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Electronic /

Negativ White 2
2012 Release. Negativ White 2″ is Papiro’s second output in cooperation with Roy and the Devil’s Motorcycle’s Markus Stähli. Similar to “Rev” (TREE028) this is a live-recording, which was done during a rehearsal for a gig – they were booked for a Rockabilly Night [sic!]. The instruments are kept rather minimal: a drum machine, a synthesizer and synthetical moaning (as a result of pairing a VCS3 with a Formant Filter) are woven into a dubby something. The synthesizers squeak and hiss as one might…
Rev
2010 release. In early 2009, Papiro met with Markus Stahli (of Roy and the Devil'€™s Motorcycle) to rehearse for an upcoming show as the support act of New York avant-gardist and Suicide instrumentalist Martin Rev. As an opening, he chose a piece reminiscent of an Indian raga. Despite its eastern mood, he wanted it to produce a disturbing and nervous atmosphere. The rehearsal was actually supposed to be as a three-piece, but no date could be found for the third man, Michi Zaugg. They decid…
Information Pollution
180-gram LP. Includes printed inner sleeve. Like some ingenious combination of John Cage's chance operations and the numbers station data stream captured on The Conet Project, Strategy's Information Pollution immerses listeners in baffling sonic waters. It's a riveting work that converts the enigmatic effluvia of shortwave and dispatch radio chatter into thrumming, static-riddled clouds of ambience. An undercurrent of unease wafts through Information Pollution's four lengthy tracks, as barely au…
Color Attic
"Bulbs is a band that I like so much that I started a record label to rep their work. I put out their Light Ships album in 2008 because I was so impressed with how futuristic their music was. They've remained active on their own terms since then, releasing a number of micro-editions of their music including a few incredible tapes (Sky Listening, Moon Episodes) and a few splits (a 12" with Mouthus (IMPREC 255LP) and a 7" with Wobbly). Generally Bulbs' music does not sound like the guitar/drum ins…
Osorezan / Doh No Kembai
Their transcendental debut, from the lendary Geinoh Yamashirogumi, a music collective formed in Japan in  1974. Their approach psychedelic music with from a rather Krautish point of view and their first album from 1976 about which I write this review is rather a collage of strange noises, screams, a few rhythms patterns and wide open structures that seem to be borrowed from late 1960s psyched out free jazz. And you can bet, this is an ever flowing freak out but definitely an intense and mi…
The Ritual
Finally the time has come to re-release the first ever recordings by Belgian minimal synth masters Twilight Ritual. Released in 1982 in a tiny cassette edition this album has not been heard by many people. “The Ritual" includes some of their best work, from mysterious dark synthpopsongs (Elegy) to club music (Webb-men) and the epic 14-minute track (Up To Now). Twilight Ritual was/is the main project by Geert Coppens and Peter Bonne. During the early eighties they were involved in many other band…
Things Our Bodies Used To Have
Things Our Bodies Used to Have”, the second LP by Chicago-based trio Good Willsmith, explores possible intersections of textural noise collage, cosmic synth meditation, and abstract music in a live suite of layered improvisations. Limited clear vinyl edition of 300 copies, packaged in uncoated stock jackets with double sided insert, black inner sleeve & free download coupon. In-house design featuring original photographs by Sam Prekop.“Things Our Bodies Used to Have”, documents a 36 minute sessi…
Raw Trax
Anthoney J Hart is hardly a newcomer. After cutting his teeth spinning hardcore, jungle, and drum and bass at legendary pirate radio station Rude FM, Hart eventually began producing under the Imaginary Forces moniker, channeling his early influences into noisier, more abstract territory. As Imaginary Forces plumbed the depths of abstraction, Hart was keen to find an outlet for dancefloor material, and that's where Basic Rhythm comes in. Hart wanted to reference the hardcore and jungle he gre…
The Little Glass
The ever-enigmatic Akira Rabelais returns! The Little Glass breaks down clearly over two discs; the first containing four plaintive solo piano parts by Harold Budd and Rabelais, followed by a 2nd disc presenting Rabelais’ hour long, inharmonic, electronic transformation of the preceding material. Rabelais has collaborated with Budd before, he provided his own incredible side-long second CD to Budd’s majestic Avalon Sutra album, and while the piano pieces that make up the first CD here are bloody…
