Impregnable Storm
2009 release ** Limited to 250 hand-numbered copies. A2-sized heavy stock poster folded to form an A5-sized sleeve housed in a plastic wrapper. "Utterly ferocious and unforgiving, Impregnable Storm may be the pinnacle of all that is Yasutoshi Yoshida. Great foldout poster cover, amazing noise. Highly recommended."
Space Tuning Box (3LP Box)
* Triple LP, edition of 82 numbered copies. * Yamazaki Maso began home recording in 1987, adopting the name Masonna for his solo noise experiments and founding the independent label Coquette, through which he issued several cassette releases. His debut LP and CD appeared on Kyoto's Vanilla Records in 1989-90, soon followed by ultra-limited 7-inch acetates, a split LP with Violent Onsen Geisha, and numerous compilation appearances. Drawing on hard rock, death metal, hardcore punk, grindcore, and …
Pulses on the Horizon - Modular Music of Taiwan
Curated by Taiwan-based modular artist Ryan J Raffa, this compilation offers a vivid introduction to Taiwan’s thriving modular music scene.
Nebula
Following his first album Footprint on ato.archives, this new release marks the second solo work by Tomonao Koshikawa. In it, he presents the results of his fifty-year exploration of drone music.
Tomonao Koshikawa is a Japanese musician playing experimental, jazz and rock, Indian classical music and Kanze school Noh theater songs. He studied with Takehisa Kosugi in 1975 and joined legendary improvisation group East Bionic Symphonia and he is a member of Marginal Consort.
The Colloidal Semantika Sessions Vol. I
*2025 stock. 60 copies limited edition* SShe Retina Stimulants, the renowned experimental electronic project led by Paolo Bandera, releases The Colloidal Semantika Sessions Vol. I on limited-edition cassette via Swiss label Luce Sia.
Paolo Bandera, active since 1994, explores industrial experimentation through SShe Retina Stimulants, drawing from his broader work with Sigillum S and other ventures. This release continues his ultra-ventennale investigation into electronic industrial sounds, inspi…
Kin
Editions Mego welcomes KMRU back to the fold. Kin is Kenyan born, Berlin based, sonic wizard Joseph Kamaru’s second release on Editions Mego, following on from the classic 2020 release Peel. Since the release and subsequent praise for Peel, the artist has been a staple on the electronic scene performing on numerous stages and festivals worldwide in tandem with a flood of media recognition. Kin could be construed as the second child following Peel. The project came out of initial discussions with…
Engravings
Created by electronic producer and composer Matthew Barnes, and originally released via Tri Angle Records, 'Engravings' received instant acclaim from the likes of Resident Advisor, Pitchfork, The Guardian and saw Barnes take his hypnotic live show across festivals like Sonar, Glastonbury, Unsound and Le Guess Who.
While much of British electronica is defined by its inner cities, 'Engravings' was recorded in Barnes' hometown on the banks of an ancient river in Merseyside, the album's earthy, orga…
Impending Divulgence
Startled out of a nightmare, words and melodies echo – emissaries of the Tempted Dissident. Minimalist analogue electronics and haunting vocal lines emerge from the darkness and get caught in the folds of the brain. That’s how you might feel after listening to the fourth album by Te/DIS. The clarity of the electronics and vocals does not fail to make an impact. With this release, Te/DIS continues the sonic path laid out by the previous albums, shaping a body of work whose internal coherence is a…
Déjà Si Mort
Déjà si mort is a manifesto of inconsolability. The eponymous title track is deeply moving. At its core lies a female voice of disarming authenticity, permeable and vulnerable. This creates an immense emotional density: pain that is not staged, but lived. This is underpinned by throbbing analogue drums, whose stoic pulse carries the almost liturgical synthesizer motif. The second track responds in its own way. And in general, Distoromance do things their own way – they sound like no one else.
