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Jean-Marcel Busson is controlling 6 altered/mistreated mac SE. Performative installation, organic technology, acoustic persistence, electrical ceremony, computer spectra. 6 mac SE are controlling Jean-Marcel Busson
*Edition of 200. Mirror cover, transparent vynil* "Beautiful release on Yan Jun’s Sub Jam label. Toshimaru Nakamura was the first one that I ever saw using a no-input mixer, already in the 1990s. What exactly Yan Jun’s open-input feedback means, I am not sure, but I love the noise coming from both! Some sounds are as if they come from distorted guitar, I hear earth hums and glitches, there are a lot of different dynamics and small events in the pieces, but all in all it’s enervating music that a…
Hsia Yu is a legend in Taiwan’s poetry scene. She is one the most influential figures of youth subculture for decades. Under several pen names such as Li Gedi, she is also one of the top lyrics writers in the Mandarin pop music scene. She publishes her poetry only on her own independent label. Yan Jun is a Beijing based musician and poet. In later 90’s and early 00’s he was a key figure in China’s underground rock scene as music critic. Since early 00’s he works on the margin of music with field…
*In process of stocking* Anti Social Realism (2012: Bilbao, Stockholm, Lausanne). Mattin in collaboration with Oier Iruretagoiena, Marcelo Expósito, Germán Navarro, Santiago Mostyn and members of the audience at LUFF festival. Length: 116’30”; all-region; subtitle in French, Spanish, English and Chinese
1) Nobody Answered, Club Le Larraskito, Bilbao, February, 11th February 2012; 24’28”2) The Audience Is Not The Mother of Self-Invention, Index, Stockholm, 29th September 2012; 59’39”3) An Audienc…
*In process of stocking* "There was this large, abandoned, cylindrical metal object, maybe an oil tank. In 2009, several people cam to the site and made some noise. They were Otomo Yoshihide, Ryu Hankil, Yuen Cheewai, Yan Jun, Sachiko M, Yang Ge, Xian Qiang, Hong Qile, Gogo J, Olivier Heux and Junyuan. The sounds chosen are refreshingly non-obvious, no fist-banging on the interior walls. There are soft clocks and drips as well as a number of sustained sounds–whistling, moaning, keening–that don’…
“So the point is that so much words existing, and we get better and better to use them for hiding the truth. You can use sound in the same way, stimulating some nice and warm feeling in middle of chaos, but from time to time we all should stimulate strictness, clearness, intensity, directness, set free some anger to bring up the basic truth of our present. Noise can be seen as the chance to go into the back of things, as a therapy which is able to confront ourselves with others lesser good looki…
*In process of stocking* A brilliant contemporary improvised music work. subtle and flickered. Toshimaru Nakamura is one of the main figures of Japan new impro music. a master of no-input mix border. a philosopher and technician. Nicholas Bussmann is Berlin based musician and improviser. he sets MAX/msp on a high value of random to let computer impro itself.
Delve into the dark side of the occult with this special collection of tracks featuring the the voice of the Beast himself, famed occultist Aleister Crowley! All new remixes feature the production talents of witch house artists Ritualz and ∆aimon plus dark synth act NewSlave, Alan Davey's Hawkestrel, internationally renowned instrumentalist Jozef Van Wissem, and lots more! Also features all-new sonically de-noised and remastered versions of the famous wax cylinder recordings Crowley made from 19…
The Slums: the place where the strongest prevails and gangs of humanoid fight for dominance ... but also an excellent place for adventure and gain! C'mon folks ... let's start the quest! Hey folks, welcome to a new Basic Dungeon saga! In this episode, our heroes will have to deal with a tribe of orcs holed up in the suburban sewers, with a giant millipede really hungry and with the usual pitfalls of which all the dungeons are full; furthermore, they will discover the entrance to an ancient under…
Hello dungeoncrawlers! With this fifth chapter of HDK Dungeon Synth Magazine we cut the ribbon and enter the second year of life! A year of extraordinary adventures, of intrepid descents into the dungeons of our imagination, facing our most hidden fears and the most frightening monsters. But also by conquering lots of treasures, magical weapons and earning a ton of experience points! We want to thank all the artists who have finished their quest in these first five episodes and those who are sti…
A kidnapping of a duke's young daughter, an unknown island from which no one has ever returned alive, a gang of mysterious pirates and their legendary treasure... what does it all mean? Obvious: the beginning of another adventure!
Sharpen your sword and light the torches, Gnoll is back! The dungeon music masters hidden behind the monicker of Gnoll have created a bleak, sepulchral, eerie album... the soundtrack of a true underground exploration. Designed as a soundtrack of the solitary role-playing game titled "Dungeons" edited by Dungeoneer Games & Simulations, the second chapter of Gnoll is ideal for those who love dark vibrations and sense of wonder. With its analogic synthtizers and its thundering percussions will tran…
Parade is organized by Tadashi Yonago and Kayu Nakada living in Osaka. It is an event in the open air for sounds since Aug 2017, that held on an irregular base. Artists play at a spot they choose, such of a road side of downtown, residential area, parks, riverside... And we can listen the performance fused with the situation/atmosphere of the place.
Tip! Takashi Masubuchi (acoustic guitar) and Staytone (modular synthesizer) are musicians based in Tokyo. Both of them are new generation involvers in post onkyo Japanese improvisation music scene, active in Ftarri, Otooto, Permian and other small, quiet, warm spaces. Takashi Masubuchi is also (one of) Permian’s runner, which is specially focus on free improvisation music. This duo has deep collaboration for many years. 2527 are some selections from their 2018 recordings in Permian.
The final album released by the composer-performer Jerry Hunt before his death, Ground: Five Mechanic Convention Streams is a rare and foundational audio document of Hunt’s compositional process. The record collects five pieces from the artist’s “Ground” series, translating his characteristically variable and spatial scores into “recorded fixtures of activity using mechanic musical instrument arrays,” to eerie and mesmerizing results. Originally released by experimental label OODiscs in 1992, it…
The Vanishing is the long-awaited return of abstract electronic duo Oren Ambarchi & Martin Ng, in a remarkable collaboration with the acclaimed new music group Ensemble Offspring. Working together with the ensemble in 2013 for a series of concerts & recording sessions, Ambarchi & Ng developed a suite of pieces that build on the distinctive sonic language established by their three previous duo albums - released between 2000 & 2006 - of ringing bell-like tones & sustained hums with a new palette …
**200 copies edition** In 1977 the US government sent two unmanned probes — Voyager I & Voyager II — on a one-way journey into interstellar space. On board each craft, a carefully etched golden record containing sonic artefacts of life on earth, including fragments of Bach & traditional musics, sounds of animals & nature, an audio realisation of the ‘music of the sphere’s’ & children’s laughter. As the 40th anniversary of the mission loomed, the three artists, working here together for the first…
Ben Carey is a Sydney-based saxophonist, composer and technologist. His practice is profoundly informed and extended by technology, through the creation of audio-visual works, the development of his interactive performance software: _derivations and more recently, his fixation on modular synthesis. Ben's work is driven by a fascination with the symbiotic relationships that develop between human and machine in composition and performance. ‘The three pieces on this record are the result of live …
"In Anthony Pateras’ Prayer for Nil the electronics are a swell of voices so dense they seem inhuman, amassed like a threatening cloud. As the piece unfolds the masses thin to a taper. By its conclusion the solitary singer is left brutally alone, though it’s hard to tell if she wasn’t alone the whole time – every voice in the throng was her own - my own. The ‘live vocal’ part is a highly structured improvisation. Anthony gave me a set of rules, pitches, and rhythms. Within the electronic field, …