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"Another luxurious CD in book’s clothing here on the 13 / silentes label, which specialises in combined music and photography into one hopefully cohesive entity. This is the second thing now involving Italian veteran relaxer Gigi Masin, this time accompanying photography by Stefano Gentile. While the matt black book contains 68 pages of some nice dusky imagery of a european city centre to immerse yourself into, I’m gonna concentrate on Gigi Masin’s 30 minute suite that’ll be doing the other imme…
Φ (Phi) is the third and final installment in Mai Mai Mai's Mediterranean trilogy, pushing the project deeper into a vivid interzone of digital synthesis and scorched ritual. The album opens with a searing collaboration with avant-folk instrumentalist Luca Venitucci, locked into a lofty duel of distorted drones, before pivoting to a throbbing oblivion of jackhammer bass, seething feedback, and combat samples. Later passages ooze through industrial spoken word, technoid voodoo hallucination, seas…
Double CD edition. Syrinx’s path veered from the dominant modes of ‘70s subculture, their version of chamber pop hybridized with wild, whimsical electronic experimentation charting new territory in the under and overground. Formed by composer John Mills-Cockell after the dissolution of Intersystems, Syrinx’s two adventurous albums, Syrinx (Self-Titled) and Long Lost Relatives, endorsed the poetic potential of the avant-garde, subverting a turn of the ‘60s trend toward technological pageantry.…
EVOL's Alku imprint present a one of a kind new LP of bird noises produced on an array of autonomous synthesizers and composed by Oswald Berthold, Chris Brown, Anders Dahl, Joe Gilmore, Fredrik Olofsson, Tim Perkis, Roc Jiménez de Cisneros & Peter Worth.
Having been presented as a multichannel installation in 2011 (CosmoCaixa, Barcelona) and 2016 (Entzumen Behatokia, Donostia) Alku present a canary-yellow cassette edition of the Rara Avis project, clocking in at nearly 70 minutes in lengt…
The incessant brain bogglers Evol present the nerve-gnawing acid pointillism of Right Frankfurt. Equivalent to an intravenous dose of acidic synthesis, Right Frankfurt nods to one of techno's most efficient power centers with a PCP-on-Modafinil-strength reduction and concentration of early industrial techno tropes with their skull-cracking beats. If you appreciate the lissome fluidity of a strong acid or synth lead, you will relish the piece's tumultuous, microtonal variations, see-sawing u…
Ben Vida's Damaged Particulates LP represents the conclusion of one body of work, Damaged Particulates, and the beginnings of a new long form project titled Reducing The Tempo To Zero. The version of Damaged Particulates (2012-2016) included in this LP is the final iteration of a piece that Vida has been developing for close to four years. It first materialized as a number of individual synthesizer studies under the title "Damaged Parts". These studies became the source material for an ea…
The third volume of Sub Rosa's Anthology Of Noise & Electronic Music available on vinyl for the first time. The third volume continues to show all the aspects of electronic music from the early beginning to the present - including two pieces of historical concrete music (of the '70s), several pieces of American tape music (Columbia University) with a special focus on all the electronic music from Germany - WDR early works, krautrock, electronic music of the '90s. Features recent work from …
CD Edition. Sub Rosa present Michel Redolfi's Desert Tracks as part of their Early Electronic Series, originally released by INA-GRM in 1988 alongside "Pacific Tubular Waves". In 1987, Michel Redolfi hit the California desert road during the fall, to catch those hypothetical poly-sensorial desert tones. He visited the Mojave Desert, Death Valley, Palm Canyon and came back with an extraordinary album of early electronic music, sparse and bright to express the crude light and the divine sil…
Brian Case (Disappears, Bambi Kino Duo…) is releasing his debut solo album, Tense Nature, which sees him focus his work on space, minimalism and repetition. The songs are all built around the idea of tape loops or lock grooves, working with snippets and phrases of sound. Brian sampled guitar or small drum loops before cutting them randomly. The sequences and their imperfect nature were then reworked into a sort of momentum, built using Case’s own perception of the new fragments.
