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2013 release ** Cardboard sleeve. Childhood Stories is an art project with sociological approach: it composes narrations of individuals about their childhood in order to create an authentic image of the social environment they grew up in. Therefore we gather material about childhood in a specific country by using a questionnaire. The answers are anonymized, translated and used as literary material, they are condensed or cut up, then arranged in a dramatic text – that’s Regina’s part. Christian c…
2010 release ** Cardboard sleeve. “2009-2010 sees the celebration of twenty years of Kapotte Muziek, the first musical project of Frans de Waard. Expanded in 1993 with members Peter Duimelinks and in 1995 Roel Meelkop, this trio explores the world of micro electro-acoustic music, playing on waste found on the streets and with a fine addition of field recordings. Before 1993 Kapotte Muziek was largely known as a player in the field of industrial music and musique concrete. To celebrate their 25th…
2010 release ** Special cardboard sleeve. Entities is the spectral realization of a process of transformation, or even a mutation, of a sound material stemming from recordings of tracks originally created to be played in concert. These works for voice, bass and double bass, processed with computer, were organically modified to insure their concrescence, their future, and confront them with the game of difference. After all, these entities come from everywhere to establish the relation. We are no…
2006 release ** Super jewel box packaging. Samhain is already fixed star of slovac industrial scene and after more interesting compilation it's comming with it's in fact debut album. During existaton of this electronical compilations it´s sound was substantialy changed, but noise roots which was strong inspiration at the beginning are still identical in this powerfull electronical act which is huge complex of consistent athmospheres, industrial blocks, krystal electronics and experienced vocals.…
2007 release ** Super jewel box packaging. Endless transformations and experimenting with sound is natural phase that brings Disharmony in their next work. This time fifth stop and mapping of their territory, Disharmony opens their next phase and with their new album opens the gates into the space of electro underground. Combining industrial elements and idm puts Disharmony into the modern, electro revolution and with this opens next phase and possibility to look into the ambiental waters covere…
2006 release ** Super jewel box packaging. In order, it's 4th album of Bratislava's dark-electro project. This time the protagonists are maping their early period of time and on their new release they´re presenting works, regarding to release Moonflower. The tracks on this CD are actually unreleased retrospective and the material, which appeared on this CD leaves in the listeners the phases where Disharmony keeps moving. Rhythmical, hybrid structures. Atmospherical spaces and film moods meet on …
2009 release ** Limited to 250 hand-numbered copies. A2-sized heavy stock poster folded to form an A5-sized sleeve housed in a plastic wrapper. "Utterly ferocious and unforgiving, Impregnable Storm may be the pinnacle of all that is Yasutoshi Yoshida. Great foldout poster cover, amazing noise. Highly recommended."
* Triple LP, edition of 82 numbered copies. * Yamazaki Maso began home recording in 1987, adopting the name Masonna for his solo noise experiments and founding the independent label Coquette, through which he issued several cassette releases. His debut LP and CD appeared on Kyoto's Vanilla Records in 1989-90, soon followed by ultra-limited 7-inch acetates, a split LP with Violent Onsen Geisha, and numerous compilation appearances. Drawing on hard rock, death metal, hardcore punk, grindcore, and …
Following his first album Footprint on ato.archives, this new release marks the second solo work by Tomonao Koshikawa. In it, he presents the results of his fifty-year exploration of drone music.
Tomonao Koshikawa is a Japanese musician playing experimental, jazz and rock, Indian classical music and Kanze school Noh theater songs. He studied with Takehisa Kosugi in 1975 and joined legendary improvisation group East Bionic Symphonia and he is a member of Marginal Consort.
*2025 stock. 60 copies limited edition* SShe Retina Stimulants, the renowned experimental electronic project led by Paolo Bandera, releases The Colloidal Semantika Sessions Vol. I on limited-edition cassette via Swiss label Luce Sia.
