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*40 copies limited edition* On Lila, his debut LP, Moroccan artist Karim presents a series of undulating electronic rhythms laser-etched into tessellated form: drumless techno from the pre-Sahara, built for communal psychic expansion. Drumless, yes, but not percussionless. There are shakers, castanets, stabs, plonks, thuds. There are insistent basslines propelling forward, pulsing with energy, rippling in time. There are tones interlocking, rolling, fluttering, pattering. Dancing within, around,…
With its second release, Fleur Sauvage stays true to its opening premise: no calculated moves, no outside logic, only work that could not reasonably exist anywhere else. Daniel[i] has been part of the La Nature and NoName fabric for years, as co-curator, resident, and crew, one of those people whose presence shapes a space long before a set begins. This album is the natural continuation of that relationship, extended now into a more permanent form. Where FS001 captured the charge of a live momen…
Multicast Dynamics aka Samuel van Dijk presents Language of Colours. A substantial set of vibrant, cinematic tracks that mark the first release on Language of Colours - an sonic imprint dedicated to conceptual electronic music. "Language of Colours" features 11 detailed tracks covering a wide range of sounds: organic ambient, reduced downtempo beats, lush soundscapes, and experimental drones.
TRAC (Teddy Ryles & Alexander Cooper) return with Heavy Nano Ream Aria, their second release following Cylinder Plus. Extending the duo’s past body of work, Heavy Nano Ream Aria is a 90-minute composition written alongside the development of custom source-filter modeling and cepstral-based transfer methods.
*150 copies limited edition* On the website fancymoon.com, CON himself describes 'Windmills' as Electro Cosmic Metal Industrial. It comprises 33 tracks and represents a continuous body of electronic music. The album was recorded and performed in the same vein as 'III Kugeln', serving as its predecessor, and is made up of four “solo electric pieces”: Sack, Turbine, Raumknoten, and Fenster. As FdW noted in his review of 'III Kugeln', this is not ambient, not dance music, not musique concrète, not …
*150 copies limited edition* The music on 'Upwards' is constantly surprising and as always, it's expansive and incredibly captivating. The work comprises 19 "electric miniature" compositions, and one could say they all lead nowhere – and this is true, because CON has always valued the journey itself rather than the destination. It is intensely rich and beautifully remastered by Guillermo Pizarro at Vitória Régia Studios.
*300 copies limited edition* Returning after the introspective descent of The Sarajevo Spiral, Cyclic Law presents Antimon, the latest ritual transmission from the long-standing collective Nam-Khar. Founded in 2009, the project has continuously navigated the liminal intersections between ritual ambient, psychoacoustic exploration and esoteric introspection, employing an arsenal of ethnic instrumentation, analog synthesis and immersive visual elements to construct deeply transformative sonic envi…
First studio meeting between two figures long circling each other in the Dutch experimental scene. The structure is itself a kind of mirror: Spiegeling is Machinefabriek's remix of Orphax's De Eerste Dag, Reflectie is Orphax's twenty-minute remix of Machinefabriek's 2007 piece Stofstuk, and the title track is the only fully joint composition. Long-form drone built through indirect dialogue, with each signature still audible but inflected by the other.
Second album by DNMF, the duo formed between Machinefabriek and the Dutch droning free-jazz combo Dead Neanderthals. Across some forty minutes Smelter develops a highly dynamic amalgam of metal, drone and dark ambient, the heaviness of the Neanderthals' instrumental mass folded into Zuydervelt's electroacoustic processing. The result moves between glacial expansive stasis and dense ferrous noise, holding the two registers in productive friction without resolving them into either.
Tip! *120 copies limited edition* Our first personal contact with Bryn Jones was in 1995 when the Muslimgauze album "Silknoose" came out on my Daft Records label and the contact was always excellent. He knew that Eric, who did the mastering, and I loved his music since the beginning. Later on we planned a mini CD with 4 Muslimgauze / Sonar and 4 Sonar / Muslimgauze remixes so we exchanged some audio pieces to work with and to our great surprise Bryn sent us two DAT tapes with 16 remixes in total…
Tip. Teleportations is the debut solo LP by Dan Leavers (Danalogue), known for The Comet Is Coming and Soccer96. Conceived and performed entirely by him as a continuous, journey-like piece, the album transforms personal loss and upheaval into a warm, playful science-fiction voyage that moves through celestial ambience, kosmische shimmer, space disco, liquid jazz-funk and deep Detroit house. Sequenced as a single trip rather than separate songs, it invites listeners to join a self-styled “telepor…
Ali O’May and Frazer Brown met in early 2018 at an Electronic Music Open Mic in Edinburgh and quickly discovered a shared musical sensibility. Ali later gave Frazer a USB of stems from his extensive modular system; over summer and autumn 2019 Frazer used about a dozen of those stems to shape tracks across techno, lo‑fi, breaks, acid house and ambient. This collaborative process—Ali supplying raw modular material and Frazer instinctively arranging and producing it—became the Dohnavúr method, driv…
When Eleh's debut Floating Frequencies/Intuitive Synthesis I was originally released it was praised as a powerful piece of new electronic minimalism. Twenty years later the artist's legacy has grown while Eleh continues to hypnotize new listeners with time stopping music. Critics, fans and neurologists have praised the music of Eleh as aiding attention and focus while seeming to slow time. Eleh's slow change drones are a state of flow hypnotizing listeners into meditative focus. From the origina…
*150 copies limitede edition* Originally released on Umor Rex on cassette a year ago, “El Sol de los Muertos” deeply shaped the evolution and vision of Mexican producer Concepción Huerta’s sonic work, becoming a reference point for a kind of experimental sound deeply connected to Latin American critical thought. This is the second album in a series of four special, limited reissues to be released in 2026 to mark the 20th anniversary of Umor Rex.
Crafted entirely through subharmonic structures an…
*23 copies limited edition* Nazlo Records and A. Nahodnike present an anthology of works by one of the more prolific sound-noise producers from deep Russia, recorded over many years and compiled by the author especially for this retrospective edition. Although anonymous and having used many pseudonyms, he is widely recognized by the most knowledgeable fans of ritual experimental and hauntological music.
Incest Songs is the final chapter of the Murder Ballads trilogy, and its most fully realized expression. Where Drift and Passages explored the post-isolationist frame through voice and single instrument, this third volume dispenses with that approach entirely, opening instead onto a more labyrinthine sonic architecture - one built from overlapping, saturating, blurring voices, all of them Martyn Bates'. The decision feels both inevitable and quietly inspired. Bates' vocalizations unfold as layer…
Malasomma returns to Stochastic Resonance with his third full-length release, completing a conceptual journey that began with the remote isolation of Jura (2018) and the linguistic deconstruction of Neolingua (2024). While his previous records functioned as warnings inspired by George Orwell’s 1984, UMA is the sound of those prophecies coming to fruition. As we step into the blinding, digital glare of the present day, we no longer inhabit a hypothetical dystopia. We no longer need to imagine a B…