafted with precise spatial sound design, it fuses techno’s structural logic with the meditative density of electroacoustic composition, turning rhythm into a vessel for introspection and astral presence.
*200 copies limited edition* The early Eighties in France and the UK: the Post-Punk, Dark and Cold Wave scenes broke onto the music world. Usher San in Dijon, France was starting his career with Coït Bergman, Metal Radiant and as Anthon Shield and DZ Lectric.... and then Norma Loy… and later Die Puppe, Black Egg and even Pagan Ring... He is one of the leading figures of what would become known as coldwave south of the English Channel. Martin Bowes and Julia Waller were starting on their musical …
*200 copies limited edition* Black Bamboo IV continues TeZ's series of electroacoustic and acousmatic performances, centered on the live transformation of acoustic sources and field recordings. Improvisations unfold through the interplay of hybrid DIY tools, traditional folk and ethnic instruments, environmental textures, and archival audio fragments. These elements are expanded and recombined through generative filters, delays, pitch shifters, and harmonizers—woven into evolving feedback loops …
*200 copies limited edition* The series of double albums by Gianluca Becuzzi for St.An.Da/Silentes, which began in 2020 with "In Between", continues. Like its predecessors, "American Requiem" combines drone guitar with sacred themes, creating compositions with a dark and captivating mood. This time, the theme of faith and death in the land of capitalist materialism par excellence, the United States, is placed at the centre of the work, with the use of a mix of traditional country-blues and avant…