Improvisation Sep. 1975
**Ltd. 300 copies, perfect replica of the original packaging and newly remastered for optimal sound.** Toshi Ichiyanagi, Michael Ranta and Takehisa Kosugi originally got together in the summer of 1975 for an open-air concert in Sapporo. The concert felt like a great success but was unfortunately not recorded. As the desire arose to record together, they managed to arrange a studio session in the NHK Studio in Tokyo, with presence of sound engineers. What was supposed to be a soundcheck for this …
Kyo Mu / Hochtöner
Tip! ‘Kyo Mu’ and ‘Hochtöner’ both reveal a mesmerizing symbiosis of innovative sound exploration and visionary interior music, a sublime compound of fine-drawn intricate arrangements skillfully projected in space and time, or perhaps beyond space and time. Johannes Fritsch (1941–2010) was an award-winning composer, musician, publisher, studio owner, author and music teacher. He studied viola and composition with Bernd Alois Zimmermann and was member of the Stockhausen Ensemble from 1964 to 1970…
Aquatic and Other Worlds
** Limited Edition of 300 Copies ** Oksana Linde belongs to the same creative trail started by artists such as Delia Derbyshire, Suzanne Ciani or Laurie Spiegel, because like them she knew how to create a personal universe by exploring electronic sounds and to find a place in an eminently masculine environment. Aquatic and Other Worlds is her first album, which compiles electronic synthesizer pieces recorded between 1983 and 1989. Born in Caracas, Venezuela, in 1948, into a family of Ukrainian i…
A Group for Experimental Music
Edition of 50. CD+CDR+poster CDR is included the following three tracks are recorded by using Rionocorder, a flexi disc cutting machine by Rion, released in 1962. Therefore, the sound range is narrow with a lot of scratch noises. Since there was a time limit to fix these issues, it was decided not to include the piece in the CD.The reason it was used despite this performance, is because they also had an experimental approach to the recording method.
tr.1_Hajime Yamashita : Mural (Abstract for Pi…
The Homeland Of Electricity
*In process of stocking.* The second album for the DiN imprint by British Electronic Musician Scanner sees Rimbaud utilising a different toolset from his first album, An Ascent (DiN63), released in July 2020. Here he focuses in on several Elektron instruments such as the Analog Four, Analog Rhythm and Digitakt. Whilst his debut album was forged live in his studio during the start of the global pandemic here Rimbaud was after a lighter, more optimistic tone. Rather prophetically Rimbaud states th…
Revolve
*Limited edition of 555 copies.* "Revolve" is the fourth collaborative project between DiN label boss Ian Boddy and the acclaimed Norwegian composer and guitarist Erik Wøllo. Their previous two studio albums "Frontiers" and "Meridian" were both very well received. They also played live together at the Electronic Circus Festival V and released this performance as the digital album "EC12". As with their other work together "Revolve" is a continuous sonic journey, with the tracks joined together by…
Insen
*Remaster.* Originally released in 2005, ‘Insen’ is the second collaboration album between Alva Noto and Ryuichi Sakamoto and the second installment of V.I.R.U.S.'s five albums series.
Remastered in 2021 in collaboration with Calyx Studio, the album's recordings are accompanied by an unreleased composition titled 'Barco.’ Initially composed for Alva Noto and Ryuichi Sakamoto's 2005 ‘Insen' tour, the audio material used in this piece is based on the subtle sounds of Barco projectors, whose tonal…
Agitas Al Sol
Rafael Anton Irisarri’s works from Room40 have always dwelled in a place of pressure. His low fre-quency excursions have charted out a unique voyage into a territory in which texture and density are equally matched to create a visceral, but ultimately comforting zone of entanglement. At the same time as completing his Solastalgia edition, Irisarri recorded Agitas Al Sol. Like its sibling work, this album is an enveloping sonic drift that traces across the unsteady topographies of the anthro-poce…
Of Which One Knows
Of Which One Knows is a collection of works by Natalie Beridze that sit outside the easy categorisation of ‘al-bum’. They are of course, an album, but they are more than that, in that they represent a kind of multiplicity in sound, an accumulation of experience, of emotion, of life, transposed into sound. It is only together that the stories that sit between them might start to be assembled. Spanning a decade and a half, these works chart a trajectory of investigation and curiosity that charts t…
Singles
Finland’s Sasu Ripatti aka Vladislav Delay has been responsible for some of the most radically positioned rhythmic electronic music of the past few decades. His willingness to abandon mea-sured and progression senses of repetition in favour of multi-layered unfolding pulses has become a touchstone for a new sensing of time. In a similar way, Norwegian guitarist Eivind Aarset has reappraised the harmonic and timbral ca-pacities of his chosen instrument, the guitar, and unlocked new perspectives o…
Spectral Organ / Feedback Gong
