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Felt by Jonas Olesen & Rune Søchting is a minimal lower_case audio explorations. The album Felt is the result of a joint effort of the composers and artists Rune Søchting and Jonas Olesen. In their collaborative work they have explored the sonic potential of electromechanic movements, resonance and different modes of transmission of sound. This work has been presented at a number of concerts and can now be experienced on the vinyl release FELT. In their artistic investigation they have focused o…
"Jonas Olesen is the musical mind behind a series of projects (BIN, Batch Totem, IR, OOC) that gradually positioned him as a discreet underground noise pioneer in Denmark, known especially for his work with modified instruments and an archaeological approach to sound art. For the Infrastruktur EP he resuscitated his Hector Rottweiler alias; a nod to the influential thinker Theodor W. Adorno, who published a number of his writings on jazz under the pen name Hektor Rottweiler.In this four song 12”…
G.B. Beckers’ languid, etheric minimalist guitar and drum machine suite ‘Walkman’ [1982] resurfaces in its entirety on the inestimable Music From Memory. Big tip to fans of The Durutti Column, Gigi Masin...“Music FroM Memory’s latest release sees the reissue of G.B. Becker’ ‘Walkman’ album from 1982. A painter and musician from Achen, Germany, Günther Beckers created his third album ‘Walkman’ to coincide with an exhibition of his latest body of artwork in 1982. Released on his very own ‘Milky Mu…
Ikue Mori and Christian Rønn are twin masters of unrule, radically attuned to time and sound, invoking the personhood of space and object, chordis et machina, as you'll soon discover once their music gets loose in your own environ. “Endless probing that hooks into your neurons, this album leaves sonic organisms floating around you. Even if that's merely an illusion, the alchemy of Mori and Rønn’s hyperactive stew is very real.” -Marc Masters Laid down at Elektron Musik Studion (EMS) in Stockholm…
6 electronic pieces recorded between May 2016 and February 2018 in Auckland, New Zealand. Mastered by Giuseppe Ielasi. Richard Francis (aka Eso Steel) has been active as an experimental music composer and improviser since 1996. His work over the years has explored different techniques of sound generation and processing, with a focus on the collection and digital processing of various natural and artificially produced sounds from the surrounding environment. He has released solo and collaborative…
9 short pieces, based on cassette recorders and small electronics. Recorded and edited between August 2017 and February 2018. Mastered by Giuseppe Ielasi. Luciano Maggiore (Palermo 1980) lives and works in London. Active musician in the field of electroacoustic music, in recent years he has developed a strong interest in the mechanisms of sound diffusion, using speakers and several analogue and digital devices (walkmans, CD players, tape recorders) as principal instruments. His interest is focus…
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had found…
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had found…
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had found…
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new. He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had foun…
Changes was the first solo-album of Peter Sjardin, made in the mid/late 70s "He played all instruments by himself: percussion, guitar and keyboard. The recording came from the late seventies, 1978 according to some sources. The title song is based on a Group 1850 song Verandering (change in Dutch) that had been composed in the late sixties, But doesn’t appear until 1975 on the Group 1850 album Live. Changes was never officially released and the reason for it has gone in the mist of time. Could i…
A little while back, with the release of German composer and musician Stephan Mathieu’s sprawling 12 CD box set, Radiance, we predictably touched on the overwhelming ambition of such a thing - especially being as good it was. It was hard to imagine we’d be hearing from him again so soon. But here he is before us, issuing another incredible body of work - 8 CDs in total, under the title Folio, on his own Schwebung imprint in an edition of 250. Our minds are bent. His ambitious heights never seem …
Zaradny is a composer, instrumentalist and visual artist; Piotrowicz a composer, author of sound installations and virtuoso of analog synthesizers. They founded and curated the Musica Genera festival and label. Noetinger, an improviser, publisher and instrumentalist, specializes in electroacoustic collages full of permutations on his tape recorder and using all sorts of electronics. What connects these musicians are their methods of work: experiment as the basis of action, controlled accidents, …
Fierce 78minutes concert by France, recorded in 2016 released on the French label Fougère. With cartoons by Capony and Sauvage. Think Faust, Tony Conrad, early Can.
Transversales Disques announces the release of Bernard Parmegiani's Mémoire Magnétique, Vol. 1. Spanning 1966-1990, this is a revelatory collection of never-released commercial and secret music by electronic music pioneer Parmegiani. Since the late 50's, Bernard Parmegiani, a major figure of electroacoustic music and a founding member of GRM has created some sixty pieces. From the start, Parmegiani's work was closely linked to the screen, with dozens of documentaries, films, long features, anima…
Transversales Disques present Electrucs !, a new release of never-released music by Francois Bayle. On the occasion of the 60th anniversary of the GRM, composer Bayle introduces some of his unpublished archives; pieces include the title composition, "Electrucs !" (1974) composed on a 1970s Synthi AKS synthesizer like an imaginary soundtrack, "Foliphonie" (1974) inspired by La Grande Polyphonie (1978), and "Marpège" (1995), dedicated to Bernard Parmegiani. Also included is "Cinq Dessins En Rosace…
** Edition of 100 copies ** Primorje is the most recent collaboration between Giovanni Donadini (Ottaven, Fantamatres) and Matteo Castro (Lettera 22), focusing on the use of the 4 track recorder as their only instrument. Tape loops, field recordings, dub echoes, damaged beats and downgraded tempos creating two short, minimal and slithering compositions.
For his inaugural LP for Moving Furniture Records the Amsterdam based Swedish sound artist BJ Nilsen turns his intense aural focus and compelling narrative power away from his well-known and much lauded predilection for field recordings of organic nature or the urban built environment. The five pieces presented on this record capture Nilsen during a short residency he did in the Fall of 2017 at Willem Twee Electronic Music Studio in Den Bosch, The Netherlands – five documents these are of improv…
For this collective release, Martijn Comes and Giulio Aldinucci neither worked in the same studio together, nor did they share and exchange materials. The two pieces on this LP were composed privately and without any sonic input of the other. And yet, it is far more than just a 'split'. Both pieces were loosely based on a pair of opposites first proposed by Nietzsche: The moral codex of society, as represented by the Christian church. And the realisation that only by surrendering completely to e…