Chronolyse
Cuneiform Records is proud to announce the first-ever vinyl reissue of Chronolyse, the masterwork of 1970s analogue electronics that French electronic musician and guitarist Richard Pinhas created in tribute to Frank Herbert’s sci-fi classic, Dune. This special reissue, pressed on 180 gram white vinyl and featuring the original album artwork, celebrates Chronolyse’s conception nearly 40 years ago as well as the 50th anniversary of Dune, the first volume of which was published in 1965. Ch…
Tiento de las Luz
The completely singular drone and ambient pioneer Thomas Köner is back on Denovali. Köner’s Tiento de la Luz is a unique release for the artist as it subtly blends classical instrumentation and live electronics in homage to a 15th century musical form. This deep and graceful drone album comes on heavyweight vinyl in a variety of colours and includes a download code and extra thick sleeve. Thomas Köner's first encounter with this musical genre goes back to a commission from Frankfurter Gesel…
Monos/Und
Opcion (formaly known as Ab-Hinc is not unknown name on GODrec, since he took part of remixing Kajkyt's Krst (see GOD 04). First side of his debut, MONOS/UND, offers three pieces of heavily processed and composed noise, accompanied with harsh beats, during second side shows his collaborative side, joining forces with Maja Osojnik, Bernhard Loibner and Kurt Bauer, with improvised pieces being edited until becoming fully constructed pieces... 
Terrible Fake
Terrible Fake explores rhythmic relationships between drums and piano in context of somewhat crippled art of trip-hop. It is mostly based on irregular beats in order to create kind of fragmented groove. Different characters are alsoemphasized through mostly chromatic movements of piano in different registers, producing either undefined tonal system or droning wall of sound.Terrible Dub is nevertheless a "dub" version of the piece which minimizes Terrible Fake to it's fundamentals regarding time …
Shikisokuzekuu-Kuusokuzeshiki
The details of Shikisokuzekuu-Kuusokuzeshiki (1964) are unknown except that it was created at the NHK electronic music studio. According to Toshi Ichiyanagi, there were various discussions about the title, but it would seem to have been eventually broadcasted on the radio with the title Kuu after a producer renamed it. Here, the original title is used, following Ichiyanagi's initial intention. This work has no relation to the short experimental film Shikisokuzekuu (1974), produced by filmmaker T…
Anoxia
LP version in combination offset/screenprinted jacket. Edition of 500. The second L A N D album, Anoxia, sees Daniel Lea return alone with an outing that marks a shift from the industrial-inflected jazz-noir of 2012's Night Within into distinctly new terrain. Mixed by Ben Frost at Greenhouse Studios, Reykjavík; mastered by Rashad Becker at D&M, Berlin. CD packaged in a combination offset/screenprinted jacket. "Anoxia" means "total absence of oxygen," and in Lea's hands the term heralds aural e…
'Split'
Sound sculptures and gongs by Harry Bertoia unite the sides of this split LP from Tara Jane O'Neil and Eleh. O'Neil's composition was commissioned by Venessa Renwick for her Medusa Smack video installation (originally screened in 2012 at the Oregon Biennial). The piece is partially created from sounds recorded by Bertoia on his own Sonambient sound sculptures, as well as O'Neil's recording of Athanasius Kircher's Bell Wheel at the Museum of Jurassic Technology. Eleh's side consists of 100 go…
Jimi W
Low Jack’s Gravats label returns with this limited vinyl-only LP featuring mind-smudging dancefloor edits of Black Zone Myth Chant’s Judgement Mixtape. Essentially hybridizing DJ Screw’s slompy psychedelia with the cosmic tang of Hieroglyphic Being, the five cuts on Jimi W explore heavy-lidded junctures of refractive, oily rhythms and warped chromatic vibes in a bow to ancient, mystic dance spirits and the enduring inspiration of 4th world, new age musicks.Homing in and expanding upon details of…
Kombinat
Kombinat is the debut EP of Clizia the new project of Andrea De Witt, artist present in the electronic music scene with projects as Spin Boldak, Pattern Clear and several collaborations with Technophonic Chamber Orchestra and  4Dkiller. The ep title refers to the production complexes of the real socialism, VEB (Volkseigener Betrieb) Kombinat is composed of 5 tracks and it is released by Sync in a limited edition of 300 copies , exclusively vinyl 10” format. Far from easy esthetical solution…