Weightless
Hugely tipped debut LP from Jasss; a measured, rugged blend of industrial dub, African and dark jazz inspirations that comes highly recommended if you’re into more abstracted and experimental electronic/dancefloor excursions or the work of Christoph De Babalon, Toresch, Mecanica Popular, Throbbing Gristle etc. Very much an antecedent of Spanish industrialists such as Diseño Corbusier, Xeerox / Krishna Goineau, or Mecanica Popular/Randomize, Jasss firmly builds on that heritage with a uniquely pe…
Can I Change My Mind?
Exceptional, 15 minute long dancer from Beatrice Dillon, blessing the 12 x 12 series with a concatenated ‘nuum sidewinder Can I Change My Mind?, where the London-based artist nimbly finds the square roots of jungle, techno, noise and minimalist dance music firmly anchored in steppers’ dub and West African percussive tradition. If you’ve ever been snagged by Sotofett, DJ Krust or Shackleton’s devilish dubs, this one’s for you!Since first emerging with a highly regarded monthly NTS radio show, a r…
Four Pieces For Mirai
The first instalment of a stunning self-released opus by a pivotal thinker of our age; James Ferraro, the start of a four-part dystopian saga about digital feudalism and the Internet of Things. Riyl Elysia Crampton, Haruomi Hosono, Wendy Carlos, Oneohtrix Point Never… Four Pieces for Mirai is a stunning prelude to James Ferraro’s epic new work about civilisational decline, planned to span four releases this year. The initial transmission finds the preeminent bard and prescient se’er of the 21st …
Electronic Music from the Eighties and Nineties
Unsung West Coast maverick Carl Stone is subject of a necessary 2nd retrospective on Unseen Worlds following their Laurie Spiegel and Jacqueline Humbert & David Rosenboom releases. As revelatory as the first volume Electronic Music From the Seventies and Eighties, the temporal shift into the ’80s/‘90s in this 2nd collection opens four hallucinatory new planes of ambient enquiry yielding some of the most beautiful electronic music we’ve never heard before. Progressing farther along Stone’s timeli…
Music and Poetry of the Kesh
CD edition. Buchla synth supremo Todd Barton’s hyperstitious soundtrack to Always Coming Home, an ‘80s American sci-fi novel by author Ursula K. Le Guin, is yet another ingenious recording dug out for reappraisal by Pete Swanson and Jed Middleman’s Freedom to Spend label - a division of RVNG Intl. Expect alien folk songs in made-up language, set to richly evocative backdrops of location recordings subtly gilded with self built instruments and synth contours. Properly immersive, otherworldly - th…
Anticlines
Lucrecia Dalt’s Anticlines is a volume of bodily and geological substrates within poetic theory and sound. It is a place where skins and minerals dissolve and commingle, where gaseous subterranean leaks inflate lungs, where brain cavities echo interplanetary waves bent from passing through atmospheres. A former geotechnical engineer from Colombia currently residing in Berlin, Dalt’s concern with boundaries and edges shape the lyrics and music of Anticlines, her sixth album. Paying careful attent…
Let Night Come On Bells End The Day
Recital present the newest record by Canadian composer Sarah Davachi. Currently working on her PhD in Musicology at UCLA, her trajectory has been unorthodox. Hailing from Calgary, Alberta, which, if you've never been there, doesn't really scream "avant-garde" (Calgary is the rodeo capital of the world). It is important and interesting that she chose to study esoteric music; as Sarah could have easily been a cowgirl or a concert pianist had her ingrained love of synthesis and sonic phenomenology …
Continuous Hole
Gilgongo Records is pleased to announce “Continuous Hole”, a collaborative album by Drew Daniel (Matmos) and John Wiese. The fruit of over ten years of home recordings in San Francisco, Los Angeles and Baltimore, “Continuous Hole” melds improvisation and musique concrète composition into a uniquely sweaty document of labor-intensive rhythm. A finger puzzle of reconciled opposites: lockstep structure and constant flux. Many of the tracks reflect the unique blending of the disparate backgrounds of…
Elision
Edition of 300. Pinkcourtesyphone reaches out and touches someone… in this case an international call with Dutch harpist extraordinaire, Gwyneth Wentink. Wentink weaves her magic on the triple harp a replica of a harp from around 1600 made of 3 rows of strings instead of the more common single row. The effect is a multi-timbral coalescence of mood, a conversation between layers. Pinkcourtesyphone thoughtfully folds, manipulates, and merges the gossamer resonances of the strolling fingers of Went…
Fahl
2014 release, edition of 300. “The three pieces of ‘Fahl’ are the results of a never ending recycling
(not remixing!) of one and the same structure recorded deep in the past.