The result…
From Steve Hauschildt: 'Strands is a song cycle that is about cosmogony and creation/destruction myths. The title alludes to the structural constitution of ropes as I wanted to approach the compositions so that they consisted of strands and fibers which form a unified whole. This was so the songs could have the appearance of being either taut or slack without being fundamentally locked to a grid. So the sounds/tones have a certain malleability to them and sound like they're bending throug…
No Way In celebrates Joe Colley's return from a self-imposed hiatus from creating music. Colley was last spotted in 2012 with his Lonely Microphone LP on Italy's Senufo Editions. No Way In is a further exploration of Colley's terrain of internal dilemma, mental stress, paranoia, and the pessimistic contemplation of one's fate. This could be a soundtrack to distract one from these thoughts, or it could be the trigger that stirs such things. A stunning black and white cover photo on an uncoat…
Glistening Examples present Olivia Block's Dissolution. Olivia Block on the record: "Dissolution is a reflection upon human 'webs of significance', and an investigation into the ways that electronic communications and recording technologies, both past and present, facilitate, complicate and transmute the formation of these webs. Sounds of shortwave radio, municipal broadcast recordings, fragments of found microcassette tapes, tones and instruments dramatize the fragility and failures of co…
On the occasion of the republication of eight texts by Charles-Louis Philippe (1874-1909), Nurse With Wound (here, Steven Stapleton & Brian Conniffe) wrote "Music for Miscellaneous: A Piece of the Sky Is Missing", an unreleased mini CD included in the book.
Fenêtre Ovale is the membrane that forms the limit between the middle and inner-ear. The precise location of the transition between the acoustic and psycho-acoustic, between the physical nature of the sound wave and its subjective perception. In it, we see the frontier between mechanic and the imaginary.”“We are happy to present the second part of the Fenêtre Ovale project. After a first well-received record which brought together composer Karl Naegelen and improvisers Eve Risser and Joris Ruhl,…
Sébastien Roux's new album is an ambitious work of musique concrète. Like the title track of his previous album More Songs, Quatuor is based on Beethoven's 10th string quartet. The sonic material of the piece is culled from arrangements of the original score by Mathieu Bonilla, for flute, clarinet, cello, French horn, and percussion. Quatuor follows the same structure as the original string quartet, classic and solid, but the sound is profoundly original, in turns woody, rubbed, creaking, jerky …
Restocked, reduced price. 180-gram LP version. "The compilation album Heures sans Soleil was originally released in October 1985 in an edition of 1000 copies. It was the fourth vinyl release on LTM, the label I founded while still at school in Edinburgh, and followed on from singles by Minny Pops and A Primary Industry, as well a live album by Crispy Ambulance. . . . I can't claim the idea of an artsy cosmopolitan compilation album was terribly original. I was 19 years old at the time, and still…
2016 Miasmah double LP edition of Pale Ravine, the classic debut album by Deaf Center (Erik K Skodvin and Otto A Totland), originally released on Type records in 2005. More recently Skodvin and Totland are known for solo recordings under their own names on the Sonic Pieces label. Pale Ravine, made back in their mid-twenties, is an otherworldly sound collagé to Norwegian nature, theatricality and old silent films. The two musicians looked deep into their own family histories to piece togeth…
For some this could sound like a supergroup: Simon James Phillips' vivid piano playing with Andrea Belfi's precise percussion and drum patterns make the perfect companions for BJ Nilsen's electronics, welding together a driving energy. It is a rare treat to come across a record that imparts music as spacious as Wall Sailor. The album's ability to capture the listener with a mixture of acoustic instruments, field recordings and digital processing, with constant movement and relentless tens…
LP version. White vinyl. Includes large, fold-out poster (60 x 60 cm) and download code. Oval's album Popp started as a concept album. It was neither meant as a pop record nor as "the Markus Popp signature album". At first, Popp was all about playing around. And about changing the musical outlook from the earlier hyper-detailed, improvisational Oval style to straight-up sequencing, old-school glitch tricks and beat-making. Popp explains, "Working on these new 'club tracks' was like going from…
Candida Cosmica is a collection of recordings made between 1973–75 by electronic innovator Patrick Cowley and Candice Vadalla. Cowley met Vadalla, stage name Candida Royalie, in 1972 when he was living in Haight-Ashbury. A singer, actress and art student from Queens in New York, Vadalla took her new name when she began performing in porn films. She went on to work as a music producer, a sex educator, and directed feminist erotic films, before her death in September 2015.
Cowley arranged an…