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Discrepant presents Fantarombo, a new album by Giovanni Lami. While his previous works often moved through memory, residue, degradation, and dialogue with existing materials, Fantarombo takes shape as an unstable, bodily gesture. Sound is not recalled or reconstructed, but triggered, pushed, and set in motion as an active force. Lami approaches modular synthesis as a physical, hands-on practice rather than a technical exercise or display of system mastery. The modular setup becomes a responsive …
Seven years after 2019’s ‘The Dusk Loom’, Petrels returns with a pair of new albums, Infangthief and Outfangthief. The first of these releases, Infangthief, was originally written and recorded in 2022, before being reworked in light of a subsequent album, Outfangthief, due to be released later this year. The two albums act as companion pieces, mirrors revealing facets of the other, overlapping in sound and subject matter. Though Outfangthief may have been written after Infangthief, it is no mere…
Berlin-based Dutch-Italian composer and musician Aimée Portioli aka Grand River presents the new album Temporary, returning to the renowned Editions Mego label with her most expansive and focused LP yet. Rooted in existential ideas of impermanence and flux, Temporary is a deeply emotive work centred on the rich interplay between resonant guitar work and innovative electronics. Written in the wake of profound personal grief and loss, the album sees Portioli infuse her music with a raw, expressive…
Inner Channel lands on Indefinite Boundary with the surrealist Patterns EP – an immersive tour of polyrhythms, fourth-world analog synthesis and wasteland jazz processed through an unfiltered view of reality. Patterns builds on and expands from Inner Channel’s debut release Culture On Wind, released in 2024 on Diskotopia, with more nuanced instrumentation, hypnagogic production and monistic lyrical avenues.
Cutting a salient path from the winding intersections of no-wave, dub, and outer-dimensio…
"Röntgen" is Ø's (aka Mika Vainio) subliminal, minimal techno classic, and was featured on the first Sähkö Recordings release in 1993. Spatial, silvery-sharp, and reduced yet frenetic, it's a blueprint of drum machine and synth work that helped redefine an era in techno. This special-edition 12" also features a full-side cut of a previously unreleased Ø track from 1995. The untitled B-side carries the same approach as the title track—minimal TR-808 and acidic synthesis—but in contrast to the har…
A transmission from the borderlands of sound, Cold Calling on the Spirit Line brings together the singular musical world of Perzeptiverdampfkesselqualmtbesinnlich and the unmistakable voice and imagination of Edward Ka-Spel. Strange, intimate and quietly unsettling, the album unfolds like a late-night conversation with the unknown. Its songs move through fractured landscapes of dream logic, spectral electronics and shadowy atmospheres, where familiar signals become distorted and every message se…
*200 copies limitede edition* Roughly two years after the release of their initial statement of intent, debut single “Toutpartout PT2” with its hypnotic ripples, Andi Haberl and Florian Zimmer aka Bella Wakame have successfully channeled the magic of a 2024 live recording (captured at Berlin’s Donau115 & Silent Green) into their first proper studio offering. You can hear inspirations ranging from Bitchin Bajas, Jeremiah Chiu to Groupshow (Jelinek, Leichtmann, Pekler), the hypnotic, intricate bat…
*2026 stock. 180 copies limited edition* Crematorius returns with Efterbörd, a dense and uncompromising work of death industrial, power electronics, and dark ambient released by Minneapolis-based label Phage Tapes. Originally connected to material recorded under the Crematorius name in 1987, the album marks the project’s first substantial new statement in nearly four decades.