That means recycling of recyclings of recyclings… With ‘Fahl’ the
series comes to a temporary end to be continued sometime. The idea
behind this esthetic strategy is the question: why further on creating
genuine music? Our recent digital and analog tools enable us to derive
nearly every sonic event from nearly every o…
Elusive Balance
Ozmotic is a multidisciplinary artistic project, deeply fascinated by the dynamics of contemporary society, by architecture, cities, and vast uncontaminated spaces. Ozmotic creates world sounds characterized by an intense tonal variety and a refined rhythmic research. The interaction between electronic music and digital visual art in real time is an essential trait of Ozmotic's aesthetic. Having previously collaborated with Fennesz, Murcof, Bretschnider, and Senking, Elusive Balance is their thi…
Invisible Threads
Mark Van Hoen on Invisible Threads: "In mid-2016 I did a brief tour of the west coast with Philip Jeck, Simon Scott, Daniel Mensche, Lee Bannon, Kara-Lis Coverdale, Pye Corner Audio, and Marcus Fischer. The music of all these great artists and the experience of playing these shows with them all informed what would become Invisible Threads which was primarily composed and recorded in the latter half of 2016. I had not played live at dates in such a dense cluster for many years, and the exposure t…
Semper Liber
Semper Liber consists of a series of duets featuring Marcus Davidson, Hildur Gudnadottir, Mike Harding, Charles Matthews, Clare M Singer, Maia Urstad, and Anna von Hausswolff
and are drawn from recordings made at Spire events since 2009. Mixed by
its curator, Mike Harding, at the Völlhaus, and mastered by Mark Van Hoen,
this powerful four track collection -- to be played as one piece --
explores the sonics of the mighty organ in all its thundering glory.
Warning!: Extremely low frequencies …
The Bird Was Stolen
Based in Düsseldorf, Germany, Strafe Für Rebellion, or Strafe F.R., is a long-term collaboration between the artists Bernd Kastner and Siegfried M. Syniuga, which started in 1979. After a long period of hibernation, The Bird Was Stolen
marks their return to Touch following four previous releases in the
'80s and early '90s. From their early connection with the local scene,
centered around the Ratinger Hof in Düsseldorf, Strafe went on to
develop a unique and influential form of sound sculptur…
Nightrunners
Edition of 500, initial copies on super limited red vinyl and cut at D&M. Art and design by Radek Drutis - the man behind those ace Madlib sleeves** In 2010 Brad Rose (Digitalis / Charlatan / The North Sea / Ossining) and his wife Eden Hemming Rose (Foxy Digitalis / Mass Ornament) indulged their pop instincts to beautiful effect on Mechanical Gardens. For anyone familiar with the duo's work it was a radical departure from their experimental devotions and duly picked up a healthy amount of accola…
Odd Doubt / Johnny Leech
Edition of 150 copies. Granny13 opens with Nicola Ratti's 'Odd Doubt'. With the use of a modular system and tape loops, a broken rhythm is obtained by parallelism between single sound signals as LFO one or processed tapes. On the second side, Giovanni Lami's 'Johnny Leech' is made with a small bunch of equipment, just a chaotic hand-made synth (cacophonator) and a memoryman, working mainly on static electricity and leakage current in the synth used without any kind of power supply.
Dinky Diamond
Modell Doo resurrected! The Austrian cult group who was responsible for the soundtracks for "I was a teenage Zabbadoing" and "Mondo Weirdo" are back. "Dinky Diamond" is an album of half old and half new material. All the classic songs have been re-arranged and re- recorded to fit the 21st century. All the new material is presented here for the very first time. Wonderfully produced and mixed, this is a great comeback for a great band that has been off the scene for far too long. Check out also ou…
The death of rave (a partial flashback)
James Leyland Kirby's near-mythical 'The Death Of Rave' material finally given a proper release - original rave classics deconstructed into hazy, ambient flashbacks* Finally, after years of haranguing, Leyland Kirby finally yields 'A Partial Flashback' 8-track vinyl edition of his 204-track dancefloor elegy 'The Death Of Rave'. Conceived after a visit to Berghain in 2006 where, according to the artist "For me personally something had died"Rave and techno felt dead to me", the monumental and unca…
Zagtel Jaar Mileit / Pulse / Phases
With a sporadic presence on record-breaking level and sparse -and usually unannounced- performances, Ghone returns after several years with his vessel being the 15-minute "Zagtel Jaar Mileit" and his destination the explorarion of the most experimental moments of the project. During the evolution of the monotonous and catatonic buzz, field recordings and sparse noises are gradually added which, without attempting a piecemeal expansion, accomplish the desired sonic stripping of the synthesis. Gho…
Movement
Holly Herndon’s Movement is the debut offering of material by the young musician, modernist, and machinist. Restless for reckless cultural immersion, Herndon left her Johnson City, Tennessee home as a teenager for Berlin, Germany. For several years, Herndon lived and learned techno music as party dweller and performer, eventually returning wide-minded to the States to pursue a Masters in Electronic Music at Mills College. Under the guidance of network pioneer John Bischoff, Roscoe Mitchell, and …