Paolo Bandera, active since 1994, explores industrial experimentation through SShe Retina Stimulants, drawing from his broader work with Sigillum S and other ventures. This release continues his ultra-ventennale investigation into electronic industrial sounds, inspi…
Editions Mego welcomes KMRU back to the fold. Kin is Kenyan born, Berlin based, sonic wizard Joseph Kamaru’s second release on Editions Mego, following on from the classic 2020 release Peel. Since the release and subsequent praise for Peel, the artist has been a staple on the electronic scene performing on numerous stages and festivals worldwide in tandem with a flood of media recognition. Kin could be construed as the second child following Peel. The project came out of initial discussions with…
Created by electronic producer and composer Matthew Barnes, and originally released via Tri Angle Records, 'Engravings' received instant acclaim from the likes of Resident Advisor, Pitchfork, The Guardian and saw Barnes take his hypnotic live show across festivals like Sonar, Glastonbury, Unsound and Le Guess Who.
While much of British electronica is defined by its inner cities, 'Engravings' was recorded in Barnes' hometown on the banks of an ancient river in Merseyside, the album's earthy, orga…
Startled out of a nightmare, words and melodies echo – emissaries of the Tempted Dissident. Minimalist analogue electronics and haunting vocal lines emerge from the darkness and get caught in the folds of the brain. That’s how you might feel after listening to the fourth album by Te/DIS. The clarity of the electronics and vocals does not fail to make an impact. With this release, Te/DIS continues the sonic path laid out by the previous albums, shaping a body of work whose internal coherence is a…
Déjà si mort is a manifesto of inconsolability. The eponymous title track is deeply moving. At its core lies a female voice of disarming authenticity, permeable and vulnerable. This creates an immense emotional density: pain that is not staged, but lived. This is underpinned by throbbing analogue drums, whose stoic pulse carries the almost liturgical synthesizer motif. The second track responds in its own way. And in general, Distoromance do things their own way – they sound like no one else.
Introducing The Black Empathy Box by Tzii — a groundbreaking concept album that plunges listeners into a deep, visceral journey through a low-fidelity culture club atmosphere. Crafted around a hypnotic dancefloor rhythm of 27 BPM (±150), this album channels the raw energy and intense emotions of 90s trauma, evoking a soundscape that is both haunting and immersive. Housed in a unique crystal case, each cassette contains a blotter, an artistic nod to the era’s underground scene and experimental se…
2012 release ** An excellent CD, I thought, full of sparkling pieces, strange moves and with an exciting brief character per track. Certainly moving around various musical circles. It's the 20th publication - out of 24, one for each hour of a day - produced by &records (Michel F. Côté & Fabrizio Gilardino).
2012 release ** The achievement of Ailleurs is that by mutating its intonation and freeing the bass from its limitations as a purely rhythmic instrument a new interface appears. The reverberating result is of an expansive formula that evocatively builds on expected bull fiddle timbres the way a realistic photograph could be the basis for a surrealistic art. It's the 19th publication - out of 24, one for each hour of a day - produced by &records (Michel F. Côté & Fabrizio Gilardino).
2011 release ** This release occupies a very rarefied and odd aesthetic, evocatively pitting flurries of remote-sounding electronics against thin sinews of violin. The disc oscillates between a type of ironed-out fiddle music (all ornamentation and melodic contours pressed neatly into fibrous drones) and crackling electrostatic emissions, synthetic hacks and bleats ― a renovated version of sounds from the bygone era of analog abstraction and punch-card operated computing. Said oscillation happen…
2012 release ** It seems to me they are using the ’no wave/no new york’ format of a slightly more pop-like character, sans any vocals of course. Nervous hectic playing on all three instruments, but occasionally leaping into a bit of a rock mode, all in a very free reign of play. Jazzy also times, but not as much as one could all too easily think. Quite a vibrant and energetic release. Exactly the right Ultra spirit, but then from Montréal. It's the 18th publication - out of 24, one for each hour…