Across nine suffocating tracks, Efterbörd drags the listener through a landscape of saturated drones, corroded electroni…
‘Yarrow’ is a bouquet of new music by Portland, Oregon-based musician and field recordist Patricia Wolf, marking the label’s ninth release and the third of Season Two. These works are her reflections on the life cycle of plants and their dynamic ecological relationships. Yarrow (Achillea millefolium, Asteraceae) is a flowering plant with a broad geographic range that includes North America and Eurasia. Yarrow connects Portland and London, where these songs were created and produced. Wolf wrote a…
A few weeks ago I hit up this resale shop I haven't been to before. Serious junk store.. stuff piled up everywhere, I had to lay on a pile of Christmas wreaths just to dig through some of the records. Anyway... I get to the electronics room. Ironically enough it has no lights... I start looking with the flashlight from my phone. Mountains of wires and junk and speakers and modems. I see this metal box laying randomly under a bunch of wires, I pull it out thinking it's probably some old telephone…
Lussuria returns with Fresco, the latest full-length from the New York project of Jim Mroz, issued on LP by Hospital Productions. A quieter and more painterly record than much of what has come before it, but no less haunted.
Active since 2007, Lussuria has quietly assembled one of the most distinctive bodies of work within the Hospital Productions orbit. Mroz came to wider attention with the American Babylon series in 2012, then a run of releases that moved between dark ambient, muted industrial…
High temperature B2B wreckordings live death machine in remembrance of the 15th anniversary of vatican shadow at hospital fest nyc. featuring new, old and kollaborative tracks from VS/AM/SE past and disparate catalogs with dueling vocal angriff. never forget war is a force that gives us meaning.
You are red tail lights, you are small and simple, you entertained me, i want to destroy this you, i imagine you between two columns, you are small and simple, i want to destroy this you, you are a passion, i must deal with lucifer.
Tip! At the time, Yuji Takahashi was known internationally primarily as a pianist. Yet the decade from Phonogène (1962) to Tadori (1972) reveals another essential side of his work: an exploration of electronic sound, mathematics, and computers in composition, and of their changing relationship with human performance. One of the starting points was his encounter with Iannis Xenakis. Takahashi studied probability theory and set theory, and in Phonogène developed his own probabilistic approach to o…
*100 copies limited edition* Vigilant is the solo project of Dmitry Polivenko, a musician and sound artist from Voronezh, Russia. Founded in 2020, the project crafts immersive sonic landscapes through the transformation of cassette loops, field recordings, and guitar textures, skillfully blending analog warmth with contemporary digital processing. Drawing from experimental, ambient, and industrial influences, Vigilant creates evocative compositions that balance raw sonic exploration with a stron…
It's never too late for the end. After a little break failing lights returns this time with an overarching seasonal tiding of flowing swirling churning dark ambience abstractions that juxtapose between constant slow motion detailed changes against the ability for the listener to completely lose track of where they are and what exactly they are listening to. the connellys deliver festive seasonal electronics.
On Magic Oneohtrix Point Never, Daniel Lopatin turns his alias back on itself, building an FM‑radio hallucination that scans through pop ballads, new‑age satire and junk‑media collage. Mutant songs, warped DJ chatter and scavenged broadcast detritus form a self‑portrait of OPN’s first decade, mapped as a day spent spinning the dial of a half‑broken soft‑rock station.
On Tranquilizer, Oneohtrix Point Never (Daniel Lopatin) turns a cache of vanished 90s/early‑2000s sample CDs into a shimmering, otherworldly meditation on digital memory. Ambient‑new‑age rompler pads, anonymous whooshes and muzak fragments are re‑cut into vivid sound collages that feel more stupefying than sedative, tracing beauty inside the most ordinary sonic debris.
Conal arrived in 1981 on the Norwegian independent Uniton Records, in a run of 4,000 copies, at a point when Conrad Schnitzler was long past being a German secret. The founding member of Kluster and a brief early presence in Tangerine Dream had spent the 1970s building a body of work largely outside the record industry, issuing a torrent of self-released cassettes and LPs whose titles almost all open with the syllable Con, completed by a second that points somewhere. By the start of the 1980s th…
Last year, the long-awaited self-titled debut finally appeared on vinyl. Now the series continues with Enter Now The World, the second album by Jouni Havukainen's project. Originally released by Cold Meat Industry in 1992, it remains, for many listeners, the project's masterpiece.
The elements that defined In Slaughter Natives were already present on the debut. On Enter Now The World, everything became larger, heavier and more detailed. Thunderous percussion, heavy electronics, brass and string …