The Abominable Slowman
This new release by Colin Potter, "The Abominable Slowman", is the logical follow-on from his previous 2015 LP “Rank Sonata”. Like that album, there are elements that were recorded many years ago, but this work also contains new music. Again, the emphasis is on rhythm, although the rhythmic components range from conventional drum sounds to strange electronic and/or mutated outbursts, often accompanied by squalling guitars. As to what this sounds like, keywords would be soundtrack, experimen…
Mnestic Pressure
On Lee Gamble’s stunning first major work since Koch [2014], the rave dreamer reawakens to decode and interpret his hallucinations for Hyperdub, coming to terms with the idea of Mnestic Pressure - a confluence of individual and collective pressures on contemporary memory - in an astonishly febrile, vivid collision and projection of jungle and ambient structures. With his move to Hyperdub following a string of modern classics for PAN, Lee Gamble has effectively reset his sound to realise a …
Durb
Sean McCann on Ian William Craig's Durbē: "Ian shared this live performance with me in January of 2017, while I was living in London for work. I fell asleep countless times whilst listening to this, day and night. After some arm twisting Ian agreed to let me publish it. He had not planned on releasing it officially. Durbē embodies the most elegant and meditative aspects of Ian's music. Live, Ian's music is able to stretch and fold and soak. These long-form takes show how purely structure a…
In Trance
A triple CD compilation put together by Jah Wobble himself that focuses mainly on his earlier releases on his own 30 Hertz label and his more ambient productions. Features tracks from his collaborations with Philip Jeck and Jaki Liebezeit, and Evan Parker. A great affordable introduction by the man himself.labe
Indonesian Electronic Music 1979-1984
Incredible and unreleased before music by Otto Sidharta, pionneer of Indonesian electronic music. Head-vibrating electronic drones conjuring a rare and arcane kind of acousmatic magick, with electronic compositions that integrated natural sounds and urban sounds to this extent were extremely rare at the time, which gives them a unique form of intensity. An hallucinatory ascent into narcotic-hazed Indonesian rainforest atmospheres which could almost be scoring some Werner Herzog absorbing documen…
Echoes of Harmony - Early Music Reworked
All pieces of the Renaissance Repertoire come from Cancionero de Colombina (around 1470) or Cancionero de Palacio (around 1510). Both sources are well known for their typical Spanish repertoire of this period. Electronic music artist Sylvain Chauveau did new versions of several tracks and added also some drones to the program. Daniel Manhart did the compilation and the additional sound design and mixing. All pieces on this CD are hardly ever performed or recorded -- a fine, sensitive, inter…
Digital Dance 002
After the album Total Erasement (SR 366LP, 2014), that includes the more "professional" studio recordings of Digital Dance, Digital Dance 002 is the re-release of their last cassette tape, originally released in 1981, reflecting another side of their work and the beginnings of what was to come. Stéphan Barbery of Digital Dance on the release: As the first single of Digital Dance, "Radioactivity/Computer Rock" (1979), was far from convincing for us, we created our own label, Digital Records, and …
Stand By
**Sea Blue vinyl; Edition of 700** Souffle Continu Records present a reissue of Heldon's Stand By, originally released in 1979. Richard Pinhas began by absorbing Jimi Hendrix as an adolescent, leaving that behind at the beginning of the 1970s, after having heard what Miles Davis and Herbie Hancock were doing with synthesizers, and then discovering the seminal duo Fripp and Eno. It was one year on from this epiphany that the first album by Heldon was released (1974). The main idea was to rock and…
Heldon . 6 . Interface
**Swamp green vinyl; Edition of 700** Souffle Continu Records present a reissue of Heldon's Heldon . 6 . Interface, originally released in 1977. The idea in the mind of Richard Pinhas, the driving force behind Heldon, was to produce music "as cold as a huge block of ice" a vertiginous experience, of course influenced by the King Crimson trilogy, from Larks' Tongues In Aspic (1973) to Red (1974), except that Heldon represents an electrified version, leading to a perfect rapport between though…
Un Reve Sans Consequence Speciale
**Clear purple vinyl; Edition of 700** Souffle Continu Records present a reissue of Heldon's Un Rêve Sans Conséquence Spéciale, originally released on Cobra in 1976. In Heldon, nobody particularly likes liner notes. However, although the group's albums have none, they abound, from the very beginning, with clues and often cryptic references. The name of the group, obviously, comes from a science fiction novel by Norman Spinrad, but perhaps it is less well known that the title of the album Un Rêve…
1976-1979