The Black Empathy Box
Introducing The Black Empathy Box by Tzii — a groundbreaking concept album that plunges listeners into a deep, visceral journey through a low-fidelity culture club atmosphere. Crafted around a hypnotic dancefloor rhythm of 27 BPM (±150), this album channels the raw energy and intense emotions of 90s trauma, evoking a soundscape that is both haunting and immersive. Housed in a unique crystal case, each cassette contains a blotter, an artistic nod to the era’s underground scene and experimental se…
S’enfouir
2012 release ** An excellent CD, I thought, full of sparkling pieces, strange moves and with an exciting brief character per track. Certainly moving around various musical circles. It's the 20th publication - out of 24, one for each hour of a day - produced by &records (Michel F. Côté & Fabrizio Gilardino).
Ailleurs
2012 release ** The achievement of Ailleurs is that by mutating its intonation and freeing the bass from its limitations as a purely rhythmic instrument a new interface appears. The reverberating result is of an expansive formula that evocatively builds on expected bull fiddle timbres the way a realistic photograph could be the basis for a surrealistic art. It's the 19th publication - out of 24, one for each hour of a day - produced by &records (Michel F. Côté & Fabrizio Gilardino).
Ctenophora
2011 release ** This release occupies a very rarefied and odd aesthetic, evocatively pitting flurries of remote-sounding electronics against thin sinews of violin. The disc oscillates between a type of ironed-out fiddle music (all ornamentation and melodic contours pressed neatly into fibrous drones) and crackling electrostatic emissions, synthetic hacks and bleats ― a renovated version of sounds from the bygone era of analog abstraction and punch-card operated computing. Said oscillation happen…
Jane And The Magic Bananas
2012 release ** It seems to me they are using the ’no wave/no new york’ format of a slightly more pop-like character, sans any vocals of course. Nervous hectic playing on all three instruments, but occasionally leaping into a bit of a rock mode, all in a very free reign of play. Jazzy also times, but not as much as one could all too easily think. Quite a vibrant and energetic release. Exactly the right Ultra spirit, but then from Montréal. It's the 18th publication - out of 24, one for each hour…
La Formule Xyz
2011 release ** No concessions made by the three brooding magicians here to variations in tempo, register, or pitch, and XYZ soon succeeds in wearing down your resistance. Succumb freely to these splendid close-knit wafers of electro-acoustic intensity. It's the 15th publication - out of 24, one for each hour of a day - produced by &records (Michel F. Côté & Fabrizio Gilardino).
Palétuvier (Rouge)
2010 release ** Musically, the trio succeed in conveying a true “Heart Of Darkness” soundscape with their playing, painting a dark green hell where we can feel the moss and fungus dripping down our backs, and Werner Herzog is never more than five feet away in his questing canoe. The music also suggests the grandeur, the solitary and unknowable nature of these grand old men of the forest who probably keep the secrets of the ancients locked up in their thick bark. Truly atmospheric! It's the 14th …
Ellipsis
2010 release ** Ellipsis is a gorgeously and skillfully rendered set of pieces that calls for listening to over and over again. It's the 13th publication - out of 24, one for each hour of a day - produced by &records (Michel F. Côté & Fabrizio Gilardino).
Ave <W>
2010 release ** Taking the form of a sumptuous and exquisite musical nightmare, Ave <w> is Tiari Kese’s first album. Recorded and produced by Michel F Côté, these enigmatic electronic compositions feature as well an array of conventional instruments such as piano, organ, strings, percussion, trumpet and vocals. A sonic treat for insomniacs, Ave <w> can also be experienced along with illicit substances or divine drinks, or both. It's the 10th publication - out of 24, one for each hour of a day - …
À L'inattendu Les Dieux Livrent Passage
2010 release ** Nine pieces of some great orchestral music. Moving slowly, like gentle minimal music, which slowly, over the course of these pieces built up. It combines improvisation (although sparsely here), with minimal glissandi and small melodies, which rise up from those gentle waves of heavily and heavenly layered small orchestral sounds. Think Olivia Block, but perhaps with a bit more improvisation in some parts. Great chamber music, relaxed atmosphere, jolly fine music. It's the 9th pub…
Sainct Laurens
2009 release ** The nine pieces are relatively short and in a strange sort of way quite noisy. Strange because the bigger part the music is acoustically made, but with that bit of amplification that makes all the scraping sounds wandering off every now and then in the realms of feedback like sustained sounds, this is certainly not an easy work to access. Its however one, I think, that is quite beautiful. The sustaining sounds produced by what seem to be the main instruments (saxophone and viola …