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Electronic /

Issue 142 (Magazine + 7", Clear)
Electronic Sound issue 142 puts Faust on the cover, with a cover story on the four albums released on the same day by the band's four surviving original members, bundled with an exclusive clear vinyl seven-inch EP, Four From Faust, one track from each album.
Post Dub Cities
Ten tracks of dark, slow-motion dub by Ravenna photographer and field recordist Adriano Zanni, built from delays, reverb and recordings of abandoned places, from Pripyat to Craco. Limited grey vinyl on Bronson Recordings.
Telmegiddo
Telmegiddo, recorded in February 1983 at the Mectpyo Studio, was Maurizio Bianchi's last tape decomposition before his long hiatus. Mercium reissues it on CD, remastered: two parts of about 25 minutes.
Moho Abyss
Maurizio Bianchi with P.U.M.A. (Luca Valisi and Monica Calanni Rindina): ten pieces of drones, synths, field recordings and voice titled after THX 1138, Eraserhead, Stalker and other dystopian films. CDr, 100 copies.
Bad Girls Get Spanked
Split in two doses: Uncodified (Corrado Altieri) and Mademoiselle Bistouri (Claudio Frassine) spank each other across two mini CDrs of noise and power electronics. 48 handmade copies, each with a coloured paddle.
N.E.S.W.
Maurizio Bianchi's N.E.S.W. (Negativity-Enmity-Spurn-Worse), first issued by Lona Records in 2014, back on CDr: four long tracks that rotate the points of the compass, almost seventy minutes. 30 copies.
Erthion
Maurizio Bianchi's Erthion, first issued by Young Girls Records in 2010, back on CDr: eight tracks titled after verses of the biblical Lamentations, about an hour, mastered by Pharmakustik. 30 copies with mini poster.
March-Ex
Maurizio Bianchi's March-Ex, first issued by Lona Records in 2009, back on CDr from BeTon Raw: five tracks, about an hour, with the voice of Yoko Ishimoto Kamimura and mastering by Siegmar Fricke. 30 copies.
Anechoic-Y
Two sixteen-minute pieces of anenoises and choictronics recorded by Maurizio Bianchi as M.B. in 2017 at the Emoptyc studio in Opera, with artwork built on photos of anechoic chambers. 30 copies on BeTon Raw.
Kathamenja
Maurizio Bianchi's Kathamenja, first issued by Lona Records in 2011, back on CDr from BeTon Raw: five tracks, close to seventy minutes, with the original preface printed in the package. 30 copies.
L.E. Cherz Pas
Sacher-Pelz, the 1979 solo project that preceded M.B., in a CDr reissue of L.E. Cherz Pas, first out on TIBProd. in 2010: four long pieces, about an hour of music. 30 copies in a black envelope.
Carcimetrio
Maurizio Bianchi's Carcimetrio, first issued by Simple Logic in 2006, back on CDr: four long pieces named after tumours and growths, over seventy minutes, mastered by Siegmar Fricke. 30 copies.
Kosmische Psychédélique (Motorik, Astral and Avant-Garde Musik from Deutschland and Beyond 1970-2025)
Two-Piers' Psychédélique series lands in Kosmische Musik: La Düsseldorf, Neu!, Harmonia, Cluster, Schulze, Faust, Guru Guru, Tangerine Dream and Cosmic Jokers, then the heirs, from Boards of Canada and Tortoise to Beak>.
Bridges Towards Open Spaces: Circadian Rhythms 1967-2025
A record-shop memoir in sound from Two-Piers, moving between ambient, balearic and dub: Brian Eno with Moebius and Roedelius, Kuniyuki Takahashi, The Durutti Column, Meat Beat Manifesto, Daniel Avery and Spectrum.
Lichtstimme
The starting point is E. T. A. Hoffmann's The Sandman: a world where perception and reality drift apart, and the question of identity remains unresolved. Recognition, in Hoffmann, is never quite secure. The doppelgänger is less a figure than a condition, the point at which the self can no longer vouch for itself.The first record, Lichtstimme begins in an open, almost weightless sonic world. Something still appears untouched. The music carries a sense of proximity, clarity and trust. But this sen…
Bayhead
Emerging anonymously from Bristol's legendary electronic music scene, Capper Pass materializes on Indefinite Boundary with Bayhead – six tracks of smoldering neo-industrial textures, fractured southern rap rhythms and experimental sound design. Drawing inspiration from the ghosts of deindustrialization and the landscapes left behind, the name holds personal significance for one half of the project, who grew up near the former Capper Pass metal refinery in East Yorkshire, a site infamous for its …
Music For Empty Stadiums
Or (AKA John Talabot) is a Catalan producer, electronic musician & DJ residing in Barcelona. his 2012 debut album ƒIN received critical acclaim from The Guardian (5*), Anthony Fantano, Pitchfork (8.5 BNM) & DJ Mag. Highly anticipated, Talabot's first album in over a decade. A more left-field side of Talabot, with tangle of cartwheeling synth hooks, bursting with colour & looping electronics.
Sleep Machines
Music From Memory presents ‘Sleep Machines’, a new collaborative album from UK ambient pioneers O Yuki Conjugate and German producer and DJ Philipp Otterbach.
Pyshma
Yekaterinburg-based electronic artist Shine Grooves returns with Pyshma, a hypnotic new release on Gost Zvuk. Blending ambient textures, experimental electronics and subtle rhythmic movement, the record reveals an intimate and immersive side of the Russian producer’s ever-evolving sound. Across eleven tracks, Pyshma unfolds like a collection of half-remembered landscapes: shimmering tones, delicate melodic fragments, lo-fi loops and understated beats drift in and out of focus, creating an atmosp…
Prismatic Fields
Open Universe is a new record label founded in 2025 following an invitation to envision a series of releases for the German production music library Sonoton. Curated by Jon Tye (Lo Recordings, Ocean Moon, Seahawks, MLO) with a remit to explore and create new worlds of sound in which to dwell and discover. Prismatic Fields is a collaboration between Ocean Moon and Silver Ley (Jon Tye & Bethany Ley), together they create metaphysical pop from another dimension where warm oscillations mingle and re…