**Edition of 300 copies, sold out at source **1976-1979: four years of intensive creativity for Heldon, following on from them leaving the home-studio on the Île Saint-Louis for Davout also in Paris, where a Moog 3, purchased from the Beatles, was ready in a space reserved for the leader of the group, Richard Pinhas. From here on, a trilogy was created which compares favorably with King Crimson of the period from Larks' Tongues In Aspic (1973) to Red (1974), the French band breaking new ground…
Expansion Galactica
Mental Experience present the first ever collected works of Guatemalan electronic experimental musician Emilio Aparicio, collecting five 45s he released from 1969-1971. Aparicio was an, a pioneer in using the Moog synth in Latin America. He released a series of private 45s, recorded at his home studio in collaboration with his patron and producer, the painter Roberto Abularach. It is from 1969-1971, when the recordings included here, were registered. Most of the tracks were written at the countr…
358 Oblique
Baltimore’s PJ Dorsey has traversed a lifelong journey delving into psychoactive music which can alter one’s cognitive and conscious state. He harnesses his experiences to create music as Tarotplane. Using guitar, effects and processing he produces time suspending soundscapes - immersive music for merging the mind and body. 358 Oblique is the follow up to First which was released on Aguirre Records in 2015. Find yourself adrift in the lapping waters of a slow unraveling sea of sound, a sp…
Als Ob
Umor Rex saddle up a session of dusty modular kosmische from Phantom Horse, paying homage to the original templates of Cluster/Harmonia and the rhythmelodic patterning of Moondog in five horizon-scanning variations. Best checked for the alien tone of Always Too Late (Reprise) or the wickedly curdled, keening synth discord of Skeptical Island, and its giddy resolution. “Packed in their distinct homelike, warm sound, Phantom Horse effortlessly follow their path to find a melancholic playfulne…
Connector
Stelzer/Murray is the duo of Brendan Murray and Howard Stelzer, two stalwarts of the Boston noise / experimental scene over the past two decades. Both artists have long been friends and both artists have never shied away from collaborating with avant-garde musicians hither and yon. Yet, this marks their first collaborative work together. Better late than never, we say. Stelzer brings to the table an array of mangled and partially demagnetized tape; and Murray brings his knack for compacted…
Inflame Ost
Istanbul's drone-pop producer Ekin Fil turns her sites to the big screen for the first soundtrack in her impressive catalogue of recordings. Inflame (2017) is a psychological thriller laced with paranoia and nightmares, directed by Ceylan Özgün Özçelik and was showcased at the Berlin International Film Festival and the SXSW Film Festival, amongst others. In making her cinematic debut, Ekil Fil turns synths and electronics, in building the score that in part is brimming with tension and c…
Exclusivo!
Alésia Cosmos was a collective of musicians led by Bruno de Chénerilles formed in the early 1980s in Strasbourg, France. The group consisted of Pascal Holtzer (guitar, synthesizer, tapes, drum machine, vocals), Pierre Clavreux (vocals, gong), Marie-Berthe Servier (vocals), Bruno (guitar, tapes, synthesizer, drum machine, vocals) and Tunisian percussionist Lotfi Ben Ayed (darbukas, bendir). In 1981 Bruno composed and wrote some sci-fi radio plays for French state radio channel France Cultu…
Electrogenesis 1978-1980
Vice Versa formed in late 1977 / early 1978 by Stephen Singleton with Mark White and David Sydenham as members and can be considered as one of the "Big Four" late 70's minimalistic electronic/synth-based bands from Sheffield. Together with the other three big Sheffield-Protagonists of electronic music; Cabaret Voltaire, Clock DVA and The Future / Human League they heavily influenced and changed the guitar-dominated British Pop Music Culture in the late 70's to early 80's, especially when in late…
The Abstraction Years 1979-81 (Friends Edition)
During 1979 and 1981 and after running punk-orientated Bands with his Brother Derek for 3 years (Those Nervous Surgeaons, Nervous Surgeons & Half Nervous), Adrian recorded about 6 tapes with almost 6 hours of wonderful atmospheric and powerful minimal/synth-music that no listener can escape from without experiencing wonderful feelings and emotions. His first two tapes from 1979 (From the Silent Days and Absolutely Safe) were only given to friends (for lack of contacts and a still to be es…
Requiem In The Sun / Re-Musick / Demise Symphonika
This is the first in a series of various compilations to come with a focus on the 80’s japanese Minimal/Synth/Wave and electronica. While Japan is very known for the Japanese Noise (almost as Germany is known for NDW (Neue Deutsche Welle) or 70’s Kraut (Progressive).Electronic Music this aspect of the 80’s Japanese Music Culture still seems to be less explored and exposed to the interested listeners. In the early 80’s you had several outstanding labels such as Vanity releasing great artist…