Finnish artist Antti Tolvi operates at the nexus of performance and installation. His work, which is concerned with how sound operates in the spaces that contain it, is a meditation on how sound reveals itself, in time and in space to the listener. Each of the works captured on this edition dwell in the reductive, the subtle and the sus-tained. The pieces seek to draw attention to microtonal variation and flutter. They arc in a slow reveal that high-lights Tolvi’s patience and his unwavering des…
Deafened By The Noise Of Time
Pierce Warnecke’s work springs forth from the nexus of sound and vision. With Deafened By The Noise Of Time, he undertakes a deep interrogation of sound, which mirrors many of his approaches to visual ma-terials. Seeking to test how elements of music are altered through interference and deterioration, he uses a range of methods to reveal new densities, timbres and melodies from within his original source materi-als . Rather than becoming fragmented or overtly degraded though, Warknecke’s work on…
Spectral
Madeleine Cocolas’s Spectral is a reimagining of the familiar. It is an attentiveness to the inciden-tal, and a reaching out towards the unheard. Taking these acoustic microcosms as a source of focus, she unpacks these transient flickers and memories, and repositions them; exploding them outward and shifting perspective. Spectral, celebrates the shadows of melody and the after-thoughts of rhythm. It breaths with a sense of calculated intensity that reflects on Cocolas’s focus throughout the proc…
Too Ne
Yui Onodera’s work is patient. He invites a sense of dwelling with his pieces, an encouragement to pause and to allow sound to swell up around you. On Too Ne, he charts out a very specific sonic exploration. Across these five works he creates a lilting passage of sound, a liouidous flow that confirms the adage of Ambient music existing as constant, but never solid. Too Ne also invites a sensing of the self, in that the works ask us to examine our own memories as a way to unlocking a deeper reson…
Enteha
A Colourful Storm presents Enteha, the latest piece by Elodie, the duo of Andrew Chalk and Timo van Luijk. They embody a free-spirited approach to music making whose improvisational process can be traced to a distinct period of Europe's post-industrial landscape. More than two decades of ambitious solo and collaborative work would solidify both Chalk and van Luijk as masterful craftsmen exploring the tension between composition and free improvisation: their individual lists of collaborators boas…
Everything Wrong is Right
*In process of stocking* Imperfect Stranger is the pseudonym of Glasgow based soundtrack composer and producer Kenny Inglis. “Everything Wrong is Right” is his debut solo album for Castles in Space.
In early 2020, Kenny made a return to focusing on his own music under the pseudonym Imperfect Stranger. A tweet from Colin Morrison from Castles In Space regarding a charity compilation album 'The Isolation Tapes' caught his eye. Kenny had made a start on his debut album as Imperfect Stranger and su…
Water Ladder
*In process of stocking. 2022 stock* Following their recent solo releases Soniscope (Dauw) and Cells #5 (Important Records), Berlin-based multi-instrumentalist Midori Hirano and Tokyo based string experimentalist Atsuko Hatano have teamed up for their first collaborative full-length: Water Ladder. An intense, multilayered continuation of earlier collaborations (Atsuko was featured on Midori’s debut LP back in 2006), the foundation for this new collaborative album was laid when they shared stages…
Tantalus Rite
Tip! *In process of stocking* PKWST & Teuthis Galore take you into a multi-plane realm of drone, free jazz, ambience, and tape loops that comfort and confound the listener, leaving them free to roam in a Venn diagram of emotional states and experimental sounds. "Tantalus Arise! We offer our child for the sacrifice of your hearing!". Experimental sound and multimedia visual artist PKWST is involved with Butoh Sonics, Smogma, Sugar Pills Bone, Claustronaut, Schadenhaus, Bitch Hog and solo projects…
Newfoundout
*In process of stocking. 2022 stock* 'Over the last decade, Toronto-based composer Nick Storring has become well known for his unique, painstaking compositional style of layering performances on a plethora of objects and musical/electro-mechanical instruments to deeply moving effect. ‘Newfoundout’, his seventh album, follows last year’s lush and nocturnal ‘My Magic Dreams Have Lost Their Spell’ (Orange Milk Records) with more rhythmical material and an almost theatrical, phantasmal sensibility. …
Him, Fast Sleeping, Soon He Found in Labyrinth of Many a Round, Self-rolled (Tape)
'It is to the detriment of our understanding of musicality that we mostly measure it by the capacity to produce, and much less by the capacity to receive some sort of acoustic information or event. The virtuosity of listening, of understanding the sonic situation and its potential, is, however, that which defines one's capacity to interact – with other musicians, with the audience, and with the environment. This could also be taken to mean that an ethical act is implied in the situation of liste…